#WEUNITUS

General Info

SUBJECT SEMESTER CFU SSD LANGUAGE
GRUPPO OPZIONALE SCIENZE E TECNOLOGIA PER LA CONSERVAZIONE E IL RESTAURO - - - -
MATERIALS SCIENCE AND TECHNOLOGY

ULDERICO SANTAMARIA

First Semester 8 IMAT-01/A ita

Learning objectives

The course aims to provide the student with the knowledge of the mechanical, chemical and physical characteristics of the materials. The course aims to provide essential knowledge on the constitution of various classes of materials (pigments, metals, semiconductors, glass, ceramics, stone, construction, composites, plastics, lubricants), on their mechanical, thermal, functional properties and on some production technologies. The goal is to understand the artistic peculiarities of the work of art and its degradation. The course aims to encourage the study of the materials used by artists in works of art over the centuries starting from ancient civilizations up to contemporary art. In addition, knowledge of materials is integrated with design elements of compatible restoration systems. It also intends to stimulate the acquisition of the methodology for understanding technological processes.

Teacher's Profile

courseProgram

Material and composite. Inorganic, metallic and organic materials. Chemical, chemical-physical and mechanical characterization of materials. Diffusion and transport of fluids in materials. Natural and artificial pigments and dyes, pastels, paints and enamels. Binders: aerial and hydraulic limes, cements. Clays, crockery, pottery, glass. Metals and alloys. Colorimetry.

examMode

KNOWLEDGE AND UNDERSTANDING CAPACITY Having developed the knowledge of the basic chemical-physical characteristics of the constituent materials of the artifacts of archaeological and historical-artistic interest and of the related degradation processes.
ABILITY TO APPLY KNOWLEDGE AND UNDERSTANDING Having developed the ability to understand and apply the contents discussed during the lessons to the daily activities of studying the materials and the state of conservation of the artifacts of archaeological and historical-artistic interest.
AUTONOMY OF JUDGMENT To be able to evaluate and recognize materials and forms of degradation of artifacts of archaeological and historical-artistic interest.
LEARNING SKILLS To be able to describe scientific issues inherent in the constituent materials of works of art in written and oral form. This ability will be developed through the active involvement of students through oral discussions in the classroom and written papers on specific topics related to the course.

books

Handouts and slides provided by the teacher
Amoroso, Trattato di scienza della conservazione dei monumenti, Alinea Ed.
F.Bertoni, Chimica Applicata ai materiali da costruzione, Ed. Zanichelli.

mode

KNOWLEDGE AND UNDERSTANDING CAPACITY Having developed the knowledge of the basic chemical-physical characteristics of the constituent materials of the artifacts of archaeological and historical-artistic interest and of the related degradation processes.
ABILITY TO APPLY KNOWLEDGE AND UNDERSTANDING Having developed the ability to understand and apply the contents discussed during the lessons to the daily activities of studying the materials and the state of conservation of the artifacts of archaeological and historical-artistic interest.
AUTONOMY OF JUDGMENT To be able to evaluate and recognize materials and forms of degradation of artifacts of archaeological and historical-artistic interest.
LEARNING SKILLS To be able to describe scientific issues inherent in the constituent materials of works of art in written and oral form. This ability will be developed through the active involvement of students through oral discussions in the classroom and written papers on specific topics related to the course.

classRoomMode

Optional but highly recommended to better understand the course topics and participate in experimental activities and visits to companies and industries.

SCIENCE AND TECHNOLOGY OF WOOD

MANUELA ROMAGNOLI

First Semester 8 AGRI-03/C ita

Learning objectives

1) To know the main biological, chemical and physical wood characteristics of the wood species to be found in cultural heritage, the main methodologies to describe and characterize the material.
2) to know the main factors of deterioration and the best practices to avoid degradation.
3) to identify the woods by macroscopic and microscopic point of view.
4) to know the principles for wood dating by dendrocronology and radiocarbon.

Teacher's Profile

courseProgram

Wood macroscopic structure
Wood microscopic structure
Chemical characterization
Macroscopic and microscopic identification
Wood defects
Wood dendrochronological dating
Wood decay
Physical characterization.
Durability
Mechanical properties
Wood technological properties of each tree species.
Wood conservation
Technical standards
Laboratory for each topic of lectures

examMode

Oral exam on course topics, including at least one question about the physical properties of the material, a description of wood, and a description of microscopic characteristics from a photograph.

books

Nardi Berti (2006). Contributi Scientifico Pratici per una migliore conoscenza del legno
Bonamini e Uzielli. Manuale di Scienze e Tecnologia del Legno
Romagnoli M- Dendrocronologia per i Beni Culturali e l’ambiente. Nardini Editore.
Gambetta A 2010. Insetti e Funghi che attaccano il legno. Nardini editore, Firenze.
Liotta G. Insetti che attaccano il legno. Nardini editore
Altri testi di riferimento
Giordano G., 1984. Tecnologia del Legno
Palanti S. 2013.
Dispense distribuite a lezione dal docente.
Normativa tecnica di riferimento
Nocetti M. 2013. I Difetti del legno. Quaderni di Sherwood, Ecoalleco libri
Borghini e Massafra (a cura di) 2002. Legni da Ebanisteria.

classRoomMode

To attend the lectures is mandatory for the students of Cultural Heritage Conservation and Restoration

bibliography

Nardi Berti (2006). Contributi Scientifico Pratici per una migliore conoscenza del legno
Bonamini e Uzielli. Manuale di Scienze e Tecnologia del Legno
Romagnoli M- Dendrocronologia per i Beni Culturali e l’ambiente. Nardini Editore.
Gambetta A 2010. Insetti e Funghi che attaccano il legno. Nardini editore, Firenze.
Liotta G. Insetti che attaccano il legno. Nardini editore
Altri testi di riferimento
Giordano G., 1984. Tecnologia del Legno
Palanti S. 2013.
Dispense distribuite a lezione dal docente.
Normativa tecnica di riferimento
Nocetti M. 2013. I Difetti del legno. Quaderni di Sherwood, Ecoalleco libri
Borghini e Massafra (a cura di) 2002. Legni da Ebanisteria

17960 - CLASSICAL ARCHAEOLOGY

STEFANO DE ANGELI

First Semester 8 ARCH-01/D ita

Learning objectives

The course intends to furnish a basic knowledge of classical archaeology and of Greek and Roman history of art. The student will be able to deepen archaeological aspects concerning restoration and conservation.

17961 - MEDIEVAL ART HISTORY

MARIA RAFFAELLA MENNA

First Semester 8 ARTE-01/A ita

Learning objectives

The course intends to bring the student closer to the understanding of medieval art in its various manifestations by offering methodological coordinates for reading the works and their study within the historical-artistic processes. The expected learning outcomes can be summarized in the development of the capacity of critically analyze the works in the program and contextualize them.

Teacher's Profile

courseProgram

The program is a basic course and intends to present the lines of development of the history of medieval art from the 4th to the 14th century, focusing on a series of particularly significant works for each period (early Christian, early medieval, Romanesque, Gothic) appropriately selected based on the interest of conservative events.
Given the small number of teaching hours, it is expected that the study of the teaching book will be carried out independently by the student on the basis of the indications that will be provided in class.
The lessons will be focused on transversal themes and on problematic issues: temporal thresholds and periodization; relationship with the antiquity and reuse of materials, the West and Byzantium; techniques of particular disusino in the Middle Ages (mural painting and wall mosaic); the 'discovery' of medieval art through restorations between the nineteenth and twentieth centuries.
The program will be supplemented by visits to Viterbo and Rome which are a fundamental part of the course
These are the following visits:
- in Viterbo (October): the medieval town (in particular San Sisto, San Francesco, Santa Maria Nuova, Sant’Andre a Piano Scarano, Papal Palace)
- in Rome: Santa Maria Maggiore, Santa Prassede, San Clemente; Santa Cecilia and Santa Maria in Trastevere

examMode

The exam is divided into two parts. The first consists of a written test based on the recognition and commentary of works from the textbook, based on a standard form with established fields (artifact type, location, author/school, dating, iconography, technique, observations).
The second consists of an oral test on the course topics, which will assess the candidate's level of knowledge acquired on the topics covered, the candidate's ability to critically apply this knowledge to the problems and case studies addressed, as well as the effectiveness and clarity of the presentation.

There will be ongoing tests based on the recognition of works based on the standard form described above.

The assessment will take into account the student's ability to recognize works, to be able to place them within the precise time frame of production, to relate them to their context, and to critically examine and comment on them using appropriate language and clarity of presentation.
A passing grade is achieved when the student recognizes and comments on at least the works presented during the lessons and demonstrates an ability to navigate the main issues addressed.

books

- P. De Vecchi, E. Cerchiari, Arte nel tempo, vol. I tomo I, Dalla Preistoria alla Tarda Antichità, Bompiani, Milano, Vol. I, tomo I, pp. 240-299; vol. I tomo II, Il Medioevo, pp. 302-651.


Others texts:
- M. Andaloro, Dalla statua all’immagine dipinta in M. Andaloro, L’orizzonte tardo antico e le nuove immagini (312-468), ( La pittura medievale a Roma, 1), Milano, Jaca Book, 2006, pp. 37-52.

The following papers from the book "L’arte medievale nel contesto 300-1300. Funzioni, iconografia, tecniche" ed. by Paolo Piva, Milano, Jaca Book, 2006
- Paolo Piva, Lo ‘spazio liturgico’: architettura arredo, iconografia (secoli IV-XII), pp. 141-180
- Victor M. Schmidt, Tavole dipinte. Tipologie, destinazioni e funzioni (secoli XII-XIV), pp. 205-244.

- M. Pastoreau, Il colore in Arti e storia nel Medioevo ed. by E. Castelnuovo e G. Sergi, II Del costruire: tecniche, artisti, artigiani, committenti, Torino, Einaudi, pp. 417-426.

mode

lessons will be conducted through classroom lectures, exercises, site visits, seminars.

- Classroom lessons will be based on the projection of images and will start from the reading of the images (considering the iconographic, stylistic-formal aspect, but also the technic) to provide the tools for a correct analysis and understanding of them. The active participation of students who will be invited to intervene and exercises based on the compilation of a standard 'scheda' is foreseen.
The images projected during the lessons will be available to students.

classRoomMode

Is required to attend at least 70% of the lessons.

bibliography

L'arte medievale in italia a cura di A.M. Romanini, Firenze, Sansoni 1988.

Arti e storia nel Medioevo a cura di E. Castelnuovo e G. Sergi, vol. I-IV, Torino, Einaudi 2004.

L’arte medievale nel contesto 300-1300. Funzioni, iconografia, tecniche" a cura di Paolo Piva, Milano, Jaca Book, 2006

119011 - ELEMENTS OF CHEMISTRY AND CHEMISTRY LABORATORY - 8 - -

Learning objectives

The course aims to provide students with practical notions in the laboratory through which to deepen the theoretical notions learned during the theoretical lessons in the classroom

ELEMENTS OF CHEMISTRY

COSTANTINO ZAZZA

First Semester 6 CHEM-03/A ita

Learning objectives

1) Knowledge and understanding: at the end of the course, which also includes the Chemistry Laboratory module, and following the commitment of individual study, the student has an adequate knowledge of the chemical concepts preparatory to the correct understanding of the following Conservation and restoration study programs, which involve basic and more advanced concepts of general and inorganic chemistry as well.

2) Ability to apply knowledge and understanding: At the end of the course and following the individual study commitment, the student achieves an adequate preparation which, together with the other more specific knowledge that she will acquire later on, will allow them to move and operate in areas of innovative applications, including international ones. The student will be able to use the fundamentals of chemistry for specific applications in the field of cultural heritage, including for the application of specific methods and eco-sustainable treatments. The student will then be able to orient himself in the choice of different approaches, making this choice also on the basis of the knowledge acquired.

3) Independent judgment: At the end of the course and following the individual study commitment, the student is able to critically interpret any data relating to the evaluation processes of the conservation and restoration techniques of artistic or cultural heritage. The student is able to evaluate possible qualitative aspects related to the use of reagents or treatment mixtures. The autonomy of judgment will be mainly oriented to an assessment of the achievable quality in the finished work based on the choice of treatments themselves.

4) Communication skills: At the end of the course and following the commitment of individual study, the student is able to communicate and share knowledge related to the discipline to interlocutors of the same level and non-specialists. He is able to interact constructively, in relation to the studied discipline, with other people of similar cultural background. These skills are also developed thanks to individual commitment, written tests and oral tests, which represent the moment of synthesis of the study path.

5) Learning skills: At the end of the course and following the individual study commitment, the graduate student / graduate student has developed a certain degree of critical approach. You know how to find all the useful information to contextualize a problem, through the use of the tools offered by appropriate scientific literature.

CHEMISTRY LABORATORY

ULDERICO SANTAMARIA

First Semester 2 CHEM-01/A ita

Learning objectives

The course aims to provide students with practical notions in the laboratory through which to deepen the theoretical notions learned during the theoretical lessons in the classroom

Teacher's Profile

courseProgram

Introduction States of matter. Homogeneous and heterogeneous systems. Substances and chemical elements. Main separation techniques (filtration, centrifugation, distillation). Physical and chemical transformations. Energy and chemical transformations. Intensive and extensive properties of matter. Fundamental physical laws. The atom: protons, neutrons, and electrons. Atomic number and mass number: isotopes. Atomic masses and relative atomic masses. Chemical symbols and their quantitative meaning. Molecular compounds and ionic compounds. Relative molecular mass. Avogadro's number, concept of the mole. Chemical Formulas and Equations Chemical equations and their balancing. Types of reactions: combination, decomposition, and combustion. Combustion analysis. Balanced equations and quantitative information. Concept of limiting reactants. Chemical reactions in solution: acid-base and precipitation reactions. Balancing redox equations. Concentration and its units. Atomic Structure Electromagnetic radiation. Bohr's model of the hydrogen atom. Atomic spectra. De Broglie and the wave nature of matter. Heisenberg's uncertainty principle. Schrödinger equation. Wave-particle duality. Atomic orbitals. Quantum numbers. Pauli exclusion principle. Electron configuration of elements. Aufbau principle. The periodic table of elements. Periodic properties: atomic and ionic sizes, ionization energy, electron affinity. Metals, nonmetals, and metalloids. Brief overview of coordination compounds and their biological importance.Chemical Bonding Ionic and covalent bonding. Bond properties: order, distance, and energy. Electronegativity and dipole moment. Lewis structures. VSEPR model and molecular geometry. Chemical bonding theory: hybrid orbitals and resonance theory in chemistry. Magnetic properties of matter. Intermolecular forces. Hydrogen bonding.The Gaseous State Equation of state for ideal gases. Dalton's law for gas mixtures. Density and relative density of gases and gas mixtures. Average molecular mass of a gas mixture. Kinetic-molecular theory and velocity distribution. Graham's law of effusion. Experimental methods for determining molecular masses of gaseous substances. Real gases, Van der Waals equation.Condensed States The Liquid State Intramolecular and intermolecular interactions. Electrostatic intermolecular interactions. Enthalpy of vaporization and its dependencies. Hydrogen bonding. Phase equilibria. Vapor pressure. Phase transitions and related enthalpies. Clausius-Clapeyron equation. Single-component phase diagrams. Phase diagram of water. The Solid State Crystal lattices and unit cells. Molecular, ionic, covalent, and metallic solids. Polymorphism and allotropy. X-ray diffraction. Definition of solids based on symmetry and intermolecular interactions.Chemical Thermodynamics Definition of a thermodynamic system. State functions. Cyclic and open transformations. Reversible and irreversible transformations. Heat, work, and internal energy. First law of thermodynamics. Enthalpy and Hess's law. Entropy. Second law of thermodynamics. Spontaneous processes. Free energy. Third law of thermodynamics. Introduction to the concept of chemical equilibrium.Solutions Solubility and dissolution processes. Solutions of gases in liquids. Enthalpy of dissolution and effect of temperature on solubilization processes. Ideal solutions and real solutions. Raoult's law. Boiling point elevation and freezing point depression. Colligative properties of ideal solutions and determination of compound molecular masses. Osmosis. Non-ideal solutions. Fractional distillation. Azeotropic mixtures. Henry's law. Activity and ionic strength.Chemical Equilibrium Spontaneous processes and thermodynamic equilibrium in chemical reactions. Law of mass action. Van't Hoff isotherm and isochore. Homogeneous equilibria. Le Chatelier's principle. Effect of changes in reactant or product concentration on equilibrium. Effect of changes in volume, pressure, and temperature on homogeneous equilibria. Heterogeneous equilibria.Equilibria in Solution Acid-base equilibria: General definitions (Arrhenius, Brønsted-Lowry, Lewis). Strength of acids and bases and equilibrium constants. Molecular structure and acid-base properties. Autoionization of water. pH and pOH. Calculation of pH for acidic, basic, and salt solutions. Buffer solutions. Solubility and solubility product of salts.hemical Kinetics Reaction rate. Kinetic laws and integrated rate laws. Order and molecularity of a reaction. Arrhenius equation. Activation energy. Kinetic mechanism of reactions. Collision theory and activated complex theory. Catalysis. Electrochemistry Galvanic cells. Electrodes and electrode reactions. Standard potential. Thermodynamics of galvanic cells. Nernst equation.Stoichiometry: Mole. Empirical and molecular formulas. Nomenclature of main inorganic compounds. Chemical equations and stoichiometric ratios. Limiting reactant. Gas laws and gaseous species in chemical reactions. Indirect analysis. Solutions and volumetric analysis. Gaseous, homogeneous, and heterogeneous chemical equilibria. Thermochemistry and thermodynamics of reactions. Colligative properties of non-electrolyte and electrolyte solutions. Calculation of pH for acid, base, and salt solutions. Buffer solutions. Solubility and solubility product of salts.

examMode

1. Knowledge and Understanding:
This module is designed to provide students with an in-depth understanding of theoretical concepts as applied in the laboratory.

2. Applying Knowledge:
Students will be required to apply their knowledge of chemistry in the laboratory.

3. Autonomy of Judgment:
The course aims to develop students' ability to critically evaluate chemistry in the laboratory.

4. Communication Skills:
Students will need to develop communication skills to present and discuss the applications of chemistry in the laboratory.

5. Learning Ability:
Students will need to demonstrate the ability to learn autonomously and stay updated on the principles of chemistry in the laboratory.

books

R. Morassi, G.P. Speroni, “Il Laboratorio Chimico”, ed. Piccin.

classRoomMode

Attendance of the lessons is not mandatory. However, it is recommended to follow the lessons in the classroom or remotely, when available.

17967 - CHOSE BY THE STUDENT

Second Semester 8 ITA
GRUPPO OPZIONALE SCIENZE E TECNOLOGIA PER LA CONSERVAZIONE E IL RESTAURO - - - -
MICROBIOLOGY AND BIODETERIORATIONOF THE CULTURAL HERITAGE First Semester 4 BIOS-15/A ita

Learning objectives

A) OBJECTIVES
To provide students with basic knowledge of the world of microorganisms (eucoryota, in particular) . In addition, the student will have to gain a general view of the impact of microorganisms in nature and their potential applications and control. It is also the purpose of the course to make students feel confident with some basic techniques of the Microbiology Lab.

