#WEUNITUS

General Info

SUBJECTSEMESTERCFUSSDLANGUAGE
MODULE II - -- -
RUSSIAN LITERATURE

RAFFAELE CALDARELLI

First Semester8L-LIN/21ita

Learning objectives

The course aims at giving a picture of Mikhail Bulgakov’s life and work, especially of his posthumous novel “The Master and Margarita”. Bulgakov's most significant work will appear some decades after his death; this paradox will be explained in the frame of a crucial problem: the difficult relation between literature and power in Russia. As to the specific case, attention will be paid to the relation between Bulgakov (as a writer) and the Soviet power, including the well known letter to the Politburo and the subsequent conversation by phone with Stalin. Two SF novels (The Fatal Eggs, Heart of a Dog) will also be taken into account.
After the course students should:
1. know Bulgakov’s work, especially the three novels mentioned in the programme;
2. know the main features of the Russian literary panorama and its relations with the social and political context;
3. be able to apply the most important critical tools, especially in an analysis of “The Master and Margarita”;
4. be able to set out clearly the contents of the course;
5. be able to approach with some critical autonomy other Russian authors of the 20th century.
In other words, they should have developed their competences according to Dublin descriptors.

Teacher's Profile

courseProgram

The course aims at giving a picture of Russian poetry between 19th and 20th century. The main authors of this outstanding poetical season will be taken into account, as well as the main features of the artistic and cultural movements. Attention will be paid also to the historical and political context - cronological term: approximately, 1881 (Dostoevskij's death) to 1930 (Majakovskij's suicide).
After the course students should:
1. know the work of the most importants authors referred to in the course;
2. know the main features of the Russian literary panorama between 1881 and 1930 and its relations with the social and political context;
3. be able to apply the most important critical tools, especially analysing the poetical texts examined in the course;
4. be able to set out clearly the contents of the course;
5. be able to have at least a first critical approach to other authors of Russian poetry between 19th and 20th century.
In other words, they should have developed their competences according to Dublin descriptors.

examMode

Exam: oral. Evaluation: n/30, pass mark: 18/30. Duration: about 20-30 minutes. Typically, three questions: a), b): two questions on authors and texts; c) on Russian culture and historical context.
Erasmus students and those which are not fluent in Italian may contact the teacher for further information.

books

1) Renato Poggioli, Il fiore del verso russo, Milano, Mondadori, 1970;
2) materials to appear on Moodle;
3) Russian Literature between 19th and 20th century: Silvana de Vidovich, Letteratura russa, Milano, Vallardi, 2003 (and further reprints), Chapter 6 (La letteratura russo-sovietica). The acquisition of some knowledge of the whole timeline of Russian history is highly recommended.
Erasmus students or those who are not fluent in Italian may contact the teacher in order to find equivalents of the above mentioned texts and for further information. Please also refer to Reference Bibliography and "International" section in Moodle.

mode

Lessons in traditional mode (front lecture), aiming at familiarizing students with themes that are often less known to them. Frequent are projections and/or materials on Moodle.
Consultation: after the lecture, by appointment or via Skype (Wednesday, 10-12 AM, till further notice)
Erasmus students and those which are not fluent in Italian may contact the teacher for further information.

classRoomMode

Attendance is recommended but by no means mandatory

bibliography

Reference works could be useful in order to deepen some aspects of Russian history. Here are two works that can be found in Italian version: Nicholas V. Riasanovsky, Storia della Russia dalle origini ai giorni nostri, Nuova edizione aggiornata a cura di Sergio Romano, Milano, Bompiani, 1997 (OV.: Nicholas V. Riasanovsky, A History of Russia, Oxford University Press, 1984) or Paul Bushkovitch, Breve storia della Russia. Dalle origini a Putin, Torino, Einaudi, 2013 (OV: Paul Bushkovitch, A Concise History of Russia, Cambridge University Press, 2012).
Erasmus students or those who are not fluent in Italian may contact the teacher in order to find equivalents of above mentioned texts and for further informations.

FRENCH LITERATURE

ROBERTO ROMAGNINO

First Semester8L-LIN/03ita

Learning objectives

The French literature course for Master's students aims to deepen the knowledge and refine the analytical (i. e. stylistic, philological, rhetorical and hermeneutic) tools acquired during the Licence. The monographic programme focuses on the reading and in-depth study of a particular genre, author or work. The aim is to deepen the theoretical knowledge and notions of literary history previously assimilated, with a view to putting them to active use. Through an in-depth reading of the texts, students will be encouraged to make increasingly effective use of their ability to work independently and to form critical judgements about seventeenth- and eighteenth-century texts, while learning to master the tools of the discipline and to use secondary bibliography effectively and question it dialectically. The course also aims to introduce students to the methodology of scientific research and the preparation of a research project. The course will therefore provide students not only with theoretical knowledge but also with the hermeneutic tools to understand the texts addressed (1: knowledge and understanding, and 2: applying knowledge and understanding) and the expressive ones to form, nourish, nuance and discuss their judgment on questions of literary history through a meticulous reading of the texts (3: making judgements), as well as to communicate clearly and effectively on these themes in front of a heterogeneous audience (4: communication skills) and extend the reflection in an autonomous through the acquisition of the skills that will allow them to undertake the subsequent course of study (5: learning skills).

Teacher's Profile

courseProgram

This year, the course will focus on 17th-century comedy, and more specifically on Molière's comedies. In particular, we will read Les Précieuses ridicules, Le Misanthrope, Le Bourgeois gentilhomme, Les Femmes savantes.

examMode

Students who attended classes will choose between a continuous assessment regime (2 In itinere examinations + interview at the end of the semester) or a terminal assessment regime (a single interview at the end of the semester covering the entire program ). The two assessment methods will be illustrated at the start of the course.

books

I. Recommended editions

Molière, Le Misanthrope, éd. J. Couton, Paris, Gallimard, « Folio classique », 2000
Molière, Le Misanthrope, dans, Molière, L’Amour médecin, Le Misanthrope, éd. Ch. Mazouer, Paris, Classiques Garnier, « Classiques jaunes », 2022

Molière, Les Femmes savantes, éd. C. Bourqui, Paris, Le Livre de Poche, 1999
Molière, Les Femmes savantes, éd. Ch. Mazouer, Paris, Classiques Garnier, « Classiques jaunes », 2023.

Molière, Les Précieuses ridicules, dans Molière, Le Dépit amoureux, Les Précieuses ridicules, éd. Ch. Mazouer, Paris, Classiques Garnier, « Classiques jaunes », 2022.

Molière, Le Bourgeois gentilhomme, éd. J. Serroy, Paris, Gallimard, « Folio théâtre », 1998.
Molière, Le Bourgeois gentilhomme, éd. Ch. Mazouer, Paris, Classiques Garnier, « Classiques jaunes », 2023.

mode

The French Literature course provides for a 'traditional' lecture course ("lezioni frontali"), seminars and tutorials, also including the active participation of students, through the preparation and presentation of relationships and written work relating to on themes chosen according to their interests. Lessons will take place in French. The participation of students enrolled in Humanities is particularly encouraged and welcome, but a good knowledge of the French language remains the necessary condition to be able to follow this course.

classRoomMode

Participation in the courses is optional but is obviously recommended. Students not attending classes are invited to contact me at the start of the course semester so that we can establish an alternative and personalized program. I will not accept any requests for personalized or, worse, "reduced" programs, a few weeks before the exam.
The participation of students enrolled in Humanities and modern Philology (LM14) is particularly encouraged.

bibliography

II. Reading a textbook on the history of French literature (17th-18th centuries) is essential, for example:

A. Adam, Histoire de la littérature française au XVIIe siècle, 3 vol., Paris, A. Michel, 1997.

P. Brunel, Y. Bellenger, D. Couty, Ph. Sellier, M. Truffet, Historie de la littérature française. Du Moyen Âge au XVIIIe siècle, Paris, Bordas, 2001 [1972].

G. Macchia, La letteratura francese dal Rinascimento al Classicismo, Milano, Rizzoli, 1992.

J.-M. Darmon, M. Delon (dir.), Histoire de la France littéraire. Classicismes, XVIIe-XVIIIe siècle, Paris, PUF, 2006 (vol. 2).

F. Corradi, Introduzione al Seicento francese e al classicismo, Roma, Edizioni Nuova Cultura, 2006.

A. Viala, Une histoire brève de la littérature française. L’Âge classique et les Lumières, Paris, PUF, 2016.

L. Sozzi (dir.), Storia europea della letteratura francese. I. Dalle origini al Seicento, Torino, Einaudi, 2013 ; II. Dal Settecento all’età contemporanea, Torino, Einaudi, 2013.

D. Reguig, Histoire littéraire du XVIIe siècle, Paris, Armand Colin, 2017.

M. Landi (dir.), Letteratura francese. Dalle origini al Settecento (vol. 1), Milano, Mondadori-Le Monnier Università, 2021.





III. 17th Century Comedy, Molière:

C. Dealberto, J. Grandin, Ch. Schuwey, L’Atlas Molière, Paris, Les Arènes, 2022 (également en version numérique)

Conesa, Gabriel, La Comédie de l’âge classique (1630-1715), Paris, Seuil, 1995.

Biet, Christian (dir.), Le Théâtre français du XVIIe siècle. Historie, Textes choisis, mises en scène, Paris, L’avant-scène théâtre, 2009.

Fiorentino, Francesco, Il teatro francese del Seicento, Bari, Laterza, 2003 (o edizione successiva)

Dandrey, Patrick, Molière ou l’esthétique du ridicule, Paris, Klincksieck, 2002


IV. Stylistic:

C. Fromilhague et A. Sancier, Introduction à l’analyse stylistique, Paris, Bordas, 1991

N. Laurent, Initiation à la stylistique, Paris, Hachette Supérieur, 2001

A. Herschberg-Pierrot, Stylistique de la prose, Paris, Belin, 2003 (ou autre édition)





V. Rhetoric:



· A. Kibédy Varga, Rhétorique et littérature, Paris, Klincksieck, 2002.

· G. Molinié, Dictionnaire de rhétorique, Paris, Le livre de poche, 1992.

· C. Reggiani, Introduction à la rhétorique, Paris, Hachette, 2001.

· B. Mortara Garavelli, Manuale di retorica, Milano, Bompiani, 2021 [1988].


VI. Studies



Critical readings (essays, articles, web pages) will be recommended and offered during classes, with the aim of clarifying or better understanding specific aspects of the program.



***Non-attending students


Non-attending students will choose two others comedies in addition to the comedies on the program.


Teacher's Profile

courseProgram

This year, the course will focus on 17th-century comedy, and more specifically on Molière's comedies. In particular, we will read Les Précieuses ridicules, Le Misanthrope, Le Bourgeois gentilhomme, Les Femmes savantes.

examMode

Students who attended classes will choose between a continuous assessment regime (2 In itinere examinations + interview at the end of the semester) or a terminal assessment regime (a single interview at the end of the semester covering the entire program ). The two assessment methods will be illustrated at the start of the course.

books

I. Recommended editions

Molière, Le Misanthrope, éd. J. Couton, Paris, Gallimard, « Folio classique », 2000
Molière, Le Misanthrope, dans, Molière, L’Amour médecin, Le Misanthrope, éd. Ch. Mazouer, Paris, Classiques Garnier, « Classiques jaunes », 2022

Molière, Les Femmes savantes, éd. C. Bourqui, Paris, Le Livre de Poche, 1999
Molière, Les Femmes savantes, éd. Ch. Mazouer, Paris, Classiques Garnier, « Classiques jaunes », 2023.

Molière, Les Précieuses ridicules, dans Molière, Le Dépit amoureux, Les Précieuses ridicules, éd. Ch. Mazouer, Paris, Classiques Garnier, « Classiques jaunes », 2022.

Molière, Le Bourgeois gentilhomme, éd. J. Serroy, Paris, Gallimard, « Folio théâtre », 1998.
Molière, Le Bourgeois gentilhomme, éd. Ch. Mazouer, Paris, Classiques Garnier, « Classiques jaunes », 2023.

mode

The French Literature course provides for a 'traditional' lecture course ("lezioni frontali"), seminars and tutorials, also including the active participation of students, through the preparation and presentation of relationships and written work relating to on themes chosen according to their interests. Lessons will take place in French. The participation of students enrolled in Humanities is particularly encouraged and welcome, but a good knowledge of the French language remains the necessary condition to be able to follow this course.

classRoomMode

Participation in the courses is optional but is obviously recommended. Students not attending classes are invited to contact me at the start of the course semester so that we can establish an alternative and personalized program. I will not accept any requests for personalized or, worse, "reduced" programs, a few weeks before the exam.
The participation of students enrolled in Humanities and modern Philology (LM14) is particularly encouraged.

bibliography

II. Reading a textbook on the history of French literature (17th-18th centuries) is essential, for example:

A. Adam, Histoire de la littérature française au XVIIe siècle, 3 vol., Paris, A. Michel, 1997.

P. Brunel, Y. Bellenger, D. Couty, Ph. Sellier, M. Truffet, Historie de la littérature française. Du Moyen Âge au XVIIIe siècle, Paris, Bordas, 2001 [1972].

G. Macchia, La letteratura francese dal Rinascimento al Classicismo, Milano, Rizzoli, 1992.

J.-M. Darmon, M. Delon (dir.), Histoire de la France littéraire. Classicismes, XVIIe-XVIIIe siècle, Paris, PUF, 2006 (vol. 2).

F. Corradi, Introduzione al Seicento francese e al classicismo, Roma, Edizioni Nuova Cultura, 2006.

A. Viala, Une histoire brève de la littérature française. L’Âge classique et les Lumières, Paris, PUF, 2016.

L. Sozzi (dir.), Storia europea della letteratura francese. I. Dalle origini al Seicento, Torino, Einaudi, 2013 ; II. Dal Settecento all’età contemporanea, Torino, Einaudi, 2013.

D. Reguig, Histoire littéraire du XVIIe siècle, Paris, Armand Colin, 2017.

M. Landi (dir.), Letteratura francese. Dalle origini al Settecento (vol. 1), Milano, Mondadori-Le Monnier Università, 2021.





III. 17th Century Comedy, Molière:

C. Dealberto, J. Grandin, Ch. Schuwey, L’Atlas Molière, Paris, Les Arènes, 2022 (également en version numérique)

Conesa, Gabriel, La Comédie de l’âge classique (1630-1715), Paris, Seuil, 1995.

Biet, Christian (dir.), Le Théâtre français du XVIIe siècle. Historie, Textes choisis, mises en scène, Paris, L’avant-scène théâtre, 2009.

Fiorentino, Francesco, Il teatro francese del Seicento, Bari, Laterza, 2003 (o edizione successiva)

Dandrey, Patrick, Molière ou l’esthétique du ridicule, Paris, Klincksieck, 2002


IV. Stylistic:

C. Fromilhague et A. Sancier, Introduction à l’analyse stylistique, Paris, Bordas, 1991

N. Laurent, Initiation à la stylistique, Paris, Hachette Supérieur, 2001

A. Herschberg-Pierrot, Stylistique de la prose, Paris, Belin, 2003 (ou autre édition)





V. Rhetoric:



· A. Kibédy Varga, Rhétorique et littérature, Paris, Klincksieck, 2002.

· G. Molinié, Dictionnaire de rhétorique, Paris, Le livre de poche, 1992.

· C. Reggiani, Introduction à la rhétorique, Paris, Hachette, 2001.

· B. Mortara Garavelli, Manuale di retorica, Milano, Bompiani, 2021 [1988].


VI. Studies



Critical readings (essays, articles, web pages) will be recommended and offered during classes, with the aim of clarifying or better understanding specific aspects of the program.



***Non-attending students


Non-attending students will choose two others comedies in addition to the comedies on the program.


EDUCATIONAL LINGUISTIC

SIMONE CASINI

First Semester8L-LIN/02ita

Learning objectives

According to the Dublin descriptors, students are expected to acquire the following by the end of the course:
1) Knowledge and understanding: The course aims to provide students with theoretical and methodological tools to know and understand the conceptual and historical framework of educational linguistics, the processes of language acquisition/learning, methods and approaches for language teaching, and the acquisition of L2. The student will be able to acquire skills in analyzing semiotic phenomena that define the functioning of verbal language within the universe of codes.
2) Ability to apply knowledge and understanding of phenomena (being able to reflect on the processes of linguistic acquisition in general and those specific to Italian as L2; linking theoretical and general language issues to the educational dimension; considering language policies for Italian worldwide and actions to support Italian language and culture abroad).
3) Develop autonomy of judgment in relation to the proposed content, the relationships between language properties, and educational proposals for the development of linguistic skills for defining the global citizen both in national and international contexts.
4) Ability for autonomous learning, in relation to the stimuli coming from the lessons.
5) Communicative skills (consolidate the skills necessary to plan and propose development itineraries for linguistic competence. Define the importance of language in individual life. Definition of language policies for the promotion of Italian abroad.

Teacher's Profile

courseProgram

The Modern Languages Teaching course delves into language instruction, combining pedagogy with theoretical studies on symbolic codes, emphasizing the verbal dimension. Divided into three segments with a single exam, it covers linguistic and semiotic concepts, linguistic creativity's impact on communication and language contact in various contexts, and implications for teaching and learning.

The second module explores linguistic creativity in education, examining its historical and contemporary role in multilingualism nationally and internationally. It reviews the influence of creativity on language education approaches in Italy and globally since the mid-20th century.

The third module focuses on the presence and influence of the Italian language abroad, considering historical and contemporary dynamics driven by migration and the cultural, economic, and identity values associated with Italian.

examMode

The exam is oral; however, students have the option to prepare a written thesis to be submitted at least 10 days before the exam on a topic agreed upon with the teacher.

books

Casini S., 2018, “Italianismi e pseudoitalianismi a Toronto: tra valori simbolici e prospettive di apprendimento”, M. Vedovelli, B. Turchetta (a cura di), Lo spazio linguistico italiano globale: il caso dell’Ontario, Pacini, pp. 149-166.
Casini S., Bancheri S., 2022, What is the Language of Power? Theoretical Reflections on Italian, Italiese and Other Languages, Legas, New York – Ottawa – Toronto.
Casini S., Bancheri S., 2022, “L’italiano nel mondo globale: tra plurilinguismo, insegnamento ed economia”, in S. Piraro (a cura di), Plurilinguismo ed economia. Aracne, Roma: pp. 19-67.
Coccia B. (a cura di), 2021, Italiano 2020: lingua nel mondo globale, Apes, Roma (in particolare le sezioni 1 di M. Vedovelli, 2 di S. Ferreri, 5 di S. Ferreri e F. De Renzo).
De Mauro T., 1982, Minisemantica dei linguaggi verbali e non verbali, Laterza, Roma-Bari.
De Mauro T., 2018, Educazione linguistica democratica, Laterza, Roma-Bari.
Ferreri S., 2010, “Linguistica educativa ed educazione linguistica”, in G. Platania, C. Rosa, M. Russo (a cura di), Hinc illae lacrimae! Studi in memoria di Carmen Maria Radulet, Settecittà, Viterbo, pp. 166-177.
Vedovelli M., 2003, Condizioni semiotiche per un approccio interculturale alla didattica linguistica: il ruolo del linguaggio verbale in STUDI EMIGRAZIONE, Vol. XL, pag. 503 521 (dispensa fornite dal docente).

Ulteriori testi tra cui articoli e dispense saranno forniti ed indicati dal docente durante le lezioni. Saranno letti in classe passi da Saussure, Coseriu, Wittgenstein, De Mauro.

