SUBJECT | SEMESTER | CFU | SSD | LANGUAGE | |
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RUSSIAN LITERATURE RAFFAELE CALDARELLI | First Semester | 8 | L-LIN/21 | ![]() |
Learning objectivesThe course aims at giving a picture of Mikhail Bulgakov’s life and work, especially of his posthumous novel “The Master and Margarita”. Bulgakov's most significant work will appear some decades after his death; this paradox will be explained in the frame of a crucial problem: the difficult relation between literature and power in Russia. As to the specific case, attention will be paid to the relation between Bulgakov (as a writer) and the Soviet power, including the well known letter to the Politburo and the subsequent conversation by phone with Stalin. Two SF novels (The Fatal Eggs, Heart of a Dog) will also be taken into account. Teacher's Profile courseProgramThe course aims at giving a picture of Russian poetry between 19th and 20th century. The main authors of this outstanding poetical season will be taken into account, as well as the main features of the artistic and cultural movements. Attention will be paid also to the historical and political context - cronological term: approximately, 1881 (Dostoevskij's death) to 1930 (Majakovskij's suicide). examModeExam: oral. Evaluation: n/30, pass mark: 18/30. Duration: about 20-30 minutes. Typically, three questions: a), b): two questions on authors and texts; c) on Russian culture and historical context. books1) Renato Poggioli, Il fiore del verso russo, Milano, Mondadori, 1970; modeLessons in traditional mode (front lecture), aiming at familiarizing students with themes that are often less known to them. Frequent are projections and/or materials on Moodle. classRoomModeAttendance is recommended but by no means mandatory bibliographyReference works could be useful in order to deepen some aspects of Russian history. Here are two works that can be found in Italian version: Nicholas V. Riasanovsky, Storia della Russia dalle origini ai giorni nostri, Nuova edizione aggiornata a cura di Sergio Romano, Milano, Bompiani, 1997 (OV.: Nicholas V. Riasanovsky, A History of Russia, Oxford University Press, 1984) or Paul Bushkovitch, Breve storia della Russia. Dalle origini a Putin, Torino, Einaudi, 2013 (OV: Paul Bushkovitch, A Concise History of Russia, Cambridge University Press, 2012). |
FRENCH LITERATURE ROBERTO ROMAGNINO | First Semester | 8 | L-LIN/03 | ![]() |
Learning objectivesThe French literature course for Master's students aims to deepen the knowledge and refine the analytical (i. e. stylistic, philological, rhetorical and hermeneutic) tools acquired during the Licence. The monographic programme focuses on the reading and in-depth study of a particular genre, author or work. The aim is to deepen the theoretical knowledge and notions of literary history previously assimilated, with a view to putting them to active use. Through an in-depth reading of the texts, students will be encouraged to make increasingly effective use of their ability to work independently and to form critical judgements about seventeenth- and eighteenth-century texts, while learning to master the tools of the discipline and to use secondary bibliography effectively and question it dialectically. The course also aims to introduce students to the methodology of scientific research and the preparation of a research project. The course will therefore provide students not only with theoretical knowledge but also with the hermeneutic tools to understand the texts addressed (1: knowledge and understanding, and 2: applying knowledge and understanding) and the expressive ones to form, nourish, nuance and discuss their judgment on questions of literary history through a meticulous reading of the texts (3: making judgements), as well as to communicate clearly and effectively on these themes in front of a heterogeneous audience (4: communication skills) and extend the reflection in an autonomous through the acquisition of the skills that will allow them to undertake the subsequent course of study (5: learning skills). Teacher's Profile courseProgramThis year, the course will focus on 17th-century comedy, and more specifically on Molière's comedies. In particular, we will read Les Précieuses ridicules, Le Misanthrope, Le Bourgeois gentilhomme, Les Femmes savantes. examModeStudents who attended classes will choose between a continuous assessment regime (2 In itinere examinations + interview at the end of the semester) or a terminal assessment regime (a single interview at the end of the semester covering the entire program ). The two assessment methods will be illustrated at the start of the course. booksI. Recommended editions modeThe French Literature course provides for a 'traditional' lecture course ("lezioni frontali"), seminars and tutorials, also including the active participation of students, through the preparation and presentation of relationships and written work relating to on themes chosen according to their interests. Lessons will take place in French. The participation of students enrolled in Humanities is particularly encouraged and welcome, but a good knowledge of the French language remains the necessary condition to be able to follow this course. classRoomModeParticipation in the courses is optional but is obviously recommended. Students not attending classes are invited to contact me at the start of the course semester so that we can establish an alternative and personalized program. I will not accept any requests for personalized or, worse, "reduced" programs, a few weeks before the exam. bibliographyII. Reading a textbook on the history of French literature (17th-18th centuries) is essential, for example: Teacher's Profile courseProgramThis year, the course will focus on 17th-century comedy, and more specifically on Molière's comedies. In particular, we will read Les Précieuses ridicules, Le Misanthrope, Le Bourgeois gentilhomme, Les Femmes savantes. examModeStudents who attended classes will choose between a continuous assessment regime (2 In itinere examinations + interview at the end of the semester) or a terminal assessment regime (a single interview at the end of the semester covering the entire program ). The two assessment methods will be illustrated at the start of the course. booksI. Recommended editions modeThe French Literature course provides for a 'traditional' lecture course ("lezioni frontali"), seminars and tutorials, also including the active participation of students, through the preparation and presentation of relationships and written work relating to on themes chosen according to their interests. Lessons will take place in French. The participation of students enrolled in Humanities is particularly encouraged and welcome, but a good knowledge of the French language remains the necessary condition to be able to follow this course. classRoomModeParticipation in the courses is optional but is obviously recommended. Students not attending classes are invited to contact me at the start of the course semester so that we can establish an alternative and personalized program. I will not accept any requests for personalized or, worse, "reduced" programs, a few weeks before the exam. bibliographyII. Reading a textbook on the history of French literature (17th-18th centuries) is essential, for example: |