B) EXPECTED LEARNING RESULTS
1) Knowledge and understanding
Teaching will help to gain knowledge and ability to understand and describe basic biological structures and processes in microbiology. It also aims to acquire theoretical and experimental knowledge of microbiology in terms of cellular, morphological, biochemical, physiological and genetic aspects. All this information will allow the student to understand basic elements of both microbiology and those interdisciplinary.
2) Applying knowledge and understanding
The student will be able to translate practical theoretical knowledge and arguing issues in the field of general microbiology and environmental one. Through lab activities, students will acquire the ability to apply theoretical knowledge on a practical basis by implementing basic techniques typical of the microbiology laboratory.
3) Making judgments
The student will have the ability to interpret autonomously both basic and applied knowledge of microbiology. This ability will be captured, in particular, thanks to the frequency of practical activities and classroom and laboratory exercises.
4) Communication skills
The student who attends the teaching will be able to present, critically, the knowledge related to the general and applied microbiology, with the help of appropriate audiovisual techniques. This ability will also be achieved through the extensive use of power point presentations in the classroom and the dialogue and exchange of views between the students and the teacher both during the front lessons and during the lab activities.
5) Learning skills
Students will understand and acquire methods of investigation and work in the microbiological field. They will therefore be able to deepen their knowledge and skills independently. This skill will be developed through the active involvement of students through oral class discussions on specific subjects of teaching and laboratory activities.
OURSE OBJECTIVE
The course aims to provide students with knowledge about the problem of biodeterioration of cultural heritage. Students will acquire knowledge about the main biodeteriogenic microorganisms, particularly fungi and bacteria. They will also learn about standard and innovative techniques used in the field of cultural heritage conservation, as well as restoration activities following the phenomenon of biodeterioration. Additionally, during the course, scientific works related to the topics covered will be reviewed.

EXPECTED OUTCOMES
KNOWLEDGE AND UNDERSTANDING:
At the end of the course, students must demonstrate that they have acquired knowledge about the phenomenon of biodeterioration of cultural heritage caused by microorganisms.
ABILITY TO APPLY KNOWLEDGE AND UNDERSTANDING:
During the course, students will be encouraged to familiarize themselves with recent scientific literature.
INDEPENDENT JUDGMENT:
Students will be able to collect, organize, and interpret data related to the biodeterioration of organic and inorganic substrates.
COMMUNICATION SKILLS:
Students will have developed the ability to communicate the acquired knowledge using appropriate terminology in written, oral, or multimedia formats. They should be able to engage with interlocutors from both their field and other sectors and work effectively in a team.
LEARNING ABILITY:
Students will be capable of learning independently and deepening their expertise by consulting bibliographic materials, databases, and other scientific information.



GRUPPO OPZIONALE ATTIVITà DI LABORATORIO - - - -
STONE MATERIALS First Semester 18 ita

Learning objectives

The course is organised with the aim of training students to plan and carry out conservation and restoration on stone. The course is organised so that it follows a plan that is consistent with how a conservation project is developed and carried out. The student must have the knowledge and ability to understand the individual theoretical aspects of the discipline learned through lectures, visits and external excursions, group discussions; must have the knowledge and ability to use methods, techniques and equipment learned through lectures, individual and group exercises; must have an autonomy of judgment stimulated by reading and knowledge of the work in question and by the application of technical practices and methodologies gained through lectures, external visits and excursions, individual and group exercises; they will also have to achieve communication skills with involvement in discussions and comparisons or individual interventions on the status of the work carried out, supported by IT means. The ability to learn will be taken care of with targeted exercises and tests. Students will be given responsibilities such as such is liaising with the library staff, administration of lesson materials, taking care of equipment and conservation materials, photographic documentation, liaising with the scientific laboratories and disposal of waste. Apart from widening their knowledge base, this will help the students to get to know other teaching staff and students in other courses.
Students will be encouraged to develop a team spirit and to collaborate with their classmates

ARTIFACTS PAINTINGS ON WOODEN SUPPORT. ARTIFACTS CARVED IN WOOD First Semester 18 ita

Learning objectives

The aim of the course is to provide the tools, both theoretical and practical, for understanding artistic artifacts. The study includes a first phase of in-depth study of artistic techniques related to materials and operational sequences of execution (cookbooks and artistic manuals), in parallel with direct observation of the works. Reasoned analysis of the degradation and cause of the main critical conservation issues. Elaboration of conservation intervention projects, with the aim of exercising the development of investigation skills aimed at the development of correct strategies of operational modes.
As part of the course, the different methodologies that can be adopted to achieve comparable results will also be considered. In this case, the student is stimulated to share his or her experiences with other students in the course through laboratory discussions, power point presentations and restoration reports. Theoretical insights on 'restoration theories' and presentation of exemplary case studies.
As part of the course, activities on:
- writing specific condition reports addressed to the characterization of constituent materials and degradation morphologies ;
- Research and study of new methods and materials for the conservation of works, and related laboratory experimentation;
- visits to museums, galleries, and related restoration laboratories;
EXPECTED RESULTS :
KNOWLEDGE AND CAPACITY OF UNDERSTANDING: at the end of the course, students should demonstrate that they have acquired knowledge of the main problems, and of the possible methodologies aimed at the elaboration and execution of a correct conservation intervention.
- APPLIED KNOWLEDGE AND ADEQUACY OF UNDERSTANDING: at the end of the course students should demonstrate that they are able to apply the knowledge acquired to individual cases, with examples that are also highly differentiated from each other.
- AUTONOMY OF JUDGEMENT: at the end of the course students should demonstrate that they are able to independently evaluate the progress of the different phases of a restoration, without slavishly relying on pre-established models.
- COMMUNICATIVE SKILLS: at the end of the course, students should demonstrate that they have developed the ability to report correctly, both in writing and orally, about the conservation interventions carried out, the methodologies and materials adopted and the reasons for the choices made from time to time. At the same time, students will have to demonstrate that they are able to independently deepen their knowledge, including on the basis of the topics they consider of greatest interest.

GRUPPO OPZIONALE AFFINI E INTEGRATIVI - - - -
TOOLS AND EXECUTIVE PROCEDURES OF STONE ARTIFACTS OF CLASSICAL ANTIQUITY

STEFANO DE ANGELI

First Semester 8 ARCH-01/D ita

Learning objectives

Developing knowledge of materials, stone working techniques and processes, and ancient and modern restoration interventions of the ancient stone artifacts (sculpture, architectural elements, floor and wall coverings, and mosaics), also in the light of the use of chromatic finishings (color, gold, silver, bronze, etc.), detected through the autopsy and/or diagnostic investigation of the artifact. Acquiring the necessary skills to develop a critical interpretation of stone artifacts that is based on stone working technical knowledge and on theoretical and practical analysis tools, which also allows the recovery of the relationship of the works with their context of use.
At the end of the course, students must be able to:
1) demonstrate that they have acquired knowledge on the topics covered (see teaching program);
2) independently draw up a sheet on the technical working of a stone artifact, also including an analysis of the state of conservation and degradation;
3) correctly present the technical working characteristics of a stone artifact;
4) demonstrate to be able to integrate technical working knowledge with the historical-critical analysis of the work.

119235 - GENERAL PHYSICS AND PHYSICS APPLIED TO CULTURAL HERITAGE - 8 - -
MODULE GENERAL PHYSICS

ULDERICO SANTAMARIA

First Semester 6 PHYS-06/A ita
MODULE PHYSICS APPLIED TO CULTURAL HERITAGE

ULDERICO SANTAMARIA

First Semester 2 PHYS-06/A ita
SUBJECT SEMESTER CFU SSD LANGUAGE
18339 - RESTORATION CHEMISTRY

CLAUDIA PELOSILOREDANA LUVIDI

First Semester 8 CHIM/12 ITA

Learning objectives

The fundamental objective of the Restoration Chemistry course is to ensure that the student has a clear understanding of the composition and chemical-physical behaviour of the materials used in the restoration and of those that may be encountered in the objects and artefacts for which it is called to intervene.
The expected learning outcomes are:
- know the main classes of organic and inorganic compounds and their chemism;
- know the main forms of degradation of materials, in the context of cultural heritage and restoration, and their interactions;
- know the main classes of polymers used for conservation and restoration;
- have an in-depth knowledge of cleaning systems (water-based, organic solvent-based, mechanical cleaning, green cleaning systems);
- understand the meaning of chemical cleaning and mechanical cleaning;
- understand the characteristics of the treatment systems of works of art in restoration;
- understand the methods of experimental verification of the durability of materials in general and specifically those used in the treatment of works of art.
- knowledge and understanding applied to the main restoration operations
- autonomy of judgment in choosing the method of treatment of the work of art
- communication skills in reporting the topics covered during the course in a critical and interconnected way
- ability to learn the topics covered in class and know how to connect them with each other and with the operational choices in restoration

GRUPPO OPZIONALE AFFINI E INTEGRATIVI - - - -
INFORMATICS FOR CULTURAL HERITAGE Second Semester 8 INF/01 ita

Learning objectives

The fundamental objective of the Computer Science Applied to Cultural Heritage course is to provide the student with knowledge of hardware and software systems in general, and specifically those applied in the field of 2D and 3D documentation of Cultural Heritage.
The expected learning outcomes are:
- know the basic principles of hardware and software operation;
- know the principles and applications of vector and raster graphic documentation techniques;
- understand the meaning and importance of documenting cultural heritage;
- understand the functioning of software and electronic tools used in the virtual reproduction of cultural goods
- understand the significance of the experimental results obtained with the above techniques

17971 - MEDIEVAL ARCHAEOLOGY

GIUSEPPE ROMAGNOLI

First Semester 8 L-ANT/08 ita

Learning objectives

Consistently with the educational objectives of the course of study, the course aims to provide basic knowledge in the disciplinary field and to put the student in a position to apply the acquired knowledge, to develop communication skills, autonomy of judgment and ability to communicate ideas, problems and reflections in a clear and correct way, and to acquire the necessary skills to undertake any further studies or professional paths in the field of medieval archaeology.
The expected results are: problem-solving skills on new or unfamiliar topics, set in broader (or interdisciplinary) contexts related to one's field of study; ability to integrate knowledge and manage complexity, as well as to make judgments on the basis of limited or incomplete information; ability to communicate clearly to specialist and non-specialist interlocutors; learning skills that allow one to continue studying mostly independently.

17972 - MODERN ART HISTORY

FAUSTO NICOLAI

First Semester 8 L-ART/02 ita

Learning objectives

Knowledge of the development and the protagonists of Early Modern Italian art from the early fifteenth century to the end of the eighteenth century. Ability to identify formal, technical, iconographic and typological works of art and architecture. Identification of the formal peculiarities of the different artistic techniques. Acquisition of the first rudiments of the specialized terminology of the discipline, development of argumentative skills in the matching between image and word. This path will be a first level to acquire independent judgment and argumentative skills.

Teacher's Profile

courseProgram

History of the arts from the early Renaissance to the beginnings of Neoclassicism. Periodization, artists, visual cultures, and artistic schools—including those organized by geographic and cultural regions—following the approaches outlined in the relevant textbooks.

examMode

The exam will consist of identifying the works and assessing the students’ knowledge of them, based on the material covered in class and found in the textbooks assigned for exam preparation.

books

Reference books:

T. Montanari, S. Settis, Arte. Una storia naturale e civile, Milano, Einaudi-Mondadori, 2019, voll. 3 e 4.

C. Bertelli, G. Briganti, Storia dell'arte italiana, Milano, Electa, 1986, voll. 2 e 3

classRoomMode

No in person attendance required

bibliography

Reference books

T. Montanari, S. Settis, Arte. Una storia naturale e civile, Milano, Einaudi-Mondadori, 2019, voll. 3 e 4.

C. Bertelli, G. Briganti, Storia dell'arte italiana, Milano, Electa, 1986, voll. 2 e 3

GRUPPO OPZIONALE ATTIVITà DI LABORATORIO - - - -
WALL PAINTINGS Second Semester 18 ita

Learning objectives

the course has been organised with the aim of training students to organise and carry out correctly the various phases of a project of conservation and restoration of wall paintings. During the course the student is introduced to all the different phases of a restoration treatment.

ARTIFACTS PAINTIHINGS ON WOODEN: SUPPORT. ARTIFACTS CARVED IN WOOD.FURNITURE AND WOODEN SCULPTURES 2 Second Semester 18 ita

Learning objectives

The aim of the course is to provide the tools, both theoretical and practical, for the understanding of the main critical issues related to restoration interventions and the development of the necessary skills to fine-tune the correct operational methods. With the constant intersection of acquired notions and gained experience, students arrive at an autonomy of judgment that coincides with an operational autonomy.
In addition, the different methodologies that can be adopted to achieve comparable results will be taken into consideration during the course. Students are encouraged to share their experiences with the other students through laboratory discussions, power point presentations and restoration reports.

EXPECTED RESULTS
KNOWLEDGE AND UNDERSTANDING ABILITY: at the end of the course students will have to demonstrate that they have acquired knowledge of the main problems, possible methodologies and types of materials connected to a restoration project.
APPLIED KNOWLEDGE AND UNDERSTANDING ABILITY: At the end of the course students will have to demonstrate that they are able to apply the knowledge acquired to individual cases, even very different from each other.
AUTONOMY OF JUDGEMENT: at the end of the course, students should demonstrate that they are able to independently assess what to do, without referring to pre-established models.
COMMUNICATIVE SKILLS: at the end of the course students must demonstrate that they have developed the ability to report correctly, both orally and in writing, on the interventions carried out, the methodologies and materials adopted and the reasons for their choices.
LEARNING SKILLS: at the end of the course students must demonstrate that they are able to deepen their knowledge autonomously, including topics they consider to be of greatest interest.

17974 - DEBT ENFORCEMENT AND DOCUMENTATION OF ARTISTIC TECNIQUES

PAOLA LUISA POGLIANI

Second Semester 8 L-ART/04 ita

Learning objectives

Learning Objectives
The course will be dedicated to the integrated study of the execution methods of works of art pertaining to different classes of artefacts. The aim is to acquire: the necessary skills to develop the critical interpretation of the work of art through technical-execution knowledge and the application of a research method that uses theoretical-critical as well as practical tools through a direct relationship with the works and their context.
At the end of the course students should be able to:
1) have acquired the knowledge of the main execution techniques and methods and be able to understand the technical-formal characteristics of works of art based on the case studies analysed during the course (1st Descriptor Knowledge and Ability to Understand);
2) having acquired the necessary knowledge and ability to autonomously draw up a file on the execution technique of a work of art in relation to the transversal competences acquired within the other disciplines of the degree course (2nd Descriptor - Applied knowledge and ability to understand)
3) ability to autonomously elaborate and interpret the knowledge acquired on techniques and methods of execution as well as on the use of materials (3rd Descriptor - Autonomy of judgement)
4) communication skills (oral, written and with audiovisual media) to transfer information, problems, solutions with respect to the themes of artistic techniques (4th Descriterion - Communication skills);
5) demonstrate the ability to integrate technical-performance knowledge with the historical-critical analysis of the work (5th Descriterion - Ability to learn).

Teacher's Profile

courseProgram

A first core of lessons will be devoted to presenting a brief history of the studies and highlighting the value of the technical and executive know-how of a work of art in art and restoration studies. The examination of some examples will follow through a methodological path that will use the reading of sources, literature, direct observation of original works of art and their documentation. Wide space will be devoted to the analysis and recognition of material testimonies that are the basic elements for the study of techniques. Particular attention will also be given to the understanding of the organization of the paintings of the past and the use of materials.
Exercises and visits to museums and monuments will be an integral part of the course.

examMode

The final examination is structured in three parts:
1- oral verification of the knowledge acquired during the course and through the bibliography;
2- in-depth study of a source text from among those covered in class and of a theme or technique through the chosen text
3- analysis of the execution technique of a work of art and presentation with a ppt produced by the student.
The evaluation of the oral test will take into account the students' preparation according to the Dublin descriptors and the following indicators:
knowledge of the course content;
ability to express themselves adequately in relation to the topics;
ability to deepen and make connections independently;
ability to retrieve information and decode images;
ability to formulate judgements autonomously;
ability to communicate content, carry out analysis in a reasoned and competent manner.
With respect to these indicators, the assessment
sufficient (18-23/30) is determined by a minimum knowledge of the course content and an acceptable level of presentation of the topics by the student;
average marks (24-27/30) are awarded to the student who demonstrates a more than sufficient (24-25/30) or good (26-27/30) level;
the highest marks (28/30 to 30/30 cum laude) are awarded based on the demonstration of an excellent to outstanding level.
An insufficient assessment is determined by a lack of knowledge of the minimum course content and failure to meet the minimum requirements with respect to the indicators listed above.

books

M. Cordaro, Per una filologia die materiali costitutivi delle opere d’arte e dei materiali di restauro come fondamento della valutazione storica ed estetica, in Fragmenta Picta. Affreschi e mosaici staccati del Medioevo romano, catalogo della mostra, Roma 1989, pp. 33-36
Pogliani P. (2013). Sguardi sulle tecniche d'esecuzione nella cultura italiana degli anni Trenta. In: (a cura di): M. I. Catalano, Snodi di critica. Musei, mostre, restauro e diagnostica artistica in Italia 1930-1940. p. 151-173, Roma: Gangemi Editore
C. Giannini, Materiali e procedimenti esecutivi della pittura murale, Il Prato, 2009, pp. 59-133
A Cerasuolo, Diligenza e prestanza. La tecnica nella pittura e nella letteratura artistica del Cinquecento, Firenze 2014, pp. 113-140
M. Nimmo, C. Olivetti, Sulle tecniche di trasposizione dell’immagine in epoca medievale, in «Rivista dell’Istituto Nazionale d’archeologia e storia dell’arte», S. III, VIII-IX (1985-86), pp. 399-411
P. Pogliani, Pittori e mosaicisti nei cantieri di Giovanni VII (705-707), in L’officina dello sguardo. Scritti in onore di Maria Andaloro, vol. II, Roma 2014, pp. 443-450
Voce MOSAICO - TECNICA enciclopedia dell’Arte medievale
http://www.treccani.it/enciclopedia/mosaico_%28Enciclopedia-dell%27-Arte-Medievale%29/
Voce MOSAICO – TECNICA Enciclopedia dell’Arte Antica 1. Terminologia. 3. Mosaici parietali. 4. Mosaici pavimentali. a) Tecnica e artisti
http://www.treccani.it/enciclopedia/mosaico_res-b6dbf70d-8c60-11dc-8e9d-0016357eee51_%28Enciclopedia-dell%27-Arte-Antica%29/
P. Pogliani, C. Seccaroni, Il mosaico parietale. Trattatistica e ricette dall'Alto medioevo al Settecento, Nardini Editore, Firenze 2010 CAPP.: I, II, V, VI
M. Ciatti – C. Castelli – A. Santacesaria, Dipinti su tavola: la tecnica e la conservazione dei supporti, Firenze 1999, pp. 59-98
G. Perusini, Il restauro dei dipinti e delle sculture lignee: storia e tecniche, Udine 1994 CAP. 7 pp. 199-218.

