Coordinatore del gruppo di ricerca
Prof.ssa Claudia Pelosi
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Partecipanti strutturati all’Università della Tuscia
– Giuseppe Calabrò (Professore Ordinario, Dipartimento DEIM, Università della Tuscia) – Claudia Pelosi (Professore Associato, Dipartimento DEIM, Università della Tuscia) – Referente – Giorgia Agresti (Tecnico laboratorio di Diagnostica, Dipartimento DEIM, Università della Tuscia)
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Partecipanti non strutturati all’Università della Tuscia
– Pietro Burrascano (Professore Ordinario, Dipartimento di Ingegnera, Università di Perugia – Sede di Terni) – Marco Ricci (Professore Associato, Dipartimento DIMES, Università della Calabria) – Stefano Laureti (Ricercatore RTD-A, Dipartimento DIMES, Università della Calabria) – Stefano Sfarra, (Professore Associato, Dipartimento DIIIE, Università dell’Aquila) – Claudia Colantonio (PhD, tecnico, Sapienza Università di Roma) – Marcello Melis (ingegnere collaboratore esterno, società Profilocolore Srl, Roma) – Chiara Matteucci (Tecnico di Laboratorio, Università di Bologna, Sede di Ravenna) – Salvatore A. Apicella (Tecnico d Laboratorio, Università di Bologna, Sede di Ravenna) – Pascal Cotte (Ingegnere collaboratore esterno, Lumiere Technology, Paris) |
Descrizione sintetica dell’attività di ricerca La ricerca verte sull’utilizzo integrato di tecnologia HMI (Hypercolorimetric Multispectral Imaging) e della tecnica della pulse-compression termography (PuCT) per l’analisi dello stato di conservazione della pellicola pittorica e del supporto di dipinti mobili e inamovibili (dipinti murali in situ) e per la caratterizzazione dei materiali pittorici tramite misure di riflettanza spettrale e principali tool di digital image processing.
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Pubblicazioni ultimi 5 anni (Max 5 pubblicazioni) 1 – C. Colantonio, C. Pelosi, G. Calabrò, V. Spizzichino, I. Partenzi, L. Lanteri. Scientific Investigation of Contemporary Pastel Painting by Roberto Sebastian Matta: Characterization of Original Materials through Multispectral Imaging and Spectroscopic Techniques. Heritage 2023, 6, 2541-2558. DOI: https://doi.org/10.3390/heritage6030134. Scopus id: 2-s2.0-85151347933. WOS:000959197500001. http://hdl.handle.net/2067/49516.
2 – R. Vettraino, V. Valentini, P. Pogliani, M. Ricci, S. Laureti, S. Calvelli, R. Zito, L. Lanteri, C. Pelosi, Multi-Technique Approach by Traditional and Innovative Methodologies to Support the Restoration of a Wall Painting from the 16th Century at Palazzo Gallo in Bagnaia, Viterbo, Central Italy. Buildings 2023, 13, 783. https://doi.org/10.3390/buildings13030783. Scopus id: 2-s2.0-85151360076. WOS:000955194300001. http://hdl.handle.net/2067/49515.
3 – M. Ricci, S. Laureti, H. Malekmohammadi, S. Sfarra, L. Lanteri, C. Colantonio, G. Calabrò, C. Pelosi, Surface and Interface Investigation of a 15th Century Wall Painting Using Multispectral Imaging and Pulse‐Compression Infrared Thermography, Coatings, 11, 2021, 546, pp. 1-23. Scopus id: 2-s2.0-85106148191; WOS:000653725200001. Doi: 10.3390/coatings11050546. http://hdl.handle.net/2067/46107 PER VQR
4 – G. Agresti, P. Burrascano, G. Calabrò, C. Colantonio, L. Lanteri, S. Laureti, M. Melis, C. Pelosi, M. Ricci, S. Sfarra, Hypercolorimetric multispectral Imaging and Pulse Compression thermography as innovative combined techniques for painting investigation: the case of a detached wall painting by Pastura, IOP Conf. Series: Materials Science and Engineering 949 (2020) 012008; doi:10.1088/1757-899X/949/1/012008. Scopus ID: 2-s2.0-85096830075. WOS: 000647639100011. http://hdl.handle.net/2067/42373.
5 – S. Laureti, C. Colantonio, P. Burrascano, M. Melis, G. Calabrò, H. Malekmohammadi, S. Sfarra, M. Ricci, C. Pelosi, Development of integrated innovative techniques for the examination of paintings: the case studies of The Resurrection of Christ attributed to Andrea Mantegna and the Crucifixion of Viterbo attributed to Michelangelo’s workshop, Journal of Cultural Heritage, 40 (2019) 1-16, doi.org/10.1016/j.culher.2019.05.005. Scopus id: 2-s2.0-85066270222. WOS: 000491173800001. http://hdl.handle.net/2067/46278.
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Progetti/programmi di ricerca
1 – Titolo: Estratti da legni antichi di foreste vetuste per un uso innovativo nel restauro dei beni culturali. Acronimo: EVER. Finanziamento: Regione Lazio (Determinazione del 13 aprile 2021, n. G04014 – POR FESR Lazio 2014-2020. Progetto T0002E0001 – Avviso Pubblico “Progetti di Gruppi di Ricerca 2020” – Determinazione dirigenziale n. G08487 del 19 luglio 2020. Link: https://www.unitus.it/ricerca/progetti-di-ricerca/progetto-ever/
2 – Titolo: Enhancement of Heritage Experiences: the Middle Ages. Digital Layered Models of Architecture and Mural Paintings over Time. Acronimo EHEM. Progetto europeo JPICH-Conservation, Protection and Use Call, Application nr. JPICH-0127. Finanziamento: European Union’s Horizon 2020 research and innovation programme under grant agreement No 699523 Link: https://ehemproject.eu/ |
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