EDUCATIONAL LINGUISTIC SIMONE CASINI | First Semester | 8 | L-LIN/02 | ![]() |
Learning objectivesAccording to the Dublin descriptors, students are expected to acquire the following by the end of the course: Teacher's Profile courseProgramThe Modern Languages Teaching course delves into language instruction, combining pedagogy with theoretical studies on symbolic codes, emphasizing the verbal dimension. Divided into three segments with a single exam, it covers linguistic and semiotic concepts, linguistic creativity's impact on communication and language contact in various contexts, and implications for teaching and learning. examModeThe exam is oral; however, students have the option to prepare a written thesis to be submitted at least 10 days before the exam on a topic agreed upon with the teacher. booksCasini S., 2018, “Italianismi e pseudoitalianismi a Toronto: tra valori simbolici e prospettive di apprendimento”, M. Vedovelli, B. Turchetta (a cura di), Lo spazio linguistico italiano globale: il caso dell’Ontario, Pacini, pp. 149-166. modeFace-to-face lectures or equivalent activities. classRoomModeFace-to-face lectures or equivalent activities. bibliographyCasini S., 2018, “Italianismi e pseudoitalianismi a Toronto: tra valori simbolici e prospettive di apprendimento”, M. Vedovelli, B. Turchetta (a cura di), Lo spazio linguistico italiano globale: il caso dell’Ontario, Pacini, pp. 149-166. |
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ROMANCE PHILOLOGY AND LINGUISTICS GIOVANNA SANTINI | First Semester | 8 | L-FIL-LET/09 | ![]() |
Learning objectivesThe course is dedicated to the fundamentals of text criticism, a discipline that deals with the edition of ancient and medieval texts in the form closest to the original. Knowledge: Students will learn the methods and procedures of textual criticism, will know the history of the tradition of Provençal lyric poetry and will acquire basic skills on the Occitanic language, on Romance metrics and on rhetoric and stylistics. Application of knowledge and development of critical thinking: At the end of the course they will be able to illustrate and use the procedures that lead to the preparation of a critical edition starting from manuscript sources, they will also have the skills to critically analyze any type of literary text. Communication of knowledge: The workshop activity aimed at publishing a multimedia critical edition on a dedicated portal and the collective oral discussion of the works produced, will allow them to directly practice written and oral communication techniques. Self-learning: They will also deal directly with bibliographic and historical, linguistic and literary research tools, from which they will have to independently draw the information and knowledge useful for the preparation of the critical edition. Teacher's Profile courseProgramPart of the course will be devoted to the description of the characteristics of the medieval textual tradition, to the problems it poses to the critical publisher and to the different methods used for the edition of the texts. Furthermore, basic information will be given on the medieval Romance literary tradition and in particular on the lyric tradition and the historical grammar of the Provençal language, in order to introduce students to the poetic text that will be the subject of the critical edition prepared within the course with their cooperation. examModeFor the ATTENDING students there will be a written paper and an interview (for the vote the results of each test are considered). In the written essay the competences matured in the field of the discipline are evaluated, also from the point of view of the practical application (object of the exercises), and the ability to express complex concepts through a written discourse; in the interview the elaborate is discussed making reference to the scientific methods and tools used. For NON-ATTENDING students, there is normally only an oral exam, in which the competences acquired within the discipline by reading the recommended bibliography and the ability to express complex concepts through an oral discourse are evaluated. books1. Materials, handouts and texts provided by the teacher at the beginning of the course. modeThe course will include a theoretical part, intended for the acquisition of the fundamental tools necessary for the preparation of a critical edition, and a practical part in which the students will be able to put these acquisitions to the test directly following the various preparation phases of an edition of a poetic composition. classRoomModeThe lectures will be accompanied by laboratory activities carried out in class under the direct guidance of the teacher. bibliographySuggestions for additional readings: |
DINO DE SANCTIS | First Semester | 8 | L-FIL-LET/05 | ![]() |
Learning objectivesThe course aims to strengthen the possession of a conscious and critical knowledge of the topic treated and developed in class. If there is availability, seminars will be organized, during which specific topics will be illustrated by the students. Teacher's Profile courseProgramAfter providing an introduction to dramatic production from the 5th century up to Rome and explaining the complex theatrical activity in Athens, the teacher will read Aeschylus's Persians (in Italian) to highlight both scenic and poetic issues in this tragedy and its author. examModeOral examination. booksEschilo. I Persiani, a cura di M. Centanni, Feltrinelli, o Eschilo. I Persiani, a cura di F. Ferrari, BUR classRoomModeAttendance not mandatory. Non-attending students can request a meeting with the teacher to establish an integrative program. bibliographyEschilo. I Persiani, a cura di M. Centanni, Feltrinelli, o Eschilo. I Persiani, a cura di F. Ferrari, BUR |
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ITALIAN LINGUISTICS STEFANO TELVE | First Semester | 8 | L-FIL-LET/12 | ![]() |
Learning objectivesThe course aims to provide students with all the methodological tools necessary for a more conscious and in-depth understanding of the Italian literary language and for the linguistic and stylistic (grammatical, lexical, rhetorical) analysis of literary texts. Teacher's Profile courseProgramThe course aims to provide students with some advanced notions of the language of italian literary texts. After an overview of the subject, from its Origin to modern times, through some of the most important moments in the history of italian language (first part), the focus will be on the history of italian language for music from XVII to XX century (second part), with an analysis of a selection of most important texts: for each text, a historical and cultural contextualisation will be proposed, together with a detailed linguistic and stylistic analysis, with special attention to phonomorphological, syntactic, lexical and rhetorical elements, so as to locate every single documents in its linguistic and cultural context. examModeThe final assessment consists of an oral examination of the program of study, with a comment on some texts. booksAttending Students mode48h, face to face lectures classRoomModeClass attendance is not mandatory but is strongly recommended. bibliographyNo reference bibliography Teacher's Profile courseProgramThe course aims to provide students with some advanced notions of the language of italian literary texts. After an overview of the subject, from its Origin to modern times, through some of the most important moments in the history of italian language (first part), the focus will be on the history of italian language for music from XVII to XX century (second part), with an analysis of a selection of most important texts: for each text, a historical and cultural contextualisation will be proposed, together with a detailed linguistic and stylistic analysis, with special attention to phonomorphological, syntactic, lexical and rhetorical elements, so as to locate every single documents in its linguistic and cultural context. examModeThe final assessment consists of an oral examination of the program of study, with a comment on some texts. booksAttending Students mode48h, face to face lectures classRoomModeClass attendance is not mandatory but is strongly recommended. bibliographyNo reference bibliography |