The books indicated can be found at the University Library System (https://sba-unitus.on.worldcat.org/discovery).
The materials will be available on the Moodle platform of the University of Tuscia.

mode

The course includes frontal lessons in the classroom, museums or monuments, on all the topics discussed in the course (48 hours). Will be part of the lessons: the preparation of cards on techniques and seminars on specific issues (2 to 4 of two hours each), the participation in meetings with experts (1 to 2 sessions of two hours each).

classRoomMode

Attendance at classes offers the possibility of ensuring direct confrontation on topics or works of art. It is therefore recommended.

bibliography

During the lessons the reading of a selection of texts taken from:

Plinio il Vecchio, Storia delle arti antiche, a cura di M. Harari, S. Ferri, Milano 2001
Vitruvio, De architectura, a cura di Pierre Gros, Antonio Corso e Elisa Romano, Torino 1997
Theophilus, Le varie arti : manuale di tecnica artistica medievale / Teofilo Monaco, a cura di Adriano Caffaro, Salerno 2000
C. Cennini, Il libro dell'arte, a cura di F. Brunello, Neri Pozza, Vicenza 1982
G. Vasari, Le vite dei più eccellenti pitturi, scultori et architettori, Firenze 1568, ed cons., Einaudi, Torino, 1995

NON-ATTENDING STUDENTS will have to agree on the program with the professor..

GRUPPO OPZIONALE SCIENZE E TECNOLOGIA PER LA CONSERVAZIONE E IL RESTAURO - - - -
GEOLOGY

SERGIO MADONNA

Second Semester 8 GEO/07 ita

Learning objectives

The objectives of the course consist in understanding the main geological and geological-technical processes aimed at understanding how these processes could influence the conservation and restoration of cultural heritage. Students will understand how the different geomaterials used in architecture are formed, and how these could be affected by different mechanisms of alteration basing on their physical and chemical properties. The understanding of these phenomena will also be analyzed in the framework of cultural heritage preservation.
1) Knowledge and understanding
At the end of the training activity the student will acquire knowledge about the main geological, mineralogical and geological-technical properties of rocks and soils as constituent materials of the various cultural heritage. The student will also be able both to classify the different types of rocks and to understand the mechanisms of formation and alteration.
2) Applied knowledge and understanding
At the end of the training activity the student will must demonstrate to be able to classify and recognize the different types of rocks and soils; to know the main problems that can affect the protection and use of cultural heritage also by framing them in the geological context in which they are located.
3) Making judgments
Through the topics addressed in the classes and practice tutorials, the student will be able to make individual judgment about the lithogenetic processes and possible alteration of the geomaterials used in the field of cultural heritage dealing with different contexts and environments in which the cultural and architectural heritage are located.
4)Communication skills
The student will acquire an appropriate technical language both during theoretical lessons and tutorial activities, necessary to interact with professionals and experts involved in the analysis, conservation and restoration of cultural heritage. Communication skills will be verified during classroom discussions and through the examination.
5) Learning skills
The student must demonstrate to be able to analyze the cultural heritage from the point of view of composition and possible weathering by framing it in different even if the settings are different from those considered during classes. The student must also be able to define the main geological and geological-technical characteristics of an area useful for the conservation and restoration of cultural and architectural heritage.

17965 - KNOWLEDGE OF ENGLISH (PASS)

Second Semester 4 L-LIN/12 ITA

Learning objectives

The learner is able to know and understand the topics related to the syntax and vocabulary of the English language for a B1 level, which concern the structures to be used in everyday communication. He/she is also able to understand the key points of topics relating to their specific field of study.
The learner is able to interact with ease, without errors and misunderstandings, in everyday situations where the language of communication is English. He/she is able to use the tools and vocabulary learned related to their field of study.
the learner is able to independently deepen, through information and communication technologies, what he/she has learnt with regard to everyday aspects of language use but especially with regard to knowledge acquired in his/her specific field of study
the learner has acquired the ability to produce written texts, in a clear and complete manner, on topics of everyday life but also on subjects related to their specific field of study
The learner is able to act independently to deepen and integrate the knowledge acquired during the course, expanding the specialised lexicon, writing and communication strategies to be implemented in an English language conversation

SUBJECT SEMESTER CFU SSD LANGUAGE
GRUPPO OPZIONALE BENI CULTURALI - - - -
PALAEOTHNOLOY

GIAN MARIA DI NOCERA

8 L-ANT/01 ita

Learning objectives

The student will have knowledge and understanding of the evolutionary processes and historical and material evidence left by man from the most remote prehistory to the first appearance of written evidence, as well as being aware of archaeological documentary sources and historical method. This objective will be achieved through the use of updated textbooks, "interactive" lessons in which the student is directly involved and through the discussion of some of the topics related to the most recent acquisitions in the prehistoric field.

Expected learning outcomes
1 - The student will have knowledge and understanding of the evolutionary processes and archaeological evidence left by man from the most remote prehistory to the first millennium BC. in Europe and the Near East. This objective will be achieved through the use of scientific texts and the reading of classics in the sector, also through the illustration of case studies and the presentation of the most recent discoveries in the field of prehistoric archeology.
2 –The student will have the ability to apply their knowledge and understanding in order to demonstrate a professional approach on long-lasting phenomena, and will have adequate skills both to interpret events and to understand their developments throughout the course of prehistory. The student will be able to acquire knowledge and comprehension skills applied through direct experience on archaeological material and critical analysis of archaeological sources.
3 - This kind of study will allow students to acquire the ability to collect and interpret data from archaeological sources through a specific methodology that will allow the student to acquire independent judgment with respect to historical-social, political and economic events.
4 - He will be able to communicate with properties and with appropriate terminology, but also in popular form, both orally and in written text, on themes of prehistoric archeology, moreover through the methodological tools acquired he will be perfectly able to undertake subsequent studies in a conscious way.
5 - In addition to the traditional teaching, the student's continuous solicitation to intervene in the discussions during the lectures and in the illustration of the case studies, represents the most suitable way to achieve comprehension skills.

Teacher's Profile

courseProgram

Title: Outlines of prehistory and research methodology.
The module is divided into two parts. In the first part of the course methodological issues are addressed. A short history of the studies will be followed by themes that aim to provide a critical reading of archaeological sources. Then we will discuss topics on the social organization systems of pre-protohistoric societies through ethno-anthropological points of view and we will introduce topics on the ancient systems of economic exchange. The fundamental stages of man will also be illustrated: his physical evolution, the introduction of the productive economy, the urbanization process, the role of technology and the birth of religion.
The slides of the individual lessons in pdf format will be sent periodically by the teacher to the attending students only.
Students who cannot attend classes are invited to contact the teacher for an interview on the exam schedule and to receive information on the exam texts.

examMode

- The exam consists of an oral test. The level of knowledge acquired on the topics covered in the course, the candidate's ability to critically apply this knowledge to problems and case studies addressed, as well as the effective clarity in the presentation will be assessed. The evaluation will be expressed in thirtieths, with possible honors. The minimum mark for passing the exam is eighteen out of thirty.

classRoomMode

Attendance: Attendance is not mandatory, however the attending student must be present at 75% of the lessons (18 lessons out of 24). The student who cannot attend will receive adequate teaching material.

Teacher's Profile

courseProgram

Title: Outlines of prehistory and research methodology.
The module is divided into two parts. In the first part of the course methodological issues are addressed. A short history of the studies will be followed by themes that aim to provide a critical reading of archaeological sources. Then we will discuss topics on the social organization systems of pre-protohistoric societies through ethno-anthropological points of view and we will introduce topics on the ancient systems of economic exchange. The fundamental stages of man will also be illustrated: his physical evolution, the introduction of the productive economy, the urbanization process, the role of technology and the birth of religion.
The slides of the individual lessons in pdf format will be sent periodically by the teacher to the attending students only.
Students who cannot attend classes are invited to contact the teacher for an interview on the exam schedule and to receive information on the exam texts.

examMode

- The exam consists of an oral test. The level of knowledge acquired on the topics covered in the course, the candidate's ability to critically apply this knowledge to problems and case studies addressed, as well as the effective clarity in the presentation will be assessed. The evaluation will be expressed in thirtieths, with possible honors. The minimum mark for passing the exam is eighteen out of thirty.

classRoomMode

Attendance: Attendance is not mandatory, however the attending student must be present at 75% of the lessons (18 lessons out of 24). The student who cannot attend will receive adequate teaching material.

MODERN AND CONTEMPORARY ART

PATRIZIA MANIA

8 L-ART/03 ita

Learning objectives

a) Knowledge of the history of contemporary art from the late eighteenth century to the present day in connection with its historical-cultural context and the general objectives of the course; b) Ability to understand the themes of contemporary art history in connection with the other disciplines of the course; c) Independent evaluation of the specific problems of the discipline; d) Communication skills for scientific and informative purposes (oral, written, through audiovisual instruments); e) Learning skills by acquiring methods for the continuous updating of one's knowledge.

Teacher's Profile

courseProgram

The course aims to explore the history of contemporary art through its works, artists, historical contexts, and the languages used. It covers a chronological span from Romanticism to the present day.
The topics covered are listed below:
- Romanticism
- Realism
- Impressionism
- Post-Impressionism and Symbolism
- Art Nouveau
- Expressionism
- Cubism
- Futurism
- Abstraction
- Architectural Rationalism
- Dadaism
- Surrealism
- Art Informel
Action Painting
The Neo-Avant-Garde Movements of the 1960s
The 1970s and 1980s
The Contemporary Artistic Debate.

examMode

Ongoing assessment as partial exemption: during the course, specific meetings will be held to explore topics developed by students on topics agreed upon with the instructor.
Oral exam: Learning will be assessed through an oral exam.
The oral exam will assess the student's understanding of the topics covered in the course and the recommended reading list, as well as their ability to analyze and contextualize the works and the underlying linguistic processes within the relevant period and geographical area.

books

- Contemporary Art History Manual – knowledge of the history of contemporary art from Impressionism to the present - (Giulio Carlo Argan L'Arte Moderna - Achille Bonito Oliva L'Arte fino al 2000 editore Sansoni, o un altro manuale p.e.– Gillo Dorfles, Angela Vettese, Arti visive – il Novecento -)
- De Micheli, Le avanguardie artistiche del Novecento, (esistono varie edizioni)
- Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction,[1936]
for non-attending students
- Denys Riout, The Art of the Twentieth Cent002ury,
- Nicolas Bourriaud, Relational Aesthetics, 2002

classRoomMode

Attendance is mandatory since lessons are held in a mixed-mode format.

bibliography

- Patrizia Mania, Coesistere attraverso il gioco. Stalker/Osservatorio Nomade al Campo Boario, in, Piano b, 2025
- Nicolas Bourriaud, Estetica relazionale, post media books, 2010

Teacher's Profile

courseProgram

The course aims to explore the history of contemporary art through its works, artists, historical contexts, and the languages used. It covers a chronological span from Romanticism to the present day.
The topics covered are listed below:
- Romanticism
- Realism
- Impressionism
- Post-Impressionism and Symbolism
- Art Nouveau
- Expressionism
- Cubism
- Futurism
- Abstraction
- Architectural Rationalism
- Dadaism
- Surrealism
- Art Informel
Action Painting
The Neo-Avant-Garde Movements of the 1960s
The 1970s and 1980s
The Contemporary Artistic Debate.

examMode

Ongoing assessment as partial exemption: during the course, specific meetings will be held to explore topics developed by students on topics agreed upon with the instructor.
Oral exam: Learning will be assessed through an oral exam.
The oral exam will assess the student's understanding of the topics covered in the course and the recommended reading list, as well as their ability to analyze and contextualize the works and the underlying linguistic processes within the relevant period and geographical area.

books

- Contemporary Art History Manual – knowledge of the history of contemporary art from Impressionism to the present - (Giulio Carlo Argan L'Arte Moderna - Achille Bonito Oliva L'Arte fino al 2000 editore Sansoni, o un altro manuale p.e.– Gillo Dorfles, Angela Vettese, Arti visive – il Novecento -)
- De Micheli, Le avanguardie artistiche del Novecento, (esistono varie edizioni)
- Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction,[1936]
for non-attending students
- Denys Riout, The Art of the Twentieth Cent002ury,
- Nicolas Bourriaud, Relational Aesthetics, 2002

classRoomMode

Attendance is mandatory since lessons are held in a mixed-mode format.

bibliography

- Patrizia Mania, Coesistere attraverso il gioco. Stalker/Osservatorio Nomade al Campo Boario, in, Piano b, 2025
- Nicolas Bourriaud, Estetica relazionale, post media books, 2010

GRUPPO OPZIONALE SCIENZE E TECNOLOGIA PER LA CONSERVAZIONE E IL RESTAURO - - - -
INFRARED SPECTROSCOPY APPLIED TO THE DIAGNOSTICS OF CULTURAL HERITAGE

CLAUDIA PELOSI

8 CHIM/01 ita

Learning objectives

Objective of the course is to give the students the knowledge and understanding of the main methods for diagnostic analysis and of their application to cultural heritage.
The student will be able to demonstrate the acquisition of making judgements in relation to the diagnostic techniques to be used in each specific case study.
Objective of the course is also to make the student able to communicate skilfully the main characteristics and applications of the diagnostic techniques explained and discussed during the lessons and the training activities.

ZOOLOGY APPLIED TO CULTURAL HERITAGE

SIMONA PICCHIETTI

8 BIO/05 ita

Learning objectives

The course will provide scientific and technical tools to address problems arising from the attack of animal biodeteriogen species.
KNOWLEDGE AND UNDERSTANDING: By the end of the course, students will be expected to know the general characteristics of animal biodeteriogen species, biodegradation processes, preventive and curative methods.
APPLYING KNOWLEDGE AND UNDERSTANDING: Applying the methodological preventive and curative approaches to the biodegradation of cultural heritage.
MAKING JUDGEMENT: Ability to understand problems arising from the attack of animal biodeteriogen species.
COMMUNICATION SKILLS: Ability to present problems and methodological approaches in the context of the biodegradation of cultural heritage, using appropriate scientific language.
LEARNING SKILLS: Ability to learn autonomously applied problems related to the biodegradation of cultural heritage.

Teacher's Profile

courseProgram

Module II. Risks to cultural heritage. Preservation of cultural heritage. Interactions between organisms and cultural heritage. Biodeterioration indoor and outdoor. Insects: role in the deterioration of constituent materials of cultural heritage. Wood-destroying insects. The main insect species involved in textile, leathers and archival materials biodeterioration. Methods for the detection of insect degradation. Preventive and curative methods. The zoological collections as a cultural asset. Problems of preservation of the zoological collections. The rodents and bats, control methods. The birds and control methods. Aquatic fauna involved in the degradation of the submerged artifacts: shellfish, segmented worms, crustaceans, sponges, cnidarians. Substrates for growth and degradation processes. Microscopy for art and conservation: diagnostic investigations using microscopic techniques. Notes on the use of molecular biology techniques for the diagnosis and prevention of the biodeterioration of the cultural heritage.

examMode

Learning will be verified through an intermediate test (six questions, 2 hours) and oral interview. General and specific questions will aim to evaluate the ability to present topics using a specific language. Several aspects will be taken into account in determining the final grade: the level of knowledge of the topics covered (sufficient, average, complete, in-depth); the ability to connect the acquired concepts (sufficient, good, excellent); the ability to analyze and the aspects of critical thinking (sufficient, good, excellent); the mastery of expression (exposure deficient, simple, clear and correct, confident and correct).

books

Insetti e Restauro, E.Chiappini, G Liotta , M.C. Reguzzi, A Battini
ed. Calderini edagricole - 2001
Degrado biotico del legno, Michela Dalprà. Daniela Piazza Editore
Sugli infestanti e le infestazioni, Montanari, Ruschioni, Trematerra Gangemi Editore

classRoomMode

Attendance is mandatory: one lesson per week (4 CFU= 32h). Attendance will be monitored and recorded during each lesson.

bibliography

https://www.unitus.it/it/unitus/Studenti/articolo/moodle

17973 - CULTURAL HERITAGE RESTORATION HISTORY

First Semester 8 L-ART/04 ita

Learning objectives

The course aims to bring students closer to the problems of reading the work of art through its conservative history, considering the interaction between historical, theoretical and critical aspects that determine its events over time, so as to stimulate knowledge and the ability to understand and learn, autonomy of judgment, communication skills

GRUPPO OPZIONALE BENI CULTURALI - - - -
ETRUSCOLOGY

MARINA MICOZZI

8 L-ANT/06 ita

Learning objectives

The course aims to provide basic methodological knowledge for understanding the different aspects of the Etruscan civilization. By the end of the course students:
1) will have basic knowledge of Etruscan history, society, art and handicraft (knowledge and understanding); 2) will be able to illustrate cultural and chronological links (applying knowledge and understanding); 3) will be able to analyze the archaeological documentation and place it in a correct historical and cultural context (making judgements); ; 4) will be able to use an appropriate, technical speech (communication skills); 5) will have the learning skills to start a master's degree study (learning skills).

PALAEOTHNOLOY

GIAN MARIA DI NOCERA

8 L-ANT/01 ita

Learning objectives

The student will have knowledge and understanding of the evolutionary processes and historical and material evidence left by man from the most remote prehistory to the first appearance of written evidence, as well as being aware of archaeological documentary sources and historical method. This objective will be achieved through the use of updated textbooks, "interactive" lessons in which the student is directly involved and through the discussion of some of the topics related to the most recent acquisitions in the prehistoric field.

Expected learning outcomes
1 - The student will have knowledge and understanding of the evolutionary processes and archaeological evidence left by man from the most remote prehistory to the first millennium BC. in Europe and the Near East. This objective will be achieved through the use of scientific texts and the reading of classics in the sector, also through the illustration of case studies and the presentation of the most recent discoveries in the field of prehistoric archeology.
2 –The student will have the ability to apply their knowledge and understanding in order to demonstrate a professional approach on long-lasting phenomena, and will have adequate skills both to interpret events and to understand their developments throughout the course of prehistory. The student will be able to acquire knowledge and comprehension skills applied through direct experience on archaeological material and critical analysis of archaeological sources.
3 - This kind of study will allow students to acquire the ability to collect and interpret data from archaeological sources through a specific methodology that will allow the student to acquire independent judgment with respect to historical-social, political and economic events.
4 - He will be able to communicate with properties and with appropriate terminology, but also in popular form, both orally and in written text, on themes of prehistoric archeology, moreover through the methodological tools acquired he will be perfectly able to undertake subsequent studies in a conscious way.
5 - In addition to the traditional teaching, the student's continuous solicitation to intervene in the discussions during the lectures and in the illustration of the case studies, represents the most suitable way to achieve comprehension skills.