Bibliografia di supporto

Casini S., 2020, Language Creativity: A Semiotic Perspective, Lexington Rowman & Littlefield, Lanham Maryland (US).
De Mauro T., 2008, Lezioni di linguistica teorica, Laterza, Roma-Bari.

mode

Face-to-face lectures or equivalent activities.
Face-to-face lectures, seminars with experts, and workshops for the construction of teaching units.

classRoomMode

Face-to-face lectures or equivalent activities.
Face-to-face lectures, seminars with experts, and workshops for the construction of teaching units.

bibliography

Casini S., 2018, “Italianismi e pseudoitalianismi a Toronto: tra valori simbolici e prospettive di apprendimento”, M. Vedovelli, B. Turchetta (a cura di), Lo spazio linguistico italiano globale: il caso dell’Ontario, Pacini, pp. 149-166.
Casini S., Bancheri S., 2022, What is the Language of Power? Theoretical Reflections on Italian, Italiese and Other Languages, Legas, New York – Ottawa – Toronto.
Casini S., Bancheri S., 2022, “L’italiano nel mondo globale: tra plurilinguismo, insegnamento ed economia”, in S. Piraro (a cura di), Plurilinguismo ed economia. Aracne, Roma: pp. 19-67.
Coccia B. (a cura di), 2021, Italiano 2020: lingua nel mondo globale, Apes, Roma (in particolare le sezioni 1 di M. Vedovelli, 2 di S. Ferreri, 5 di S. Ferreri e F. De Renzo).
De Mauro T., 1982, Minisemantica dei linguaggi verbali e non verbali, Laterza, Roma-Bari.
De Mauro T., 2018, Educazione linguistica democratica, Laterza, Roma-Bari.
Ferreri S., 2010, “Linguistica educativa ed educazione linguistica”, in G. Platania, C. Rosa, M. Russo (a cura di), Hinc illae lacrimae! Studi in memoria di Carmen Maria Radulet, Settecittà, Viterbo, pp. 166-177.
Vedovelli M., 2003, Condizioni semiotiche per un approccio interculturale alla didattica linguistica: il ruolo del linguaggio verbale in STUDI EMIGRAZIONE, Vol. XL, pag. 503 521 (dispensa fornite dal docente).

Ulteriori testi tra cui articoli e dispense saranno forniti ed indicati dal docente durante le lezioni. Saranno letti in classe passi da Saussure, Coseriu, Wittgenstein, De Mauro.

Bibliografia di supporto

Casini S., 2020, Language Creativity: A Semiotic Perspective, Lexington Rowman & Littlefield, Lanham Maryland (US).
De Mauro T., 2008, Lezioni di linguistica teorica, Laterza, Roma-Bari.

MODULE II - -- -
ROMANCE PHILOLOGY AND LINGUISTICS

GIOVANNA SANTINI

First Semester8L-FIL-LET/09ita

Learning objectives

The course is dedicated to the fundamentals of text criticism, a discipline that deals with the edition of ancient and medieval texts in the form closest to the original. Knowledge: Students will learn the methods and procedures of textual criticism, will know the history of the tradition of Provençal lyric poetry and will acquire basic skills on the Occitanic language, on Romance metrics and on rhetoric and stylistics. Application of knowledge and development of critical thinking: At the end of the course they will be able to illustrate and use the procedures that lead to the preparation of a critical edition starting from manuscript sources, they will also have the skills to critically analyze any type of literary text. Communication of knowledge: The workshop activity aimed at publishing a multimedia critical edition on a dedicated portal and the collective oral discussion of the works produced, will allow them to directly practice written and oral communication techniques. Self-learning: They will also deal directly with bibliographic and historical, linguistic and literary research tools, from which they will have to independently draw the information and knowledge useful for the preparation of the critical edition.

Teacher's Profile

courseProgram

Part of the course will be devoted to the description of the characteristics of the medieval textual tradition, to the problems it poses to the critical publisher and to the different methods used for the edition of the texts. Furthermore, basic information will be given on the medieval Romance literary tradition and in particular on the lyric tradition and the historical grammar of the Provençal language, in order to introduce students to the poetic text that will be the subject of the critical edition prepared within the course with their cooperation.

examMode

For the ATTENDING students there will be a written paper and an interview (for the vote the results of each test are considered). In the written essay the competences matured in the field of the discipline are evaluated, also from the point of view of the practical application (object of the exercises), and the ability to express complex concepts through a written discourse; in the interview the elaborate is discussed making reference to the scientific methods and tools used. For NON-ATTENDING students, there is normally only an oral exam, in which the competences acquired within the discipline by reading the recommended bibliography and the ability to express complex concepts through an oral discourse are evaluated.

books

1. Materials, handouts and texts provided by the teacher at the beginning of the course.

Reference bibliography:
1.Aurelio Roncaglia, Principi e applicazioni di critica testuale, Roma, Bulzoni, 1975.
2.Paul Maas, Critica de testo, Firenze, 1952.

NON-ATTENDING STUDENTS WILL HAVE TO ADD TO THE PREVIOUS READINGS AND IN REPLACEMENT OF THE DISPENSES AND TEXTS PROVIDED TO THE LESSON:
3. Alfredo Stussi, La critica del testo, Bologna, Il Mulino, 1985.
4. Roberto Antonelli, Interpretazione e critica del testo, in Letteratura italiana, dir. da Alberto Asor Rosa, vol.IV: L'interpretazione, Torino, Einaudi, 1985, pp. 141-243.

** Students who find it difficult to find the following texts can contact the teacher directly.
IT IS SUGGESTED TO ALL NON-ATTENDING STUDENTS TO SCHEDULE AN APPOINTMENT WITH THE TEACHER BEFORE THE EXAM

mode

The course will include a theoretical part, intended for the acquisition of the fundamental tools necessary for the preparation of a critical edition, and a practical part in which the students will be able to put these acquisitions to the test directly following the various preparation phases of an edition of a poetic composition.

classRoomMode

The lectures will be accompanied by laboratory activities carried out in class under the direct guidance of the teacher.

bibliography

Suggestions for additional readings:
- Alfredo Stussi, La critica del testo, Bologna, Il Mulino, 1985.
- Giorgio Pasquali, Storia della tradizione e critica del testo, Firenze, Le Monnier, 1934.
- Gianfranco Contini, Breviario di ecdotica, Torino, Einaudi, 1990.

DINO DE SANCTIS

First Semester8L-FIL-LET/05ita

Learning objectives

The course aims to strengthen the possession of a conscious and critical knowledge of the topic treated and developed in class. If there is availability, seminars will be organized, during which specific topics will be illustrated by the students.

Teacher's Profile

courseProgram

After providing an introduction to dramatic production from the 5th century up to Rome and explaining the complex theatrical activity in Athens, the teacher will read Aeschylus's Persians (in Italian) to highlight both scenic and poetic issues in this tragedy and its author.

examMode

Oral examination.
Questions will be asked on the topics covered in the lecture and in this way the understanding of the topics will be investigated.

books

Eschilo. I Persiani, a cura di M. Centanni, Feltrinelli, o Eschilo. I Persiani, a cura di F. Ferrari, BUR
Storia del teatro greco, a cura di M. Di Marco, Roma, Carocci 2020
G. Paduano, IL TEATRO ANTICO. GUIDA ALLE OPERE, ROMA-BARI LATERZA 2018, pp. 51-86
V. Di Benedetto, Euripide. Teatro e società, Torino, Einaudi, pp. 223-319
Lettura in italiano della Lisistrata di Aristofane (ed.a scelta tra BUR, Garzanti, Carocci) e lettura in italiano del Miles gloriosus (Il soldato fanfarone) di Plauto.

classRoomMode

Attendance not mandatory. Non-attending students can request a meeting with the teacher to establish an integrative program.

bibliography

Eschilo. I Persiani, a cura di M. Centanni, Feltrinelli, o Eschilo. I Persiani, a cura di F. Ferrari, BUR
Storia del teatro greco, a cura di M. Di Marco, Roma, Carocci 2020
G. Paduano, IL TEATRO ANTICO. GUIDA ALLE OPERE, ROMA-BARI LATERZA 2018, pp. 51-86
V. Di Benedetto, Euripide. Teatro e società, Torino, Einaudi, pp. 223-319

MODULE II - -- -
ITALIAN LINGUISTICS

STEFANO TELVE

First Semester8L-FIL-LET/12ita

Learning objectives

The course aims to provide students with all the methodological tools necessary for a more conscious and in-depth understanding of the Italian literary language and for the linguistic and stylistic (grammatical, lexical, rhetorical) analysis of literary texts.

Teacher's Profile

courseProgram

The course aims to provide students with some advanced notions of the language of italian literary texts. After an overview of the subject, from its Origin to modern times, through some of the most important moments in the history of italian language (first part), the focus will be on the history of italian language for music from XVII to XX century (second part), with an analysis of a selection of most important texts: for each text, a historical and cultural contextualisation will be proposed, together with a detailed linguistic and stylistic analysis, with special attention to phonomorphological, syntactic, lexical and rhetorical elements, so as to locate every single documents in its linguistic and cultural context.

examMode

The final assessment consists of an oral examination of the program of study, with a comment on some texts.

books

Attending Students
First section
1. F. Bruni, L'italiano letterario nella storia, Bologna, Il Mulino, 2007.
2. Dispense e materiali (disponibili su Moodle)
Second section
1. I. Bonomi – E. Buroni, L’italiano dell’opera lirica, Bologna, Il Mulino, 2017.
2. Dispense e materiali (disponibili su Moodle)

Non attending students
1. L. Serianni, Prima lezione di storia della lingua italiana, Roma-Bari, Laterza, 2015.
2. S. Telve, L’italiano: frasi e testo, Roma, Carocci, 2013.
3. F. Bruni, L'italiano letterario nella storia, Bologna, Il Mulino, 2007.
4. I. Bonomi – E. Buroni, L’italiano dell’opera lirica, Bologna, Il Mulino, 2017.

mode

48h, face to face lectures

classRoomMode

Class attendance is not mandatory but is strongly recommended.

bibliography

No reference bibliography

Teacher's Profile

courseProgram

The course aims to provide students with some advanced notions of the language of italian literary texts. After an overview of the subject, from its Origin to modern times, through some of the most important moments in the history of italian language (first part), the focus will be on the history of italian language for music from XVII to XX century (second part), with an analysis of a selection of most important texts: for each text, a historical and cultural contextualisation will be proposed, together with a detailed linguistic and stylistic analysis, with special attention to phonomorphological, syntactic, lexical and rhetorical elements, so as to locate every single documents in its linguistic and cultural context.

examMode

The final assessment consists of an oral examination of the program of study, with a comment on some texts.

books

Attending Students
First section
1. F. Bruni, L'italiano letterario nella storia, Bologna, Il Mulino, 2007.
2. Dispense e materiali (disponibili su Moodle)
Second section
1. I. Bonomi – E. Buroni, L’italiano dell’opera lirica, Bologna, Il Mulino, 2017.
2. Dispense e materiali (disponibili su Moodle)

Non attending students
1. L. Serianni, Prima lezione di storia della lingua italiana, Roma-Bari, Laterza, 2015.
2. S. Telve, L’italiano: frasi e testo, Roma, Carocci, 2013.
3. F. Bruni, L'italiano letterario nella storia, Bologna, Il Mulino, 2007.
4. I. Bonomi – E. Buroni, L’italiano dell’opera lirica, Bologna, Il Mulino, 2017.

mode

48h, face to face lectures

classRoomMode

Class attendance is not mandatory but is strongly recommended.

bibliography

No reference bibliography

GREEK LITERATURE

MADDALENA VALLOZZA

First Semester8L-FIL-LET/02ita

Learning objectives

- methodological skills useful for critical reading of the texts, in Greek for the students who intend to obtain in the SS-L-FIL-LET / 02 the 24 credits necessary to access the teaching class A 13, in Italian translation with elements of Greek lexicon for students following other courses
- knowledge of the main critical instruments
- good capacity of analysis and independent research.

Teacher's Profile

courseProgram

Monographic course

The myth, the journey, the return. Readings from the Odyssey.
After a few introductory lectures intended to illustrate Greek literary production in its general outlines, the course will focus, through the reading and commentary of the most significant passages, on some of the main characters of the Odyssey, in particular on the female characters, hitherto partly neglected, analysing their traits in relation to the objects that characterise them and determine their functions, during Odysseus' journey or at the crucial moments of his return.

General Part

Greek literature from Homer to the Hellenistic age. A list of genres and authors will be uploaded on the Moodle platform.

examMode

The oral exam will be aimed at verifying the knowledge acquired through the study of the Greek literature textbook, the knowledge of the problems discussed in the monographic course, and the ability to understand and contextualise the texts translated in the lessons. Any seminar contribution offered during the course of the lectures will also be assessed

books

For the monographic part
- the texts uploaded on Moodle during the lessons are an integral part of the programme
- a translation of your choice of the Iliad with the Greek text beside it, e.g. by G.A. Privitera, Mondadori, or R. Calzecchi Onesti, Einaudi.

For the general part
- a textbook of Greek literature of your choice among those presented and discussed during the introductory lectures.

For non-attending students
- a textbook of Greek literature
- at least two texts of your choice, one in poetry, one in prose, within the Greek literary tradition
- a critical essay relating to the texts chosen for the examination.
Handbook, texts to be translated, critical essay are to be agreed upon by interview during reception hours at least one month before the exam.

mode

Lessons will be opened to the dialogue with students. Optional seminars will be arranged between teacher and students on selected topics.

classRoomMode

not compulsory, but highly recommended.

bibliography

Further bibliography will be indicated in the course of the lectures.

17434 - OPTIONAL SUBJET

First Semester 8ita
NEW GROUP - -- -
FORMATION TRAINING AND ORIENTINGFirst Semester6ita
FURTHER JOB SKILLSFirst Semester6ita
118454 -

FEDERICO MESCHINI

First Semester 8ita

Learning objectives

The aim of this qualification is to show, both from a theoretical and pragmatic point of view, the "re-mediation" made by the computational tool of the idea of the book. Examples of digital editions will be analyzed, starting from the electronic book to electronic scholarly editions, with a strong emphasis both on the document-centric aspect, represented by the text encoding and in particular by the language of the Text Encoding Initiative (TEI), and on the datacentric one, represented by relational databases and the Semantic Web. Then tools for the analysis of the literary text and the representation of primary sources will be presented and analyzed. The change in documentary forms is linked to a corresponding change in the forms and modalities of the storytelling, and therefore digital storytelling will also be addressed during the lessons.

Teacher's Profile

courseProgram

The Electronic Publishing workshop aim is to illustrate, both from a theoretical and pragmatic point of view, the "remediation" mode through the computational tool of the "object" book. Thus, several examples of digital editions will be examined, starting from electronic books up to critical digital editions, with a strong emphasis on the document-centric aspect, represented by textual encoding and in particular the Text Encoding Initiative (TEI) standard. Subsequently, tools for analysing literary text and the representation of primary sources will be illustrated and analyzed. This change in documentary forms is also linked to a corresponding change in the forms and modalities of storytelling, and therefore the topic of digital and transmedia storytelling will also be addressed within the course, together with an introduction to the relevant related tools.

examMode

Students will be evaluated through an interview about the workshop textbooks. Attending students may also present a digital publishing project featuring a strong narrative and/or editorial component.

books

For those who do not have the Electronic Publishing course in their curriculum, which must be taken before this qualitification, the syllabus is as follows:

- Francesco Tissoni. Teoria e pratica dell'editoria multimediale. Milan: Editrice Bibliografica, 2024.
- Fabio Ciotti. Il manuale TEI Lite. Introduzione alla codifica elettronica dei testi letterari. MIlan: Sylvestre Bonnard, 2005. (please contact the Professor)
- Henry Jenkins. Cultura convergente. Milan: Apogeo 2007.
- John Yorke. Viaggio nel bosco narrativo. Rome: Audino, 2017.
- Federico Meschini. Oltre il libro. Forme di testualità e Digital Humanities. Milan: Editrice Bibliografica, 2020.

For those who have the Electronic Publishing course in their curriculum the programme for this qualification will be discussed with the Professor.

classRoomMode

Attendance is not mandatory.

bibliography

- Fabio Ciotti (ed.). Digital humanities. Metodi, strumenti, saperi. Rome: Carocci, 2023.

MODULE II - -- -
MEDIEVAL ART HISTORY

EVA PONZI

First Semester8L-ART/01ita

Learning objectives


The course aims to provide an accurate knowledge of the illuminated manuscript, from its origins (2nd century) to the digital object (21st century).
The medieval manuscript will be analyzed in its technical-material, formal, iconographic and iconological components through the specific language of the subject. The relationships between artists, patrons and production centers will be traced, whenever possible.
The charm of these peculiar art objects will be highlighted, with particular attention to the relationship between text and image.
The cataloguing issues (methods and tools) and perspectives related to the digitization of illuminated manuscripts and their presence on the web will then be addressed.

1. Knowledge and understanding: students will have to master the subject and recognize both the artworks commented during the lessons and those studied in the reference texts.
2. Applying knowledge and understanding: classroom discussion, observation exercises guided by the teacher, research activities carried out in possible study groups, educational visits and seminars will contribute to the development of an active and personal understand of the subject.
3. Making judgments: students will have to acquire a certain capacity for critical judgment with respect to the reference texts, but also with respect to what the teacher proposes during her lessons, in relation to the debate on the studies.
4. Communication skills: students will have to acquire the specific language of the subject and know how to best use it to describe and contextualize both a particular illuminated manuscript and an artistic phenomenon.
5. Learning skills: students will have to contextualize an illuminated manuscript in time and space, in relation to the cultural, social, political, ideological and material transformations that have determined/influenced a certain artistic phenomenon.

Teacher's Profile

courseProgram

The lessons will focus on the analysis of one or more illuminated manuscripts and on the discussion around a certain artistic phenomenon; they will also be an opportunity to practice observing an artwork.
In class we will discuss:
1. themes, problems, methods of the subject;
2. the division into periods of the medieval millennium and its artistic geography in relation to the illuminated book;
3. the cultural, social, political, ideological, material transformations that determine/influence the artistic phenomena connected to manuscript production;
4. the relationships between artists, patrons, production centres;
5. some of the methods of cataloguing illuminated manuscripts;
6. the IT tools available today for the study of the illuminated book;
7. the relationship between the illuminated book and the use of innovative technologies for its digitization and its use on the web.

The course is organized in three modules:
1. Basic module (26 hours). History of illumination from the late antique book to the invention of printing (II-XV centuries): for a general overview of the subject, oriented towards basic knowledge.
2. II Module (10 hours). Cataloguing to know: methods and tools for illuminated manuscripts.
3. III Module (12 hours). IT tools, digitization and new technologies for the study of the illuminated manuscript.

examMode

The oral interview will focus on one or more acknowledgments of artworks shown and commented on in class or even of works present in the reference texts.
It will then be necessary to contextualize the illuminated manuscript, defining its temporal and spatial coordinates, in relation to the cultural, social, political, ideological and material transformations that have determined that given object.
Students will have the opportunity to start the interview from a topic proposed by them.

The evaluation will be positive if students have demonstrated that they have acquired competence of the subject, also from the point of view of the specific language, recognizing and exhaustively analyzing both the artwork commented during the lessons themselves and those studied independently in the reference texts; if an autonomous capacity for critical judgment will be detected with respect to the issues addressed during the interview, combined with the ability to contextualize an illuminated manuscript in time and space, in relation to the cultural, social, political, ideological and material transformations that have determined/influenced a certain artistic phenomenon.

books

Students who cannot attend are invited to contact the teacher to agree a program.

- J.J.G. ALEXANDER, I miniatori medievali e il loro metodo di lavoro, prefazione di G. Mariani Canova, traduzione di L. Mariani, Franco Cosimo Panini Editore, Modena 2003, pp. 13-54.