GREEK LITERATURE MADDALENA VALLOZZA | First Semester | 8 | L-FIL-LET/02 | ![]() |
Learning objectives- methodological skills useful for critical reading of the texts, in Greek for the students who intend to obtain in the SS-L-FIL-LET / 02 the 24 credits necessary to access the teaching class A 13, in Italian translation with elements of Greek lexicon for students following other courses Teacher's Profile courseProgramMonographic course examModeThe oral exam will be aimed at verifying the knowledge acquired through the study of the Greek literature textbook, the knowledge of the problems discussed in the monographic course, and the ability to understand and contextualise the texts translated in the lessons. Any seminar contribution offered during the course of the lectures will also be assessed booksFor the monographic part modeLessons will be opened to the dialogue with students. Optional seminars will be arranged between teacher and students on selected topics. classRoomModenot compulsory, but highly recommended. bibliographyFurther bibliography will be indicated in the course of the lectures. |
17434 - OPTIONAL SUBJET | First Semester | 8 | ![]() | ||
NEW GROUP | - | - | - | - | |
FORMATION TRAINING AND ORIENTING | First Semester | 6 | ![]() | ||
FURTHER JOB SKILLS | First Semester | 6 | ![]() | ||
118454 - FEDERICO MESCHINI | First Semester | 8 | ![]() |
Learning objectivesThe aim of this qualification is to show, both from a theoretical and pragmatic point of view, the "re-mediation" made by the computational tool of the idea of the book. Examples of digital editions will be analyzed, starting from the electronic book to electronic scholarly editions, with a strong emphasis both on the document-centric aspect, represented by the text encoding and in particular by the language of the Text Encoding Initiative (TEI), and on the datacentric one, represented by relational databases and the Semantic Web. Then tools for the analysis of the literary text and the representation of primary sources will be presented and analyzed. The change in documentary forms is linked to a corresponding change in the forms and modalities of the storytelling, and therefore digital storytelling will also be addressed during the lessons. Teacher's Profile courseProgramThe Electronic Publishing workshop aim is to illustrate, both from a theoretical and pragmatic point of view, the "remediation" mode through the computational tool of the "object" book. Thus, several examples of digital editions will be examined, starting from electronic books up to critical digital editions, with a strong emphasis on the document-centric aspect, represented by textual encoding and in particular the Text Encoding Initiative (TEI) standard. Subsequently, tools for analysing literary text and the representation of primary sources will be illustrated and analyzed. This change in documentary forms is also linked to a corresponding change in the forms and modalities of storytelling, and therefore the topic of digital and transmedia storytelling will also be addressed within the course, together with an introduction to the relevant related tools. examModeStudents will be evaluated through an interview about the workshop textbooks. Attending students may also present a digital publishing project featuring a strong narrative and/or editorial component. booksFor those who do not have the Electronic Publishing course in their curriculum, which must be taken before this qualitification, the syllabus is as follows: classRoomModeAttendance is not mandatory. bibliography- Fabio Ciotti (ed.). Digital humanities. Metodi, strumenti, saperi. Rome: Carocci, 2023. | |
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MEDIEVAL ART HISTORY EVA PONZI | First Semester | 8 | L-ART/01 | ![]() |
Learning objectives
Teacher's Profile courseProgramThe lessons will focus on the analysis of one or more illuminated manuscripts and on the discussion around a certain artistic phenomenon; they will also be an opportunity to practice observing an artwork. examModeThe oral interview will focus on one or more acknowledgments of artworks shown and commented on in class or even of works present in the reference texts. booksStudents who cannot attend are invited to contact the teacher to agree a program. classRoomModeAttendance is optional, but strongly recommended. bibliographyRecommended readings |
CONTEMPORARY ITALIAN LITERATURE CARLO SERAFINI | First Semester | 8 | L-FIL-LET/11 | ![]() |
Learning objectivesThe course intends to provide students with knowledge on the relationship between literature and journalism in the twentieth century based on the use of the critical method, as a method of reading society. Teacher's Profile courseProgramLiterature, media, politics: writers and the periodical press examModeStudents will have to demonstrate in the oral interview their knowledge of the exam topics and their ability to analyze text and content of the addressed works. books1) CARLO SERAFINI (ed.), Introduction to Word of the Writer. Literature and journalism in the twentieth century, Vol. I, Bulzoni, Rome 2010 classRoomModeAttendance is not mandatory but strongly recommended bibliographyPier Paolo Pasolini, Scritti corsari, Garzanti, Milan 1975 (also later editions) |
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ENGLISH LITERATURE VALERIO VIVIANI | First Semester | 8 | L-LIN/10 | ![]() |
Learning objectives
Teacher's Profile courseProgramThe theme of “ugliness” is a leitmotif of English dramas and novels. The aim of the course will be to explore English texts in which this theme recurs in different configurations, and to contextualise the view that different authors have built around this theme in different periods. The lessons will be devoted, according to a thematic and historical and cultural arrangement, to each text in the following order: ‘Richard III’, ‘The Tempest’, ‘Frankenstein’, ‘Wuthering Heights’, ‘Strange Case of Dr Jekyll and Mr Hyde’, ‘The Picture of Dorian Gray’, Heart of Darkness’. examModeThe oral exam will be in Italian. It will focus on the texts that will have been presented during the course and on their cultural context, and will aim to evaluate the students' critical and methodological skills. In order to assess these skills, students will be invited to discuss the texts that have been encountered during the course. booksWilliam Shakespeare, Richard III modeThe course will consist of frontal lessons, aiming to provide participants with the critical tools they need to interrogate and understand literary texts, both in terms of literary analysis and of historical/cultural contexts. Since our critical itinerary will be literary as well as cultural, the course will probably include the viewing and discussion of films. classRoomModeStudents are not required to attend lessons, but it is recommended. bibliographyUmberto Eco, Storia della bruttezza, Bompiani |