Teacher's Profile

courseProgram

Title: Outlines of prehistory and research methodology.
The module is divided into two parts. In the first part of the course methodological issues are addressed. A short history of the studies will be followed by themes that aim to provide a critical reading of archaeological sources. Then we will discuss topics on the social organization systems of pre-protohistoric societies through ethno-anthropological points of view and we will introduce topics on the ancient systems of economic exchange. The fundamental stages of man will also be illustrated: his physical evolution, the introduction of the productive economy, the urbanization process, the role of technology and the birth of religion.
The slides of the individual lessons in pdf format will be sent periodically by the teacher to the attending students only.
Students who cannot attend classes are invited to contact the teacher for an interview on the exam schedule and to receive information on the exam texts.

examMode

- The exam consists of an oral test. The level of knowledge acquired on the topics covered in the course, the candidate's ability to critically apply this knowledge to problems and case studies addressed, as well as the effective clarity in the presentation will be assessed. The evaluation will be expressed in thirtieths, with possible honors. The minimum mark for passing the exam is eighteen out of thirty.

classRoomMode

Attendance: Attendance is not mandatory, however the attending student must be present at 75% of the lessons (18 lessons out of 24). The student who cannot attend will receive adequate teaching material.

Teacher's Profile

courseProgram

Title: Outlines of prehistory and research methodology.
The module is divided into two parts. In the first part of the course methodological issues are addressed. A short history of the studies will be followed by themes that aim to provide a critical reading of archaeological sources. Then we will discuss topics on the social organization systems of pre-protohistoric societies through ethno-anthropological points of view and we will introduce topics on the ancient systems of economic exchange. The fundamental stages of man will also be illustrated: his physical evolution, the introduction of the productive economy, the urbanization process, the role of technology and the birth of religion.
The slides of the individual lessons in pdf format will be sent periodically by the teacher to the attending students only.
Students who cannot attend classes are invited to contact the teacher for an interview on the exam schedule and to receive information on the exam texts.

examMode

- The exam consists of an oral test. The level of knowledge acquired on the topics covered in the course, the candidate's ability to critically apply this knowledge to problems and case studies addressed, as well as the effective clarity in the presentation will be assessed. The evaluation will be expressed in thirtieths, with possible honors. The minimum mark for passing the exam is eighteen out of thirty.

classRoomMode

Attendance: Attendance is not mandatory, however the attending student must be present at 75% of the lessons (18 lessons out of 24). The student who cannot attend will receive adequate teaching material.

HISTORY OF PHOTOGAPHIC TECHNIQUES 8 L-ART/03 ita

Learning objectives

The course aims to provide the theoretical and historical knowledge of photography in its fundamental stages, from its nineteenth-century origins to its role in the history of contemporary culture. Some themes of the critical theoretical debate on photography will be introduced, and an analysis will be made on the changes that have occurred in the last decade, especially as a result of social networks.
Much attention will also be paid to the aspects of photography as a tool for documentation and recording of visible reality, especially in its relationship
with cultural heritage and art.
During the lessons, technical information will also be provided, such as the composition of the frame, natural and artificial lighting, color rendering, etc
The course aims to develop the student's knowledge of the main phases and protagonists of the history of photography from its birth to the twentieth century, as well as the understanding of the relationship that develops between art and photography. The student will therefore be able to orient themselves chronologically and distinguish the different photographic artistic productions
The student will have the tools to create photographic documentation relating to cultural heritage through the different stages of image creation, with particular attention to light management

GRUPPO OPZIONALE ATTIVITà DI LABORATORIO - - - -
STUCCO 18 ita

Learning objectives

The course aims to provide an advanced understanding of the core principles and topics of technical and operational methodologies adopted in restoration of plaster and stuccoes, through the acquisition of theoretical and practical knowledge. During the training the students must demonstrate that they have achieved skills in dealing with timely and accurate operations that characterize the profession in this specific field of restoration.
The goal of the course is to provide students with informations and experiences to enable them to approach works of art with decision-making autonomy and theoretical and technical tools, in order to formulate a plan of action and its proper execution.
To enrich the knowledge of the subject, we will analyze artistic techniques, causes of deterioration and intervention methods on gypsum sculptures as well techniques for the execution of plaster casts.
In the period of teaching, lectures will be planned as well as practice tests and tutorials, monuments and restoration sites visitations.

ACTIVITIES: MANUFATTURE OF TEXTILE BACKING 18 ita
17977 - BOTANY APPLIED TO CULTURAL HERITAGE

Second Semester 8 BIO/03 ITA

Learning objectives

The aim of the course is to provide the students tools for understanding the diversity of biodeteriorations of Cultural Heritages, due to different organisms (bacteria, cyanobacteria, fungi, algae, lichens, hepatics, pteridophytes, plants). The knowledge of the biodiversity of organisms of different environmental compartments - air, water and soil -, of their ecology and adaptive strategies, is a basic skill for understanding their role in the biological deterioration and the strategy to counteract them.

SUBJECT SEMESTER CFU SSD LANGUAGE
GRUPPO OPZIONALE BENI CULTURALI - - - -
ARCHIVISTICA GENERALE 8 M-STO/08 ita

Learning objectives

The student will have basic knowledge and understanding of archival formation, management and preservation. This objective will be achieved through the use of up-to-date textbooks, interdisciplinary seminars in which the student is directly involved, and through the discussion of some of the topics related to the most recent acquisitions in the field of general archival science.
The course aims to provide students with a general understanding of the evolution of the document from the traditional analog to the digital context. The aim of the course is to introduce the topic of archives, analyzing the archival theory related to the ordering, the inventorying and the archival information systems. The aim of the course is for participants to acquire archival and organizational knowledge and to understand the basic rules of formation, management and preservation of archives. The educational objective of the course is to develop knowledge about: records, forms of records, history of archives, preservation of archives, use and enhancement of archival collections.

Expected Learning Outcomes (1)
1 - The course aims to provide students with a general understanding of the evolution of archives from the traditional analogue to the digital context.
2 - The student will be introduced to the topic of archives by analyzing technologically advanced systems of archival description that are based, at the organizational level, on sound archival theory.

Expected Learning Outcomes (2)
3 - This type of study will allow the student to acquire skills to develop knowledge related to: document forms, history of archives, preservation of archives, use and enhancement of archival collections.
4 - The student will be able to communicate with ownership and with appropriate terminology, both orally and in written text, on issues related to archives. Furthermore, through the methodological tools acquired, the student will be able to evaluate the different types of archives and move within an archives for historical research purposes.
5 - In addition to the traditional didactics, the continuous encouragement of the student to participate in discussions during frontal lessons and in the illustration of case studies, represents the most appropriate way to achieve understanding.

GRUPPO OPZIONALE FORMAZIONE GIURIDICA ED ECONOMICA - - - -
CULTURAL HERITAGE LAW

DIEGO VAIANO

6 IUS/10 ita
GRUPPO OPZIONALE AFFINI E INTEGRATIVI - - - -
SOIL CULTURAL HERITAGE

MARIA CRISTINA MOSCATELLI

8 AGR/13 ita

Learning objectives

Unit 1
The course aims at presenting the soil resource as central in human life which favoured the achievement of mankind history.
The course focuses on the conservation concept either as active or passive: soil that conserves archaeological remains and soil that should be conserved as a vulnerable fragile resource.
For the first aspect soil is presented through the description of its physical, chemical and biological properties. Basic concepts of soil science are given.
For the second aspect the course explores the possibility to use visual arts (particularly painting and installations) as innovative tools to vehicle and spread soil knowledge, valorisation and ultimately a soil culture.
In particular the course aims at:
1) favouring knowledge and understanding of soil functions and properties
2) learning how to apply soil science techniques to archaeological sciences
3) making judgments about soil's attitude to conserve archeological remains
4) learning soil science terms and communication tools
5) increasing learning skills by means of visual arts

Teacher's Profile

courseProgram

Unit 1.
Soils and mankind: role of soils in human life and history. Can we define soil as cultural heritage? Discussion and presentation of the historical, artistic and ethno/anthropological values of soil according to the “cultural heritage” definition. Soil and art: soil is individuated and discussed through different art expressions such as paintings, installations and visual arts. Critical analysis of the different attention given by artists to the soil resource from the past to present times.
Soils functions (ecological and socio-economical).Presentation of the active and passive role of soil for the conservation concept.
Soils and archaeology: potential support of soil sciences to archaeological sciences. Presentation of the methodological approaches to the study of burial context:
1) Characterization of soils properties: conservation parameters
2) Functional analysis of archaeological areas to infer their original function.

Unit 2.
Pedoarcheology: pedology in archaeological contexts, genesis, properties and characteristics of soil in the past with respect to the environment reconstruction where man interacted. Pedon: definition and characteristics. The pedogenesis: factors and processes of soil formation and genesis. Overview of soil classification systems. The characteristics of pedogenetic and diagnostic horizons. The anthropic factor in pedogenesis. Description of the profile of a soil. The physical and chemical properties of soil modified by human activity. Detail stratigraphy: possible matrices. Micromorphological and geochemical analysis, isotopic dating. Case studies related to the analysis of stratigraphic sequences in buried soils between the Bronze (sometimes the early Holocene) and the late Middle Ages (holoceic pedophile complex).

examMode

The oral examination takes place with the discussion of three topics, one of which chosen by the candidate, covering the various areas of the topics covered.
The PowerPoint presentation on the in-depth study of a chosen topic, upon previous submission to the teacher, may be displayedfollowed by three questions on the program. The presentation will be given a score from 0 to 10 and to each of the answers to the three questions.
Consideration will be given to the level of knowledge of the contents, the ability to apply the theoretical concepts, the critical analysis, synthesis and interdisciplinary connections, the mastery of expression.

books

Unit 1
Teaching material is provided by the professor and further divided in relation to the different curriculum.
Soil and culture, 2010 – E.R. Landa, C. Feller – Springer (optional readings)
Unit 2
Materilas provided by lessons
Basi di Pedologia. Giacomo Certini e Fiorenzo Cesare Ugolini. Edagricole

mode

Classroom lectures, presentations (ppts) with graphic illustrations, photographs, virtual 3D objects, videos, animations.
2. Practical activity for soil chemical and physical analysis in the laboratory of Soil Chemistry and Biochemistry (Laboratory 213) First Floor, Block A.
3. Field excursion: Morphological analysis of apedological profile
4. Students’ presentation of an individual report/project developed on a specific topic of interest

classRoomMode

Not mandatory

bibliography

Soil Science for Archeologists. Stewart Reed, Nathan Bailey, Oghenekome Onokpise
Edited by: Michael Russo and Virginia Horak

CURATORIAL METHODOLOGIES FOR RESTORATION

8 L-ART/04 ita
GRUPPO OPZIONALE ATTIVITà DI LABORATORIO - - - -
MOSAIC 18 ita

Learning objectives

MMosaic Conservation/Restoration course is being conducted by two different teachers, Livia Alberti and Francesca Mariani, who have worked out and share the training objectives, the teaching methods and the student assessment methods. The exercises in the individual modules, on the other hand, are prepared and conducted individually by one or the other teacher.
The course aims to prepare the student to approach mosaic restoration with:
- ability to diagnose conservation issues,
- ability to choose among possible technical solutions of intervention both from a conservation and aesthetic presentation point of view
- familiarity with documentation techniques,
- aptitude in exploring in depth the issues proposed by the intervention.
In order to achieve this objective, lessons will be held for the general knowledge of the mosaic sector both from the historical-artistic point of view as from the technical point of view of the execution of this type of artifacts. The different intervention techniques will be first explained in the classroom, in order to introduce the specific methods and the theoretical motivations that support the different phases of restoration, and thus prepare the student for the complexity of the intervention. The frontal lessons will be supported by images and summary diagrams organized in Power Point projections, while verifying the degree of understanding of each student through exchanges of questions and answers from both sides and deepening the various topics with classroom discussion.
The practical exercise, the core activity of the course, will be organized so as to address the various issues of restoration, such as cleaning, consolidation, reintegration and aesthetic presentation, especially on mosaics that are still preserved in situ in archaeological sites. Knowledge on the execution technique may also be deepened through the individual creation, ex novo, of a small mosaic with the traditional ancient technique. Practicing in the different intervention operations will also be aimed at improving the student's manual dexterity, from which we expect, at the end of the course, a conscious, precise and neat manual work, of a high-quality level.
The theoretical knowledge acquired during lessons, and the experience gained through practice, should lead students to be capable of making methodological and technical choices independently.
The purpose of the exercise will also be to cultivate students' planning and organizational skills as they will be experiencing the management of the worksite in its different aspects.
Their ability to learn and process the acquired notions, as well as their self-confidence and language skills, will be tested during the different modules when the student will be asked to explain and motivate the work. In addition, the assessment will be carried out by means of written tests including at least the complete technical report of a restoration work carried out during the year and an oral test during which the student will illustrate by means of Power Point one of the projects carried out or a particular subject that came up during the year.

MANUFATTURES SYNTHETIC MATERIALS MANUFACTURED, ASSEMBLED AND/OR PAINTED 18 ita
17991 - METHODS AND DOCUMENTATION OF ARTISTIC TECHNIQUES

Second Semester 8 ICAR/19 ita

Learning objectives

Understanding the theoretical foundations and the logical, organizational and technical processes that lead to the definition of an ordinary maintenance plan.

SUBJECT SEMESTER CFU SSD LANGUAGE
GRUPPO OPZIONALE FORMAZIONE GIURIDICA ED ECONOMICA - - - -
BUSINESS ADMINISTRATION

VINCENZO SFORZA

6 SECS-P/07 ita

Learning objectives

EARNING OUTCOMES: The course aims to provide an essential preparation on the conditions of existence of business administrations, the criteria governing their conduct, and the tools for measuring their results.
KNOWLEDGE AND UNDERSTANDING: At the end of the course the student must demonstrate that she/he has learned both issues of a mainly theoretical nature - regarding the company, its functioning and the relationship it establishes with its general and task environment - as well as operational issues, related to the estimation of income and book value.
APPLYING KNOWLEDGE AND UNDERSTANDING: The student must be able to recognize the various types of companies, to understand the roles of the people who work there and identify the parts that make up their structure. Furthermore, the student must be able to quantify the effect that the main management operations have on the capital, on the result of the period and on the internal equilibrium.
MAKING JUDGEMENTS: At the end of the course, the student will be able to understand the company and its functioning as well as the opportunity to undertake certain management operations in relation to the effects that the main management operations have on the qualitative and quantitative composition of the capital and the result. financial year and, more generally, on internal balances.
COMMUNICATION SKILLS: Knowledge of the general and operational part of the course will allow the student to acquire the technical language of the subject.
LEARNING SKILLS: At the end of the course, the student will be able to understand the basic issues of business economics that will allow her/him to read documents or participate in debates with business content.

GRUPPO OPZIONALE AFFINI E INTEGRATIVI - - - -
HISTORY OF CONTEMPORARY ART IN EUROPE AND IN THE MEDITERRANEAN AREA

PATRIZIA MANIA

8 L-ART/03 ita

Learning objectives

In-depth knowledge of the historical-artistic culture of the contemporary world in the geographical area of Europe and the Mediterranean. Mastery of the theoretical and critical tools necessary for the analysis and interpretation of the works. Direct comparison with the works.
Expected learning outcomes
At the end of the course, students must be able to:
1) Recognize the peculiar aspects of contemporary European and Mediterranean artistic culture with reference to the protagonists, the exhibitions, the critical theory and the languages used
2) Analyze the geo-cultural meanings and contexts of reference
3) Report on the identity features of contemporary artistic practices in the presence of the relative theoretical debate in the area under consideration
4) Acquire skills in approaching and analyzing contemporary works of art in a framework of interdisciplinary and transcultural references.

Teacher's Profile

courseProgram

- Themes, languages, protagonists of Art in Europe from 1969 to Today
- The postmodern condition: definition and characters
- Some artists: Marcel Broodthaers, Joseph Beuys, Anselm Kiefer
- The 90s: relational aesthetics, the biennial format
- The issue of postcolonialism in art: the "Les Magiciens de la Terre" exhibition and debate
- The controversial limelight of Eastern art after the collapse of the Berlin Wall
- Atlas of contemporary art in the Mediterranean area- The third millennium: between globalization and resistance. The new emergencies

examMode

Ongoing assessment: At the beginning of the course, flipped classroom sessions will be scheduled, during which students will present topics previously agreed upon with the instructor. This activity will be assessed at the end of the course out of thirtieths as a partial exemption from the oral exam (1/3 of the overall assessment).
Oral exam: The interview will focus on the topics covered in the course. Two or three questions will be asked to test students' knowledge of contemporary art history.

books

- Nicolas Bourriaud, Il radicante, postmediabooks, 2014
- Patrizia Mania, Racconti mediterranei. Immagini, memoria, azioni nell’arte contemporanea, Round Robin, 2017.
-Patrizia Mania Maria Raffaella Menna, a cura di, Frammenti di Siria Dal medioevo alla contemporaneità Prendersi cura dell’arte/L’arte come cura, Round Robin, 2019, pp.97-137
-Patrizia Mania, “I Like Europe but Europe Doesn’t Like Me. Sentirsi discriminati: gli artisti dell’Est dopo la Guerra fredda”, in Raffaella Petrilli, Hate Speech L’odio nel discorso pubblico. Politica, media, società, Round Robin, 2019, pp.99-111.

Non-attending students have to choose a text from the following:
- Roberto Pinto, Nuove geografie artistiche. Le mostre al tempo della globalizzazione, Postmediabooks, 2012.
- Teresa Macrì, Fallimento, Postmediabooks, 2017
- Foster Hal, Il ritorno del reale. L’avanguardia alla fine del Novecento, 2006, Postmedia Srl, Milano. [1996, Massachussets Institute of Technology].
- Belting H., Birken J., Buddensieg A. e Weibel P., eds. Global Studies. Mapping Contemporary Art and Culture, Hatje Cantz Verlag, Ostifldern, 2011.
- Patrizia Mania, Raffaella Petrilli, Elisabetta Cristallini (a cura di), Arte sui muri della città. Street Art e Urban Art: questioni aperte, Roma, Round Robin editrice, 2017.

classRoomMode

Attendance at 75% of the lessons is required and will be recorded with the collection of signatures.

bibliography

Further bibliographical references will be provided during the lessons.