- M.G. CIARDI DUPRÉ DAL POGGETTO, s.v. Miniatura, in Enciclopedia dell'Arte Medievale, Treccani, Roma 1997
https://www.treccani.it/enciclopedia/miniatura_%28Enciclopedia-dell%27-Arte-Medievale%29/

- H.L. KESSLER, L’esperienza medievale dell’arte. Gli oggetti e i sensi, traduzione a cura di G. Confortin e F. Lollini, Roma 2023, pp. 123-136.

- S. MADDALO, s.v. Iniziale, in Enciclopedia dell'Arte Medievale, Treccani, Roma 1996
https://www.treccani.it/enciclopedia/iniziale_%28Enciclopedia-dell%27-Arte-Medievale%29/

- L. MIGLIO, s.v. Illustrazione, in Enciclopedia dell'Arte Medievale, Roma 1996
https://www.treccani.it/enciclopedia/illustrazione_%28Enciclopedia-dell%27-Arte-Medievale%29/

- G. OROFINO, "Leggere" le miniature medievali, in Arti e Storia nel Medioevo. III. Del vedere: pubblici, forme e funzioni, Einaudi, Torino 2004, pp. 341-367.

- O. PÄCHT, La miniatura medievale. Una introduzione, Bollati Boringhieri, Torino 1987, pp. 9-95, chapters: Introduzione, La decorazione pittorica nella struttura organica del libro, L’iniziale (the 2013 reprint is also valid).

A volume among these:

- J. LE GOFF, Il Medioevo. Alle origini dell’identità europea, Laterza, Roma-Bari 1998 (rist. 2022).

- M. MONTANARI, Il mito delle origini. Breve storia degli spaghetti al pomodoro, Laterza, Roma-Bari 2019 (rist. 2023).

- A. VANOLI, Non mi ricordo le date! La linea del tempo e il senso della storia, Roma 2023 (Treccani libri, Tessere, 2).

II module

- P. MANONI, Thematic Pathways on the Web: IIIF Annotations of Manuscripts from the Vatican Collections: il “Progetto Mellon” della Biblioteca Vaticana, Introduzione, in Rivista di storia della miniatura 24 (2020), pp. 211-212.

- P. MANONI – E. PONZI, Tra le maglie del Web: esposizioni virtuali e interoperabili dei manoscritti della Biblioteca Apostolica Vaticana, 1. L’applicazione delle annotazioni in IIIF nell’esperienza vaticana; 2. L’esperienza vaticana di Viaggiare con Dante, in Immaginare la Commedia, a cura di C. Perna, postfazione di G. Ferrante, Salerno Editrice, Roma 2022, pp. 201-213.

- E. PONZI, Thematic Pathways on the Web: IIIF Annotations of Manuscripts from the Vatican Collections: il “Progetto Mellon” della Biblioteca Vaticana. La storia della miniatura incontra lo Spotlight, in Rivista di storia della miniatura 24 (2020), pp. 212-216.

- The Process for the Digitization of Manuscripts in the Vatican Library, ed. by A.M. PIAZZONI, Biblioteca Apostolica Vaticana, Città del Vaticano 2024 (Studi e testi, 565), pp. 1-15, 17-38, 212-222.

- Thematic Pathways on the Web. IIIF Annotations of Manuscripts from the Vatican Collections https://spotlight.vatlib.it/

classRoomMode

Attendance is optional, but strongly recommended.

bibliography

Recommended readings

- F. MANZARI, Bibbie miniate del XIII secolo. Codici per la corte, per l’università, per gli ordini mendicanti, in La Bibbia di San Bonaventura (Atti delle XVII Giornate di Studio per la Storia della Tuscia, Orte, 11 dicembre 2010), a cura di S. MADDALO, S. SANSONE, A. ZUPPANTE, Centro di Studi per il Patrimonio di S. Pietro in Tuscia, Orte 2013 (Atti delle giornate di studio per la storia della Tuscia, 9), pp. 51-63.

From the volume Il libro miniato a Roma nel Duecento. Riflessioni e proposte, a cura di S. MADDALO, con la collaborazione di E. PONZI, I-II, Istituto storico italiano per il medio evo, Roma 2016 (Nuovi studi storici, 100):

- C. RAPONE, Roma e l’Europa attraverso i manoscritti miniati, pp. 225-250;

- S. MADDALO, I libri dei cardinali, pp. 503-519;

- E. PONZI, Ad usum fratrum. Manoscritti francescani e domenicani a Roma, un panorama, pp. 575-612.

CONTEMPORARY ITALIAN LITERATURE

CARLO SERAFINI

First Semester8L-FIL-LET/11ita

Learning objectives

The course intends to provide students with knowledge on the relationship between literature and journalism in the twentieth century based on the use of the critical method, as a method of reading society.
Through a very careful and close reading of the proposed texts, the student will have to develop a philological and hermeneutic reading ability such as to contextualize the text in its historical and political dimension, to then evaluate its effects in terms of public reception.
The course fully develops the individual interpretative, linguistic and critical capacity, at the foundation of the dynamics of action and exercise of every humanistic discipline. Among the objectives, the practical development of the communicative aspects also assumes particular importance due to the knowledge and critical method acquired.

Teacher's Profile

courseProgram

Literature, media, politics: writers and the periodical press

What brings a writer closer to journalism? Is it just an economic question? What does the writer bring to the newspaper more (or less) than the journalist? How do you manage to reconcile the freedom of creation with the measure of the piece at a writing level? What difference in reading a place, a journey, an event can exist between a journalist and a man of letters? What kind of relationship does a man of letters have with power and politics? With the leaders of a newspaper? With the speed of communication? With the public not accustomed to the languages ​​of so-called "high" culture? And how have these relationships changed over the course of the century? And the writers' articles... are they literature? Or are they just a minor series production? Or can journalism even be considered a literary genre in itself?
Through the study of the journalistic collaborations of some of the major writers of the twentieth century and of the contemporary world, the course intends to provide a historical-critical study tool on the relationship between writer and journalism carried out directly in the field, i.e. on the articles, according to a plan that aims to highlight how cultural journalism has transformed over the course of the century from the famous "beautiful writing" to a place for reading and understanding the society in which we live.

examMode

Students will have to demonstrate in the oral interview their knowledge of the exam topics and their ability to analyze text and content of the addressed works.
Vote based on 30/30 honors

books

1) CARLO SERAFINI (ed.), Introduction to Word of the Writer. Literature and journalism in the twentieth century, Vol. I, Bulzoni, Rome 2010

2) CARLO SERAFINI (ed.), Word of a writer. Other studies on literature and journalism, Vol. IV, Bulzoni, Rome 2024. The essays relating to: Soffici, Levi, Sereni, Ortese, Ginzburg, D'Arrigo, Rodari, Bianciardi, Pasolini, Bonaviri, Magris, Cavazzoni, Lodoli, Affinati, Appendix (in full).

NON-ATTENDING students must also study the volume:

1) AA.VV., Pasolini's places, edited by S. Pifferi and C. Serafini, Bulzoni, Rome 2023.

classRoomMode

Attendance is not mandatory but strongly recommended

bibliography

Pier Paolo Pasolini, Scritti corsari, Garzanti, Milan 1975 (also later editions)
Luciano Bianciardi, La vita agra, Rizzoli, Milan 1962
AA.VV., Bianciardi journalist, a c. of Carlo Serafini, Bulzoni, Rome 2023
Fabio Pierangeli, Eraldo Affinati. The school of gift, Studium, Rome 2019
Ermanno Cavazzoni, The useless writers, Feltrinelli, Milan 2002
Giorgio Zanchini, Cultural journalism, Carocci, Rome 2013
Anna Maria Ortese, The dark lens. Writings of travel, a c. di Luca Clerici, Adelphi, Milan 2004

MODULE II - -- -
ENGLISH LITERATURE

VALERIO VIVIANI

First Semester8L-LIN/10ita

Learning objectives


The course aims to deepen the study of literary aspects and issues while equipping students with critical skills for analysing significant plays and novels. Through the examination of texts using precise critical methodologies and by relating them to their historical and cultural contexts, students will be able to understand and assess the literary quality of the works they have read and discussed with full independence of judgment.
More specifically, the intended learning outcomes are as follows:
1) to develop knowledge of the main features and characteristics of English literature and culture across different periods;
2) to acquire the ability to analyse and comment on the texts under study;
3) to formulate independent critical judgments on the subject matter;
4) to communicate acquired knowledge in an appropriate and structured manner;
5) to develop the capacity to comprehend and interpret similar literary phenomena and themes beyond those covered in the course

Teacher's Profile

courseProgram

The theme of “ugliness” is a leitmotif of English dramas and novels. The aim of the course will be to explore English texts in which this theme recurs in different configurations, and to contextualise the view that different authors have built around this theme in different periods. The lessons will be devoted, according to a thematic and historical and cultural arrangement, to each text in the following order: ‘Richard III’, ‘The Tempest’, ‘Frankenstein’, ‘Wuthering Heights’, ‘Strange Case of Dr Jekyll and Mr Hyde’, ‘The Picture of Dorian Gray’, Heart of Darkness’.

examMode

The oral exam will be in Italian. It will focus on the texts that will have been presented during the course and on their cultural context, and will aim to evaluate the students' critical and methodological skills. In order to assess these skills, students will be invited to discuss the texts that have been encountered during the course.

books

William Shakespeare, Richard III
===============, The Tempest
Mary Shelley, Frankenstein
Emily Brontë, Wuthering Heights
Oscar Wilde, The Picture of Dorian Gray
Robert Louis Stevenson, Strange Case of Dr Jekyll and Mr Hyde
Joseph Conrad, Heart of Darkness

mode

The course will consist of frontal lessons, aiming to provide participants with the critical tools they need to interrogate and understand literary texts, both in terms of literary analysis and of historical/cultural contexts. Since our critical itinerary will be literary as well as cultural, the course will probably include the viewing and discussion of films.

classRoomMode

Students are not required to attend lessons, but it is recommended.

bibliography

Umberto Eco, Storia della bruttezza, Bompiani
Non-attending students can find the reference critical bibliography on Moodle under the section "Bibliografia supporti critici."

14583 - ITALIAN LITERATURE

FILIPPO GRAZZINI

Second Semester 8L-FIL-LET/10ITA

Learning objectives

Italian literature class for LM 14 aims to provide Garduate Students in Modern Philology with a detailed hisotrical description of Italian Humanities, emphasizing philogical,linguistical, stylistical and thematical aspects of literary texts. Class intends to shape students fit for Ph D as well as High School teachers, indipendent educators, popularizers, journalists, show business professionals, and the like. Students obtaining the Laurea Magistrale should possess both knowledge and understanding of Italian literary history (possibly to be compared with other national literary traditions) and applying knowledge and understanding, focusing on texts. Making judgements, communication skills (f.i. how to make an oral report to class on an author or a text) and a self-counsciousness
of learning skills should be additional valuable qualities of graduates.

Teacher's Profile

courseProgram

Class will be about war as a literary subject and about Italian authors who addressed the topic in different ways at different times. By reading excerpts from Divine Comedy, The Prince, The Art of War, the Jerusalem Delivered, Adelchi and The Betrothed, students will be enabled to distinguish the approach to a common anthropological trait, as war is, of Dante from the one of Machiavelli, of Tasso and of Manzoni. Depending on different writers as the above mentioned, war conveys ideas of duty, necessity, sacredness or barbarism. Additional references to thinkers and to writers of late XIX and of XX Century, which teacher will make if students show sufficient learning ability, may indicate the spreading of an ethical refusal of war in intellectual and in specific literary life of Italy in recent past. Presently, however, the refusal of war is not unanimously shared.

Dante:
parts to be read of the following Divine Comedy’s Cantos:
Hell Inf. I, II, VIII, IX, X, XI, XII, XIV, XV, XVI,XVII, XX, XXI, XXIII, XXVI, XXVII, XXVIII, XXXII, XXXIII, XXXIV
Pugatory III, V, IX, XXVII
Paradise XI, XV, XXV
Machiavelli:
Il Principe:
parts to be read of the following chapters:
II-VIII; XII, XIV, XIX-XXI, XXIV, XXV, XXVI
Arte della Guerra:
parts to be read of Book II and III
Tasso:
parts to be read of the following Jerusalem Delivered Cantos:
I, III, IV, VI, VII, VIII, IX, X, XI, XII, XIV-XVI, XVII, XVIII, XIX, XX
Manzoni:
Adelchi:
to be read Act IV, Chorus and Act V, 8
The Betrothed:
parts to be read of the Introduzione and of the following chapters: V, XII, XXVII, XXVIII, XXIX, XXX, XXXII , XXXIII.
Before the reading of texts an outline to each work will be provided during class. It is highly recommended to have outlines assimilated before attending exam.

examMode

Oral exam, aiming to ascertain student's overall understanding and increase of knowledge

books

DANTE, Divina Commedia, free choice of one among the following editions: Bruscagli and Giudizi, Loescher (single-volume edition); Chiavacci Leonardi, Mondadori; Bosco and Reggio, Le Monnier-Mondadori; Inglese, Carocci; Pasquini e Quaglio, Garzanti; Malato, Salerno Editrice (portable single-volume edition);
MACHIAVELLI: Il Principe: free choice of one among the following editions: Ruggiero, BUR Rizzoli; Inglese, Einaudi; Vivanti, Einaudi (included in comprehensive edition of Opere, three-volume); students wishing to use any other edition will submit it to teacher for approval; Dialogo dell’Arte della guerra, free choice of one among the following editions: Vivanti, Einaudi (included in comprehensive edition of Opere, three-volume); Marchand, Fachard and Masi, Salerno Editrice (highly specialized edition); students wishing to use any other edition will submit it to teacher for approval.
TASSO: Gerusalemme liberata: free choice of one among the following editions: Caretti, Mondadori or Einaudi; Tomasi, Bur Rizzoli; Gigante e Artico, Mondadori; Chiappelli, Rusconi; students wishing to use any other edition will submit it to teacher for approval;
MANZONI: Adelchi: free choice of one among the following editions: Blazina, Garzanti; Giordano, BUR Rizzoli; Lonardi, Marsilio; students wishing to use any other edition will submit it to teacher for approval;
I Promessi sposi: free choice of one among the following editions: Raimondi and Bottoni, Carocci or Principato; De Cristofaro, BUR Rizzoli; Bezzola, Bur Rizzoli; Nigro, Einaudi; Mezzanotte, Mondadori; students wishing to use any other edition will submit it to teacher for approval.

Only for Erasmus and/or non mothertongue students (see above section Programma):
Machiavelli, Il Principe, translated in modern Italian by C. Donzelli, edited by G. Pedullà, Roma, Donzelli;
Giorgio Baruzzi, Gerusalemme liberata by Torquato Tasso, translated in contemporary Italian, Independently Published, available also online (LetteraTUreStorie by Giorgio Baruzzi)
Manzoni, I Promessi sposi (free choice of one of the above indicated editions)
Specific program only for students not reading Italian (see above section Programma):
Machiavelli, The Prince, translated and edited by Q. Skinner, Cambridge, Cambridge UP; students wishing to use any other edition in English will submit it to teacher for approval
Tasso, The Liberation of Jerusalem, transl.by M. Wickert, Introduction and and Notes by M. Davie, Oxford UP; students wishing to use any other edition in English will submit it to teacher for approval
Manzoni, The Betrothed, transl. ad with an Introduction by. M. F. Moore, New York, Random House; students wishing to use any other edition in English will submit it to teacher for approval.

classRoomMode

Although non compulsory, attendance is higly recommended. Attending classes in person enables learning, thanks to direct contact with lecturer and with fellow students, especially when they are required to practice analysis of texts.

bibliography

A. Casadei, La guerra, Roma-Bari, Laterza, 1999;
the entry Guerra (by V. Valente), part of Enciclopedia Dantesca, Roma, Ist. della Enciclopedia Italiana, and
the entry Guerra e pace (by J-L Fournel and J-C Zancarini), part of Enciclopedia Machiavelliana, Roma, Ist. della Enciclopedia Italiana.
The following chapters of Giulio Ferroni, Storia della letteratura italiana, Mondadori: Dante (volume I, 157-211), Machiavelli and Tasso (II, 34-63 and 202-236), Manzoni (III, 134-183). An one-volume edition of Ferroni’s Storia is also in print. Those who intend to use it will study the correspondent chapters on Dante, Machiavelli, Tasso and Manzoni.
Arrangements will be made to ensure that all required texts and essays composing the Reading list are available in the University Library, on reserve, by the time class starts.
Only for Erasmus/non mothertongue students (see above section Programma):
A. Casadei, La guerra, Roma-Bari, Laterza
Specific program only for students not reading Italian (see above section Programma):
The Cambridge Companion to Italian Literature, ed. by P. Brand and L. Pertile, Cambridge, University Press: chapters on Dante, Machiavelli, Tasso and Manzoni

NEW GROUP - -- -
ENGLISH LANGUAGE FOR COMMUNICATION

ALBA GRAZIANO

First Semester8L-LIN/12ita

Learning objectives

The general objective of this course is developing communicative competences towards a level B2, describing English for specific/academic uses, analyzing texts in this area and translating them.
Following Dublin’s descriptors:
1) Knowledge and understanding of oral and written English lev. B12; basic knowledge of the main theories of Translation Studies and of the debate about the untranslatability of languages; contrastive analysis of English and Italian morpho-syntax; textual, morpho-syntactical and lexical features of ESP/EAP; the use of AI in translation.
2) Knowledge and understanding applied to textualities like: theoretical lectures hold in oral English; reference books about Translation Studies in English; English texts belonging to the journalistic and the technical-scientific domains to be translated into Italian; instructions for tasks, activities and exercises on the UniTusMoodle course; the evaluation comments from the teacher.
3) Making judgements: developing attitudes and abilities adequate to translating; choice among different translation strategies (e.g. domesticating vs. foreignizing); capacity to decide among the many semantically equivalent options according to the cultural context, the communicative situation and the textual register.
4) Communication skills: oral and written production in English lev. B2; relational abilities with the rest of the group and of working in pairs and teams.
5) Learning skills: transversal competences at a metacognitive and metalinguistic level; information research particularly through on-line resources; digital skills to sustain online learning; self-evaluation.