14583 - ITALIAN LITERATURE FILIPPO GRAZZINI | Second Semester | 8 | L-FIL-LET/10 | ![]() |
Learning objectivesItalian literature class for LM 14 aims to provide Garduate Students in Modern Philology with a detailed hisotrical description of Italian Humanities, emphasizing philogical,linguistical, stylistical and thematical aspects of literary texts. Class intends to shape students fit for Ph D as well as High School teachers, indipendent educators, popularizers, journalists, show business professionals, and the like. Students obtaining the Laurea Magistrale should possess both knowledge and understanding of Italian literary history (possibly to be compared with other national literary traditions) and applying knowledge and understanding, focusing on texts. Making judgements, communication skills (f.i. how to make an oral report to class on an author or a text) and a self-counsciousness Teacher's Profile courseProgramClass will be about war as a literary subject and about Italian authors who addressed the topic in different ways at different times. By reading excerpts from Divine Comedy, The Prince, The Art of War, the Jerusalem Delivered, Adelchi and The Betrothed, students will be enabled to distinguish the approach to a common anthropological trait, as war is, of Dante from the one of Machiavelli, of Tasso and of Manzoni. Depending on different writers as the above mentioned, war conveys ideas of duty, necessity, sacredness or barbarism. Additional references to thinkers and to writers of late XIX and of XX Century, which teacher will make if students show sufficient learning ability, may indicate the spreading of an ethical refusal of war in intellectual and in specific literary life of Italy in recent past. Presently, however, the refusal of war is not unanimously shared. examModeOral exam, aiming to ascertain student's overall understanding and increase of knowledge booksDANTE, Divina Commedia, free choice of one among the following editions: Bruscagli and Giudizi, Loescher (single-volume edition); Chiavacci Leonardi, Mondadori; Bosco and Reggio, Le Monnier-Mondadori; Inglese, Carocci; Pasquini e Quaglio, Garzanti; Malato, Salerno Editrice (portable single-volume edition); classRoomModeAlthough non compulsory, attendance is higly recommended. Attending classes in person enables learning, thanks to direct contact with lecturer and with fellow students, especially when they are required to practice analysis of texts. bibliographyA. Casadei, La guerra, Roma-Bari, Laterza, 1999; |
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ENGLISH LANGUAGE FOR COMMUNICATION ALBA GRAZIANO | First Semester | 8 | L-LIN/12 | ![]() |
Learning objectivesThe general objective of this course is developing communicative competences towards a level B2, describing English for specific/academic uses, analyzing texts in this area and translating them. Teacher's Profile courseProgramTITLE: Translating: from journalism to scientific/academic English, from tourism to audiovisual English. examModeThe final examination includes: booksBased on the choice of topic for the final exam, one of the following or similar (all titles are in the library): modeThe course is conceived according to a flipped learning approach and adopts a blended mode. It consists of in-person lectures, predominantly held in English and with a critical-thinking and inductive approach, so as to favour students' participation. The platform UniTusMoodle includes all the materials used in class (ppt presentations, pdf documents, questionnaires, discussion forums, quizzes and tasks, a serious game and video of experts, case studies on translation, etc.) + other assignments as homework, which can be used with a flipped mode. All these activities are preparatory to the final exam consisting of an individual student's project. classRoomModeAttendance is not compulsory but HIGHLY RECOMMENDED. However, it is replaced by work on the moodle platform for those who signal problems attending classes during the semester (Erasmus, working, or special needs students). bibliographyA choice of one among the following: |
SONIA DI VITO | First Semester | 8 | L-LIN/04 | ![]() |
Learning objectivesKnowing how to recognise the characteristics of a language for specific pourposes (le domaine du bio); Teacher's Profile courseProgramThe main characteristics of the language used in institutional university websites; corpus linguistics, history and domains of application; CAT tools; history of translation. examModeWritten translation with notes. All translation tools are allowed (monolingual and bilingual dictionary, automatic translators, corpus and concordance programmes, translation memories, etc.). booksLerat, P., 1995, Les langues spécialisées, Paris: Presses Universitaires Françaises classRoomModeAttendance is not compulsory but strongly recommended bibliographyLerat, P., 1995, Les langues spécialisées, Paris: Presses Universitaires Françaises Teacher's Profile courseProgramThe main characteristics of the language used in institutional university websites; corpus linguistics, history and domains of application; CAT tools; history of translation. examModeWritten translation with notes. All translation tools are allowed (monolingual and bilingual dictionary, automatic translators, corpus and concordance programmes, translation memories, etc.). booksLerat, P., 1995, Les langues spécialisées, Paris: Presses Universitaires Françaises classRoomModeAttendance is not compulsory but strongly recommended bibliographyLerat, P., 1995, Les langues spécialisées, Paris: Presses Universitaires Françaises |
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LATIN LANGUAGE AND LITERATURE ALESSANDRO FUSI | First Semester | 8 | L-FIL-LET/04 | ![]() |
Learning objectivesFormative Objectives: Teacher's Profile courseProgramTitle: Ovid’s Metamorphoses examModeThe examination is oral and consists of two parts: in the first part, the student must demonstrate knowledge of the main features of Latin literary history; in the second part, the student must demonstrate the ability to translate, analyse and comment on the literary texts on the syllabus: the level of content knowledge demonstrated (superficial [18-21], appropriate [22-26], precise and complete [27-29], complete and thorough [30]), the ability to make a critical sense and formulate judgments (sufficient [18-24]], good [25-28], excellent [29-30]), the mastery of expression (deficient exposition [18-21], simple [22-25], clear and correct [26-28], secure and correct [29-30]). booksA complete edition of Ovid’s Metamorphoses with Latin text (suggested: Ovidio, Le metamorfosi, intr. di G. Rosati, trad. di G. Faranda Villa, note di R. Corti, Milano, Rizzoli BUR, 1994, with many reprints, ISBN: 9788817129763); L. Galasso, Ovidio: Guida alle Metamorfosi, Roma, Carocci Editore, 2023, ISBN: 9788829020683; L. Galasso, La letteratura latina in età ellenistica, Roma, Carocci Editore, 2021, ISBN: 