Teacher's Profile

courseProgram

- Themes, languages, protagonists of Art in Europe from 1969 to Today
- The postmodern condition: definition and characters
- Some artists: Marcel Broodthaers, Joseph Beuys, Anselm Kiefer
- The 90s: relational aesthetics, the biennial format
- The issue of postcolonialism in art: the "Les Magiciens de la Terre" exhibition and debate
- The controversial limelight of Eastern art after the collapse of the Berlin Wall
- Atlas of contemporary art in the Mediterranean area- The third millennium: between globalization and resistance. The new emergencies

examMode

Ongoing assessment: At the beginning of the course, flipped classroom sessions will be scheduled, during which students will present topics previously agreed upon with the instructor. This activity will be assessed at the end of the course out of thirtieths as a partial exemption from the oral exam (1/3 of the overall assessment).
Oral exam: The interview will focus on the topics covered in the course. Two or three questions will be asked to test students' knowledge of contemporary art history.

books

- Nicolas Bourriaud, Il radicante, postmediabooks, 2014
- Patrizia Mania, Racconti mediterranei. Immagini, memoria, azioni nell’arte contemporanea, Round Robin, 2017.
-Patrizia Mania Maria Raffaella Menna, a cura di, Frammenti di Siria Dal medioevo alla contemporaneità Prendersi cura dell’arte/L’arte come cura, Round Robin, 2019, pp.97-137
-Patrizia Mania, “I Like Europe but Europe Doesn’t Like Me. Sentirsi discriminati: gli artisti dell’Est dopo la Guerra fredda”, in Raffaella Petrilli, Hate Speech L’odio nel discorso pubblico. Politica, media, società, Round Robin, 2019, pp.99-111.

Non-attending students have to choose a text from the following:
- Roberto Pinto, Nuove geografie artistiche. Le mostre al tempo della globalizzazione, Postmediabooks, 2012.
- Teresa Macrì, Fallimento, Postmediabooks, 2017
- Foster Hal, Il ritorno del reale. L’avanguardia alla fine del Novecento, 2006, Postmedia Srl, Milano. [1996, Massachussets Institute of Technology].
- Belting H., Birken J., Buddensieg A. e Weibel P., eds. Global Studies. Mapping Contemporary Art and Culture, Hatje Cantz Verlag, Ostifldern, 2011.
- Patrizia Mania, Raffaella Petrilli, Elisabetta Cristallini (a cura di), Arte sui muri della città. Street Art e Urban Art: questioni aperte, Roma, Round Robin editrice, 2017.

classRoomMode

Attendance at 75% of the lessons is required and will be recorded with the collection of signatures.

bibliography

Further bibliographical references will be provided during the lessons.

17999 - MUSEOLOGY

PAOLA LUISA POGLIANI

First Semester 8 L-ART/04 ita
18006 - FINAL EXAMINATION

Second Semester 10 ITA
GRUPPO OPZIONALE ATTIVITà DI LABORATORIO - - - -
LABORATORY THESIS 18 ita
GRUPPO OPZIONALE FORMAZIONE GIURIDICA ED ECONOMICA - - - -
MEDIA THEORIES AND TECNIQUES

GIOVANNI FIORENTINO

6 SPS/08 ita

Learning objectives

1. Knowledge and understanding: being able to critically read the relationship between media and society in historical development and acquire the historical, technological and theoretical skills necessary to understand and interpret media forms, languages ​​and practices;
2. Applied knowledge and understanding: acquire the appropriate tools and languages ​​to analyze in depth the daily experience with the media and correctly interpret the social media scenarios of the past and emerging ones, in the cultural industry and in social practices;
3. Making judgements: apply the knowledge acquired during the course to critically analyze the transformations introduced by the media in the history of Western man, particularly in the context of contemporary society;
4. Communication skills: acquire an adequate specialized vocabulary and demonstrate mastery of the terminology and fundamental concepts of the course;
5. Ability to learn: acquire the autonomy necessary to continuously update the knowledge and skills acquired during the course to apply them to the analysis of the continuous evolutions that characterize the relationship between media technologies and social reality.

Laboratory Activities: Laboratory activities are an integral part of teaching and will complement the frontal teaching. They will mainly be based on group work in which students will be involved in analyzes of media use practices.

Teacher's Profile

courseProgram

-Orality and writing. The history of man and the communicative artefact, means of communication and social transformations.
-The roots of the modern: birth of metropolitan civilization and consumer aesthetics, archeology of mass communication media (1800-1850).
-Advent of the technical reproducibility of the work of art, development of the means of mass communication and audiovisual, progressive transformations of literature and society (1850-1900).
-From the historical avant-gardes to the birth of the modern collective imagination (1900-1930).
-Growth and deconstruction of the mass culture industry, information, education, entertainment. Redefinition of public opinion (1930-1970).
-Transformation of cultural policies and of the generalist media system, advent of neo-television (1970-1980).
-Birth and development of new interactive media, spread of information technology and telematics, relationship between technological innovation, knowledge models and social relations.
The society of networks. Convergent culture (1980-2020).

examMode

The oral exam can be integrated with application activities of various kinds, individual or group, subject to evaluation during the cycle of teaching activities.
The oral evaluation will check in particular the student's knowledge of respect
1. the evolution of the media in a historical and cultural context.
2. the forms and the media devices, in the distinction and in the systemic interaction.
3. the classics and reference theories in media analysis.

books


1. G. Boccia Artieri, F. Colombo, G. Gili, Comunicare. Persone, relazioni, media, Laterza, Roma-Bari, 2022 (ISBN: 9788859300700).

2. P. Giovannetti, A. Miconi, a cura di, Il medium oggi. Da McLuhan all’intelligenza artificiale, Carocci, Roma, 2025 (ISBN: 9788829030583).

3. D. Bennato, M. Farci, G. Fiorentino (a cura di), Dizionario mediologico della guerra in Ucraina, Guerini, Milano, 2023 (ISBN: 9788881074747).

4. M. Pireddu, M. Serra, a cura di, Mediologia. Una disciplina attraverso i suoi classici, Liguori, Napoli 2012 (ISBN 9788820756017).

mode

The course includes lectures that combine the cultural theoretical treatment with the presentation and discussion of concrete case studies. In addition, parts of the course will be enriched by workshops, interventions by external experts, visits to companies or institutions in the area.
- Frontal lessons.
- Workshops.
- Group work.
- Meetings with external specialists.
- Field visits.

classRoomMode

Attendance not compulsory, recommended

bibliography

A. Abruzzese, P. Mancini, Sociologie della comunicazione, Laterza, Roma 2007 (ISBN 9788842084846).
G. Balbi, F. Comunello, F. Pasquali, M. Sorice, a cura di, Studiare i media. Prospettive disciplinari e parole chiave, Carocci, Roma 2025 (ISBN 9788829029099).
G. Boccia Artieri, F. Colombo, G. Gili, Comunicare. Persone, relazioni, media, Laterza, Roma-Bari, 2022 (ISBN: 9788859300700).
G. Fiorentino, Dalla parte del suono. Radio, Sud e Mediterraneo 1943-1978, Settecittà, Viterbo 2018 (ISBN ISBN 978-88-7853-827-6).
G. Fiorentino, Il flaneur e lo spettatore. La fotografia dallo stereoscopio all'immagine digitale, con testi di C. Baudelaire e O. W. Holmes, Franco Angeli, Milano 2014 (ISBN 9788891708960).
G. Fiorentino, Il sogno dell'immagine. Per un'archeologia fotografica dello sguardo. Benjamin, Rauschenberg e Instagram, Meltemi, Milano 2019 (ISBN 8855190571).

Teacher's Profile

courseProgram

-Orality and writing. The history of man and the communicative artefact, means of communication and social transformations.
-The roots of the modern: birth of metropolitan civilization and consumer aesthetics, archeology of mass communication media (1800-1850).
-Advent of the technical reproducibility of the work of art, development of the means of mass communication and audiovisual, progressive transformations of literature and society (1850-1900).
-From the historical avant-gardes to the birth of the modern collective imagination (1900-1930).
-Growth and deconstruction of the mass culture industry, information, education, entertainment. Redefinition of public opinion (1930-1970).
-Transformation of cultural policies and of the generalist media system, advent of neo-television (1970-1980).
-Birth and development of new interactive media, spread of information technology and telematics, relationship between technological innovation, knowledge models and social relations.
The society of networks. Convergent culture (1980-2020).

examMode

The oral exam can be integrated with application activities of various kinds, individual or group, subject to evaluation during the cycle of teaching activities.
The oral evaluation will check in particular the student's knowledge of respect
1. the evolution of the media in a historical and cultural context.
2. the forms and the media devices, in the distinction and in the systemic interaction.
3. the classics and reference theories in media analysis.

books


1. G. Boccia Artieri, F. Colombo, G. Gili, Comunicare. Persone, relazioni, media, Laterza, Roma-Bari, 2022 (ISBN: 9788859300700).

2. P. Giovannetti, A. Miconi, a cura di, Il medium oggi. Da McLuhan all’intelligenza artificiale, Carocci, Roma, 2025 (ISBN: 9788829030583).

3. D. Bennato, M. Farci, G. Fiorentino (a cura di), Dizionario mediologico della guerra in Ucraina, Guerini, Milano, 2023 (ISBN: 9788881074747).

4. M. Pireddu, M. Serra, a cura di, Mediologia. Una disciplina attraverso i suoi classici, Liguori, Napoli 2012 (ISBN 9788820756017).

mode

The course includes lectures that combine the cultural theoretical treatment with the presentation and discussion of concrete case studies. In addition, parts of the course will be enriched by workshops, interventions by external experts, visits to companies or institutions in the area.
- Frontal lessons.
- Workshops.
- Group work.
- Meetings with external specialists.
- Field visits.

classRoomMode

Attendance not compulsory, recommended

bibliography

A. Abruzzese, P. Mancini, Sociologie della comunicazione, Laterza, Roma 2007 (ISBN 9788842084846).
G. Balbi, F. Comunello, F. Pasquali, M. Sorice, a cura di, Studiare i media. Prospettive disciplinari e parole chiave, Carocci, Roma 2025 (ISBN 9788829029099).
G. Boccia Artieri, F. Colombo, G. Gili, Comunicare. Persone, relazioni, media, Laterza, Roma-Bari, 2022 (ISBN: 9788859300700).
G. Fiorentino, Dalla parte del suono. Radio, Sud e Mediterraneo 1943-1978, Settecittà, Viterbo 2018 (ISBN ISBN 978-88-7853-827-6).
G. Fiorentino, Il flaneur e lo spettatore. La fotografia dallo stereoscopio all'immagine digitale, con testi di C. Baudelaire e O. W. Holmes, Franco Angeli, Milano 2014 (ISBN 9788891708960).
G. Fiorentino, Il sogno dell'immagine. Per un'archeologia fotografica dello sguardo. Benjamin, Rauschenberg e Instagram, Meltemi, Milano 2019 (ISBN 8855190571).

Learning objectives

The course aims to provide the student with the knowledge of the mechanical, chemical and physical characteristics of the materials. The course aims to provide essential knowledge on the constitution of various classes of materials (pigments, metals, semiconductors, glass, ceramics, stone, construction, composites, plastics, lubricants), on their mechanical, thermal, functional properties and on some production technologies. The goal is to understand the artistic peculiarities of the work of art and its degradation. The course aims to encourage the study of the materials used by artists in works of art over the centuries starting from ancient civilizations up to contemporary art. In addition, knowledge of materials is integrated with design elements of compatible restoration systems. It also intends to stimulate the acquisition of the methodology for understanding technological processes.

Teacher's Profile

courseProgram

Material and composite. Inorganic, metallic and organic materials. Chemical, chemical-physical and mechanical characterization of materials. Diffusion and transport of fluids in materials. Natural and artificial pigments and dyes, pastels, paints and enamels. Binders: aerial and hydraulic limes, cements. Clays, crockery, pottery, glass. Metals and alloys. Colorimetry.

examMode

KNOWLEDGE AND UNDERSTANDING CAPACITY Having developed the knowledge of the basic chemical-physical characteristics of the constituent materials of the artifacts of archaeological and historical-artistic interest and of the related degradation processes.
ABILITY TO APPLY KNOWLEDGE AND UNDERSTANDING Having developed the ability to understand and apply the contents discussed during the lessons to the daily activities of studying the materials and the state of conservation of the artifacts of archaeological and historical-artistic interest.
AUTONOMY OF JUDGMENT To be able to evaluate and recognize materials and forms of degradation of artifacts of archaeological and historical-artistic interest.
LEARNING SKILLS To be able to describe scientific issues inherent in the constituent materials of works of art in written and oral form. This ability will be developed through the active involvement of students through oral discussions in the classroom and written papers on specific topics related to the course.

books

Handouts and slides provided by the teacher
Amoroso, Trattato di scienza della conservazione dei monumenti, Alinea Ed.
F.Bertoni, Chimica Applicata ai materiali da costruzione, Ed. Zanichelli.

mode

KNOWLEDGE AND UNDERSTANDING CAPACITY Having developed the knowledge of the basic chemical-physical characteristics of the constituent materials of the artifacts of archaeological and historical-artistic interest and of the related degradation processes.
ABILITY TO APPLY KNOWLEDGE AND UNDERSTANDING Having developed the ability to understand and apply the contents discussed during the lessons to the daily activities of studying the materials and the state of conservation of the artifacts of archaeological and historical-artistic interest.
AUTONOMY OF JUDGMENT To be able to evaluate and recognize materials and forms of degradation of artifacts of archaeological and historical-artistic interest.
LEARNING SKILLS To be able to describe scientific issues inherent in the constituent materials of works of art in written and oral form. This ability will be developed through the active involvement of students through oral discussions in the classroom and written papers on specific topics related to the course.

classRoomMode

Optional but highly recommended to better understand the course topics and participate in experimental activities and visits to companies and industries.

Learning objectives

1) To know the main biological, chemical and physical wood characteristics of the wood species to be found in cultural heritage, the main methodologies to describe and characterize the material.
2) to know the main factors of deterioration and the best practices to avoid degradation.
3) to identify the woods by macroscopic and microscopic point of view.
4) to know the principles for wood dating by dendrocronology and radiocarbon.

Teacher's Profile

courseProgram

Wood macroscopic structure
Wood microscopic structure
Chemical characterization
Macroscopic and microscopic identification
Wood defects
Wood dendrochronological dating
Wood decay
Physical characterization.
Durability
Mechanical properties
Wood technological properties of each tree species.
Wood conservation
Technical standards
Laboratory for each topic of lectures

examMode

Oral exam on course topics, including at least one question about the physical properties of the material, a description of wood, and a description of microscopic characteristics from a photograph.

books

Nardi Berti (2006). Contributi Scientifico Pratici per una migliore conoscenza del legno
Bonamini e Uzielli. Manuale di Scienze e Tecnologia del Legno
Romagnoli M- Dendrocronologia per i Beni Culturali e l’ambiente. Nardini Editore.
Gambetta A 2010. Insetti e Funghi che attaccano il legno. Nardini editore, Firenze.
Liotta G. Insetti che attaccano il legno. Nardini editore
Altri testi di riferimento
Giordano G., 1984. Tecnologia del Legno
Palanti S. 2013.
Dispense distribuite a lezione dal docente.
Normativa tecnica di riferimento
Nocetti M. 2013. I Difetti del legno. Quaderni di Sherwood, Ecoalleco libri
Borghini e Massafra (a cura di) 2002. Legni da Ebanisteria.

classRoomMode

To attend the lectures is mandatory for the students of Cultural Heritage Conservation and Restoration

bibliography

Nardi Berti (2006). Contributi Scientifico Pratici per una migliore conoscenza del legno
Bonamini e Uzielli. Manuale di Scienze e Tecnologia del Legno
Romagnoli M- Dendrocronologia per i Beni Culturali e l’ambiente. Nardini Editore.
Gambetta A 2010. Insetti e Funghi che attaccano il legno. Nardini editore, Firenze.
Liotta G. Insetti che attaccano il legno. Nardini editore
Altri testi di riferimento
Giordano G., 1984. Tecnologia del Legno
Palanti S. 2013.
Dispense distribuite a lezione dal docente.
Normativa tecnica di riferimento
Nocetti M. 2013. I Difetti del legno. Quaderni di Sherwood, Ecoalleco libri
Borghini e Massafra (a cura di) 2002. Legni da Ebanisteria

Learning objectives

A) OBJECTIVES
To provide students with basic knowledge of the world of microorganisms (eucoryota, in particular) . In addition, the student will have to gain a general view of the impact of microorganisms in nature and their potential applications and control. It is also the purpose of the course to make students feel confident with some basic techniques of the Microbiology Lab.

B) EXPECTED LEARNING RESULTS
1) Knowledge and understanding
Teaching will help to gain knowledge and ability to understand and describe basic biological structures and processes in microbiology. It also aims to acquire theoretical and experimental knowledge of microbiology in terms of cellular, morphological, biochemical, physiological and genetic aspects. All this information will allow the student to understand basic elements of both microbiology and those interdisciplinary.
2) Applying knowledge and understanding
The student will be able to translate practical theoretical knowledge and arguing issues in the field of general microbiology and environmental one. Through lab activities, students will acquire the ability to apply theoretical knowledge on a practical basis by implementing basic techniques typical of the microbiology laboratory.
3) Making judgments
The student will have the ability to interpret autonomously both basic and applied knowledge of microbiology. This ability will be captured, in particular, thanks to the frequency of practical activities and classroom and laboratory exercises.
4) Communication skills
The student who attends the teaching will be able to present, critically, the knowledge related to the general and applied microbiology, with the help of appropriate audiovisual techniques. This ability will also be achieved through the extensive use of power point presentations in the classroom and the dialogue and exchange of views between the students and the teacher both during the front lessons and during the lab activities.
5) Learning skills
Students will understand and acquire methods of investigation and work in the microbiological field. They will therefore be able to deepen their knowledge and skills independently. This skill will be developed through the active involvement of students through oral class discussions on specific subjects of teaching and laboratory activities.
OURSE OBJECTIVE
The course aims to provide students with knowledge about the problem of biodeterioration of cultural heritage. Students will acquire knowledge about the main biodeteriogenic microorganisms, particularly fungi and bacteria. They will also learn about standard and innovative techniques used in the field of cultural heritage conservation, as well as restoration activities following the phenomenon of biodeterioration. Additionally, during the course, scientific works related to the topics covered will be reviewed.

EXPECTED OUTCOMES
KNOWLEDGE AND UNDERSTANDING:
At the end of the course, students must demonstrate that they have acquired knowledge about the phenomenon of biodeterioration of cultural heritage caused by microorganisms.
ABILITY TO APPLY KNOWLEDGE AND UNDERSTANDING:
During the course, students will be encouraged to familiarize themselves with recent scientific literature.
INDEPENDENT JUDGMENT:
Students will be able to collect, organize, and interpret data related to the biodeterioration of organic and inorganic substrates.
COMMUNICATION SKILLS:
Students will have developed the ability to communicate the acquired knowledge using appropriate terminology in written, oral, or multimedia formats. They should be able to engage with interlocutors from both their field and other sectors and work effectively in a team.
LEARNING ABILITY:
Students will be capable of learning independently and deepening their expertise by consulting bibliographic materials, databases, and other scientific information.



Learning objectives

A) OBJECTIVES
To provide students with basic knowledge of the world of microorganisms (eucoryota, in particular) . In addition, the student will have to gain a general view of the impact of microorganisms in nature and their potential applications and control. It is also the purpose of the course to make students feel confident with some basic techniques of the Microbiology Lab.