Teacher's Profile

courseProgram

TITLE: Translating: from journalism to scientific/academic English, from tourism to audiovisual English.
The course provides students with the main notions to analyse English textualities for specific communicative purposes. It introduces translation theories but mainly it is aimed at practicing translation of some genres and registers, like for example newspaper articles, scientific/academic essay, info-marketing texts and audio-visuals. The course includes materials and activities to be carried out on the UniTusMoodle platform and an introduction to the main lexicographic reference tools.
In detail the contents of the 48-50 hours course (+ same number of activities online):

1. inductive survey of students’ experiences of translation in the widest sense to get to a definition of translation proper; introduction to the main themes implied by translating and to the more adequate attitudes and abilities of a professional translator; etymology and popular metaphor around the terms translation/traduzione.
2. a survey of language theories and linguistic approaches to the topic of (un)translatability of languages with specific focus on a close reading of Jakobson’s contribution and further research on the notion of equivalence.
3. attempts at journalistic translation with analytic grids and a contrastive analysis of English and Italian morpho-syntax.
4. ESP/EAP;
5. short texts (public directives and dish names) in bilingual version.

examMode

The final examination includes:
1. assessment of all the activities on the moodle platform,
2. a translation test from a newspaper article during the year,
3. an oral survey of the main topics of the course
4. and a presentation/illustration of a personal project focussed on the analysis and translation of an ESP text agreed with the lecturer.
The indicators for the score (30) are:
1. analysis of the English source text;
2. capacity to discuss translation problems and defend translating choices;
3. theoretical notions;
4. organizational capacities and use of aids and resources.

books

Based on the choice of topic for the final exam, one of the following or similar (all titles are in the library):

Giuliana Garzone, Specialized Communication and Popularization in English, Carocci;
Federica Scarpa, Research and Professional Practice in Specialised Translation, Palgrave-Macmillan;
Annalisa Zanola, La lingua inglese per la comunicazione scientifica e professionale, Carocci;
Alessandra Spadafora, Intermedia, Sette Città;
Renzo Mocini, La comunicazione turistica, Sette Città;
Alba Graziano, Renzo Mocini, “Gastronomic Salience: The Story Behind the Dishes”, Fictions. Studi sulla narratività, XIV (2015);
Alba Graziano, “Marketing food through translation: an analysis of a hundred menus from Lazio”, ESP across Cultures, 14 (2017), pp. 99-114;
Alba Graziano, “Così va il tradurre”, in Aphra Behn, Sir Patient Fancy, Sette Città;
Alba Graziano, “Tra Colonel e Mr. Careless: l’inscenamento dei conflitti di potere nella commedia della Restaurazione”, in I mutevoli volti del potere. Essenza ed espressione del potere: linguaggi, luoghi e spazi, funzioni, simboli e rappresentazioni, a cura di Gian Maria Di Nocera, Viterbo, Sette Città, 2021, pp. 265-273.
Alba Graziano, “Keep off the lawn: trasgressors will be persecuted. Usi e abusi linguistici nella traduzione della segnaletica turistica”, in Il viaggio e l’Europa. Incontri e movimenti da, verso, entro lo spazio europeo, a cura di Alessandro Boccolini, Raffaele Caldarelli, Viterbo, Sette Città, 2018, pp. 147-159.

mode

The course is conceived according to a flipped learning approach and adopts a blended mode. It consists of in-person lectures, predominantly held in English and with a critical-thinking and inductive approach, so as to favour students' participation. The platform UniTusMoodle includes all the materials used in class (ppt presentations, pdf documents, questionnaires, discussion forums, quizzes and tasks, a serious game and video of experts, case studies on translation, etc.) + other assignments as homework, which can be used with a flipped mode. All these activities are preparatory to the final exam consisting of an individual student's project.

classRoomMode

Attendance is not compulsory but HIGHLY RECOMMENDED. However, it is replaced by work on the moodle platform for those who signal problems attending classes during the semester (Erasmus, working, or special needs students).

bibliography

A choice of one among the following:

Hans J. Vermeer, A skopos theory of translation, TEXTconTEXT Verlag;
Susan Bassnett, Translation Studies, Routledge;
Mary Snell-Hornby, Translation Studies. An Integrated Approach, John Benjamins;
Jeremy Munday, Introducing Translation Studies, Routledge.

SONIA DI VITO

First Semester8L-LIN/04ita

Learning objectives

Knowing how to recognise the characteristics of a language for specific pourposes (le domaine du bio);
Knowing how to use text corpora for translation;
Becoming expert of the most modern tools for computer-assisted translation (CAT tools)
Knowing how to translate web texts presenting companies from and into French
Writing a glossary of terminology about the organic.

Teacher's Profile

courseProgram

The main characteristics of the language used in institutional university websites; corpus linguistics, history and domains of application; CAT tools; history of translation.

examMode

Written translation with notes. All translation tools are allowed (monolingual and bilingual dictionary, automatic translators, corpus and concordance programmes, translation memories, etc.).

books

Lerat, P., 1995, Les langues spécialisées, Paris: Presses Universitaires Françaises
Loock, R., 2016, La traductologie de corpus, Lille: Presses Universitaires du Septentrion.
Sinclair, J. McH., 1991, Corpus, Concordance, Collocation, Oxford : Oxford University Press.

Other materials will be provided during the course.

classRoomMode

Attendance is not compulsory but strongly recommended

bibliography

Lerat, P., 1995, Les langues spécialisées, Paris: Presses Universitaires Françaises
Loock, R., 2016, La traductologie de corpus, Lille: Presses Universitaires du Septentrion.
Sinclair, J. McH., 1991, Corpus, Concordance, Collocation, Oxford : Oxford University Press.

Teacher's Profile

courseProgram

The main characteristics of the language used in institutional university websites; corpus linguistics, history and domains of application; CAT tools; history of translation.

examMode

Written translation with notes. All translation tools are allowed (monolingual and bilingual dictionary, automatic translators, corpus and concordance programmes, translation memories, etc.).

books

Lerat, P., 1995, Les langues spécialisées, Paris: Presses Universitaires Françaises
Loock, R., 2016, La traductologie de corpus, Lille: Presses Universitaires du Septentrion.
Sinclair, J. McH., 1991, Corpus, Concordance, Collocation, Oxford : Oxford University Press.

Other materials will be provided during the course.

classRoomMode

Attendance is not compulsory but strongly recommended

bibliography

Lerat, P., 1995, Les langues spécialisées, Paris: Presses Universitaires Françaises
Loock, R., 2016, La traductologie de corpus, Lille: Presses Universitaires du Septentrion.
Sinclair, J. McH., 1991, Corpus, Concordance, Collocation, Oxford : Oxford University Press.

MODULE II - -- -
LATIN LANGUAGE AND LITERATURE

ALESSANDRO FUSI

First Semester8L-FIL-LET/04ita

Learning objectives

Formative Objectives:

The course aims to provide an essential knowledge of the main characteristics of the literature of the late republican age and the work of Catullus; a mastery of the theoretical and critical tools necessary for the analysis and interpretation of Latin literary texts; direct knowledge of Catullus’ poetic text through reading and commentary.

Expected learning outcomes: At the end of the teaching the student will have:

1) Knowledge of the main features of late republican literature’ history; knowledge of Catullus’ Liber
2) Ability to analyse Latin literary history of Late republican age and comprehend her diachronic development; ability to analyse and discuss appropriately Catullus’ poems
3) Ability to formulate autonomous judgements on the course’s themes
4) Ability to adequately communicate what learned
5) Ability to comprehend and interpret autonomously literary phenomena and similar texts not included in the programme.

Teacher's Profile

courseProgram

Title: Ovid’s Metamorphoses

Programme: the course is focused on Ovid’s Metamorphoses, poem which represent an original transfornation of epic form. The work will be analysed in the historical and cultural context of Augustan Age, paying peculiar attention to the tradition of epic genre in Rome and to Vergil’s Aeneid. Object of in-dept analysis will be ideological features, models, structure, language and style of the poem. The course aims to provide a critical knowledge of Ovid’s epic poem. The goal will be pursued through reading and literary-philological analysis of an anthology of the poem’s episodes.

examMode

The examination is oral and consists of two parts: in the first part, the student must demonstrate knowledge of the main features of Latin literary history; in the second part, the student must demonstrate the ability to translate, analyse and comment on the literary texts on the syllabus: the level of content knowledge demonstrated (superficial [18-21], appropriate [22-26], precise and complete [27-29], complete and thorough [30]), the ability to make a critical sense and formulate judgments (sufficient [18-24]], good [25-28], excellent [29-30]), the mastery of expression (deficient exposition [18-21], simple [22-25], clear and correct [26-28], secure and correct [29-30]).

books

A complete edition of Ovid’s Metamorphoses with Latin text (suggested: Ovidio, Le metamorfosi, intr. di G. Rosati, trad. di G. Faranda Villa, note di R. Corti, Milano, Rizzoli BUR, 1994, with many reprints, ISBN: 9788817129763); L. Galasso, Ovidio: Guida alle Metamorfosi, Roma, Carocci Editore, 2023, ISBN: 9788829020683; L. Galasso, La letteratura latina in età ellenistica, Roma, Carocci Editore, 2021, ISBN: 9788829009381; G. Rosati, Mito e potere nell'epica di Ovidio, «MD» 46 (2001), pp. 39-61.

classRoomMode

Attendance in this course is optional, but highly recommended.

bibliography

More bibliography and didactic materials will be given during the course (for attending students).
Non attending students have to contact the professor for a programme.

Teacher's Profile

courseProgram

Title: Ovid’s Metamorphoses

Programme: the course is focused on Ovid’s Metamorphoses, poem which represent an original transfornation of epic form. The work will be analysed in the historical and cultural context of Augustan Age, paying peculiar attention to the tradition of epic genre in Rome and to Vergil’s Aeneid. Object of in-dept analysis will be ideological features, models, structure, language and style of the poem. The course aims to provide a critical knowledge of Ovid’s epic poem. The goal will be pursued through reading and literary-philological analysis of an anthology of the poem’s episodes.

examMode

The examination is oral and consists of two parts: in the first part, the student must demonstrate knowledge of the main features of Latin literary history; in the second part, the student must demonstrate the ability to translate, analyse and comment on the literary texts on the syllabus: the level of content knowledge demonstrated (superficial [18-21], appropriate [22-26], precise and complete [27-29], complete and thorough [30]), the ability to make a critical sense and formulate judgments (sufficient [18-24]], good [25-28], excellent [29-30]), the mastery of expression (deficient exposition [18-21], simple [22-25], clear and correct [26-28], secure and correct [29-30]).

books

A complete edition of Ovid’s Metamorphoses with Latin text (suggested: Ovidio, Le metamorfosi, intr. di G. Rosati, trad. di G. Faranda Villa, note di R. Corti, Milano, Rizzoli BUR, 1994, with many reprints, ISBN: 9788817129763); L. Galasso, Ovidio: Guida alle Metamorfosi, Roma, Carocci Editore, 2023, ISBN: 9788829020683; L. Galasso, La letteratura latina in età ellenistica, Roma, Carocci Editore, 2021, ISBN: 9788829009381; G. Rosati, Mito e potere nell'epica di Ovidio, «MD» 46 (2001), pp. 39-61.

classRoomMode

Attendance in this course is optional, but highly recommended.

bibliography

More bibliography and didactic materials will be given during the course (for attending students).
Non attending students have to contact the professor for a programme.

SUBJECTSEMESTERCFUSSDLANGUAGE
MODULE II - -- -
PHONETICS AND PHONOLOGY

AMEDEO DE DOMINICIS

Second Semester8L-LIN/01ita

Learning objectives

Phonetics and Phonology is a deepening (during specialized studies) of General Linguistics (taught in L-10). The class is aimed at analyzing the vocal behavior of speakers. The vocal behavior of speakers is an integral part of their linguistic behavior. The ultimate goal is always to develop predictive (non-normative) rules necessary to build the grammar of a given language. But to make reliable predictions, you need to be able to measure the starting data. In order to obtain reliable and measurable data, just listening to linguistic sounds is absolutely inadequate for the purpose. Auditory perception must be accompanied by methodological tools and acoustic measurement techniques. It is therefore necessary to study the acoustics of linguistic sounds, as well as the anatomical physiology that produces them. Traditionally, these two approaches are called acoustic phonetics and articulatory phonetics, respectively: both will be taught.
In addition to Phonetics, Phonology will be taught. The phonological component (as well as the phonetic one) should already be well known and defined to the learners, who in the Bachelor’s degree have taken the exam of General Linguistics. During the Master's Degree, with the class of Phonetics and Phonology, the learner will deepen and learn further methodologies and analysis techniques specifically dedicated to Phonology. In particular, auto-segmental phonological models and the relationships between intonation and pragmatics will be discussed.
In compliance with the so-called "Dublin indicators" – as better detailed in the "Evaluation" field – the objectives will be aimed at achieving:
1) Knowledge and comprehension skills: ability to transcribe in I.P.A. a sample of speakers
2) Applied knowledge and understanding: ability to produce a minimum scientific phonology from a set of linguistic data produced by a sample of speakers
3) Making judgments: ability to compare and evaluate comparatively different phonological models that account in a different and competing way for the same set of linguistic data produced by a sample of speakers
4) Communication skills: ability to communicate the reasons for the comparative judgment referred to in point 3)
5) Learning skills: ability to orient oneself in the relevant scientific bibliography.

Teacher's Profile

courseProgram

The course will cover the following topics:
- Summary of acoustic phonetic analysis.
- Summary of phonological analysis: (phone, phoneme); phonological properties (tone, accent, coarticulation and assimilation/dissimilation).
- Phonological theories (structuralism, generativism, auto-segmentality).
- Finally, we will deal with the theme of the relationship between intonation and pragmatics.
With regard to the temporal distribution of the didactic commitment dedicated to the various topics, it seems to me that any hypothesis formulated in advance would be devoid of plausibility, as it is not likely to organize a didactic work in the abstract: the time slots will depend on the responses of the learners, answers that by definition depend on the audience of the learners, their characteristics and their intellectual profiles, that is, from elements that today are unknown to me – as to anyone – and consequently it is impossible to make reliable predictions about it. In general, I can only predict that this will go as in all previous years, that is to say that in my intentions I should devote a quarter of the hours to the summary of acoustic phonetics, a quarter to the summary of phonology, a quarter to phonological theories, a quarter to the relationships between intonation and pragmatics, but in reality the learners will cyclically ask me to go back, explain again points of the program, thus nullifying all predictions. And this depends on the fact that the learners, even attending students, do not study at home the program carried out in the classroom, but study only near the exam and realize only a posteriori (perhaps after weeks) that they have misunderstood what was done in the classroom. The problem would be solved if only students were required to take the final exam immediately after the course, with only one date per year, in addition to a second date destined for recovery, and not – as is the case today – to be able to take it on numerous exam dates spread over the entire academic year (and beyond): but the adoption of this solution does not depend on the undersigned (who also hopes for it), but from political choices and academic regulations that go in the opposite direction.

examMode

EXPECTED LEARNING OUTCOMES
1) Knowledge and comprehension skills: ability to extract linguistic data from a sample of speakers
2) Applied knowledge and understanding: ability to produce a minimum scientific grammar from a set of linguistic data produced by a sample of speakers
3) Making judgments: ability to compare and evaluate comparatively different grammars that account in a different and competing way for the same set of linguistic data produced by a sample of speakers
4) Communication skills: ability to communicate the reasons for the comparative judgment referred to in point 3)
5) Learning skills: ability to orient oneself in the relevant scientific bibliography.

DESCRIPTION OF ASSESSMENT METHODS
During the oral exam, the knowledge of the topics covered in the class and in the scheduled texts will be ascertained. The level of preparation of the learner will be ascertained on the basis of the following grid (in thirtieths):
- KNOWLEDGE (knowledge of the necessary information) 1-12/30 (12 = excellent; 1 = very bad);
- FOCUS (how the learner focuses on the problem discussed) 1-6/30 (6 = excellent; 1 = very bad);
- PROCESSING (how the learner processes the structure of the response) 1-6/30 (6 = excellent; 1 = very bad);
- EXPLANATION (the learner's ability to explain the linguistic phenomenon in question) 1-6/30 (6 = excellent; 1 = very bad).
This quantification of the evaluation is based on percentages that I consider purely metaphorical and on categories that I can neither define nor delimit mutually; this quantification of the evaluation is an invention not mine, but of the ministerial evaluators. Consequently, if there is a student who is able to give me an exact definition and consistent exemplification of the above categories, then that student will have 30 cum laude, without further verification. If, on the other hand, there is no such student, then if he shows that he has not even understood the basics of the discipline at the exam, he will be invited by me to repeat in the next round (and only because for some time it has not been customary to fail).

books

1) A. De Dominicis, Fonologia, Roma, CAROCCI, 2003.
2) F. Albano Leoni & P. Maturi, Manuale di Fonetica, Roma, CAROCCI, 2008.
3) A. De Dominicis, Intonazione, Roma, CAROCCI, 2010.
4) A. De Dominicis, Intonazione e pragmatica, in Franca Orletti, Anna Pompei, Edoardo Lombardi Vallauri (eds.), Grammatica e Pragmatica. Atti del XXXIV Convegno Annuale della Società Italiana di Glottologia. pp. 43-85, Roma, IL CALAMO, 2012.
In my opinion, there is no possibility of learning phonetics and phonology without frontal didactic guidance. In general, it does not seem to me that it is possible to learn acoustic analysis and formal methods without a teaching aid consisting of a teacher. Perhaps this is possible in the case of historical or literary disciplines, but neither Linguistics nor Phonetics/Phonology are examples of historical or literary disciplines. Consequently, it is not possible for me to indicate - in science and conscience - any supplementary reading for self-taught students.

mode

Lectures and discussion of theories and/or cases

classRoomMode

The lectures will be accompanied by the discussion of case studies carried out in class under the direct guidance of the teacher.

bibliography

1) A. De Dominicis, Fonologia, Roma, CAROCCI, 2003.
2) F. Albano Leoni & P. Maturi, Manuale di Fonetica, Roma, CAROCCI, 2008.
3) A. De Dominicis, Intonazione, Roma, CAROCCI, 2010.
4) A. De Dominicis, Intonazione e pragmatica, in Franca Orletti, Anna Pompei, Edoardo Lombardi Vallauri (eds.), Grammatica e Pragmatica. Atti del XXXIV Convegno Annuale della Società Italiana di Glottologia. pp. 43-85, Roma, IL CALAMO, 2012.
In my opinion, there is no possibility of learning phonetics and phonology without frontal didactic guidance. In general, it does not seem to me that it is possible to learn acoustic analysis and formal methods without a teaching aid consisting of a teacher. Perhaps this is possible in the case of historical or literary disciplines, but neither Linguistics nor Phonetics/Phonology are examples of historical or literary disciplines. Consequently, it is not possible for me to indicate - in science and conscience - any supplementary reading for self-taught students.

SIMONA RINALDI

Second Semester8L-ART/04ita

Learning objectives

Training objectives
The main purpose of the course is to provide students with basic knowledge of history of art exhibition's between XVII century and 1930 with a discussion on contemporary examples on digital museology and exhibitions. This art exhibition's history will be related to historical context of museums for a basic knowledge of italian cultural heritage history.
Expected learning outcomes. At the end of the course students will be able to:
1. Know briefly the development of the history of exhibitions and museums (Knowledge and understanding)
2. Know and distinguish the different types of exhibitions and displays over the centuries up to the current era (Applied knowledge and understanding)
3. Evaluate the different meanings assumed in Museology of international terminology compared to the conceptions formulated historically in Italy (Autonomy of judgement)
4. Present case studies independently chosen from those examined in the program (Communication skills)
5. Evaluate further national or international examples of exhibitions or museums (Ability to learn)

Teacher's Profile

courseProgram

The birth of the art exhibitions in XVII century; features of the first art exhibitions in Italy, France, Great Britain; Terminology problems related to museum history; historical events of museums from the eighteenth century to present; Impressionists’ and avantguard’s exhibitions; Case studies on digital Museology and virtual exhibitions.

examMode

Oral examination on books assigned with critical comparison between bibliographical sources.
Three basic questions will be asked on the main exam texts, requiring knowledge of the topics, their critical understanding and the adoption of an appropriate italian language.

books

1) F. Haskell, La nascita delle mostre, Skira, Milano 2002, pp. 23-111; 147-188.
2) S. Rinaldi, F. Ricci, Museologia e storia dell'arte nella Tuscia, ArcheoAres, Viterbo 2014 (pdf on Moodle).
3) S. Rinaldi, Arte Contemporanea. Le tecniche pittoriche dall’Impressionismo all’Astrattismo, Carocci, Roma 2024.
Same books for non-attending students.
www.amazon.it
www.ibs.it
https://www.libreriauniversitaria.it

mode

face-to face Lessons by power point and videos projection.

classRoomMode

Attendance at lessons is optional.

bibliography

M. Barbanera, Il museo impossibile, Roma 2013.
L. Cataldo-M. Paraventi, Il museo oggi. Modelli museologici e museografici nell’era della digital transformation, Milano 2023.
T. W. Gaehtgens-L. Marchesano, Display and Art History: the Duesseldorf Gallery and its Catalogue, Los Angeles 2011.
F. Haskell, The King's Picture: the formation and dispersal of the collections of Charles I and his courtiers, New Haven 2013.
M.V. Marini Clarelli, Il museo nel mondo contemporaneo. La teoria e la prassi, Roma 2011.
M. Marroni, Canino, museo a cielo aperto di Luciano Bonaparte, ed. Silvio Pellico 2014.
M.C. Mazzi, In viaggio con le Muse, Edifir, Firenze 2005.