9788829009381; G. Rosati, Mito e potere nell'epica di Ovidio, «MD» 46 (2001), pp. 39-61. classRoomModeAttendance in this course is optional, but highly recommended. bibliographyMore bibliography and didactic materials will be given during the course (for attending students). Teacher's Profile courseProgramTitle: Ovid’s Metamorphoses examModeThe examination is oral and consists of two parts: in the first part, the student must demonstrate knowledge of the main features of Latin literary history; in the second part, the student must demonstrate the ability to translate, analyse and comment on the literary texts on the syllabus: the level of content knowledge demonstrated (superficial [18-21], appropriate [22-26], precise and complete [27-29], complete and thorough [30]), the ability to make a critical sense and formulate judgments (sufficient [18-24]], good [25-28], excellent [29-30]), the mastery of expression (deficient exposition [18-21], simple [22-25], clear and correct [26-28], secure and correct [29-30]). booksA complete edition of Ovid’s Metamorphoses with Latin text (suggested: Ovidio, Le metamorfosi, intr. di G. Rosati, trad. di G. Faranda Villa, note di R. Corti, Milano, Rizzoli BUR, 1994, with many reprints, ISBN: 9788817129763); L. Galasso, Ovidio: Guida alle Metamorfosi, Roma, Carocci Editore, 2023, ISBN: 9788829020683; L. Galasso, La letteratura latina in età ellenistica, Roma, Carocci Editore, 2021, ISBN: 9788829009381; G. Rosati, Mito e potere nell'epica di Ovidio, «MD» 46 (2001), pp. 39-61. classRoomModeAttendance in this course is optional, but highly recommended. bibliographyMore bibliography and didactic materials will be given during the course (for attending students). |
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PHONETICS AND PHONOLOGY AMEDEO DE DOMINICIS | Second Semester | 8 | L-LIN/01 | ![]() |
Learning objectivesPhonetics and Phonology is a deepening (during specialized studies) of General Linguistics (taught in L-10). The class is aimed at analyzing the vocal behavior of speakers. The vocal behavior of speakers is an integral part of their linguistic behavior. The ultimate goal is always to develop predictive (non-normative) rules necessary to build the grammar of a given language. But to make reliable predictions, you need to be able to measure the starting data. In order to obtain reliable and measurable data, just listening to linguistic sounds is absolutely inadequate for the purpose. Auditory perception must be accompanied by methodological tools and acoustic measurement techniques. It is therefore necessary to study the acoustics of linguistic sounds, as well as the anatomical physiology that produces them. Traditionally, these two approaches are called acoustic phonetics and articulatory phonetics, respectively: both will be taught. Teacher's Profile courseProgramThe course will cover the following topics: examModeEXPECTED LEARNING OUTCOMES books1) A. De Dominicis, Fonologia, Roma, CAROCCI, 2003. modeLectures and discussion of theories and/or cases classRoomModeThe lectures will be accompanied by the discussion of case studies carried out in class under the direct guidance of the teacher. bibliography1) A. De Dominicis, Fonologia, Roma, CAROCCI, 2003. |
SIMONA RINALDI | Second Semester | 8 | L-ART/04 | ![]() |
Learning objectivesTraining objectives Teacher's Profile courseProgramThe birth of the art exhibitions in XVII century; features of the first art exhibitions in Italy, France, Great Britain; Terminology problems related to museum history; historical events of museums from the eighteenth century to present; Impressionists’ and avantguard’s exhibitions; Case studies on digital Museology and virtual exhibitions. examModeOral examination on books assigned with critical comparison between bibliographical sources. books1) F. Haskell, La nascita delle mostre, Skira, Milano 2002, pp. 23-111; 147-188. modeface-to face Lessons by power point and videos projection. classRoomModeAttendance at lessons is optional. bibliographyM. Barbanera, Il museo impossibile, Roma 2013. Teacher's Profile courseProgramThe birth of the art exhibitions in XVII century; features of the first art exhibitions in Italy, France, Great Britain; Terminology problems related to museum history; historical events of museums from the eighteenth century to present; Impressionists’ and avantguard’s exhibitions; Case studies on digital Museology and virtual exhibitions. examModeOral examination on books assigned with critical comparison between bibliographical sources. books1) F. Haskell, La nascita delle mostre, Skira, Milano 2002, pp. 23-111; 147-188. modeface-to face Lessons by power point and videos projection. classRoomModeAttendance at lessons is optional. bibliographyM. Barbanera, Il museo impossibile, Roma 2013. |
GREEK LITERATURE MADDALENA VALLOZZA | Second Semester | 8 | L-FIL-LET/02 | ![]() |
Learning objectives- methodological skills useful for critical reading of the texts, in Greek for the students who intend to obtain in the SS-L-FIL-LET / 02 the 24 credits necessary to access the teaching class A 13, in Italian translation with elements of Greek lexicon for students following other courses Teacher's Profile courseProgramMonographic course examModeThe oral exam will be aimed at verifying the knowledge acquired through the study of the Greek literature textbook, the knowledge of the problems discussed in the monographic course, and the ability to understand and contextualise the texts translated in the lessons. Any seminar contribution offered during the course of the lectures will also be assessed. booksFor the monographic part modeLessons will be opened to the dialogue with students. Optional seminars will be arranged between teacher and students on selected topics. classRoomModeClass attendance is not compulsory, but highly recommended. bibliographyFurther bibliography will be indicated in the course of the lectures. Teacher's Profile courseProgramMonographic course examModeThe oral exam will be aimed at verifying the knowledge acquired through the study of the Greek literature textbook, the knowledge of the problems discussed in the monographic course, and the ability to understand and contextualise the texts translated in the lessons. Any seminar contribution offered during the course of the lectures will also be assessed. booksFor the monographic part modeLessons will be opened to the dialogue with students. Optional seminars will be arranged between teacher and students on selected topics. classRoomModeClass attendance is not compulsory, but highly recommended. bibliographyFurther bibliography will be indicated in the course of the lectures. |
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CONTEMPORARY HISTORY MARCO SALVATORE PAOLINO | Second Semester | 8 | M-STO/04 | ![]() |