B) EXPECTED LEARNING RESULTS
1) Knowledge and understanding
Teaching will help to gain knowledge and ability to understand and describe basic biological structures and processes in microbiology. It also aims to acquire theoretical and experimental knowledge of microbiology in terms of cellular, morphological, biochemical, physiological and genetic aspects. All this information will allow the student to understand basic elements of both microbiology and those interdisciplinary.
2) Applying knowledge and understanding
The student will be able to translate practical theoretical knowledge and arguing issues in the field of general microbiology and environmental one. Through lab activities, students will acquire the ability to apply theoretical knowledge on a practical basis by implementing basic techniques typical of the microbiology laboratory.
3) Making judgments
The student will have the ability to interpret autonomously both basic and applied knowledge of microbiology. This ability will be captured, in particular, thanks to the frequency of practical activities and classroom and laboratory exercises.
4) Communication skills
The student who attends the teaching will be able to present, critically, the knowledge related to the general and applied microbiology, with the help of appropriate audiovisual techniques. This ability will also be achieved through the extensive use of power point presentations in the classroom and the dialogue and exchange of views between the students and the teacher both during the front lessons and during the lab activities.
5) Learning skills
Students will understand and acquire methods of investigation and work in the microbiological field. They will therefore be able to deepen their knowledge and skills independently. This skill will be developed through the active involvement of students through oral class discussions on specific subjects of teaching and laboratory activities.

Teacher's Profile

courseProgram

MODULE: MICROBIOLOGIA/MICROBIOLOGY
The course will take place according to the following breakdown:
1. History of Microbiology (notes): the discovery of the world of micro-organisms and the controversy over spontaneous generation; microorganisms as agents of disease and their role in the transformation of organic matter.
2. Technical basis of microbiological laboratory: the microscope, notes of optical physics; fresh and colorful slides; electron microscopy (transmission and scanning); pure culture and its achievement; general principles of microbial nutrition; preparation culture media, theory and practice of sterilization; controls sterility.
3. Cytology of prokaryotic and eukaryotic cell: general introduction; structure and ultrastructure of the bacterial cell; structure and function of the membrane; transport systems across membrane; cell wall and its chemical composition and characteristics; the wall of Gram + and Gram -; cell wall of archaebacteria and eukaryotes; capsule and the associated virulence; cell movement and structure for movement; chemotaxis, bacterial endospore, structure, function and importance; overview of spores of eukaryotes and the alternation of generation; mitochondria and respiratory function; overview of the arrangement of DNA and cell division.
4. Cell physiology: brief review of cellular chemistry and biochemistry (activation energy, catalysis and enzymes, biological redox reactions, hydrogen and electron transport; phosphate molecules with energy bonds); production of energy in biological systems; glycolysis and similar ways; re-oxidation of NADH: fermentation and respiration; alcoholic and lactic fermentations, aerobic respiration, the tricarboxylic acid cycle and the electron transport system; energy balance of catabolism; notes on anaerobic respiration, biosynthesis of cellular material.
5. Microbial growth of a single cell and a microbial population; measure of growth and related curve; catabolic repression and diauxia; effect of cultivation conditions on microbial growth.

The laboratory practices cover the following topics:
1. The pure culture and its isolation: spreading and crawling, the re-isolation; the enrichment cultures;
2. Cultural media
3. Microscopy and microscopic observation; observations of fresh samples; simple and differential staining and observations of stained preparations;
4. Cultivation of microorganisms and measurement of microbial growth (direct and cultural counts, dry weight, turbidimetry).

examMode

The opportunity to carry out an in itinere test will be assessed with the students. If it will take place about halfway through the semester, it consists of a questionnaire with open answers.
The ongoing test, carried out approximately half of the teaching, consists of a questionnaire with open and closed answers.
Those who have taken the test in itinere and accept the positive result, will take the final oral exam on topics other than those covered by the on-going test. In this case, the oral consists of 1-2 questions.
If the on-going test is not carried out or the outcome is not accepted, the oral exam consists of 2-3 questions, of which, generally, 1 on laboratory exercises, 1-2 on the part of General Microbiology.
In particular situations or peculiarities of one or more candidates, the exam can be done in written form with five open-ended questions, evaluated as for the oral exam. Candidates will be given one and a half hours to respond.
The attribution of the final grade will take into account: the level of knowledge of the contents (superficial, appropriate, precise and complete, complete and in-depth), the ability to apply the theoretical concepts (discrete, good, well established), the ability to analyze , of synthesis and interdisciplinary connections (sufficient, good, excellent), of the critical abilities and of formulating judgments (sufficient, good, excellent), of the mastery of expression and use of scientific-technical language (lacking, simple, clear and correct, safe and correct).

books

- Brock, Biologia dei microrganismi - Microbiologia generale, ambientale e industriale 16/Ed. -Michael T. Madigan, Kelly S. Bender, Daniel H. Buckley, David A. Stahl, W. Matthew Sattley, Pearson, 2022
- Brock, Biologia dei microrganismi - Microbiologia generale, ambientale e industriale 14/E - di Michael T. Madigan, John M. Martinko, David A. Stahl, Kelly S. Bender, Daniel H. Buckley - Pearson, 2015.
- Biologia dei microrganismi di G. Dehò e E. Galli, Casa Editrice Ambrosiana, nuova edizione (3^ edizione), 2018.
- Microbiologia di D.R. Wessner, D. Dupont e T.C. Charles, Casa Editrice Ambrosiana, 2015.
- Brock, Biologia dei Microrganismi di M.T. Madigan e J.M. Martinko, D.A. Stahl, D.P. Clark, Pearson, 2012. Volume 1.
- Brock, Biologia dei Microrganismi di M.T. Madigan e J.M. Martinko, Casa Editrice Ambrosiana. Volume 1.
- Biologia dei microrgaismi di G. Dehò e E. Galli, Casa Editrice Ambrosiana, 2012.

mode

The didactic methodologies adopted in teaching are:
front lessons conducted using Power Point presentations, laboratory activities and, finally, discussion of theories and/or case studies and real ones.

classRoomMode

Mandatory

bibliography

- Brock, Biologia dei microrganismi - Microbiologia generale, ambientale e industriale 16/Ed. -Michael T. Madigan, Kelly S. Bender, Daniel H. Buckley, David A. Stahl, W. Matthew Sattley, Pearson, 2022
- Brock, Biologia dei microrganismi - Microbiologia generale, ambientale e industriale 14/E - di Michael T. Madigan, John M. Martinko, David A. Stahl, Kelly S. Bender, Daniel H. Buckley - Pearson, 2015.
- Biologia dei microrganismi di G. Dehò e E. Galli, Casa Editrice Ambrosiana, nuova edizione (3^ edizione), 2018.
- Microbiologia di D.R. Wessner, D. Dupont e T.C. Charles, Casa Editrice Ambrosiana, 2015.

Learning objectives

A) OBJECTIVES
To provide students with basic knowledge of the world of microorganisms (eucoryota, in particular) . In addition, the student will have to gain a general view of the impact of microorganisms in nature and their potential applications and control. It is also the purpose of the course to make students feel confident with some basic techniques of the Microbiology Lab.

B) EXPECTED LEARNING RESULTS
1) Knowledge and understanding
Teaching will help to gain knowledge and ability to understand and describe basic biological structures and processes in microbiology. It also aims to acquire theoretical and experimental knowledge of microbiology in terms of cellular, morphological, biochemical, physiological and genetic aspects. All this information will allow the student to understand basic elements of both microbiology and those interdisciplinary.
2) Applying knowledge and understanding
The student will be able to translate practical theoretical knowledge and arguing issues in the field of general microbiology and environmental one. Through lab activities, students will acquire the ability to apply theoretical knowledge on a practical basis by implementing basic techniques typical of the microbiology laboratory.
3) Making judgments
The student will have the ability to interpret autonomously both basic and applied knowledge of microbiology. This ability will be captured, in particular, thanks to the frequency of practical activities and classroom and laboratory exercises.
4) Communication skills
The student who attends the teaching will be able to present, critically, the knowledge related to the general and applied microbiology, with the help of appropriate audiovisual techniques. This ability will also be achieved through the extensive use of power point presentations in the classroom and the dialogue and exchange of views between the students and the teacher both during the front lessons and during the lab activities.
5) Learning skills
Students will understand and acquire methods of investigation and work in the microbiological field. They will therefore be able to deepen their knowledge and skills independently. This skill will be developed through the active involvement of students through oral class discussions on specific subjects of teaching and laboratory activities.

Learning objectives

The course is organised with the aim of training students to plan and carry out conservation and restoration on stone. The course is organised so that it follows a plan that is consistent with how a conservation project is developed and carried out. The student must have the knowledge and ability to understand the individual theoretical aspects of the discipline learned through lectures, visits and external excursions, group discussions; must have the knowledge and ability to use methods, techniques and equipment learned through lectures, individual and group exercises; must have an autonomy of judgment stimulated by reading and knowledge of the work in question and by the application of technical practices and methodologies gained through lectures, external visits and excursions, individual and group exercises; they will also have to achieve communication skills with involvement in discussions and comparisons or individual interventions on the status of the work carried out, supported by IT means. The ability to learn will be taken care of with targeted exercises and tests. Students will be given responsibilities such as such is liaising with the library staff, administration of lesson materials, taking care of equipment and conservation materials, photographic documentation, liaising with the scientific laboratories and disposal of waste. Apart from widening their knowledge base, this will help the students to get to know other teaching staff and students in other courses.
Students will be encouraged to develop a team spirit and to collaborate with their classmates

Learning objectives

The aim of the course is to provide the tools, both theoretical and practical, for understanding artistic artifacts. The study includes a first phase of in-depth study of artistic techniques related to materials and operational sequences of execution (cookbooks and artistic manuals), in parallel with direct observation of the works. Reasoned analysis of the degradation and cause of the main critical conservation issues. Elaboration of conservation intervention projects, with the aim of exercising the development of investigation skills aimed at the development of correct strategies of operational modes.
As part of the course, the different methodologies that can be adopted to achieve comparable results will also be considered. In this case, the student is stimulated to share his or her experiences with other students in the course through laboratory discussions, power point presentations and restoration reports. Theoretical insights on 'restoration theories' and presentation of exemplary case studies.
As part of the course, activities on:
- writing specific condition reports addressed to the characterization of constituent materials and degradation morphologies ;
- Research and study of new methods and materials for the conservation of works, and related laboratory experimentation;
- visits to museums, galleries, and related restoration laboratories;
EXPECTED RESULTS :
KNOWLEDGE AND CAPACITY OF UNDERSTANDING: at the end of the course, students should demonstrate that they have acquired knowledge of the main problems, and of the possible methodologies aimed at the elaboration and execution of a correct conservation intervention.
- APPLIED KNOWLEDGE AND ADEQUACY OF UNDERSTANDING: at the end of the course students should demonstrate that they are able to apply the knowledge acquired to individual cases, with examples that are also highly differentiated from each other.
- AUTONOMY OF JUDGEMENT: at the end of the course students should demonstrate that they are able to independently evaluate the progress of the different phases of a restoration, without slavishly relying on pre-established models.
- COMMUNICATIVE SKILLS: at the end of the course, students should demonstrate that they have developed the ability to report correctly, both in writing and orally, about the conservation interventions carried out, the methodologies and materials adopted and the reasons for the choices made from time to time. At the same time, students will have to demonstrate that they are able to independently deepen their knowledge, including on the basis of the topics they consider of greatest interest.

Learning objectives

Developing knowledge of materials, stone working techniques and processes, and ancient and modern restoration interventions of the ancient stone artifacts (sculpture, architectural elements, floor and wall coverings, and mosaics), also in the light of the use of chromatic finishings (color, gold, silver, bronze, etc.), detected through the autopsy and/or diagnostic investigation of the artifact. Acquiring the necessary skills to develop a critical interpretation of stone artifacts that is based on stone working technical knowledge and on theoretical and practical analysis tools, which also allows the recovery of the relationship of the works with their context of use.
At the end of the course, students must be able to:
1) demonstrate that they have acquired knowledge on the topics covered (see teaching program);
2) independently draw up a sheet on the technical working of a stone artifact, also including an analysis of the state of conservation and degradation;
3) correctly present the technical working characteristics of a stone artifact;
4) demonstrate to be able to integrate technical working knowledge with the historical-critical analysis of the work.

Learning objectives

The fundamental objective of the Computer Science Applied to Cultural Heritage course is to provide the student with knowledge of hardware and software systems in general, and specifically those applied in the field of 2D and 3D documentation of Cultural Heritage.
The expected learning outcomes are:
- know the basic principles of hardware and software operation;
- know the principles and applications of vector and raster graphic documentation techniques;
- understand the meaning and importance of documenting cultural heritage;
- understand the functioning of software and electronic tools used in the virtual reproduction of cultural goods
- understand the significance of the experimental results obtained with the above techniques

Learning objectives

the course has been organised with the aim of training students to organise and carry out correctly the various phases of a project of conservation and restoration of wall paintings. During the course the student is introduced to all the different phases of a restoration treatment.

Learning objectives

The aim of the course is to provide the tools, both theoretical and practical, for the understanding of the main critical issues related to restoration interventions and the development of the necessary skills to fine-tune the correct operational methods. With the constant intersection of acquired notions and gained experience, students arrive at an autonomy of judgment that coincides with an operational autonomy.
In addition, the different methodologies that can be adopted to achieve comparable results will be taken into consideration during the course. Students are encouraged to share their experiences with the other students through laboratory discussions, power point presentations and restoration reports.

EXPECTED RESULTS
KNOWLEDGE AND UNDERSTANDING ABILITY: at the end of the course students will have to demonstrate that they have acquired knowledge of the main problems, possible methodologies and types of materials connected to a restoration project.
APPLIED KNOWLEDGE AND UNDERSTANDING ABILITY: At the end of the course students will have to demonstrate that they are able to apply the knowledge acquired to individual cases, even very different from each other.
AUTONOMY OF JUDGEMENT: at the end of the course, students should demonstrate that they are able to independently assess what to do, without referring to pre-established models.
COMMUNICATIVE SKILLS: at the end of the course students must demonstrate that they have developed the ability to report correctly, both orally and in writing, on the interventions carried out, the methodologies and materials adopted and the reasons for their choices.
LEARNING SKILLS: at the end of the course students must demonstrate that they are able to deepen their knowledge autonomously, including topics they consider to be of greatest interest.

Learning objectives

The objectives of the course consist in understanding the main geological and geological-technical processes aimed at understanding how these processes could influence the conservation and restoration of cultural heritage. Students will understand how the different geomaterials used in architecture are formed, and how these could be affected by different mechanisms of alteration basing on their physical and chemical properties. The understanding of these phenomena will also be analyzed in the framework of cultural heritage preservation.
1) Knowledge and understanding
At the end of the training activity the student will acquire knowledge about the main geological, mineralogical and geological-technical properties of rocks and soils as constituent materials of the various cultural heritage. The student will also be able both to classify the different types of rocks and to understand the mechanisms of formation and alteration.
2) Applied knowledge and understanding
At the end of the training activity the student will must demonstrate to be able to classify and recognize the different types of rocks and soils; to know the main problems that can affect the protection and use of cultural heritage also by framing them in the geological context in which they are located.
3) Making judgments
Through the topics addressed in the classes and practice tutorials, the student will be able to make individual judgment about the lithogenetic processes and possible alteration of the geomaterials used in the field of cultural heritage dealing with different contexts and environments in which the cultural and architectural heritage are located.
4)Communication skills
The student will acquire an appropriate technical language both during theoretical lessons and tutorial activities, necessary to interact with professionals and experts involved in the analysis, conservation and restoration of cultural heritage. Communication skills will be verified during classroom discussions and through the examination.
5) Learning skills
The student must demonstrate to be able to analyze the cultural heritage from the point of view of composition and possible weathering by framing it in different even if the settings are different from those considered during classes. The student must also be able to define the main geological and geological-technical characteristics of an area useful for the conservation and restoration of cultural and architectural heritage.

Learning objectives

The student will have knowledge and understanding of the evolutionary processes and historical and material evidence left by man from the most remote prehistory to the first appearance of written evidence, as well as being aware of archaeological documentary sources and historical method. This objective will be achieved through the use of updated textbooks, "interactive" lessons in which the student is directly involved and through the discussion of some of the topics related to the most recent acquisitions in the prehistoric field.

Expected learning outcomes
1 - The student will have knowledge and understanding of the evolutionary processes and archaeological evidence left by man from the most remote prehistory to the first millennium BC. in Europe and the Near East. This objective will be achieved through the use of scientific texts and the reading of classics in the sector, also through the illustration of case studies and the presentation of the most recent discoveries in the field of prehistoric archeology.
2 –The student will have the ability to apply their knowledge and understanding in order to demonstrate a professional approach on long-lasting phenomena, and will have adequate skills both to interpret events and to understand their developments throughout the course of prehistory. The student will be able to acquire knowledge and comprehension skills applied through direct experience on archaeological material and critical analysis of archaeological sources.
3 - This kind of study will allow students to acquire the ability to collect and interpret data from archaeological sources through a specific methodology that will allow the student to acquire independent judgment with respect to historical-social, political and economic events.
4 - He will be able to communicate with properties and with appropriate terminology, but also in popular form, both orally and in written text, on themes of prehistoric archeology, moreover through the methodological tools acquired he will be perfectly able to undertake subsequent studies in a conscious way.
5 - In addition to the traditional teaching, the student's continuous solicitation to intervene in the discussions during the lectures and in the illustration of the case studies, represents the most suitable way to achieve comprehension skills.

Teacher's Profile

courseProgram

Title: Outlines of prehistory and research methodology.
The module is divided into two parts. In the first part of the course methodological issues are addressed. A short history of the studies will be followed by themes that aim to provide a critical reading of archaeological sources. Then we will discuss topics on the social organization systems of pre-protohistoric societies through ethno-anthropological points of view and we will introduce topics on the ancient systems of economic exchange. The fundamental stages of man will also be illustrated: his physical evolution, the introduction of the productive economy, the urbanization process, the role of technology and the birth of religion.
The slides of the individual lessons in pdf format will be sent periodically by the teacher to the attending students only.
Students who cannot attend classes are invited to contact the teacher for an interview on the exam schedule and to receive information on the exam texts.

examMode

- The exam consists of an oral test. The level of knowledge acquired on the topics covered in the course, the candidate's ability to critically apply this knowledge to problems and case studies addressed, as well as the effective clarity in the presentation will be assessed. The evaluation will be expressed in thirtieths, with possible honors. The minimum mark for passing the exam is eighteen out of thirty.

classRoomMode

Attendance: Attendance is not mandatory, however the attending student must be present at 75% of the lessons (18 lessons out of 24). The student who cannot attend will receive adequate teaching material.