Teacher's Profile

courseProgram

The birth of the art exhibitions in XVII century; features of the first art exhibitions in Italy, France, Great Britain; Terminology problems related to museum history; historical events of museums from the eighteenth century to present; Impressionists’ and avantguard’s exhibitions; Case studies on digital Museology and virtual exhibitions.

examMode

Oral examination on books assigned with critical comparison between bibliographical sources.
Three basic questions will be asked on the main exam texts, requiring knowledge of the topics, their critical understanding and the adoption of an appropriate italian language.

books

1) F. Haskell, La nascita delle mostre, Skira, Milano 2002, pp. 23-111; 147-188.
2) S. Rinaldi, F. Ricci, Museologia e storia dell'arte nella Tuscia, ArcheoAres, Viterbo 2014 (pdf on Moodle).
3) S. Rinaldi, Arte Contemporanea. Le tecniche pittoriche dall’Impressionismo all’Astrattismo, Carocci, Roma 2024.
Same books for non-attending students.
www.amazon.it
www.ibs.it
https://www.libreriauniversitaria.it

mode

face-to face Lessons by power point and videos projection.

classRoomMode

Attendance at lessons is optional.

bibliography

M. Barbanera, Il museo impossibile, Roma 2013.
L. Cataldo-M. Paraventi, Il museo oggi. Modelli museologici e museografici nell’era della digital transformation, Milano 2023.
T. W. Gaehtgens-L. Marchesano, Display and Art History: the Duesseldorf Gallery and its Catalogue, Los Angeles 2011.
F. Haskell, The King's Picture: the formation and dispersal of the collections of Charles I and his courtiers, New Haven 2013.
M.V. Marini Clarelli, Il museo nel mondo contemporaneo. La teoria e la prassi, Roma 2011.
M. Marroni, Canino, museo a cielo aperto di Luciano Bonaparte, ed. Silvio Pellico 2014.
M.C. Mazzi, In viaggio con le Muse, Edifir, Firenze 2005.

GREEK LITERATURE

MADDALENA VALLOZZA

Second Semester8L-FIL-LET/02ita

Learning objectives

- methodological skills useful for critical reading of the texts, in Greek for the students who intend to obtain in the SS-L-FIL-LET / 02 the 24 credits necessary to access the teaching class A 13, in Italian translation with elements of Greek lexicon for students following other courses
- knowledge of the main critical instruments
- good capacity of analysis and independent research.

Teacher's Profile

courseProgram

Monographic course

The myth, the journey, the return. Readings from the Odyssey.
After a few introductory lectures intended to illustrate Greek literary production in its general outlines, the course will focus, through the reading and commentary of the most significant passages, on some of the main characters of the Odyssey, in particular the female characters, hitherto partly neglected, analysing their traits in relation to the objects that characterise them and determine their functions, during Odysseus' journey or at the crucial moments of his return.

General Part

Greek literature from Homer to the Hellenistic age. A list of genres and authors will be uploaded on the Moodle platform.

examMode

The oral exam will be aimed at verifying the knowledge acquired through the study of the Greek literature textbook, the knowledge of the problems discussed in the monographic course, and the ability to understand and contextualise the texts translated in the lessons. Any seminar contribution offered during the course of the lectures will also be assessed.

books

For the monographic part
- the texts uploaded on Moodle during the lessons are an integral part of the programme
- a translation of your choice of the Iliad with the Greek text beside it, e.g. by G.A. Privitera, Mondadori, or R. Calzecchi Onesti, Einaudi.

For the general part
- a textbook of Greek literature of your choice among those presented and discussed during the introductory lectures.

For non-attending students
- a textbook of Greek literature
- at least two texts of your choice, one in poetry, one in prose, within the Greek literary tradition
- a critical essay relating to the texts chosen for the examination.
Handbook, texts to be translated, critical essay are to be agreed upon by interview during reception hours at least one month before the exam.

mode

Lessons will be opened to the dialogue with students. Optional seminars will be arranged between teacher and students on selected topics.

classRoomMode

Class attendance is not compulsory, but highly recommended.

bibliography

Further bibliography will be indicated in the course of the lectures.

Teacher's Profile

courseProgram

Monographic course

The myth, the journey, the return. Readings from the Odyssey.
After a few introductory lectures intended to illustrate Greek literary production in its general outlines, the course will focus, through the reading and commentary of the most significant passages, on some of the main characters of the Odyssey, in particular the female characters, hitherto partly neglected, analysing their traits in relation to the objects that characterise them and determine their functions, during Odysseus' journey or at the crucial moments of his return.

General Part

Greek literature from Homer to the Hellenistic age. A list of genres and authors will be uploaded on the Moodle platform.

examMode

The oral exam will be aimed at verifying the knowledge acquired through the study of the Greek literature textbook, the knowledge of the problems discussed in the monographic course, and the ability to understand and contextualise the texts translated in the lessons. Any seminar contribution offered during the course of the lectures will also be assessed.

books

For the monographic part
- the texts uploaded on Moodle during the lessons are an integral part of the programme
- a translation of your choice of the Iliad with the Greek text beside it, e.g. by G.A. Privitera, Mondadori, or R. Calzecchi Onesti, Einaudi.

For the general part
- a textbook of Greek literature of your choice among those presented and discussed during the introductory lectures.

For non-attending students
- a textbook of Greek literature
- at least two texts of your choice, one in poetry, one in prose, within the Greek literary tradition
- a critical essay relating to the texts chosen for the examination.
Handbook, texts to be translated, critical essay are to be agreed upon by interview during reception hours at least one month before the exam.

mode

Lessons will be opened to the dialogue with students. Optional seminars will be arranged between teacher and students on selected topics.

classRoomMode

Class attendance is not compulsory, but highly recommended.

bibliography

Further bibliography will be indicated in the course of the lectures.

MODULE II - -- -
CONTEMPORARY HISTORY

MARCO SALVATORE PAOLINO

Second Semester8M-STO/04ita

Learning objectives

The objectives of the Contemporary History course for the academic year 2023/2024 aim to consolidate knowledge of the history of the Cold War and the ability to understand the evolution of international relations in the second half of the twentieth century, applying this knowledge to the analysis of the events of the world history of the 20th century. The improvement of study methodologies will have the aim of promoting students' autonomy of judgment and strengthening their communication skills.

Teacher's Profile

courseProgram

Each lesson lasts three hours; 16 lessons for a total of 48 hours.
Contents:
1. The contrast between Russia and the West in the nineteenth century
2. The October Revolution
3. The Second World War
4. The Tehran and Yalta Conferences
5. The division of Europe
6. The figure of Stalin
7. The Iron Curtain
8. The Marshall Plan
9. The Chinese revolution
10. The Korean War
11. Eisenhower
12. The Cuban revolution
13. The Vietnam War
14. Khrushchev
15. Kennedy
16. The Cuban revolution
17. The Cold War in the Third World
18. Ostpolitik
19. The Middle Eastern conflict
20. Henry Kissinger
21. Ronald Reagan
22. The crisis of the Soviet Union in the 1980s
23. The end of the Cold War
24. The fall of the Berlin Wall


examMode

Students who regularly attend lessons have the opportunity to prepare an 8-page paper (WORD format, Times New Roman 12 font, line spacing 1.5; without drawings, images and photographs) on the topics developed in the course, using preferentially the notes taken in class; the text of Harper can have a useful integrative function. The paper can be sent and discussed only once; in the event of a negative evaluation, the exam must be taken orally. The paper must be sent to the professor a maximum of one week before each exam date. The possibility of sending and discussing the paper is valid only for the summer (June and July) and autumn (September) sessions. After these sessions, the exam must be taken orally. Students will be evaluated with an oral test, in which the knowledge of the topics developed during the lessons will be verified, using both the paper and the book of Harper. Non-attending students will be evalueted with an oral exam, in which the knowledge of the topics included in the Harper’s book will be verified.
In both cases the methods of attribution of the vote will follow an evaluation grid expressed in thirtieths and will be the following:
1. adequate exposure of the arguments developed during the lessons (from 10 to 1, 10 = excellent ability, 1 = very bad ability, 6 = threshold for sufficiency)
2. analysis of historical phenomena (from 10 to 1, 10 = excellent knowledge, 1 = bad knowledge, 6 = threshold for sufficiency)
3. formulation of appropriate critical judgments (from 10 to 1, 10 = excellent capacity, 1 = very bad capacity, 6 = threshold for sufficiency)

books

John Harper, La Guerra Fredda, Il Mulino

mode

The course will be divided into frontal lessons, with the aim of acquiring knowledge of the history of the Cold War and the ability to understand the evolution of the history of the 20th century

classRoomMode

Class attendance is not mandatory, although it is highly recommended.

bibliography

John Harper, La Guerra Fredda, Il Mulino

MODERN HISTORY

MATTEO SANFILIPPO

Second Semester8M-STO/02ita

Learning objectives

The purpose of the course is to master the history of Euro-American cultural development between the 15h and 20th centuries. Furthermore, during the course a seminar will be held for attending students on the re-elaboration and re-presentation of modern history, both during the modern centuries and in the following ones. At the end of the course, according to the learning objectives established in Dublin, students must be able to: 1) be aware of what has happened over the centuries and in the areas addressed and understand why (Knowledge and understanding); 2) having developed an independent reflection on the topics covered (Applied knowledge and understanding); 3) analyze and discuss texts and documents, of various kinds, understanding how historiography as well as literature has already used them (Autonomy of judgment); 4) present their own independent research in the classroom (Communication skills); 5) understand and fill any previous gaps (Ability to learn). In this process it will be essential to respect the work of all students, in groups or individuals, and to respect deadlines to better coordinate specific insights

Teacher's Profile

courseProgram

General Part: 1) General history of Central-Western Europe and the Americas from th 16th to the beginning of the 20th Century; 2) Analysis of historiographic, literary and artistic representations of the same; Discussion of the texts in the syllabus. Seminar: From settler to cowboy: the war against indigenous people in the Americas

examMode

The preparation of the student will be verified by oral test. Within this framework it will be evaluated on the basis of the following grid (in thirtieths): KNOWLEDGE AND UNDERTANDING 1-6/30 (6 = excellent; 1 = very bad); KNOWLEDGE AND UNDERSTANDING APPLIED 1-6/30 (6= excellent; 1= very bad); AUTONOMOUS JUDGMENT 1-6/30 (6=excellent; 1=very bad); COMMUNICATION SKILLS 1-6/30 (6=excellent; 1=very bad); ABILITY TO LEARN (6=excellent; 1=very bad). The result of the test will be given by the sum of the scores obtained.
Question's example: The European expansion in the 16th and 17th Centuries

books

FIRST ANNUITY:1) Emanuele Pagano, L’Italia e i suoi stati nell’età moderna, Morcelliana; 2) Matteo Al Kalak, Fuoco e fiamme. Storia e geografia dell’inferno, Einaudi; 3) Giovanni Ricci, Rinascimento conteso. Francia e Italia, un'amicizia ambigua, il Mulino; 4) Renata Ago, Roma barocca, Carocci

Per i non frequentanti: oltre ai libri del programma, bisogna portare

Seconda annualità (cioè chi sostiene l’esame una seconda volta): Lucia Felici, Senza frontiere. L’Europa di Erasmo (1538-1600), Carocci; Stefano Tabacchi, Lo Stato della Chiesa, il Mulino

NOT ATTENDING: the four books listed above plus: Franco Motta e Sabina Pavone, Lessico della storia moderna. Concetti, processi, spazi, Carocci

SECOND ANNUITY: Lucia Felici, Senza frontiere. L’Europa di Erasmo (1538-1600), Carocci; Stefano Tabacchi, Lo Stato della Chiesa, il Mulino


Seminar: From settler to cowboy: the war against indigenous people in the Americas. See materials on Moodle, and La nascita del mito western nell’Ottocento, https://www.farwest.it/?p=22103 (first release, see also the other 15)

mode

Frontal lessons (24h) + seminar (24h). The lessons are organized into teaching modules, to which the seminar is also integrated: Module I (12 hours): main developments in modern Euro-American history; II module (12 hours) main developments of the reflection on modern Euro-American history; 1st seminar phase (12 hours) the reflection on the colonization of the Americas; II seminar phase (12 hours) depictions of the westward drive. Students do not have to attend: to make the exam, they have only to prepare one more text among the ones suggested for the Seminar

classRoomMode

Attendance not mandatory

bibliography

SUGGESTED READINGS: Letture: Lucia Felici e Girolamo Imbruglia, La tolleranza in età moderna, Carocci; Antonio Violante, Giovanni Caboto. El gran armirante verso il sogno del Catai, Le Monnier Università; Alessandro Vanoli, L'invenzione dell'Occidente, Laterza; Marina Caffiero, Gli schiavi del papa, Morcelliana; Amedeo Feniello, Omicidio a Lombard Street, Laterza; Andrea Zannini, Altri Pigafetta, Viella; Adriano Prosperi, Missionari. Dalle Indie remote alle Indie interne, Laterza.

MODULE II - -- -
HISTORY OF CENTRAL EUROPE

FRANCESCA DE CAPRIO

Second Semester8M-STO/02ita

Learning objectives

In the course the main lines that identify the contents of the modern age from the XV century to the first half of the XVII with preliminary attention to the historiographic categories, to the interpretative orientations, to the sources and the instruments proper of the discipline will be analyzed and discussed. The educational objective is to offer students solid foundations for acquiring a cognitive and critical familiarity with the "general history" of the modern age and in particular that linked to the events that have characterized the geopolitical area of ​​central Europe (Bohemia , Hungary, Rzeczpospolita (Poland and Grand Duchy of Lithuania), principalities of Wallachia and Moldavia and the Ottoman Empire.
The lessons will focus mainly on the following topics: Europe and its interrelation with non-European worlds; Crisis and identity of Italy and modern Europe; The ancient regime society: classes and classes; Economic models: the land, work, finance and the market in the modern age; Political systems and their dynamics: empire, monarchies and republics; Family and demography. A special and in-depth examination of the diplomatic relations between the Holy See and continental and center Europe will be made.
Students will be able to understand the historical-political evolution of the central-eastern states during the modern age.
1)applying knowledge and understanding; Through the classroom discussion, individual study and, with the possible research carried out by study groups, students will be able to develop research projects, also by resorting to the examination of unpublished sources to be submitted to the judgment of the teacher and of those attending seminar meetings.
2)making judgements; Students will be able to analyze and synthesize original texts and documents they will be able to make independent judgments
3)communication skills; Attending students will have to present the results of the recommended and agreed critical readings at the beginning of the lessons, suitably integrated also by web searches.
4)learning skills The verification of the acquired knowledge will serve to highlight and fill any previous gaps.

Teacher's Profile

courseProgram

Course Overview
The course aims to provide students with an in-depth understanding of the history Europe during the long early modern period (from the 16th to the 19th century), with a specific focus on the use of images as a tool of power and a vehicle for collective memory. Through an interdisciplinary approach that integrates history, geography, literature, and visual history, the course seeks to:

Analyze the relationship between art and power in the Central and Eastern European regions, with particular attention to the dynamics of political legitimization and the influence of totalitarian experiences.
Examine the relationship between image and text**, understanding how visual representations have been used in literature and various media to influence culture and collective memory.
Investigate the genesis and dynamics of iconic memory**, both at the individual and collective levels, exploring the intersection of history and society.

Course Structure

Module 1: Introduction to the History of Central and Eastern Europe (16th-19th Century)
- Geographical and political context of Central and Eastern Europe.
- Power dynamics and international relations.
- Major historical events: Reformation, religious wars, multinational empires, revolutions, and restorations.

Module 2: Art and Power in the Eastern Europe
- The representation of power in visual arts.
- The iconography of power: sovereigns, national symbols, and propaganda.
- The totalitarian experience and the use of art for social control.

Module 3: Image and Text - Visual and Literary Culture
- The dialogue between image and literature: illustrations, engravings, and paintings.
- Media and propaganda: print, posters, and the construction of collective identity.
- Case studies: analysis of literary and artistic works as a reflection of society.

examMode

The exam will take place in oral form.
The exam will be divided into three parts corresponding to a minimum of three main questions or questions that will be put to the student.
The first will be aimed at ascertaining the general framework skills of the theme or of one of the topics dealt with in the course or in the texts, and serves to evaluate the argumentative and synthesis skills.
The second question will be aimed at verifying the ability to deepen and critically analyze one of the aspects that emerged from the treatment of the first question.
The third question will be aimed at assessing the degree of completeness of the information and accuracy of the preparation.

books

A History of Modern Poland From the Foundation of the State in the First World War to the Present Day
Di Hans Roos, Hans Otto Meissner · 1966
Poland: A Modern History Paperback – October 30, 2012
by Anita Prazmowska
God's Playground: A History of Poland, Vol. 1: The Origins to 1795 Paperback – May 31, 2005
by Norman Davies

mode

frontal lessons (40 hours) and seminars (8 hours)
First module (10 hours)
Illustration of the main themes of modern history in the countries of Central and Eastern Europe, in particular through the presentation of economic, social and family structures, changes in state forms, the sixteenth-century religious divide and the subsequent processes of religious control and social discipline, the end of the ancient regime between reforms and revolutions.
Second module (10 hours)
Poland is among the European states the one that has lived, from the modern age to the present, the most troubled existence. Crushed between two giants, the Russian and the German, canceled twice by the political paper and sometimes risen from their ashes and those of a continent upset by world conflicts that designated it the scene of the most serious human catastrophes of recent history, reconstituted by new frontiers, has recovered stability at the price of its political autonomy. Only the last twenty years, appealing to the determination and courage of all its social and intellectual forces, has regained full independence with the dissolution of the geopolitical system to whose crisis has made a decisive contribution. The course aims to retrace the most important events in the history of Poland to compare with those of continental Europe. Moments of union but also of division, of meetings but also of contrasts. Events that make Poland a laboratory? of unique ideas and institutional forms in the modern and contemporary Europe.
Third module (14 hours):
Analysis of the uncertain cultural and social identities in Central and Eastern Europe and their relationship with the Ottoman power in the modern age
Module IV (14 hours)
The Ottoman Christian conflict in the heart of Europe from the mid-1500s to the peace of Carlowits 1699.

classRoomMode

frontal lessons (40 hours) and seminars (8 hours)
First module (10 hours)
Illustration of the main themes of modern history in the countries of Central and Eastern Europe, in particular through the presentation of economic, social and family structures, changes in state forms, the sixteenth-century religious divide and the subsequent processes of religious control and social discipline, the end of the ancient regime between reforms and revolutions.
Second module (10 hours)
Poland is among the European states the one that has lived, from the modern age to the present, the most troubled existence. Crushed between two giants, the Russian and the German, canceled twice by the political paper and sometimes risen from their ashes and those of a continent upset by world conflicts that designated it the scene of the most serious human catastrophes of recent history, reconstituted by new frontiers, has recovered stability at the price of its political autonomy. Only the last twenty years, appealing to the determination and courage of all its social and intellectual forces, has regained full independence with the dissolution of the geopolitical system to whose crisis has made a decisive contribution. The course aims to retrace the most important events in the history of Poland to compare with those of continental Europe. Moments of union but also of division, of meetings but also of contrasts. Events that make Poland a laboratory? of unique ideas and institutional forms in the modern and contemporary Europe.
Third module (14 hours):
Analysis of the uncertain cultural and social identities in Central and Eastern Europe and their relationship with the Ottoman power in the modern age
Module IV (14 hours)
The Ottoman Christian conflict in the heart of Europe from the mid-1500s to the peace of Carlowits 1699.

bibliography

A History of Modern Poland From the Foundation of the State in the First World War to the Present Day
Di Hans Roos, Hans Otto Meissner · 1966
Poland: A Modern History Paperback – October 30, 2012
by Anita Prazmowska
God's Playground: A History of Poland, Vol. 1: The Origins to 1795 Paperback – May 31, 2005
by Norman Davies

GEOGRAPHY

TONY URBANI

Second Semester8M-GGR/01ita

Learning objectives

The Geography course aims to provide analyses and insights into the geographical realities of the various branches of the discipline, methodological and technological innovations and the positive effects on teaching, also through the acquisition of soft skills, simulations and gamification.
The future geography teacher must be able to critically and operationally navigate the sources and tools of a constantly evolving discipline.
The course intends to develop critical skills that will allow them to work individually, or in groups on autonomous projects also through, lateral thinking, or creative thinking, questioning stereotypes and commonplaces that accompany the study of geography.
Group work and cooperative learning is the basis of the entire knowledge process, so that the student will be able to work on formative and didactic processes.
Expected learning objectives at the end of the course, the student should be able to:
1. To know and understand the main elements characterising geography and, in particular, the didactics of geography and the geography of tourism.
2. Know how to analyse and understand the theoretical elements acquired, in actions and policies on the territory, with concrete examples, business plans, swot analysis, study and application of case studies.
3. The student should be able to make personal judgements concerning the geography of tourism and the didactics of geography.
4. The student should be able to adequately communicate the knowledge and skills acquired in the course of study using the specific vocabulary.
5. The student must be able to independently understand and interpret phenomena concerning the geography of tourism and the didactics of geography, including those do not present in the course.