Learning objectivesThe objectives of the Contemporary History course for the academic year 2023/2024 aim to consolidate knowledge of the history of the Cold War and the ability to understand the evolution of international relations in the second half of the twentieth century, applying this knowledge to the analysis of the events of the world history of the 20th century. The improvement of study methodologies will have the aim of promoting students' autonomy of judgment and strengthening their communication skills. Teacher's Profile courseProgramEach lesson lasts three hours; 16 lessons for a total of 48 hours. examModeStudents who regularly attend lessons have the opportunity to prepare an 8-page paper (WORD format, Times New Roman 12 font, line spacing 1.5; without drawings, images and photographs) on the topics developed in the course, using preferentially the notes taken in class; the text of Harper can have a useful integrative function. The paper can be sent and discussed only once; in the event of a negative evaluation, the exam must be taken orally. The paper must be sent to the professor a maximum of one week before each exam date. The possibility of sending and discussing the paper is valid only for the summer (June and July) and autumn (September) sessions. After these sessions, the exam must be taken orally. Students will be evaluated with an oral test, in which the knowledge of the topics developed during the lessons will be verified, using both the paper and the book of Harper. Non-attending students will be evalueted with an oral exam, in which the knowledge of the topics included in the Harper’s book will be verified. booksJohn Harper, La Guerra Fredda, Il Mulino modeThe course will be divided into frontal lessons, with the aim of acquiring knowledge of the history of the Cold War and the ability to understand the evolution of the history of the 20th century classRoomModeClass attendance is not mandatory, although it is highly recommended. bibliographyJohn Harper, La Guerra Fredda, Il Mulino |
MODERN HISTORY MATTEO SANFILIPPO | Second Semester | 8 | M-STO/02 | ![]() |
Learning objectivesThe purpose of the course is to master the history of Euro-American cultural development between the 15h and 20th centuries. Furthermore, during the course a seminar will be held for attending students on the re-elaboration and re-presentation of modern history, both during the modern centuries and in the following ones. At the end of the course, according to the learning objectives established in Dublin, students must be able to: 1) be aware of what has happened over the centuries and in the areas addressed and understand why (Knowledge and understanding); 2) having developed an independent reflection on the topics covered (Applied knowledge and understanding); 3) analyze and discuss texts and documents, of various kinds, understanding how historiography as well as literature has already used them (Autonomy of judgment); 4) present their own independent research in the classroom (Communication skills); 5) understand and fill any previous gaps (Ability to learn). In this process it will be essential to respect the work of all students, in groups or individuals, and to respect deadlines to better coordinate specific insights Teacher's Profile courseProgramGeneral Part: 1) General history of Central-Western Europe and the Americas from th 16th to the beginning of the 20th Century; 2) Analysis of historiographic, literary and artistic representations of the same; Discussion of the texts in the syllabus. Seminar: From settler to cowboy: the war against indigenous people in the Americas examModeThe preparation of the student will be verified by oral test. Within this framework it will be evaluated on the basis of the following grid (in thirtieths): KNOWLEDGE AND UNDERTANDING 1-6/30 (6 = excellent; 1 = very bad); KNOWLEDGE AND UNDERSTANDING APPLIED 1-6/30 (6= excellent; 1= very bad); AUTONOMOUS JUDGMENT 1-6/30 (6=excellent; 1=very bad); COMMUNICATION SKILLS 1-6/30 (6=excellent; 1=very bad); ABILITY TO LEARN (6=excellent; 1=very bad). The result of the test will be given by the sum of the scores obtained. booksFIRST ANNUITY:1) Emanuele Pagano, L’Italia e i suoi stati nell’età moderna, Morcelliana; 2) Matteo Al Kalak, Fuoco e fiamme. Storia e geografia dell’inferno, Einaudi; 3) Giovanni Ricci, Rinascimento conteso. Francia e Italia, un'amicizia ambigua, il Mulino; 4) Renata Ago, Roma barocca, Carocci modeFrontal lessons (24h) + seminar (24h). The lessons are organized into teaching modules, to which the seminar is also integrated: Module I (12 hours): main developments in modern Euro-American history; II module (12 hours) main developments of the reflection on modern Euro-American history; 1st seminar phase (12 hours) the reflection on the colonization of the Americas; II seminar phase (12 hours) depictions of the westward drive. Students do not have to attend: to make the exam, they have only to prepare one more text among the ones suggested for the Seminar classRoomModeAttendance not mandatory bibliographySUGGESTED READINGS: Letture: Lucia Felici e Girolamo Imbruglia, La tolleranza in età moderna, Carocci; Antonio Violante, Giovanni Caboto. El gran armirante verso il sogno del Catai, Le Monnier Università; Alessandro Vanoli, L'invenzione dell'Occidente, Laterza; Marina Caffiero, Gli schiavi del papa, Morcelliana; Amedeo Feniello, Omicidio a Lombard Street, Laterza; Andrea Zannini, Altri Pigafetta, Viella; Adriano Prosperi, Missionari. Dalle Indie remote alle Indie interne, Laterza. |
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HISTORY OF CENTRAL EUROPE FRANCESCA DE CAPRIO | Second Semester | 8 | M-STO/02 | ![]() |
Learning objectivesIn the course the main lines that identify the contents of the modern age from the XV century to the first half of the XVII with preliminary attention to the historiographic categories, to the interpretative orientations, to the sources and the instruments proper of the discipline will be analyzed and discussed. The educational objective is to offer students solid foundations for acquiring a cognitive and critical familiarity with the "general history" of the modern age and in particular that linked to the events that have characterized the geopolitical area of central Europe (Bohemia , Hungary, Rzeczpospolita (Poland and Grand Duchy of Lithuania), principalities of Wallachia and Moldavia and the Ottoman Empire. Teacher's Profile courseProgramCourse Overview examModeThe exam will take place in oral form. booksA History of Modern Poland From the Foundation of the State in the First World War to the Present Day modefrontal lessons (40 hours) and seminars (8 hours) classRoomModefrontal lessons (40 hours) and seminars (8 hours) bibliographyA History of Modern Poland From the Foundation of the State in the First World War to the Present Day |
GEOGRAPHY TONY URBANI | Second Semester | 8 | M-GGR/01 | ![]() |
Learning objectivesThe Geography course aims to provide analyses and insights into the geographical realities of the various branches of the discipline, methodological and technological innovations and the positive effects on teaching, also through the acquisition of soft skills, simulations and gamification. Teacher's Profile courseProgramThe 48-hours program is divided into a mixed mode, also in the presence of experts in the field. The lessons consist of a theoretical basis, a group exercise and classroom discussion of the results and processes. examModeThe learning is verified also in the way, for this the presence is recommended, even if not obligatory. books1. G. De Vecchis, D. Pasquinelli D'Allegra, C. Pesaresi. Didattica della Geografia. Edizione 2020, UTET Università. classRoomModeNot mandatory, but recommended. |
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DIGITAL PUBLISHING FEDERICO MESCHINI | Second Semester | 8 | M-STO/08 | ![]() |