Teacher's Profile

courseProgram

Title: Outlines of prehistory and research methodology.
The module is divided into two parts. In the first part of the course methodological issues are addressed. A short history of the studies will be followed by themes that aim to provide a critical reading of archaeological sources. Then we will discuss topics on the social organization systems of pre-protohistoric societies through ethno-anthropological points of view and we will introduce topics on the ancient systems of economic exchange. The fundamental stages of man will also be illustrated: his physical evolution, the introduction of the productive economy, the urbanization process, the role of technology and the birth of religion.
The slides of the individual lessons in pdf format will be sent periodically by the teacher to the attending students only.
Students who cannot attend classes are invited to contact the teacher for an interview on the exam schedule and to receive information on the exam texts.

examMode

- The exam consists of an oral test. The level of knowledge acquired on the topics covered in the course, the candidate's ability to critically apply this knowledge to problems and case studies addressed, as well as the effective clarity in the presentation will be assessed. The evaluation will be expressed in thirtieths, with possible honors. The minimum mark for passing the exam is eighteen out of thirty.

classRoomMode

Attendance: Attendance is not mandatory, however the attending student must be present at 75% of the lessons (18 lessons out of 24). The student who cannot attend will receive adequate teaching material.

Learning objectives

a) Knowledge of the history of contemporary art from the late eighteenth century to the present day in connection with its historical-cultural context and the general objectives of the course; b) Ability to understand the themes of contemporary art history in connection with the other disciplines of the course; c) Independent evaluation of the specific problems of the discipline; d) Communication skills for scientific and informative purposes (oral, written, through audiovisual instruments); e) Learning skills by acquiring methods for the continuous updating of one's knowledge.

Teacher's Profile

courseProgram

The course aims to explore the history of contemporary art through its works, artists, historical contexts, and the languages used. It covers a chronological span from Romanticism to the present day.
The topics covered are listed below:
- Romanticism
- Realism
- Impressionism
- Post-Impressionism and Symbolism
- Art Nouveau
- Expressionism
- Cubism
- Futurism
- Abstraction
- Architectural Rationalism
- Dadaism
- Surrealism
- Art Informel
Action Painting
The Neo-Avant-Garde Movements of the 1960s
The 1970s and 1980s
The Contemporary Artistic Debate.

examMode

Ongoing assessment as partial exemption: during the course, specific meetings will be held to explore topics developed by students on topics agreed upon with the instructor.
Oral exam: Learning will be assessed through an oral exam.
The oral exam will assess the student's understanding of the topics covered in the course and the recommended reading list, as well as their ability to analyze and contextualize the works and the underlying linguistic processes within the relevant period and geographical area.

books

- Contemporary Art History Manual – knowledge of the history of contemporary art from Impressionism to the present - (Giulio Carlo Argan L'Arte Moderna - Achille Bonito Oliva L'Arte fino al 2000 editore Sansoni, o un altro manuale p.e.– Gillo Dorfles, Angela Vettese, Arti visive – il Novecento -)
- De Micheli, Le avanguardie artistiche del Novecento, (esistono varie edizioni)
- Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction,[1936]
for non-attending students
- Denys Riout, The Art of the Twentieth Cent002ury,
- Nicolas Bourriaud, Relational Aesthetics, 2002

classRoomMode

Attendance is mandatory since lessons are held in a mixed-mode format.

bibliography

- Patrizia Mania, Coesistere attraverso il gioco. Stalker/Osservatorio Nomade al Campo Boario, in, Piano b, 2025
- Nicolas Bourriaud, Estetica relazionale, post media books, 2010

Teacher's Profile

courseProgram

The course aims to explore the history of contemporary art through its works, artists, historical contexts, and the languages used. It covers a chronological span from Romanticism to the present day.
The topics covered are listed below:
- Romanticism
- Realism
- Impressionism
- Post-Impressionism and Symbolism
- Art Nouveau
- Expressionism
- Cubism
- Futurism
- Abstraction
- Architectural Rationalism
- Dadaism
- Surrealism
- Art Informel
Action Painting
The Neo-Avant-Garde Movements of the 1960s
The 1970s and 1980s
The Contemporary Artistic Debate.

examMode

Ongoing assessment as partial exemption: during the course, specific meetings will be held to explore topics developed by students on topics agreed upon with the instructor.
Oral exam: Learning will be assessed through an oral exam.
The oral exam will assess the student's understanding of the topics covered in the course and the recommended reading list, as well as their ability to analyze and contextualize the works and the underlying linguistic processes within the relevant period and geographical area.

books

- Contemporary Art History Manual – knowledge of the history of contemporary art from Impressionism to the present - (Giulio Carlo Argan L'Arte Moderna - Achille Bonito Oliva L'Arte fino al 2000 editore Sansoni, o un altro manuale p.e.– Gillo Dorfles, Angela Vettese, Arti visive – il Novecento -)
- De Micheli, Le avanguardie artistiche del Novecento, (esistono varie edizioni)
- Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction,[1936]
for non-attending students
- Denys Riout, The Art of the Twentieth Cent002ury,
- Nicolas Bourriaud, Relational Aesthetics, 2002

classRoomMode

Attendance is mandatory since lessons are held in a mixed-mode format.

bibliography

- Patrizia Mania, Coesistere attraverso il gioco. Stalker/Osservatorio Nomade al Campo Boario, in, Piano b, 2025
- Nicolas Bourriaud, Estetica relazionale, post media books, 2010

Learning objectives

The course aims to provide basic methodological knowledge for understanding the different aspects of the Etruscan civilization. By the end of the course students:
1) will have basic knowledge of Etruscan history, society, art and handicraft (knowledge and understanding); 2) will be able to illustrate cultural and chronological links (applying knowledge and understanding); 3) will be able to analyze the archaeological documentation and place it in a correct historical and cultural context (making judgements); ; 4) will be able to use an appropriate, technical speech (communication skills); 5) will have the learning skills to start a master's degree study (learning skills).

Learning objectives

The course aims to provide the theoretical and historical knowledge of photography in its fundamental stages, from its nineteenth-century origins to its role in the history of contemporary culture. Some themes of the critical theoretical debate on photography will be introduced, and an analysis will be made on the changes that have occurred in the last decade, especially as a result of social networks.
Much attention will also be paid to the aspects of photography as a tool for documentation and recording of visible reality, especially in its relationship
with cultural heritage and art.
During the lessons, technical information will also be provided, such as the composition of the frame, natural and artificial lighting, color rendering, etc
The course aims to develop the student's knowledge of the main phases and protagonists of the history of photography from its birth to the twentieth century, as well as the understanding of the relationship that develops between art and photography. The student will therefore be able to orient themselves chronologically and distinguish the different photographic artistic productions
The student will have the tools to create photographic documentation relating to cultural heritage through the different stages of image creation, with particular attention to light management

Learning objectives

Objective of the course is to give the students the knowledge and understanding of the main methods for diagnostic analysis and of their application to cultural heritage.
The student will be able to demonstrate the acquisition of making judgements in relation to the diagnostic techniques to be used in each specific case study.
Objective of the course is also to make the student able to communicate skilfully the main characteristics and applications of the diagnostic techniques explained and discussed during the lessons and the training activities.

Learning objectives

The course will provide scientific and technical tools to address problems arising from the attack of animal biodeteriogen species.
KNOWLEDGE AND UNDERSTANDING: By the end of the course, students will be expected to know the general characteristics of animal biodeteriogen species, biodegradation processes, preventive and curative methods.
APPLYING KNOWLEDGE AND UNDERSTANDING: Applying the methodological preventive and curative approaches to the biodegradation of cultural heritage.
MAKING JUDGEMENT: Ability to understand problems arising from the attack of animal biodeteriogen species.
COMMUNICATION SKILLS: Ability to present problems and methodological approaches in the context of the biodegradation of cultural heritage, using appropriate scientific language.
LEARNING SKILLS: Ability to learn autonomously applied problems related to the biodegradation of cultural heritage.

Teacher's Profile

courseProgram

Module II. Risks to cultural heritage. Preservation of cultural heritage. Interactions between organisms and cultural heritage. Biodeterioration indoor and outdoor. Insects: role in the deterioration of constituent materials of cultural heritage. Wood-destroying insects. The main insect species involved in textile, leathers and archival materials biodeterioration. Methods for the detection of insect degradation. Preventive and curative methods. The zoological collections as a cultural asset. Problems of preservation of the zoological collections. The rodents and bats, control methods. The birds and control methods. Aquatic fauna involved in the degradation of the submerged artifacts: shellfish, segmented worms, crustaceans, sponges, cnidarians. Substrates for growth and degradation processes. Microscopy for art and conservation: diagnostic investigations using microscopic techniques. Notes on the use of molecular biology techniques for the diagnosis and prevention of the biodeterioration of the cultural heritage.

examMode

Learning will be verified through an intermediate test (six questions, 2 hours) and oral interview. General and specific questions will aim to evaluate the ability to present topics using a specific language. Several aspects will be taken into account in determining the final grade: the level of knowledge of the topics covered (sufficient, average, complete, in-depth); the ability to connect the acquired concepts (sufficient, good, excellent); the ability to analyze and the aspects of critical thinking (sufficient, good, excellent); the mastery of expression (exposure deficient, simple, clear and correct, confident and correct).

books

Insetti e Restauro, E.Chiappini, G Liotta , M.C. Reguzzi, A Battini
ed. Calderini edagricole - 2001
Degrado biotico del legno, Michela Dalprà. Daniela Piazza Editore
Sugli infestanti e le infestazioni, Montanari, Ruschioni, Trematerra Gangemi Editore

classRoomMode

Attendance is mandatory: one lesson per week (4 CFU= 32h). Attendance will be monitored and recorded during each lesson.

bibliography

https://www.unitus.it/it/unitus/Studenti/articolo/moodle

Learning objectives

The course aims to provide an advanced understanding of the core principles and topics of technical and operational methodologies adopted in restoration of plaster and stuccoes, through the acquisition of theoretical and practical knowledge. During the training the students must demonstrate that they have achieved skills in dealing with timely and accurate operations that characterize the profession in this specific field of restoration.
The goal of the course is to provide students with informations and experiences to enable them to approach works of art with decision-making autonomy and theoretical and technical tools, in order to formulate a plan of action and its proper execution.
To enrich the knowledge of the subject, we will analyze artistic techniques, causes of deterioration and intervention methods on gypsum sculptures as well techniques for the execution of plaster casts.
In the period of teaching, lectures will be planned as well as practice tests and tutorials, monuments and restoration sites visitations.

Learning objectives

The student will have basic knowledge and understanding of archival formation, management and preservation. This objective will be achieved through the use of up-to-date textbooks, interdisciplinary seminars in which the student is directly involved, and through the discussion of some of the topics related to the most recent acquisitions in the field of general archival science.
The course aims to provide students with a general understanding of the evolution of the document from the traditional analog to the digital context. The aim of the course is to introduce the topic of archives, analyzing the archival theory related to the ordering, the inventorying and the archival information systems. The aim of the course is for participants to acquire archival and organizational knowledge and to understand the basic rules of formation, management and preservation of archives. The educational objective of the course is to develop knowledge about: records, forms of records, history of archives, preservation of archives, use and enhancement of archival collections.

Expected Learning Outcomes (1)
1 - The course aims to provide students with a general understanding of the evolution of archives from the traditional analogue to the digital context.
2 - The student will be introduced to the topic of archives by analyzing technologically advanced systems of archival description that are based, at the organizational level, on sound archival theory.

Expected Learning Outcomes (2)
3 - This type of study will allow the student to acquire skills to develop knowledge related to: document forms, history of archives, preservation of archives, use and enhancement of archival collections.
4 - The student will be able to communicate with ownership and with appropriate terminology, both orally and in written text, on issues related to archives. Furthermore, through the methodological tools acquired, the student will be able to evaluate the different types of archives and move within an archives for historical research purposes.
5 - In addition to the traditional didactics, the continuous encouragement of the student to participate in discussions during frontal lessons and in the illustration of case studies, represents the most appropriate way to achieve understanding.

Learning objectives

Unit 1
The course aims at presenting the soil resource as central in human life which favoured the achievement of mankind history.
The course focuses on the conservation concept either as active or passive: soil that conserves archaeological remains and soil that should be conserved as a vulnerable fragile resource.
For the first aspect soil is presented through the description of its physical, chemical and biological properties. Basic concepts of soil science are given.
For the second aspect the course explores the possibility to use visual arts (particularly painting and installations) as innovative tools to vehicle and spread soil knowledge, valorisation and ultimately a soil culture.
In particular the course aims at:
1) favouring knowledge and understanding of soil functions and properties
2) learning how to apply soil science techniques to archaeological sciences
3) making judgments about soil's attitude to conserve archeological remains
4) learning soil science terms and communication tools
5) increasing learning skills by means of visual arts

Teacher's Profile

courseProgram

Unit 1.
Soils and mankind: role of soils in human life and history. Can we define soil as cultural heritage? Discussion and presentation of the historical, artistic and ethno/anthropological values of soil according to the “cultural heritage” definition. Soil and art: soil is individuated and discussed through different art expressions such as paintings, installations and visual arts. Critical analysis of the different attention given by artists to the soil resource from the past to present times.
Soils functions (ecological and socio-economical).Presentation of the active and passive role of soil for the conservation concept.
Soils and archaeology: potential support of soil sciences to archaeological sciences. Presentation of the methodological approaches to the study of burial context:
1) Characterization of soils properties: conservation parameters
2) Functional analysis of archaeological areas to infer their original function.

Unit 2.
Pedoarcheology: pedology in archaeological contexts, genesis, properties and characteristics of soil in the past with respect to the environment reconstruction where man interacted. Pedon: definition and characteristics. The pedogenesis: factors and processes of soil formation and genesis. Overview of soil classification systems. The characteristics of pedogenetic and diagnostic horizons. The anthropic factor in pedogenesis. Description of the profile of a soil. The physical and chemical properties of soil modified by human activity. Detail stratigraphy: possible matrices. Micromorphological and geochemical analysis, isotopic dating. Case studies related to the analysis of stratigraphic sequences in buried soils between the Bronze (sometimes the early Holocene) and the late Middle Ages (holoceic pedophile complex).

examMode

The oral examination takes place with the discussion of three topics, one of which chosen by the candidate, covering the various areas of the topics covered.
The PowerPoint presentation on the in-depth study of a chosen topic, upon previous submission to the teacher, may be displayedfollowed by three questions on the program. The presentation will be given a score from 0 to 10 and to each of the answers to the three questions.
Consideration will be given to the level of knowledge of the contents, the ability to apply the theoretical concepts, the critical analysis, synthesis and interdisciplinary connections, the mastery of expression.

books

Unit 1
Teaching material is provided by the professor and further divided in relation to the different curriculum.
Soil and culture, 2010 – E.R. Landa, C. Feller – Springer (optional readings)
Unit 2
Materilas provided by lessons
Basi di Pedologia. Giacomo Certini e Fiorenzo Cesare Ugolini. Edagricole

mode

Classroom lectures, presentations (ppts) with graphic illustrations, photographs, virtual 3D objects, videos, animations.
2. Practical activity for soil chemical and physical analysis in the laboratory of Soil Chemistry and Biochemistry (Laboratory 213) First Floor, Block A.
3. Field excursion: Morphological analysis of apedological profile
4. Students’ presentation of an individual report/project developed on a specific topic of interest

classRoomMode

Not mandatory

bibliography

Soil Science for Archeologists. Stewart Reed, Nathan Bailey, Oghenekome Onokpise
Edited by: Michael Russo and Virginia Horak

Learning objectives

MMosaic Conservation/Restoration course is being conducted by two different teachers, Livia Alberti and Francesca Mariani, who have worked out and share the training objectives, the teaching methods and the student assessment methods. The exercises in the individual modules, on the other hand, are prepared and conducted individually by one or the other teacher.
The course aims to prepare the student to approach mosaic restoration with:
- ability to diagnose conservation issues,
- ability to choose among possible technical solutions of intervention both from a conservation and aesthetic presentation point of view
- familiarity with documentation techniques,
- aptitude in exploring in depth the issues proposed by the intervention.
In order to achieve this objective, lessons will be held for the general knowledge of the mosaic sector both from the historical-artistic point of view as from the technical point of view of the execution of this type of artifacts. The different intervention techniques will be first explained in the classroom, in order to introduce the specific methods and the theoretical motivations that support the different phases of restoration, and thus prepare the student for the complexity of the intervention. The frontal lessons will be supported by images and summary diagrams organized in Power Point projections, while verifying the degree of understanding of each student through exchanges of questions and answers from both sides and deepening the various topics with classroom discussion.
The practical exercise, the core activity of the course, will be organized so as to address the various issues of restoration, such as cleaning, consolidation, reintegration and aesthetic presentation, especially on mosaics that are still preserved in situ in archaeological sites. Knowledge on the execution technique may also be deepened through the individual creation, ex novo, of a small mosaic with the traditional ancient technique. Practicing in the different intervention operations will also be aimed at improving the student's manual dexterity, from which we expect, at the end of the course, a conscious, precise and neat manual work, of a high-quality level.
The theoretical knowledge acquired during lessons, and the experience gained through practice, should lead students to be capable of making methodological and technical choices independently.
The purpose of the exercise will also be to cultivate students' planning and organizational skills as they will be experiencing the management of the worksite in its different aspects.
Their ability to learn and process the acquired notions, as well as their self-confidence and language skills, will be tested during the different modules when the student will be asked to explain and motivate the work. In addition, the assessment will be carried out by means of written tests including at least the complete technical report of a restoration work carried out during the year and an oral test during which the student will illustrate by means of Power Point one of the projects carried out or a particular subject that came up during the year.

Learning objectives

EARNING OUTCOMES: The course aims to provide an essential preparation on the conditions of existence of business administrations, the criteria governing their conduct, and the tools for measuring their results.
KNOWLEDGE AND UNDERSTANDING: At the end of the course the student must demonstrate that she/he has learned both issues of a mainly theoretical nature - regarding the company, its functioning and the relationship it establishes with its general and task environment - as well as operational issues, related to the estimation of income and book value.
APPLYING KNOWLEDGE AND UNDERSTANDING: The student must be able to recognize the various types of companies, to understand the roles of the people who work there and identify the parts that make up their structure. Furthermore, the student must be able to quantify the effect that the main management operations have on the capital, on the result of the period and on the internal equilibrium.
MAKING JUDGEMENTS: At the end of the course, the student will be able to understand the company and its functioning as well as the opportunity to undertake certain management operations in relation to the effects that the main management operations have on the qualitative and quantitative composition of the capital and the result. financial year and, more generally, on internal balances.
COMMUNICATION SKILLS: Knowledge of the general and operational part of the course will allow the student to acquire the technical language of the subject.
LEARNING SKILLS: At the end of the course, the student will be able to understand the basic issues of business economics that will allow her/him to read documents or participate in debates with business content.

Learning objectives

1. Knowledge and understanding: being able to critically read the relationship between media and society in historical development and acquire the historical, technological and theoretical skills necessary to understand and interpret media forms, languages ​​and practices;
2. Applied knowledge and understanding: acquire the appropriate tools and languages ​​to analyze in depth the daily experience with the media and correctly interpret the social media scenarios of the past and emerging ones, in the cultural industry and in social practices;
3. Making judgements: apply the knowledge acquired during the course to critically analyze the transformations introduced by the media in the history of Western man, particularly in the context of contemporary society;
4. Communication skills: acquire an adequate specialized vocabulary and demonstrate mastery of the terminology and fundamental concepts of the course;
5. Ability to learn: acquire the autonomy necessary to continuously update the knowledge and skills acquired during the course to apply them to the analysis of the continuous evolutions that characterize the relationship between media technologies and social reality.