Teacher's Profile

courseProgram

The 48-hours program is divided into a mixed mode, also in the presence of experts in the field. The lessons consist of a theoretical basis, a group exercise and classroom discussion of the results and processes.

Teaching uses simulations, distance learning, elaborated, personal and group research. The teaching takes into account all the special needs of the students.

The lessons aim to train future teachers with a wide range of skills in the fields of disciplinary and interdisciplinary teaching, as well as those related to the important social and educational dimension of the subject.

In addition to acquiring specific knowledge and skills, the student will acquire analytical, critical skills and improve his ability to work in a team.

It is expected that the learner will learn an innovative teaching of Geography, which accompanies lectures, workshops, direct surveys on the ground, using reliable and updated sources, using information technologies in disciplinary teaching and forms of participatory teaching.

examMode

The learning is verified also in the way, for this the presence is recommended, even if not obligatory.

The ongoing evaluation will take place with an individual and group final project. The exam will be oral, with examples of preparation of a didactic unit of geography.

books

1. G. De Vecchis, D. Pasquinelli D'Allegra, C. Pesaresi. Didattica della Geografia. Edizione 2020, UTET Università.

2. Teacher’s slides.

classRoomMode

Not mandatory, but recommended.

MODULE II - -- -
DIGITAL PUBLISHING

FEDERICO MESCHINI

Second Semester8M-STO/08ita

Learning objectives

The aim of this course is to show, both from a theoretical and pragmatic point of view, the "re-mediation" made by the computational tool of the idea of the book. Examples of digital editions will be analyzed, starting from the electronic book to electronic scholarly editions, with a strong emphasis both on the document-centric aspect, represented by the text encoding and in particular by the language of the Text Encoding Initiative (TEI), and on the datacentric one, represented by relational databases and the Semantic Web. Then tools for the analysis of the literary text and the representation of primary sources will be presented and analyzed. The change in documentary forms is linked to a corresponding change in the forms and modalities of the storytelling, and therefore digital storytelling will also be addressed in the course.

Teacher's Profile

courseProgram

The Electronic Publishing course main aim is to illustrate, both from a theoretical and pragmatic point of view, the "remediation" mode through the computational tool of the "object" book. Thus, several examples of digital editions will be examined, starting from electronic books up to critical digital editions, with a strong emphasis on the document-centric aspect, represented by textual encoding and in particular the Text Encoding Initiative (TEI) standard. Subsequently, tools for analysing literary text and the representation of primary sources will be illustrated and analyzed. This change in documentary forms is also linked to a corresponding change in the forms and modalities of storytelling, and therefore the topic of digital and transmedia storytelling will also be addressed within the course, together with an introduction to the relevant related tools.

examMode

Students will be evaluated through an interview about the course textbooks. Attending students may also present a digital publishing project featuring a strong narrative and/or editorial component.

books

For those who do not have the Electronic Publishing course in their curriculum, which must be taken before this qualitification, the syllabus is as follows:

- Francesco Tissoni. Teoria e pratica dell'editoria multimediale.. Milan: Editrice Bibliografica, 2024.
- Fabio Ciotti. Il manuale TEI Lite. Introduzione alla codifica elettronica dei testi letterari. MIlan: Sylvestre Bonnard, 2005. (please contact the Professor)
- Henry Jenkins. Cultura convergente. Milan: Apogeo 2007.
- John Yorke. Viaggio nel bosco narrativo. Rome: Audino, 2017.
- Federico Meschini. Oltre il libro. Forme di testualità e Digital Humanities. Milan: Editrice Bibliografica, 2020.

For those who have the Electronic Publishing course in their curriculum the programme for this qualification will be discussed with the Professor.

classRoomMode

Attendance is not mandatory.

bibliography

- Fabio Ciotti (ed.). Digital humanities. Metodi, strumenti, saperi. Rome: Carocci, 2023.

HISTORY IF WRITING

FRANCESCO MARIA CARDARELLI

Second Semester8M-STO/09ita

Learning objectives

The subject of the course is Paleography, the discipline that studies the History of writing, and in particular of handwriting based on the Latin alphabet, in its different phases, from its origins to the diffusion of movable type printing.
Knowledge and understanding: The student will learn the fundamental principles and the proper method of Paleography, as well as the path traveled by the graphic system as a whole and through its branches, the techniques used to write in different eras, the process of producing the testimonies written and finally the products of this process themselves, in relation to their graphic aspect, whether they are books, inscriptions, documents or writings of an individual and private nature.
Applying knowledge and understanding: The student, thanks also to the exercises, at the end of the course will be able to identify the different epigraphic, book and documentary writings, dating and localizing them, to analyze single written testimonies, reading them critically and transcribing them correctly, recognizing alphabetic and accessory signs (interpunctives, orthographic and critical, numeral digits, etc.) and decipher the related compendia.
Making judgments: The student will acquire the tools to deal independently and critically with epigraphic, literary and documentary handwritten texts and to deepen their knowledge on the subjects of the discipline.
Communication skills: Students will be able to communicate clearly and correctly, even to non-specialists, the knowledge and skills acquired, the subject of Paleography, its methodology and its purposes.
Learning skills: Students will have acquired the tools and skills to continue the study of the discipline independently.

Teacher's Profile

courseProgram

The paleographic terminology. Media and writing tools (brush and scratch writing on plaster, wax tablets, papyrus, scroll and codex, parchment, paper). The paleographic transcription.
The first phase of writing: from its origins to Late Antiquity. The archaic Latin alphabet. The Epigraphic Capital. The uppercase cursive with scratch and quill. The Roman Book Capital. The origins of the Minuscule. The New Roman Cursive. The Uncial. The Semi-Uncial. The Chanceries scripts. Punctuation and abbreviations in the Roman Age. The “Nomina Sacra”.
The second phase of writing: origins and development of graphic particularism in the Early Middle Ages. The Insular scripts. The Merovingian minuscule. The Visigothic. Early medieval writings in Italy. The Papal Curial (Chancery) script. The Beneventan script. The abbreviation system in the Middle Age.
The third phase of writing: the return to the unity of writing in the High Middle Age. The Caroline minuscule. The “Romanesca” minuscule. The Diplomatic minuscule.
The fourth phase of writing: the Gothic era. The Transition minuscule. The “Littera textualis” and the “Litterae scholasticae”. The “Cancelleresca” minuscule. The Merchant script. The French Bastard.
The fifth phase of writing: the reaction to Gothic writing and the scripts of Humanism and Renaissance. Francesco Petrarca and the Semi-gothic. Coluccio Salutati and the “Pre-antiqua”. Poggio Bracciolini and the “Antiqua” or Humanistic minuscule. Niccolò Niccoli and the Humanistic cursive. The Semi-gothic cursive scripts (“Semigotiche delle carte”). The Humanistic Epigraphical Capital. Handwriting in Italy after the invention and diffusion of printing: “Antiqua tonda” and “Italica”.

examMode

To take the oral exam, it is necessary to have passed a pre-exam in time, focused on: paleographic terminology; the subjects, tools and techniques of the manuscript book; the abbreviations of the Roman Age and the Middle Ages; the “Nomina Sacra”; the writings of the Roman Age and the Early Middle Ages; the reading, transcription and commentary of some paleographic tables examined during the lessons and exercises.
The oral exam focuses on: the scriptures from the Carolingian Age to the Early Modern Age; the reading, transcription and commentary of some paleographic tables examined during the lessons and exercises.

books

- Armando Petrucci, “Breve storia della scrittura latina”, Roma, Bagatto Libri, 1992.
- Paolo Cherubini, “La scrittura latina: storia, forme, usi”, Roma, Carocci Editore, 2019.
- Lecture notes and palaeography tables distributed during lessons and exercises. Many tables are taken from: “Paleografia latina. Tavole”, edited by Paolo Cherubini, Alessandro Pratesi, Città del Vaticano, Scuola Vaticana di Paleografia, Diplomatica e Archivistica, 2004.

mode

The lessons, which will be held in person except for specific situations and particular emergencies, will all be broadcast live and recorded on the digital platform of the University.

classRoomMode

Attendance to lessons and exercises is highly recommended. In any case, lessons and exercises are all registered and are available on the digital platform of the University.
Students who cannot attend lessons and intend to take the exam are required to contact the teacher at the beginning of the course, by telephone or WhatsApp (3509442575) or by e-mail (fm.cardarelli@unitus.it), indicating their telephone number.

bibliography

- Armando Petrucci, “Breve storia della scrittura latina”, Roma, Bagatto Libri, 1992.
- Paolo Cherubini, “La scrittura latina: storia, forme, usi”, Roma, Carocci Editore, 2019.
- Paolo Cherubini, Alessandro Pratesi, “Paleografia latina. L’avventura grafica del mondo occidentale”, Città del Vaticano, Scuola Vaticana di Paleografia, Diplomatica e Archivistica, 2010.
- Giorgio Cencetti, “Lineamenti di Storia della scrittura latina”, Bologna, Pàtron Editore, 1997.
- “Paleografia latina. Tavole”, edited by Paolo Cherubini, Alessandro Pratesi, Città del Vaticano, Scuola Vaticana di Paleografia, Diplomatica e Archivistica, 2004.
- Marco Cursi, “Le forme del libro. Dalla tavoletta cerata all’e-book”, Bologna, Il Mulino, 2016.

MODULE II - -- -
ROMAN HISTORY

ALESSIA TERRINONI

Second Semester8L-ANT/03ita

Learning objectives

1) Knowledge and understanding: knowledge of the historical data, methodologies and documents proposed; acquisition of a basic scientific vocabulary.
2) Applying knowledge and understanding: to be able to read and discuss a historical source by inserting it within its context; to be able to use the fundamental bibliographical to
3) Making judgements:to be able to identify causal links and interpret a historical phenomenon critically; to be aware of the complexity and "relativity" of historical phenomena.
4) Communication skills: to be able to present the acquired knowledge in a correct, orderly and consequential way.
5) Learning skills: to be able to use the knowledge and skills acquired and the specific language learned in view of a continuation of their learning path or the development of non-specialized professional activities.

Teacher's Profile

courseProgram

The course aims to provide students with the tools for a scientific approach to the study of Roman history, from its origins to the 'noiseless fall' of the West. The first part of the course will deal with issues of chronology, historical geography, historiography and epigraphy, alternating between lectures of a more event-oriented nature and others focusing on broad methodological issues. The second part of the course will instead have a monographic and seminar character: it will be dedicated to the study of the senate, an institution that was always present in Rome, from the monarchy to Late Antiquity, whose evolution proceeded in parallel with the many upheavals of the res publica Romana.

A) GENERAL PART
Periodization; the sources for Roman history; the Roman calendar; the birth of Rome; the age of kings; the birth of the Republic and the Roman constitution; republican institutions and the cursus honorum magistratuale; the evolution of the Republic and the civil wars; the Augustan principate; the first two centuries of imperial history; the crisis of the 3rd century; the great reformers: Aurelian, Diocletian, Constantine; the 4th century and Christian Rome; Romans and barbarians; the fall of the Western Roman Empire.

B) MONOGRAPHIC STUDY
The Senate of Rome, between change and continuity

The Senate of Rome, more than other institutions of the Res Publica, is the element of continuity that from monarchy to Late Antiquity characterised the history of Rome. From this particular assembly, composed only of magistrates and ex-magistrates and in which the Greek historian Polybius recognised a marked aristocratic element, passed all the topics of discussion that were important for the life of the Res Publica, both in the phases in which the senate's opinion actually directed the political action of the magistrates and the entire civic life of the civitas, and when it limited itself to cooperating with the emperors in the search for mediation, and when it was forced to remain a spectator of the decisions of others.
Studying the senate therefore means looking at a privileged observatory to follow the entire course of Rome's history.
The monographic part of this course will therefore be dedicated to outlining the characteristics of this assembly, its composition, the places in which it met, its calendar, its action and its limits. It will then examine an anthology of senatorial deliberations, handed down either epigraphically or in manuscript form, examining both the forms of the senatus consultum and its contents, and thus the historical-institutional-legal problems that they resolved.

Bibliography:
M. Beard, SPQR. Storia dell’antica Roma, Mondadori, Milano 2016 (ed. or. SPQR: A History of Ancient Rome, 2015, Profile Books, London 2015);
P. Brown, Il mondo tardoantico. Da Marco Aurelio a Maometto, Einaudi, Torino 2017.
P. Buongiorno, Claudio, il principe inatteso, 21 Editore, Palermo 2017.
L. Canfora, Giulio Cesare. Il dittatore democratico, Laterza, Roma-Bari 2006.
G. De Sanctis, La religione a Roma, Carocci, Roma 2012.
F. Dupont, La vita quotidiana nella Roma repubblicana, Laterza, Roma-Bari 2000.
L. Fezzi, Il dado è tratto. Cesare e la resa di Roma, Laterza 2017
A. Giardina, L’uomo romano, Laterza, Roma-Bari 2006.
A. Giardina, Roma antica, Laterza, Roma-Bari 2000.
A. Marcone, Augusto. Il fondatore dell’impero che cambiò la storia di Roma e del mondo, Salerno, Roma 2015.
S. Mazzarino, La fine del mondo antico, Bollati Boringhieri, Torino 2008.

F. Santangelo, Roma repubblicana. Una storia in quaranta vite, Carocci 2019.
R. Syme, La rivoluzione romana, Einaudi, Torino 2020.
P. Veyne, L’impero greco-romano. Le radici del mondo globale, Rizzoli, Milano 2007 (ed. or. L’empire gréco-romain, Seuil, Paris 2005).

STUDENTS WHO CAN NOT READ THE ITALIAN LANGUAGE ARE KINDLY REQUESTED TO AGREE UPON THE EXAMINATION'S BIBLIOGRAPHY WITH THE PROFESSOR.

examMode

The oral examination includes the verification of the student's knowledge of the agreed syllabus, as well as the verification of the necessary skills in the historical disciplines.

books

1) Giovanni Geraci e Arnaldo Marconi, Storia romana (con la collaborazione di A. Cristofori e C. Salvaterra), Mondadori, Milano 2016 (quarta edizione).
2) Gabirella Poma, Le istituzioni politiche del Mondo romano
3) A. Giardina, Roma antica, Laterza, Roma-Bari 2000.
4) Materiale didattico illustrato a lezione.

GLI STUDENTI CHE NON POTRANNO SEGUIRE LE LEZIONI E QUELLI ISCRITTI A SOSTENERE L'ESAME DI STORIA ROMANA COME CORSO SINGOLO, IN SOSTITUZIONE DEL MATERIALE DIDATTICO DI CUI AL PUNTO 4), SCEGLIERANNO UNO DEI SEGUENTI VOLUMI:

M. Beard, SPQR. Storia dell’antica Roma, Mondadori, Milano 2016 (ed. or. SPQR: A History of Ancient Rome, 2015, Profile Books, London 2015);
P. Brown, Il mondo tardoantico. Da Marco Aurelio a Maometto, Einaudi, Torino 2017.
P. Buongiorno, Claudio, il principe inatteso, 21 Editore, Palermo 2017.
L. Canfora, Giulio Cesare. Il dittatore democratico, Laterza, Roma-Bari 2006.
G. De Sanctis, La religione a Roma, Carocci, Roma 2012.
F. Dupont, La vita quotidiana nella Roma repubblicana, Laterza, Roma-Bari 2000.
L. Fezzi, Il dado è tratto. Cesare e la resa di Roma, Laterza 2017
A. Giardina, L’uomo romano, Laterza, Roma-Bari 2006.
A. Giardina, Roma antica, Laterza, Roma-Bari 2000.
A. Marcone, Augusto. Il fondatore dell’impero che cambiò la storia di Roma e del mondo, Salerno, Roma 2015.
S. Mazzarino, La fine del mondo antico, Bollati Boringhieri, Torino 2008.

F. Santangelo, Roma repubblicana. Una storia in quaranta vite, Carocci 2019.
R. Syme, La rivoluzione romana, Einaudi, Torino 2020.
P. Veyne, L’impero greco-romano. Le radici del mondo globale, Rizzoli, Milano 2007 (ed. or. L’empire gréco-romain, Seuil, Paris 2005).

STUDENTS WHO CAN NOT READ THE ITALIAN LANGUAGE ARE KINDLY REQUESTED TO AGREE UPON THE EXAMINATION'S BIBLIOGRAPHY WITH THE PROFESSOR.

mode

Teaching is scheduled in the classroom frontally. In the event of difficulties for attendees or lecturers, distance learning is planned.

classRoomMode

Attendance is recommended but not compulsory

MODULE II - -- -
LITERARY CRITICISM AND COMPARATIVE LITERATURE

DANIELA MANGIONE

Second Semester8L-FIL-LET/14ita

Learning objectives

The purpose of the course is to delve into the approaches of comparatistics and use in literary and philological analysis the tools of criticism common to different cultural traditions in order to acquire the ability to read literary phenomena with a broader perspective than that of individual national literatures. By the end of the course, students should:
1. Have knowledge of the main characteristics of comparative literature and the critical-literary tools that govern the discipline; understand the peculiar aspects of humoristic literature in Europe.
2. Be able to analyze works from different literatures and cultures, understanding their production contexts.
3. Be able to form independent judgments on the topics covered in the course.
4. Be able to communicate what they have learned appropriately.
5. Be able to independently understand and interpret literary phenomena and similar texts not covered in the program.