Learning objectivesThe aim of this course is to show, both from a theoretical and pragmatic point of view, the "re-mediation" made by the computational tool of the idea of the book. Examples of digital editions will be analyzed, starting from the electronic book to electronic scholarly editions, with a strong emphasis both on the document-centric aspect, represented by the text encoding and in particular by the language of the Text Encoding Initiative (TEI), and on the datacentric one, represented by relational databases and the Semantic Web. Then tools for the analysis of the literary text and the representation of primary sources will be presented and analyzed. The change in documentary forms is linked to a corresponding change in the forms and modalities of the storytelling, and therefore digital storytelling will also be addressed in the course. Teacher's Profile courseProgramThe Electronic Publishing course main aim is to illustrate, both from a theoretical and pragmatic point of view, the "remediation" mode through the computational tool of the "object" book. Thus, several examples of digital editions will be examined, starting from electronic books up to critical digital editions, with a strong emphasis on the document-centric aspect, represented by textual encoding and in particular the Text Encoding Initiative (TEI) standard. Subsequently, tools for analysing literary text and the representation of primary sources will be illustrated and analyzed. This change in documentary forms is also linked to a corresponding change in the forms and modalities of storytelling, and therefore the topic of digital and transmedia storytelling will also be addressed within the course, together with an introduction to the relevant related tools. examModeStudents will be evaluated through an interview about the course textbooks. Attending students may also present a digital publishing project featuring a strong narrative and/or editorial component. booksFor those who do not have the Electronic Publishing course in their curriculum, which must be taken before this qualitification, the syllabus is as follows: classRoomModeAttendance is not mandatory. bibliography- Fabio Ciotti (ed.). Digital humanities. Metodi, strumenti, saperi. Rome: Carocci, 2023. |
HISTORY IF WRITING FRANCESCO MARIA CARDARELLI | Second Semester | 8 | M-STO/09 | ![]() |
Learning objectivesThe subject of the course is Paleography, the discipline that studies the History of writing, and in particular of handwriting based on the Latin alphabet, in its different phases, from its origins to the diffusion of movable type printing. Teacher's Profile courseProgramThe paleographic terminology. Media and writing tools (brush and scratch writing on plaster, wax tablets, papyrus, scroll and codex, parchment, paper). The paleographic transcription. examModeTo take the oral exam, it is necessary to have passed a pre-exam in time, focused on: paleographic terminology; the subjects, tools and techniques of the manuscript book; the abbreviations of the Roman Age and the Middle Ages; the “Nomina Sacra”; the writings of the Roman Age and the Early Middle Ages; the reading, transcription and commentary of some paleographic tables examined during the lessons and exercises. books- Armando Petrucci, “Breve storia della scrittura latina”, Roma, Bagatto Libri, 1992. modeThe lessons, which will be held in person except for specific situations and particular emergencies, will all be broadcast live and recorded on the digital platform of the University. classRoomModeAttendance to lessons and exercises is highly recommended. In any case, lessons and exercises are all registered and are available on the digital platform of the University. bibliography- Armando Petrucci, “Breve storia della scrittura latina”, Roma, Bagatto Libri, 1992. |
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ROMAN HISTORY ALESSIA TERRINONI | Second Semester | 8 | L-ANT/03 | ![]() |
Learning objectives1) Knowledge and understanding: knowledge of the historical data, methodologies and documents proposed; acquisition of a basic scientific vocabulary. Teacher's Profile courseProgramThe course aims to provide students with the tools for a scientific approach to the study of Roman history, from its origins to the 'noiseless fall' of the West. The first part of the course will deal with issues of chronology, historical geography, historiography and epigraphy, alternating between lectures of a more event-oriented nature and others focusing on broad methodological issues. The second part of the course will instead have a monographic and seminar character: it will be dedicated to the study of the senate, an institution that was always present in Rome, from the monarchy to Late Antiquity, whose evolution proceeded in parallel with the many upheavals of the res publica Romana. examModeThe oral examination includes the verification of the student's knowledge of the agreed syllabus, as well as the verification of the necessary skills in the historical disciplines. books1) Giovanni Geraci e Arnaldo Marconi, Storia romana (con la collaborazione di A. Cristofori e C. Salvaterra), Mondadori, Milano 2016 (quarta edizione). modeTeaching is scheduled in the classroom frontally. In the event of difficulties for attendees or lecturers, distance learning is planned. classRoomModeAttendance is recommended but not compulsory |
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LITERARY CRITICISM AND COMPARATIVE LITERATURE DANIELA MANGIONE | Second Semester | 8 | L-FIL-LET/14 | ![]() |
Learning objectivesThe purpose of the course is to delve into the approaches of comparatistics and use in literary and philological analysis the tools of criticism common to different cultural traditions in order to acquire the ability to read literary phenomena with a broader perspective than that of individual national literatures. By the end of the course, students should: Teacher's Profile courseProgramThe aim of the course is twofolds: first, to introduce the perspective and specificities of Comparative Literature and to acquire knowledge of the theories and methodologies of literary criticism that have followed one another over time and that constitute a transversal heritage across different national cultures. examModeOral examination; there will be the possibility of an in itinere evaluation by means of individual projects. booksBibliography: classRoomModeNon-obligatory attendance. bibliography- "Letterature comparate", a cura di F. de Cristofaro, Carocci 2020; |
17443 - OPTIONAL SUBJET | Second Semester | 8 | ![]() | ||
18342 - | Second Semester | 18 | ![]() | ||
MODULE II | Second Semester | 8 | ![]() | ||
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LATIN LANGUAGE AND LITERATURE ALESSANDRO FUSI | Second Semester | 8 | L-FIL-LET/04 | ![]() |