Laboratory Activities: Laboratory activities are an integral part of teaching and will complement the frontal teaching. They will mainly be based on group work in which students will be involved in analyzes of media use practices.

Teacher's Profile

courseProgram

-Orality and writing. The history of man and the communicative artefact, means of communication and social transformations.
-The roots of the modern: birth of metropolitan civilization and consumer aesthetics, archeology of mass communication media (1800-1850).
-Advent of the technical reproducibility of the work of art, development of the means of mass communication and audiovisual, progressive transformations of literature and society (1850-1900).
-From the historical avant-gardes to the birth of the modern collective imagination (1900-1930).
-Growth and deconstruction of the mass culture industry, information, education, entertainment. Redefinition of public opinion (1930-1970).
-Transformation of cultural policies and of the generalist media system, advent of neo-television (1970-1980).
-Birth and development of new interactive media, spread of information technology and telematics, relationship between technological innovation, knowledge models and social relations.
The society of networks. Convergent culture (1980-2020).

examMode

The oral exam can be integrated with application activities of various kinds, individual or group, subject to evaluation during the cycle of teaching activities.
The oral evaluation will check in particular the student's knowledge of respect
1. the evolution of the media in a historical and cultural context.
2. the forms and the media devices, in the distinction and in the systemic interaction.
3. the classics and reference theories in media analysis.

books


1. G. Boccia Artieri, F. Colombo, G. Gili, Comunicare. Persone, relazioni, media, Laterza, Roma-Bari, 2022 (ISBN: 9788859300700).

2. P. Giovannetti, A. Miconi, a cura di, Il medium oggi. Da McLuhan all’intelligenza artificiale, Carocci, Roma, 2025 (ISBN: 9788829030583).

3. D. Bennato, M. Farci, G. Fiorentino (a cura di), Dizionario mediologico della guerra in Ucraina, Guerini, Milano, 2023 (ISBN: 9788881074747).

4. M. Pireddu, M. Serra, a cura di, Mediologia. Una disciplina attraverso i suoi classici, Liguori, Napoli 2012 (ISBN 9788820756017).

mode

The course includes lectures that combine the cultural theoretical treatment with the presentation and discussion of concrete case studies. In addition, parts of the course will be enriched by workshops, interventions by external experts, visits to companies or institutions in the area.
- Frontal lessons.
- Workshops.
- Group work.
- Meetings with external specialists.
- Field visits.

classRoomMode

Attendance not compulsory, recommended

bibliography

A. Abruzzese, P. Mancini, Sociologie della comunicazione, Laterza, Roma 2007 (ISBN 9788842084846).
G. Balbi, F. Comunello, F. Pasquali, M. Sorice, a cura di, Studiare i media. Prospettive disciplinari e parole chiave, Carocci, Roma 2025 (ISBN 9788829029099).
G. Boccia Artieri, F. Colombo, G. Gili, Comunicare. Persone, relazioni, media, Laterza, Roma-Bari, 2022 (ISBN: 9788859300700).
G. Fiorentino, Dalla parte del suono. Radio, Sud e Mediterraneo 1943-1978, Settecittà, Viterbo 2018 (ISBN ISBN 978-88-7853-827-6).
G. Fiorentino, Il flaneur e lo spettatore. La fotografia dallo stereoscopio all'immagine digitale, con testi di C. Baudelaire e O. W. Holmes, Franco Angeli, Milano 2014 (ISBN 9788891708960).
G. Fiorentino, Il sogno dell'immagine. Per un'archeologia fotografica dello sguardo. Benjamin, Rauschenberg e Instagram, Meltemi, Milano 2019 (ISBN 8855190571).

Teacher's Profile

courseProgram

-Orality and writing. The history of man and the communicative artefact, means of communication and social transformations.
-The roots of the modern: birth of metropolitan civilization and consumer aesthetics, archeology of mass communication media (1800-1850).
-Advent of the technical reproducibility of the work of art, development of the means of mass communication and audiovisual, progressive transformations of literature and society (1850-1900).
-From the historical avant-gardes to the birth of the modern collective imagination (1900-1930).
-Growth and deconstruction of the mass culture industry, information, education, entertainment. Redefinition of public opinion (1930-1970).
-Transformation of cultural policies and of the generalist media system, advent of neo-television (1970-1980).
-Birth and development of new interactive media, spread of information technology and telematics, relationship between technological innovation, knowledge models and social relations.
The society of networks. Convergent culture (1980-2020).

examMode

The oral exam can be integrated with application activities of various kinds, individual or group, subject to evaluation during the cycle of teaching activities.
The oral evaluation will check in particular the student's knowledge of respect
1. the evolution of the media in a historical and cultural context.
2. the forms and the media devices, in the distinction and in the systemic interaction.
3. the classics and reference theories in media analysis.

books


1. G. Boccia Artieri, F. Colombo, G. Gili, Comunicare. Persone, relazioni, media, Laterza, Roma-Bari, 2022 (ISBN: 9788859300700).

2. P. Giovannetti, A. Miconi, a cura di, Il medium oggi. Da McLuhan all’intelligenza artificiale, Carocci, Roma, 2025 (ISBN: 9788829030583).

3. D. Bennato, M. Farci, G. Fiorentino (a cura di), Dizionario mediologico della guerra in Ucraina, Guerini, Milano, 2023 (ISBN: 9788881074747).

4. M. Pireddu, M. Serra, a cura di, Mediologia. Una disciplina attraverso i suoi classici, Liguori, Napoli 2012 (ISBN 9788820756017).

mode

The course includes lectures that combine the cultural theoretical treatment with the presentation and discussion of concrete case studies. In addition, parts of the course will be enriched by workshops, interventions by external experts, visits to companies or institutions in the area.
- Frontal lessons.
- Workshops.
- Group work.
- Meetings with external specialists.
- Field visits.

classRoomMode

Attendance not compulsory, recommended

bibliography

A. Abruzzese, P. Mancini, Sociologie della comunicazione, Laterza, Roma 2007 (ISBN 9788842084846).
G. Balbi, F. Comunello, F. Pasquali, M. Sorice, a cura di, Studiare i media. Prospettive disciplinari e parole chiave, Carocci, Roma 2025 (ISBN 9788829029099).
G. Boccia Artieri, F. Colombo, G. Gili, Comunicare. Persone, relazioni, media, Laterza, Roma-Bari, 2022 (ISBN: 9788859300700).
G. Fiorentino, Dalla parte del suono. Radio, Sud e Mediterraneo 1943-1978, Settecittà, Viterbo 2018 (ISBN ISBN 978-88-7853-827-6).
G. Fiorentino, Il flaneur e lo spettatore. La fotografia dallo stereoscopio all'immagine digitale, con testi di C. Baudelaire e O. W. Holmes, Franco Angeli, Milano 2014 (ISBN 9788891708960).
G. Fiorentino, Il sogno dell'immagine. Per un'archeologia fotografica dello sguardo. Benjamin, Rauschenberg e Instagram, Meltemi, Milano 2019 (ISBN 8855190571).

Learning objectives

In-depth knowledge of the historical-artistic culture of the contemporary world in the geographical area of Europe and the Mediterranean. Mastery of the theoretical and critical tools necessary for the analysis and interpretation of the works. Direct comparison with the works.
Expected learning outcomes
At the end of the course, students must be able to:
1) Recognize the peculiar aspects of contemporary European and Mediterranean artistic culture with reference to the protagonists, the exhibitions, the critical theory and the languages used
2) Analyze the geo-cultural meanings and contexts of reference
3) Report on the identity features of contemporary artistic practices in the presence of the relative theoretical debate in the area under consideration
4) Acquire skills in approaching and analyzing contemporary works of art in a framework of interdisciplinary and transcultural references.

Teacher's Profile

courseProgram

- Themes, languages, protagonists of Art in Europe from 1969 to Today
- The postmodern condition: definition and characters
- Some artists: Marcel Broodthaers, Joseph Beuys, Anselm Kiefer
- The 90s: relational aesthetics, the biennial format
- The issue of postcolonialism in art: the "Les Magiciens de la Terre" exhibition and debate
- The controversial limelight of Eastern art after the collapse of the Berlin Wall
- Atlas of contemporary art in the Mediterranean area- The third millennium: between globalization and resistance. The new emergencies

examMode

Ongoing assessment: At the beginning of the course, flipped classroom sessions will be scheduled, during which students will present topics previously agreed upon with the instructor. This activity will be assessed at the end of the course out of thirtieths as a partial exemption from the oral exam (1/3 of the overall assessment).
Oral exam: The interview will focus on the topics covered in the course. Two or three questions will be asked to test students' knowledge of contemporary art history.

books

- Nicolas Bourriaud, Il radicante, postmediabooks, 2014
- Patrizia Mania, Racconti mediterranei. Immagini, memoria, azioni nell’arte contemporanea, Round Robin, 2017.
-Patrizia Mania Maria Raffaella Menna, a cura di, Frammenti di Siria Dal medioevo alla contemporaneità Prendersi cura dell’arte/L’arte come cura, Round Robin, 2019, pp.97-137
-Patrizia Mania, “I Like Europe but Europe Doesn’t Like Me. Sentirsi discriminati: gli artisti dell’Est dopo la Guerra fredda”, in Raffaella Petrilli, Hate Speech L’odio nel discorso pubblico. Politica, media, società, Round Robin, 2019, pp.99-111.

Non-attending students have to choose a text from the following:
- Roberto Pinto, Nuove geografie artistiche. Le mostre al tempo della globalizzazione, Postmediabooks, 2012.
- Teresa Macrì, Fallimento, Postmediabooks, 2017
- Foster Hal, Il ritorno del reale. L’avanguardia alla fine del Novecento, 2006, Postmedia Srl, Milano. [1996, Massachussets Institute of Technology].
- Belting H., Birken J., Buddensieg A. e Weibel P., eds. Global Studies. Mapping Contemporary Art and Culture, Hatje Cantz Verlag, Ostifldern, 2011.
- Patrizia Mania, Raffaella Petrilli, Elisabetta Cristallini (a cura di), Arte sui muri della città. Street Art e Urban Art: questioni aperte, Roma, Round Robin editrice, 2017.

classRoomMode

Attendance at 75% of the lessons is required and will be recorded with the collection of signatures.

bibliography

Further bibliographical references will be provided during the lessons.

Teacher's Profile

courseProgram

- Themes, languages, protagonists of Art in Europe from 1969 to Today
- The postmodern condition: definition and characters
- Some artists: Marcel Broodthaers, Joseph Beuys, Anselm Kiefer
- The 90s: relational aesthetics, the biennial format
- The issue of postcolonialism in art: the "Les Magiciens de la Terre" exhibition and debate
- The controversial limelight of Eastern art after the collapse of the Berlin Wall
- Atlas of contemporary art in the Mediterranean area- The third millennium: between globalization and resistance. The new emergencies

examMode

Ongoing assessment: At the beginning of the course, flipped classroom sessions will be scheduled, during which students will present topics previously agreed upon with the instructor. This activity will be assessed at the end of the course out of thirtieths as a partial exemption from the oral exam (1/3 of the overall assessment).
Oral exam: The interview will focus on the topics covered in the course. Two or three questions will be asked to test students' knowledge of contemporary art history.

books

- Nicolas Bourriaud, Il radicante, postmediabooks, 2014
- Patrizia Mania, Racconti mediterranei. Immagini, memoria, azioni nell’arte contemporanea, Round Robin, 2017.
-Patrizia Mania Maria Raffaella Menna, a cura di, Frammenti di Siria Dal medioevo alla contemporaneità Prendersi cura dell’arte/L’arte come cura, Round Robin, 2019, pp.97-137
-Patrizia Mania, “I Like Europe but Europe Doesn’t Like Me. Sentirsi discriminati: gli artisti dell’Est dopo la Guerra fredda”, in Raffaella Petrilli, Hate Speech L’odio nel discorso pubblico. Politica, media, società, Round Robin, 2019, pp.99-111.

Non-attending students have to choose a text from the following:
- Roberto Pinto, Nuove geografie artistiche. Le mostre al tempo della globalizzazione, Postmediabooks, 2012.
- Teresa Macrì, Fallimento, Postmediabooks, 2017
- Foster Hal, Il ritorno del reale. L’avanguardia alla fine del Novecento, 2006, Postmedia Srl, Milano. [1996, Massachussets Institute of Technology].
- Belting H., Birken J., Buddensieg A. e Weibel P., eds. Global Studies. Mapping Contemporary Art and Culture, Hatje Cantz Verlag, Ostifldern, 2011.
- Patrizia Mania, Raffaella Petrilli, Elisabetta Cristallini (a cura di), Arte sui muri della città. Street Art e Urban Art: questioni aperte, Roma, Round Robin editrice, 2017.

classRoomMode

Attendance at 75% of the lessons is required and will be recorded with the collection of signatures.

bibliography

Further bibliographical references will be provided during the lessons.

CHOICE GROUPS YEAR/SEMESTER CFU SSD LANGUAGE
GRUPPO OPZIONALE SCIENZE E TECNOLOGIA PER LA CONSERVAZIONE E IL RESTAURO - 40 - -
18418 - MATERIALS SCIENCE AND TECHNOLOGY

ULDERICO SANTAMARIA

First Year / First Semester 8 IMAT-01/A ita
17963 - SCIENCE AND TECHNOLOGY OF WOOD

MANUELA ROMAGNOLI

First Year / First Semester 8 AGRI-03/C ita
18285 - MICROBIOLOGY AND BIODETERIORATIONOF THE CULTURAL HERITAGE - 8 - -
18285-1 - MICROBIOLOGIA

ANDREA FIRRINCIELI

First Year / Second Semester 4 BIOS-15/A ita
18285-2 - BIODETERIORAMENTO DEI MATERIALI DEI BENI CULTURALI

ANNA MARIA VETTRAINO

First Year / Second Semester 4 AGRI-05/B ita
GRUPPO OPZIONALE ATTIVITà DI LABORATORIO - 90 - -
17969 - STONE MATERIALS First Year / Second Semester 18 ita
17968 - ARTIFACTS PAINTINGS ON WOODEN SUPPORT. ARTIFACTS CARVED IN WOOD First Year / Second Semester 18 ita
GRUPPO OPZIONALE AFFINI E INTEGRATIVI - 24 - -
119236 - TOOLS AND EXECUTIVE PROCEDURES OF STONE ARTIFACTS OF CLASSICAL ANTIQUITY

STEFANO DE ANGELI

First Year / Second Semester 8 ARCH-01/D ita
GRUPPO OPZIONALE AFFINI E INTEGRATIVI - 24 - -
17976 - INFORMATICS FOR CULTURAL HERITAGE Second Year / First Semester 8 INF/01 ita
GRUPPO OPZIONALE ATTIVITà DI LABORATORIO - 90 - -
17986 - WALL PAINTINGS Second Year / Second Semester 18 ita
17985 - ARTIFACTS PAINTIHINGS ON WOODEN: SUPPORT. ARTIFACTS CARVED IN WOOD.FURNITURE AND WOODEN SCULPTURES 2 Second Year / Second Semester 18 ita
GRUPPO OPZIONALE SCIENZE E TECNOLOGIA PER LA CONSERVAZIONE E IL RESTAURO - 40 - -
18286 - GEOLOGY

SERGIO MADONNA

Second Year / Second Semester 8 GEO/07 ita
GRUPPO OPZIONALE BENI CULTURALI - 16 - -
17981 - PALAEOTHNOLOY

GIAN MARIA DI NOCERA

Third Year / First Semester 8 L-ANT/01 ita
17983 - MODERN AND CONTEMPORARY ART

PATRIZIA MANIA

Third Year / First Semester 8 L-ART/03 ita
17982 - ETRUSCOLOGY

MARINA MICOZZI

Third Year / Second Semester 8 L-ANT/06 ita
17984 - HISTORY OF PHOTOGAPHIC TECHNIQUES Third Year / Second Semester 8 L-ART/03 ita
GRUPPO OPZIONALE SCIENZE E TECNOLOGIA PER LA CONSERVAZIONE E IL RESTAURO - 40 - -
17978 - INFRARED SPECTROSCOPY APPLIED TO THE DIAGNOSTICS OF CULTURAL HERITAGE

CLAUDIA PELOSI

Third Year / First Semester 8 CHIM/01 ita
18289 - ZOOLOGY APPLIED TO CULTURAL HERITAGE

SIMONA PICCHIETTI

Third Year / First Semester 8 BIO/05 ita
GRUPPO OPZIONALE ATTIVITà DI LABORATORIO - 90 - -
17988 - STUCCO Third Year / Second Semester 18 ita
17987 - ACTIVITIES: MANUFATTURE OF TEXTILE BACKING Third Year / Second Semester 18 ita
GRUPPO OPZIONALE BENI CULTURALI - 16 - -
17994 - ARCHIVISTICA GENERALE Fourth Year / First Semester 8 M-STO/08 ita
GRUPPO OPZIONALE FORMAZIONE GIURIDICA ED ECONOMICA - 12 - -
18290 - CULTURAL HERITAGE LAW

DIEGO VAIANO

Fourth Year / First Semester 6 IUS/10 ita
GRUPPO OPZIONALE AFFINI E INTEGRATIVI - 24 - -
17993 - SOIL CULTURAL HERITAGE

MARIA CRISTINA MOSCATELLI

Fourth Year / Second Semester 8 AGR/13 ita
119540 - CURATORIAL METHODOLOGIES FOR RESTORATION

Fourth Year / Second Semester 8 L-ART/04 ita
GRUPPO OPZIONALE ATTIVITà DI LABORATORIO - 90 - -
17997 - MOSAIC Fourth Year / Second Semester 18 ita
17998 - MANUFATTURES SYNTHETIC MATERIALS MANUFACTURED, ASSEMBLED AND/OR PAINTED Fourth Year / Second Semester 18 ita
GRUPPO OPZIONALE FORMAZIONE GIURIDICA ED ECONOMICA - 12 - -
18291 - BUSINESS ADMINISTRATION

VINCENZO SFORZA

Fifth Year / First Semester 6 SECS-P/07 ita
18292 - MEDIA THEORIES AND TECNIQUES

GIOVANNI FIORENTINO

Fifth Year / Second Semester 6 SPS/08 ita
GRUPPO OPZIONALE AFFINI E INTEGRATIVI - 24 - -
18001 - HISTORY OF CONTEMPORARY ART IN EUROPE AND IN THE MEDITERRANEAN AREA

PATRIZIA MANIA

Fifth Year / First Semester 8 L-ART/03 ita
GRUPPO OPZIONALE ATTIVITà DI LABORATORIO - 90 - -
18005 - LABORATORY THESIS Fifth Year / Second Semester 18 ita