Teacher's Profile

courseProgram

The aim of the course is twofolds: first, to introduce the perspective and specificities of Comparative Literature and to acquire knowledge of the theories and methodologies of literary criticism that have followed one another over time and that constitute a transversal heritage across different national cultures.
Once these tools have been acquired, attention will focus on the relationship between literature and visual culture.Through a historical analysis of the evolution of the gaze, with a particular emphasis on the pivotal moments from the 16th to the 18th centuries, the outcomes of this relationship in relation to literature will be elucidated. The investigation will culminate in a comprehensive examination of the intertwined histories of the novel and cinema, with select illustrative cases drawn from both Italian and foreign novels.

examMode

Oral examination; there will be the possibility of an in itinere evaluation by means of individual projects.

books

Bibliography:

- "Letterature comparate", a cura di F. de Cristofaro, Carocci 2020;
- "Teorie critiche del Novecento", a cura di E. Biagini, A. Brettoni, P. Orvieto;
- Parti da: S. Alpers, "Arte del descrivere. Scienza e pittura nel seicento olandese", Torino, Bollati Boringhieri;
- M. Cometa, "Letteratura e dispositivi della visione nell’era prefotografica", in "La finestra del testo. Letteratura e dispositivi della visione tra Settecento e Novecento", Meltemi, 2008, pp. 9-75
- M. Fusillo, "Adattamento" in "Cinema Letteratura, intermedialità", Carocci, 2023;
- the student will read in full at least two of the novels analyzed and compared with their respective film adaptations among:
- P.A.F. Choderlos de Laclos, "Le relazioni pericolose" ("Les liaisons dangereuses")
- Antonio Fogazzaro, "Piccolo mondo antico"
- Tomasi di Lampedusa, "Il Gattopardo"
- Leonardo Sciascia, "A ciascuno il suo"
- Milan Kundera, "L'insostenibile leggerezza dell'essere"



classRoomMode

Non-obligatory attendance.
Online attendance possibility.

bibliography

- "Letterature comparate", a cura di F. de Cristofaro, Carocci 2020;
- "Teorie critiche del Novecento", a cura di E. Biagini, A. Brettoni, P. Orvieto;
- S. Alpers, "Arte del descrivere. Scienza e pittura nel seicento olandese", Torino, Bollati Boringhieri;
- M. Cometa, "Letteratura e dispositivi della visione nell’era prefotografica", in "La finestra del testo. Letteratura e dispositivi della visione tra Settecento e Novecento", Meltemi, 2008, pp. 9-75
- M. Fusillo, "Adattamento" in "Cinema Letteratura, intermedialità", Carocci, 2023;
- P.A.F. Choderlos de Laclos, "Le relazioni pericolose" ("Les liaisons dangereuses")
- Antonio Fogazzaro, "Piccolo mondo antico"
- Tomasi di Lampedusa, "Il Gattopardo"
- Leonardo Sciascia, "A ciascuno il suo"
- Milan Kundera, "L'insostenibile leggerezza dell'essere"

17443 - OPTIONAL SUBJET

Second Semester 8ita
18342 -

Second Semester 18ita
MODULE IISecond Semester 8ITA
MODULE II - -- -
LATIN LANGUAGE AND LITERATURE

ALESSANDRO FUSI

Second Semester8L-FIL-LET/04ita

Learning objectives

Formative Objectives:

The course aims to provide an essential knowledge of the main characteristics of the literature of the late republican age and the work of Catullus; a mastery of the theoretical and critical tools necessary for the analysis and interpretation of Latin literary texts; direct knowledge of Catullus’ poetic text through reading and commentary.

Expected learning outcomes: At the end of the teaching the student will have:

1) Knowledge of the main features of late republican literature’ history; knowledge of Catullus’ Liber
2) Ability to analyse Latin literary history of Late republican age and comprehend her diachronic development; ability to analyse and discuss appropriately Catullus’ poems
3) Ability to formulate autonomous judgements on the course’s themes
4) Ability to adequately communicate what learned
5) Ability to comprehend and interpret autonomously literary phenomena and similar texts not included in the programme.

Teacher's Profile

courseProgram

Title: Ovid’s Metamorphoses

Programme: the course is focused on Ovid’s Metamorphoses, poem which represent an original transfornation of epic form. The work will be analysed in the historical and cultural context of Augustan Age, paying peculiar attention to the tradition of epic genre in Rome and to Vergil’s Aeneid. Object of in-dept analysis will be ideological features, models, structure, language and style of the poem. The course aims to provide a critical knowledge of Ovid’s epic poem. The goal will be pursued through reading and literary-philological analysis of an anthology of the poem’s episodes.

examMode

The examination is oral and consists of two parts: in the first part, the student must demonstrate knowledge of the main features of Latin literary history; in the second part, the student must demonstrate the ability to translate, analyse and comment on the literary texts on the syllabus: the level of content knowledge demonstrated (superficial [18-21], appropriate [22-26], precise and complete [27-29], complete and thorough [30]), the ability to make a critical sense and formulate judgments (sufficient [18-24]], good [25-28], excellent [29-30]), the mastery of expression (deficient exposition [18-21], simple [22-25], clear and correct [26-28], secure and correct [29-30]).

books

A complete edition of Ovid’s Metamorphoses with Latin text (suggested: Ovidio, Le metamorfosi, intr. di G. Rosati, trad. di G. Faranda Villa, note di R. Corti, Milano, Rizzoli BUR, 1994, with many reprints, ISBN: 9788817129763); L. Galasso, Ovidio: Guida alle Metamorfosi, Roma, Carocci Editore, 2023, ISBN: 9788829020683; L. Galasso, La letteratura latina in età ellenistica, Roma, Carocci Editore, 2021, ISBN: 9788829009381; G. Rosati, Mito e potere nell'epica di Ovidio, «MD» 46 (2001), pp. 39-61.

classRoomMode

Attendance in this course is optional, but highly recommended.

bibliography

More bibliography and didactic materials will be given during the course (for attending students).
Non attending students have to contact the professor for a programme.

Teacher's Profile

courseProgram

Title: Ovid’s Metamorphoses

Programme: the course is focused on Ovid’s Metamorphoses, poem which represent an original transfornation of epic form. The work will be analysed in the historical and cultural context of Augustan Age, paying peculiar attention to the tradition of epic genre in Rome and to Vergil’s Aeneid. Object of in-dept analysis will be ideological features, models, structure, language and style of the poem. The course aims to provide a critical knowledge of Ovid’s epic poem. The goal will be pursued through reading and literary-philological analysis of an anthology of the poem’s episodes.

examMode

The examination is oral and consists of two parts: in the first part, the student must demonstrate knowledge of the main features of Latin literary history; in the second part, the student must demonstrate the ability to translate, analyse and comment on the literary texts on the syllabus: the level of content knowledge demonstrated (superficial [18-21], appropriate [22-26], precise and complete [27-29], complete and thorough [30]), the ability to make a critical sense and formulate judgments (sufficient [18-24]], good [25-28], excellent [29-30]), the mastery of expression (deficient exposition [18-21], simple [22-25], clear and correct [26-28], secure and correct [29-30]).

books

A complete edition of Ovid’s Metamorphoses with Latin text (suggested: Ovidio, Le metamorfosi, intr. di G. Rosati, trad. di G. Faranda Villa, note di R. Corti, Milano, Rizzoli BUR, 1994, with many reprints, ISBN: 9788817129763); L. Galasso, Ovidio: Guida alle Metamorfosi, Roma, Carocci Editore, 2023, ISBN: 9788829020683; L. Galasso, La letteratura latina in età ellenistica, Roma, Carocci Editore, 2021, ISBN: 9788829009381; G. Rosati, Mito e potere nell'epica di Ovidio, «MD» 46 (2001), pp. 39-61.

classRoomMode

Attendance in this course is optional, but highly recommended.

bibliography

More bibliography and didactic materials will be given during the course (for attending students).
Non attending students have to contact the professor for a programme.

Learning objectives

The course aims at giving a picture of Mikhail Bulgakov’s life and work, especially of his posthumous novel “The Master and Margarita”. Bulgakov's most significant work will appear some decades after his death; this paradox will be explained in the frame of a crucial problem: the difficult relation between literature and power in Russia. As to the specific case, attention will be paid to the relation between Bulgakov (as a writer) and the Soviet power, including the well known letter to the Politburo and the subsequent conversation by phone with Stalin. Two SF novels (The Fatal Eggs, Heart of a Dog) will also be taken into account.
After the course students should:
1. know Bulgakov’s work, especially the three novels mentioned in the programme;
2. know the main features of the Russian literary panorama and its relations with the social and political context;
3. be able to apply the most important critical tools, especially in an analysis of “The Master and Margarita”;
4. be able to set out clearly the contents of the course;
5. be able to approach with some critical autonomy other Russian authors of the 20th century.
In other words, they should have developed their competences according to Dublin descriptors.

Teacher's Profile

courseProgram

The course aims at giving a picture of Russian poetry between 19th and 20th century. The main authors of this outstanding poetical season will be taken into account, as well as the main features of the artistic and cultural movements. Attention will be paid also to the historical and political context - cronological term: approximately, 1881 (Dostoevskij's death) to 1930 (Majakovskij's suicide).
After the course students should:
1. know the work of the most importants authors referred to in the course;
2. know the main features of the Russian literary panorama between 1881 and 1930 and its relations with the social and political context;
3. be able to apply the most important critical tools, especially analysing the poetical texts examined in the course;
4. be able to set out clearly the contents of the course;
5. be able to have at least a first critical approach to other authors of Russian poetry between 19th and 20th century.
In other words, they should have developed their competences according to Dublin descriptors.

examMode

Exam: oral. Evaluation: n/30, pass mark: 18/30. Duration: about 20-30 minutes. Typically, three questions: a), b): two questions on authors and texts; c) on Russian culture and historical context.
Erasmus students and those which are not fluent in Italian may contact the teacher for further information.

books

1) Renato Poggioli, Il fiore del verso russo, Milano, Mondadori, 1970;
2) materials to appear on Moodle;
3) Russian Literature between 19th and 20th century: Silvana de Vidovich, Letteratura russa, Milano, Vallardi, 2003 (and further reprints), Chapter 6 (La letteratura russo-sovietica). The acquisition of some knowledge of the whole timeline of Russian history is highly recommended.
Erasmus students or those who are not fluent in Italian may contact the teacher in order to find equivalents of the above mentioned texts and for further information. Please also refer to Reference Bibliography and "International" section in Moodle.

mode

Lessons in traditional mode (front lecture), aiming at familiarizing students with themes that are often less known to them. Frequent are projections and/or materials on Moodle.
Consultation: after the lecture, by appointment or via Skype (Wednesday, 10-12 AM, till further notice)
Erasmus students and those which are not fluent in Italian may contact the teacher for further information.

classRoomMode

Attendance is recommended but by no means mandatory

bibliography

Reference works could be useful in order to deepen some aspects of Russian history. Here are two works that can be found in Italian version: Nicholas V. Riasanovsky, Storia della Russia dalle origini ai giorni nostri, Nuova edizione aggiornata a cura di Sergio Romano, Milano, Bompiani, 1997 (OV.: Nicholas V. Riasanovsky, A History of Russia, Oxford University Press, 1984) or Paul Bushkovitch, Breve storia della Russia. Dalle origini a Putin, Torino, Einaudi, 2013 (OV: Paul Bushkovitch, A Concise History of Russia, Cambridge University Press, 2012).
Erasmus students or those who are not fluent in Italian may contact the teacher in order to find equivalents of above mentioned texts and for further informations.

Learning objectives

The French literature course for Master's students aims to deepen the knowledge and refine the analytical (i. e. stylistic, philological, rhetorical and hermeneutic) tools acquired during the Licence. The monographic programme focuses on the reading and in-depth study of a particular genre, author or work. The aim is to deepen the theoretical knowledge and notions of literary history previously assimilated, with a view to putting them to active use. Through an in-depth reading of the texts, students will be encouraged to make increasingly effective use of their ability to work independently and to form critical judgements about seventeenth- and eighteenth-century texts, while learning to master the tools of the discipline and to use secondary bibliography effectively and question it dialectically. The course also aims to introduce students to the methodology of scientific research and the preparation of a research project. The course will therefore provide students not only with theoretical knowledge but also with the hermeneutic tools to understand the texts addressed (1: knowledge and understanding, and 2: applying knowledge and understanding) and the expressive ones to form, nourish, nuance and discuss their judgment on questions of literary history through a meticulous reading of the texts (3: making judgements), as well as to communicate clearly and effectively on these themes in front of a heterogeneous audience (4: communication skills) and extend the reflection in an autonomous through the acquisition of the skills that will allow them to undertake the subsequent course of study (5: learning skills).

Teacher's Profile

courseProgram

This year, the course will focus on 17th-century comedy, and more specifically on Molière's comedies. In particular, we will read Les Précieuses ridicules, Le Misanthrope, Le Bourgeois gentilhomme, Les Femmes savantes.

examMode

Students who attended classes will choose between a continuous assessment regime (2 In itinere examinations + interview at the end of the semester) or a terminal assessment regime (a single interview at the end of the semester covering the entire program ). The two assessment methods will be illustrated at the start of the course.

books

I. Recommended editions

Molière, Le Misanthrope, éd. J. Couton, Paris, Gallimard, « Folio classique », 2000
Molière, Le Misanthrope, dans, Molière, L’Amour médecin, Le Misanthrope, éd. Ch. Mazouer, Paris, Classiques Garnier, « Classiques jaunes », 2022

Molière, Les Femmes savantes, éd. C. Bourqui, Paris, Le Livre de Poche, 1999
Molière, Les Femmes savantes, éd. Ch. Mazouer, Paris, Classiques Garnier, « Classiques jaunes », 2023.

Molière, Les Précieuses ridicules, dans Molière, Le Dépit amoureux, Les Précieuses ridicules, éd. Ch. Mazouer, Paris, Classiques Garnier, « Classiques jaunes », 2022.

Molière, Le Bourgeois gentilhomme, éd. J. Serroy, Paris, Gallimard, « Folio théâtre », 1998.
Molière, Le Bourgeois gentilhomme, éd. Ch. Mazouer, Paris, Classiques Garnier, « Classiques jaunes », 2023.

mode

The French Literature course provides for a 'traditional' lecture course ("lezioni frontali"), seminars and tutorials, also including the active participation of students, through the preparation and presentation of relationships and written work relating to on themes chosen according to their interests. Lessons will take place in French. The participation of students enrolled in Humanities is particularly encouraged and welcome, but a good knowledge of the French language remains the necessary condition to be able to follow this course.

classRoomMode

Participation in the courses is optional but is obviously recommended. Students not attending classes are invited to contact me at the start of the course semester so that we can establish an alternative and personalized program. I will not accept any requests for personalized or, worse, "reduced" programs, a few weeks before the exam.
The participation of students enrolled in Humanities and modern Philology (LM14) is particularly encouraged.

bibliography

II. Reading a textbook on the history of French literature (17th-18th centuries) is essential, for example:

A. Adam, Histoire de la littérature française au XVIIe siècle, 3 vol., Paris, A. Michel, 1997.

P. Brunel, Y. Bellenger, D. Couty, Ph. Sellier, M. Truffet, Historie de la littérature française. Du Moyen Âge au XVIIIe siècle, Paris, Bordas, 2001 [1972].

G. Macchia, La letteratura francese dal Rinascimento al Classicismo, Milano, Rizzoli, 1992.

J.-M. Darmon, M. Delon (dir.), Histoire de la France littéraire. Classicismes, XVIIe-XVIIIe siècle, Paris, PUF, 2006 (vol. 2).

F. Corradi, Introduzione al Seicento francese e al classicismo, Roma, Edizioni Nuova Cultura, 2006.

A. Viala, Une histoire brève de la littérature française. L’Âge classique et les Lumières, Paris, PUF, 2016.

L. Sozzi (dir.), Storia europea della letteratura francese. I. Dalle origini al Seicento, Torino, Einaudi, 2013 ; II. Dal Settecento all’età contemporanea, Torino, Einaudi, 2013.

D. Reguig, Histoire littéraire du XVIIe siècle, Paris, Armand Colin, 2017.

M. Landi (dir.), Letteratura francese. Dalle origini al Settecento (vol. 1), Milano, Mondadori-Le Monnier Università, 2021.





III. 17th Century Comedy, Molière:

C. Dealberto, J. Grandin, Ch. Schuwey, L’Atlas Molière, Paris, Les Arènes, 2022 (également en version numérique)

Conesa, Gabriel, La Comédie de l’âge classique (1630-1715), Paris, Seuil, 1995.

Biet, Christian (dir.), Le Théâtre français du XVIIe siècle. Historie, Textes choisis, mises en scène, Paris, L’avant-scène théâtre, 2009.

Fiorentino, Francesco, Il teatro francese del Seicento, Bari, Laterza, 2003 (o edizione successiva)

Dandrey, Patrick, Molière ou l’esthétique du ridicule, Paris, Klincksieck, 2002


IV. Stylistic:

C. Fromilhague et A. Sancier, Introduction à l’analyse stylistique, Paris, Bordas, 1991

N. Laurent, Initiation à la stylistique, Paris, Hachette Supérieur, 2001

A. Herschberg-Pierrot, Stylistique de la prose, Paris, Belin, 2003 (ou autre édition)





V. Rhetoric:



· A. Kibédy Varga, Rhétorique et littérature, Paris, Klincksieck, 2002.

· G. Molinié, Dictionnaire de rhétorique, Paris, Le livre de poche, 1992.

· C. Reggiani, Introduction à la rhétorique, Paris, Hachette, 2001.

· B. Mortara Garavelli, Manuale di retorica, Milano, Bompiani, 2021 [1988].


VI. Studies



Critical readings (essays, articles, web pages) will be recommended and offered during classes, with the aim of clarifying or better understanding specific aspects of the program.



***Non-attending students


Non-attending students will choose two others comedies in addition to the comedies on the program.


Teacher's Profile

courseProgram

This year, the course will focus on 17th-century comedy, and more specifically on Molière's comedies. In particular, we will read Les Précieuses ridicules, Le Misanthrope, Le Bourgeois gentilhomme, Les Femmes savantes.

examMode

Students who attended classes will choose between a continuous assessment regime (2 In itinere examinations + interview at the end of the semester) or a terminal assessment regime (a single interview at the end of the semester covering the entire program ). The two assessment methods will be illustrated at the start of the course.

books

I. Recommended editions

Molière, Le Misanthrope, éd. J. Couton, Paris, Gallimard, « Folio classique », 2000
Molière, Le Misanthrope, dans, Molière, L’Amour médecin, Le Misanthrope, éd. Ch. Mazouer, Paris, Classiques Garnier, « Classiques jaunes », 2022

Molière, Les Femmes savantes, éd. C. Bourqui, Paris, Le Livre de Poche, 1999
Molière, Les Femmes savantes, éd. Ch. Mazouer, Paris, Classiques Garnier, « Classiques jaunes », 2023.

Molière, Les Précieuses ridicules, dans Molière, Le Dépit amoureux, Les Précieuses ridicules, éd. Ch. Mazouer, Paris, Classiques Garnier, « Classiques jaunes », 2022.

Molière, Le Bourgeois gentilhomme, éd. J. Serroy, Paris, Gallimard, « Folio théâtre », 1998.
Molière, Le Bourgeois gentilhomme, éd. Ch. Mazouer, Paris, Classiques Garnier, « Classiques jaunes », 2023.

mode

The French Literature course provides for a 'traditional' lecture course ("lezioni frontali"), seminars and tutorials, also including the active participation of students, through the preparation and presentation of relationships and written work relating to on themes chosen according to their interests. Lessons will take place in French. The participation of students enrolled in Humanities is particularly encouraged and welcome, but a good knowledge of the French language remains the necessary condition to be able to follow this course.

classRoomMode

Participation in the courses is optional but is obviously recommended. Students not attending classes are invited to contact me at the start of the course semester so that we can establish an alternative and personalized program. I will not accept any requests for personalized or, worse, "reduced" programs, a few weeks before the exam.
The participation of students enrolled in Humanities and modern Philology (LM14) is particularly encouraged.

bibliography

II. Reading a textbook on the history of French literature (17th-18th centuries) is essential, for example:

A. Adam, Histoire de la littérature française au XVIIe siècle, 3 vol., Paris, A. Michel, 1997.

P. Brunel, Y. Bellenger, D. Couty, Ph. Sellier, M. Truffet, Historie de la littérature française. Du Moyen Âge au XVIIIe siècle, Paris, Bordas, 2001 [1972].

G. Macchia, La letteratura francese dal Rinascimento al Classicismo, Milano, Rizzoli, 1992.

J.-M. Darmon, M. Delon (dir.), Histoire de la France littéraire. Classicismes, XVIIe-XVIIIe siècle, Paris, PUF, 2006 (vol. 2).