Learning objectivesFormative Objectives: Teacher's Profile courseProgramTitle: Ovid’s Metamorphoses examModeThe examination is oral and consists of two parts: in the first part, the student must demonstrate knowledge of the main features of Latin literary history; in the second part, the student must demonstrate the ability to translate, analyse and comment on the literary texts on the syllabus: the level of content knowledge demonstrated (superficial [18-21], appropriate [22-26], precise and complete [27-29], complete and thorough [30]), the ability to make a critical sense and formulate judgments (sufficient [18-24]], good [25-28], excellent [29-30]), the mastery of expression (deficient exposition [18-21], simple [22-25], clear and correct [26-28], secure and correct [29-30]). booksA complete edition of Ovid’s Metamorphoses with Latin text (suggested: Ovidio, Le metamorfosi, intr. di G. Rosati, trad. di G. Faranda Villa, note di R. Corti, Milano, Rizzoli BUR, 1994, with many reprints, ISBN: 9788817129763); L. Galasso, Ovidio: Guida alle Metamorfosi, Roma, Carocci Editore, 2023, ISBN: 9788829020683; L. Galasso, La letteratura latina in età ellenistica, Roma, Carocci Editore, 2021, ISBN: 9788829009381; G. Rosati, Mito e potere nell'epica di Ovidio, «MD» 46 (2001), pp. 39-61. classRoomModeAttendance in this course is optional, but highly recommended. bibliographyMore bibliography and didactic materials will be given during the course (for attending students). Teacher's Profile courseProgramTitle: Ovid’s Metamorphoses examModeThe examination is oral and consists of two parts: in the first part, the student must demonstrate knowledge of the main features of Latin literary history; in the second part, the student must demonstrate the ability to translate, analyse and comment on the literary texts on the syllabus: the level of content knowledge demonstrated (superficial [18-21], appropriate [22-26], precise and complete [27-29], complete and thorough [30]), the ability to make a critical sense and formulate judgments (sufficient [18-24]], good [25-28], excellent [29-30]), the mastery of expression (deficient exposition [18-21], simple [22-25], clear and correct [26-28], secure and correct [29-30]). booksA complete edition of Ovid’s Metamorphoses with Latin text (suggested: Ovidio, Le metamorfosi, intr. di G. Rosati, trad. di G. Faranda Villa, note di R. Corti, Milano, Rizzoli BUR, 1994, with many reprints, ISBN: 9788817129763); L. Galasso, Ovidio: Guida alle Metamorfosi, Roma, Carocci Editore, 2023, ISBN: 9788829020683; L. Galasso, La letteratura latina in età ellenistica, Roma, Carocci Editore, 2021, ISBN: 9788829009381; G. Rosati, Mito e potere nell'epica di Ovidio, «MD» 46 (2001), pp. 39-61. classRoomModeAttendance in this course is optional, but highly recommended. bibliographyMore bibliography and didactic materials will be given during the course (for attending students). |
CHOICE GROUPS | YEAR/SEMESTER | CFU | SSD | LANGUAGE | |
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MODULE II | - | 8 | - | - | |
15210 - RUSSIAN LITERATURE RAFFAELE CALDARELLI | First Year / First Semester | 8 | L-LIN/21 | ![]() | |
14593 - FRENCH LITERATURE ROBERTO ROMAGNINO | First Year / First Semester | 8 | L-LIN/03 | ![]() | |
120289 - EDUCATIONAL LINGUISTIC SIMONE CASINI | First Year / First Semester | 8 | L-LIN/02 | ![]() | |
14605 - ENGLISH LITERATURE VALERIO VIVIANI | First Year / Second Semester | 8 | L-LIN/10 | ![]() | |
MODULE II | - | 8 | - | - | |
14581 - ROMANCE PHILOLOGY AND LINGUISTICS GIOVANNA SANTINI | First Year / First Semester | 8 | L-FIL-LET/09 | ![]() | |
119673 - DINO DE SANCTIS | First Year / First Semester | 8 | L-FIL-LET/05 | ![]() | |
14579 - LATIN LANGUAGE AND LITERATURE ALESSANDRO FUSI | First Year / Second Semester | 8 | L-FIL-LET/04 | ![]() | |
MODULE II | - | 8 | - | - | |
14587 - ITALIAN LINGUISTICS STEFANO TELVE | First Year / First Semester | 8 | L-FIL-LET/12 | ![]() | |
14703 - GREEK LITERATURE MADDALENA VALLOZZA | First Year / First Semester | 8 | L-FIL-LET/02 | ![]() | |
15211 - MEDIEVAL ART HISTORY EVA PONZI | First Year / Second Semester | 8 | L-ART/01 | ![]() | |
14525 - CONTEMPORARY ITALIAN LITERATURE CARLO SERAFINI | First Year / Second Semester | 8 | L-FIL-LET/11 | ![]() | |
NEW GROUP | - | 6 | - | - | |
13310 - FORMATION TRAINING AND ORIENTING | First Year / First Semester | 6 | ![]() | ||
13311 - FURTHER JOB SKILLS | First Year / First Semester | 6 | ![]() | ||
NEW GROUP | - | 8 | - | - | |
15602 - ENGLISH LANGUAGE FOR COMMUNICATION ALBA GRAZIANO | First Year / Second Semester | 8 | L-LIN/12 | ![]() | |
119674 - SONIA DI VITO | First Year / Second Semester | 8 | L-LIN/04 | ![]() | |
MODULE II | - | 8 | - | - | |
14567 - PHONETICS AND PHONOLOGY AMEDEO DE DOMINICIS | Second Year / First Semester | 8 | L-LIN/01 | ![]() | |
118462 - SIMONA RINALDI | Second Year / First Semester | 8 | L-ART/04 | ![]() | |
14650 - GREEK LITERATURE MADDALENA VALLOZZA | Second Year / First Semester | 8 | L-FIL-LET/02 | ![]() | |
12974 - LITERARY CRITICISM AND COMPARATIVE LITERATURE DANIELA MANGIONE | Second Year / Second Semester | 8 | L-FIL-LET/14 | ![]() | |
MODULE II | - | 8 | - | - | |
14556 - CONTEMPORARY HISTORY MARCO SALVATORE PAOLINO | Second Year / First Semester | 8 | M-STO/04 | ![]() | |
14554 - MODERN HISTORY MATTEO SANFILIPPO | Second Year / First Semester | 8 | M-STO/02 | ![]() | |
14720 - ROMAN HISTORY ALESSIA TERRINONI | Second Year / Second Semester | 8 | L-ANT/03 | ![]() | |
MODULE II | - | 8 | - | - | |
12997 - HISTORY OF CENTRAL EUROPE FRANCESCA DE CAPRIO | Second Year / First Semester | 8 | M-STO/02 | ![]() | |
15217 - GEOGRAPHY TONY URBANI | Second Year / First Semester | 8 | M-GGR/01 | ![]() | |
MODULE II | - | 8 | - | - | |
18166 - DIGITAL PUBLISHING FEDERICO MESCHINI | Second Year / First Semester | 8 | M-STO/08 | ![]() | |
18153 - HISTORY IF WRITING FRANCESCO MARIA CARDARELLI | Second Year / First Semester | 8 | M-STO/09 | ![]() | |
14561 - LATIN LANGUAGE AND LITERATURE ALESSANDRO FUSI | Second Year / Second Semester | 8 | L-FIL-LET/04 | ![]() | |
MODULE II | - | 8 | - | - | |
17534 - SOCIOLOGIA DEI CONSUMI E PUBBLICITA' GIOVANNI FIORENTINO | First Year / First Semester | 8 | SPS/08 | ![]() | |
14556 - CONTEMPORARY HISTORY MARCO SALVATORE PAOLINO | First Year / First Semester | 8 | M-STO/04 | ![]() | |
14720 - ROMAN HISTORY ALESSIA TERRINONI | First Year / Second Semester | 8 | L-ANT/03 | ![]() | |
15243 - CULTURAL ANTHROPOLOGY FRANCESCO DE MELIS | First Year / Second Semester | 8 | M-DEA/01 | ![]() | |
NEW GROUP | - | 8 | - | - | |
14587 - ITALIAN LINGUISTICS STEFANO TELVE | First Year / First Semester | 8 | L-FIL-LET/12 | ![]() | |
14525 - CONTEMPORARY ITALIAN LITERATURE CARLO SERAFINI | First Year / Second Semester | 8 | L-FIL-LET/11 | ![]() | |
NEW GROUP | - | 8 | - | - | |
14581 - ROMANCE PHILOLOGY AND LINGUISTICS GIOVANNA SANTINI | Second Year / First Semester | 8 | L-FIL-LET/09 | ![]() | |
14567 - PHONETICS AND PHONOLOGY AMEDEO DE DOMINICIS | Second Year / First Semester | 8 | L-LIN/01 | ![]() | |
18166 - DIGITAL PUBLISHING FEDERICO MESCHINI | Second Year / First Semester | 8 | M-STO/08 | ![]() | |
14579 - LATIN LANGUAGE AND LITERATURE ALESSANDRO FUSI | Second Year / Second Semester | 8 | L-FIL-LET/04 | ![]() | |
NEW GROUP | - | 8 | - | - | |
12997 - HISTORY OF CENTRAL EUROPE FRANCESCA DE CAPRIO | Second Year / First Semester | 8 | M-STO/02 | ![]() | |
18153 - HISTORY IF WRITING FRANCESCO MARIA CARDARELLI | Second Year / First Semester | 8 | M-STO/09 | ![]() | |
15217 - GEOGRAPHY TONY URBANI | Second Year / First Semester | 8 | M-GGR/01 | ![]() | |
119677 - ELINA FILIPPONE | Second Year / Second Semester | 8 | L-OR/14 | ![]() | |
MODULE II | - | 8 | - | - | |
118462 - SIMONA RINALDI | Second Year / First Semester | 8 | L-ART/04 | ![]() | |
119673 - DINO DE SANCTIS | Second Year / First Semester | 8 | L-FIL-LET/05 | ![]() | |
118108 - HISTORY OF MUSIC GIORGIO MONARI | Second Year / Second Semester | 8 | L-ART/07 | ![]() |