F. Corradi, Introduzione al Seicento francese e al classicismo, Roma, Edizioni Nuova Cultura, 2006.

A. Viala, Une histoire brève de la littérature française. L’Âge classique et les Lumières, Paris, PUF, 2016.

L. Sozzi (dir.), Storia europea della letteratura francese. I. Dalle origini al Seicento, Torino, Einaudi, 2013 ; II. Dal Settecento all’età contemporanea, Torino, Einaudi, 2013.

D. Reguig, Histoire littéraire du XVIIe siècle, Paris, Armand Colin, 2017.

M. Landi (dir.), Letteratura francese. Dalle origini al Settecento (vol. 1), Milano, Mondadori-Le Monnier Università, 2021.





III. 17th Century Comedy, Molière:

C. Dealberto, J. Grandin, Ch. Schuwey, L’Atlas Molière, Paris, Les Arènes, 2022 (également en version numérique)

Conesa, Gabriel, La Comédie de l’âge classique (1630-1715), Paris, Seuil, 1995.

Biet, Christian (dir.), Le Théâtre français du XVIIe siècle. Historie, Textes choisis, mises en scène, Paris, L’avant-scène théâtre, 2009.

Fiorentino, Francesco, Il teatro francese del Seicento, Bari, Laterza, 2003 (o edizione successiva)

Dandrey, Patrick, Molière ou l’esthétique du ridicule, Paris, Klincksieck, 2002


IV. Stylistic:

C. Fromilhague et A. Sancier, Introduction à l’analyse stylistique, Paris, Bordas, 1991

N. Laurent, Initiation à la stylistique, Paris, Hachette Supérieur, 2001

A. Herschberg-Pierrot, Stylistique de la prose, Paris, Belin, 2003 (ou autre édition)





V. Rhetoric:



· A. Kibédy Varga, Rhétorique et littérature, Paris, Klincksieck, 2002.

· G. Molinié, Dictionnaire de rhétorique, Paris, Le livre de poche, 1992.

· C. Reggiani, Introduction à la rhétorique, Paris, Hachette, 2001.

· B. Mortara Garavelli, Manuale di retorica, Milano, Bompiani, 2021 [1988].


VI. Studies



Critical readings (essays, articles, web pages) will be recommended and offered during classes, with the aim of clarifying or better understanding specific aspects of the program.



***Non-attending students


Non-attending students will choose two others comedies in addition to the comedies on the program.


Learning objectives

According to the Dublin descriptors, students are expected to acquire the following by the end of the course:
1) Knowledge and understanding: The course aims to provide students with theoretical and methodological tools to know and understand the conceptual and historical framework of educational linguistics, the processes of language acquisition/learning, methods and approaches for language teaching, and the acquisition of L2. The student will be able to acquire skills in analyzing semiotic phenomena that define the functioning of verbal language within the universe of codes.
2) Ability to apply knowledge and understanding of phenomena (being able to reflect on the processes of linguistic acquisition in general and those specific to Italian as L2; linking theoretical and general language issues to the educational dimension; considering language policies for Italian worldwide and actions to support Italian language and culture abroad).
3) Develop autonomy of judgment in relation to the proposed content, the relationships between language properties, and educational proposals for the development of linguistic skills for defining the global citizen both in national and international contexts.
4) Ability for autonomous learning, in relation to the stimuli coming from the lessons.
5) Communicative skills (consolidate the skills necessary to plan and propose development itineraries for linguistic competence. Define the importance of language in individual life. Definition of language policies for the promotion of Italian abroad.

Teacher's Profile

courseProgram

The Modern Languages Teaching course delves into language instruction, combining pedagogy with theoretical studies on symbolic codes, emphasizing the verbal dimension. Divided into three segments with a single exam, it covers linguistic and semiotic concepts, linguistic creativity's impact on communication and language contact in various contexts, and implications for teaching and learning.

The second module explores linguistic creativity in education, examining its historical and contemporary role in multilingualism nationally and internationally. It reviews the influence of creativity on language education approaches in Italy and globally since the mid-20th century.

The third module focuses on the presence and influence of the Italian language abroad, considering historical and contemporary dynamics driven by migration and the cultural, economic, and identity values associated with Italian.

examMode

The exam is oral; however, students have the option to prepare a written thesis to be submitted at least 10 days before the exam on a topic agreed upon with the teacher.

books

Casini S., 2018, “Italianismi e pseudoitalianismi a Toronto: tra valori simbolici e prospettive di apprendimento”, M. Vedovelli, B. Turchetta (a cura di), Lo spazio linguistico italiano globale: il caso dell’Ontario, Pacini, pp. 149-166.
Casini S., Bancheri S., 2022, What is the Language of Power? Theoretical Reflections on Italian, Italiese and Other Languages, Legas, New York – Ottawa – Toronto.
Casini S., Bancheri S., 2022, “L’italiano nel mondo globale: tra plurilinguismo, insegnamento ed economia”, in S. Piraro (a cura di), Plurilinguismo ed economia. Aracne, Roma: pp. 19-67.
Coccia B. (a cura di), 2021, Italiano 2020: lingua nel mondo globale, Apes, Roma (in particolare le sezioni 1 di M. Vedovelli, 2 di S. Ferreri, 5 di S. Ferreri e F. De Renzo).
De Mauro T., 1982, Minisemantica dei linguaggi verbali e non verbali, Laterza, Roma-Bari.
De Mauro T., 2018, Educazione linguistica democratica, Laterza, Roma-Bari.
Ferreri S., 2010, “Linguistica educativa ed educazione linguistica”, in G. Platania, C. Rosa, M. Russo (a cura di), Hinc illae lacrimae! Studi in memoria di Carmen Maria Radulet, Settecittà, Viterbo, pp. 166-177.
Vedovelli M., 2003, Condizioni semiotiche per un approccio interculturale alla didattica linguistica: il ruolo del linguaggio verbale in STUDI EMIGRAZIONE, Vol. XL, pag. 503 521 (dispensa fornite dal docente).

Ulteriori testi tra cui articoli e dispense saranno forniti ed indicati dal docente durante le lezioni. Saranno letti in classe passi da Saussure, Coseriu, Wittgenstein, De Mauro.

Bibliografia di supporto

Casini S., 2020, Language Creativity: A Semiotic Perspective, Lexington Rowman & Littlefield, Lanham Maryland (US).
De Mauro T., 2008, Lezioni di linguistica teorica, Laterza, Roma-Bari.

mode

Face-to-face lectures or equivalent activities.
Face-to-face lectures, seminars with experts, and workshops for the construction of teaching units.

classRoomMode

Face-to-face lectures or equivalent activities.
Face-to-face lectures, seminars with experts, and workshops for the construction of teaching units.

bibliography

Casini S., 2018, “Italianismi e pseudoitalianismi a Toronto: tra valori simbolici e prospettive di apprendimento”, M. Vedovelli, B. Turchetta (a cura di), Lo spazio linguistico italiano globale: il caso dell’Ontario, Pacini, pp. 149-166.
Casini S., Bancheri S., 2022, What is the Language of Power? Theoretical Reflections on Italian, Italiese and Other Languages, Legas, New York – Ottawa – Toronto.
Casini S., Bancheri S., 2022, “L’italiano nel mondo globale: tra plurilinguismo, insegnamento ed economia”, in S. Piraro (a cura di), Plurilinguismo ed economia. Aracne, Roma: pp. 19-67.
Coccia B. (a cura di), 2021, Italiano 2020: lingua nel mondo globale, Apes, Roma (in particolare le sezioni 1 di M. Vedovelli, 2 di S. Ferreri, 5 di S. Ferreri e F. De Renzo).
De Mauro T., 1982, Minisemantica dei linguaggi verbali e non verbali, Laterza, Roma-Bari.
De Mauro T., 2018, Educazione linguistica democratica, Laterza, Roma-Bari.
Ferreri S., 2010, “Linguistica educativa ed educazione linguistica”, in G. Platania, C. Rosa, M. Russo (a cura di), Hinc illae lacrimae! Studi in memoria di Carmen Maria Radulet, Settecittà, Viterbo, pp. 166-177.
Vedovelli M., 2003, Condizioni semiotiche per un approccio interculturale alla didattica linguistica: il ruolo del linguaggio verbale in STUDI EMIGRAZIONE, Vol. XL, pag. 503 521 (dispensa fornite dal docente).

Ulteriori testi tra cui articoli e dispense saranno forniti ed indicati dal docente durante le lezioni. Saranno letti in classe passi da Saussure, Coseriu, Wittgenstein, De Mauro.

Bibliografia di supporto

Casini S., 2020, Language Creativity: A Semiotic Perspective, Lexington Rowman & Littlefield, Lanham Maryland (US).
De Mauro T., 2008, Lezioni di linguistica teorica, Laterza, Roma-Bari.

Learning objectives


The course aims to deepen the study of literary aspects and issues while equipping students with critical skills for analysing significant plays and novels. Through the examination of texts using precise critical methodologies and by relating them to their historical and cultural contexts, students will be able to understand and assess the literary quality of the works they have read and discussed with full independence of judgment.
More specifically, the intended learning outcomes are as follows:
1) to develop knowledge of the main features and characteristics of English literature and culture across different periods;
2) to acquire the ability to analyse and comment on the texts under study;
3) to formulate independent critical judgments on the subject matter;
4) to communicate acquired knowledge in an appropriate and structured manner;
5) to develop the capacity to comprehend and interpret similar literary phenomena and themes beyond those covered in the course

Teacher's Profile

courseProgram

The theme of “ugliness” is a leitmotif of English dramas and novels. The aim of the course will be to explore English texts in which this theme recurs in different configurations, and to contextualise the view that different authors have built around this theme in different periods. The lessons will be devoted, according to a thematic and historical and cultural arrangement, to each text in the following order: ‘Richard III’, ‘The Tempest’, ‘Frankenstein’, ‘Wuthering Heights’, ‘Strange Case of Dr Jekyll and Mr Hyde’, ‘The Picture of Dorian Gray’, Heart of Darkness’.

examMode

The oral exam will be in Italian. It will focus on the texts that will have been presented during the course and on their cultural context, and will aim to evaluate the students' critical and methodological skills. In order to assess these skills, students will be invited to discuss the texts that have been encountered during the course.

books

William Shakespeare, Richard III
===============, The Tempest
Mary Shelley, Frankenstein
Emily Brontë, Wuthering Heights
Oscar Wilde, The Picture of Dorian Gray
Robert Louis Stevenson, Strange Case of Dr Jekyll and Mr Hyde
Joseph Conrad, Heart of Darkness

mode

The course will consist of frontal lessons, aiming to provide participants with the critical tools they need to interrogate and understand literary texts, both in terms of literary analysis and of historical/cultural contexts. Since our critical itinerary will be literary as well as cultural, the course will probably include the viewing and discussion of films.

classRoomMode

Students are not required to attend lessons, but it is recommended.

bibliography

Umberto Eco, Storia della bruttezza, Bompiani
Non-attending students can find the reference critical bibliography on Moodle under the section "Bibliografia supporti critici."

Learning objectives

The course is dedicated to the fundamentals of text criticism, a discipline that deals with the edition of ancient and medieval texts in the form closest to the original. Knowledge: Students will learn the methods and procedures of textual criticism, will know the history of the tradition of Provençal lyric poetry and will acquire basic skills on the Occitanic language, on Romance metrics and on rhetoric and stylistics. Application of knowledge and development of critical thinking: At the end of the course they will be able to illustrate and use the procedures that lead to the preparation of a critical edition starting from manuscript sources, they will also have the skills to critically analyze any type of literary text. Communication of knowledge: The workshop activity aimed at publishing a multimedia critical edition on a dedicated portal and the collective oral discussion of the works produced, will allow them to directly practice written and oral communication techniques. Self-learning: They will also deal directly with bibliographic and historical, linguistic and literary research tools, from which they will have to independently draw the information and knowledge useful for the preparation of the critical edition.

Teacher's Profile

courseProgram

Part of the course will be devoted to the description of the characteristics of the medieval textual tradition, to the problems it poses to the critical publisher and to the different methods used for the edition of the texts. Furthermore, basic information will be given on the medieval Romance literary tradition and in particular on the lyric tradition and the historical grammar of the Provençal language, in order to introduce students to the poetic text that will be the subject of the critical edition prepared within the course with their cooperation.

examMode

For the ATTENDING students there will be a written paper and an interview (for the vote the results of each test are considered). In the written essay the competences matured in the field of the discipline are evaluated, also from the point of view of the practical application (object of the exercises), and the ability to express complex concepts through a written discourse; in the interview the elaborate is discussed making reference to the scientific methods and tools used. For NON-ATTENDING students, there is normally only an oral exam, in which the competences acquired within the discipline by reading the recommended bibliography and the ability to express complex concepts through an oral discourse are evaluated.

books

1. Materials, handouts and texts provided by the teacher at the beginning of the course.

Reference bibliography:
1.Aurelio Roncaglia, Principi e applicazioni di critica testuale, Roma, Bulzoni, 1975.
2.Paul Maas, Critica de testo, Firenze, 1952.

NON-ATTENDING STUDENTS WILL HAVE TO ADD TO THE PREVIOUS READINGS AND IN REPLACEMENT OF THE DISPENSES AND TEXTS PROVIDED TO THE LESSON:
3. Alfredo Stussi, La critica del testo, Bologna, Il Mulino, 1985.
4. Roberto Antonelli, Interpretazione e critica del testo, in Letteratura italiana, dir. da Alberto Asor Rosa, vol.IV: L'interpretazione, Torino, Einaudi, 1985, pp. 141-243.

** Students who find it difficult to find the following texts can contact the teacher directly.
IT IS SUGGESTED TO ALL NON-ATTENDING STUDENTS TO SCHEDULE AN APPOINTMENT WITH THE TEACHER BEFORE THE EXAM

mode

The course will include a theoretical part, intended for the acquisition of the fundamental tools necessary for the preparation of a critical edition, and a practical part in which the students will be able to put these acquisitions to the test directly following the various preparation phases of an edition of a poetic composition.

classRoomMode

The lectures will be accompanied by laboratory activities carried out in class under the direct guidance of the teacher.

bibliography

Suggestions for additional readings:
- Alfredo Stussi, La critica del testo, Bologna, Il Mulino, 1985.
- Giorgio Pasquali, Storia della tradizione e critica del testo, Firenze, Le Monnier, 1934.
- Gianfranco Contini, Breviario di ecdotica, Torino, Einaudi, 1990.

Learning objectives

The course aims to strengthen the possession of a conscious and critical knowledge of the topic treated and developed in class. If there is availability, seminars will be organized, during which specific topics will be illustrated by the students.

Teacher's Profile

courseProgram

After providing an introduction to dramatic production from the 5th century up to Rome and explaining the complex theatrical activity in Athens, the teacher will read Aeschylus's Persians (in Italian) to highlight both scenic and poetic issues in this tragedy and its author.

examMode

Oral examination.
Questions will be asked on the topics covered in the lecture and in this way the understanding of the topics will be investigated.

books

Eschilo. I Persiani, a cura di M. Centanni, Feltrinelli, o Eschilo. I Persiani, a cura di F. Ferrari, BUR
Storia del teatro greco, a cura di M. Di Marco, Roma, Carocci 2020
G. Paduano, IL TEATRO ANTICO. GUIDA ALLE OPERE, ROMA-BARI LATERZA 2018, pp. 51-86
V. Di Benedetto, Euripide. Teatro e società, Torino, Einaudi, pp. 223-319
Lettura in italiano della Lisistrata di Aristofane (ed.a scelta tra BUR, Garzanti, Carocci) e lettura in italiano del Miles gloriosus (Il soldato fanfarone) di Plauto.

classRoomMode

Attendance not mandatory. Non-attending students can request a meeting with the teacher to establish an integrative program.

bibliography

Eschilo. I Persiani, a cura di M. Centanni, Feltrinelli, o Eschilo. I Persiani, a cura di F. Ferrari, BUR
Storia del teatro greco, a cura di M. Di Marco, Roma, Carocci 2020
G. Paduano, IL TEATRO ANTICO. GUIDA ALLE OPERE, ROMA-BARI LATERZA 2018, pp. 51-86
V. Di Benedetto, Euripide. Teatro e società, Torino, Einaudi, pp. 223-319

Learning objectives

Formative Objectives:

The course aims to provide an essential knowledge of the main characteristics of the literature of the late republican age and the work of Catullus; a mastery of the theoretical and critical tools necessary for the analysis and interpretation of Latin literary texts; direct knowledge of Catullus’ poetic text through reading and commentary.

Expected learning outcomes: At the end of the teaching the student will have:

1) Knowledge of the main features of late republican literature’ history; knowledge of Catullus’ Liber
2) Ability to analyse Latin literary history of Late republican age and comprehend her diachronic development; ability to analyse and discuss appropriately Catullus’ poems
3) Ability to formulate autonomous judgements on the course’s themes
4) Ability to adequately communicate what learned
5) Ability to comprehend and interpret autonomously literary phenomena and similar texts not included in the programme.

Teacher's Profile

courseProgram

Title: Ovid’s Metamorphoses

Programme: the course is focused on Ovid’s Metamorphoses, poem which represent an original transfornation of epic form. The work will be analysed in the historical and cultural context of Augustan Age, paying peculiar attention to the tradition of epic genre in Rome and to Vergil’s Aeneid. Object of in-dept analysis will be ideological features, models, structure, language and style of the poem. The course aims to provide a critical knowledge of Ovid’s epic poem. The goal will be pursued through reading and literary-philological analysis of an anthology of the poem’s episodes.

examMode

The examination is oral and consists of two parts: in the first part, the student must demonstrate knowledge of the main features of Latin literary history; in the second part, the student must demonstrate the ability to translate, analyse and comment on the literary texts on the syllabus: the level of content knowledge demonstrated (superficial [18-21], appropriate [22-26], precise and complete [27-29], complete and thorough [30]), the ability to make a critical sense and formulate judgments (sufficient [18-24]], good [25-28], excellent [29-30]), the mastery of expression (deficient exposition [18-21], simple [22-25], clear and correct [26-28], secure and correct [29-30]).

books

A complete edition of Ovid’s Metamorphoses with Latin text (suggested: Ovidio, Le metamorfosi, intr. di G. Rosati, trad. di G. Faranda Villa, note di R. Corti, Milano, Rizzoli BUR, 1994, with many reprints, ISBN: 9788817129763); L. Galasso, Ovidio: Guida alle Metamorfosi, Roma, Carocci Editore, 2023, ISBN: 9788829020683; L. Galasso, La letteratura latina in età ellenistica, Roma, Carocci Editore, 2021, ISBN: 9788829009381; G. Rosati, Mito e potere nell'epica di Ovidio, «MD» 46 (2001), pp. 39-61.

classRoomMode

Attendance in this course is optional, but highly recommended.

bibliography

More bibliography and didactic materials will be given during the course (for attending students).
Non attending students have to contact the professor for a programme.

Teacher's Profile

courseProgram

Title: Ovid’s Metamorphoses

Programme: the course is focused on Ovid’s Metamorphoses, poem which represent an original transfornation of epic form. The work will be analysed in the historical and cultural context of Augustan Age, paying peculiar attention to the tradition of epic genre in Rome and to Vergil’s Aeneid. Object of in-dept analysis will be ideological features, models, structure, language and style of the poem. The course aims to provide a critical knowledge of Ovid’s epic poem. The goal will be pursued through reading and literary-philological analysis of an anthology of the poem’s episodes.

examMode

The examination is oral and consists of two parts: in the first part, the student must demonstrate knowledge of the main features of Latin literary history; in the second part, the student must demonstrate the ability to translate, analyse and comment on the literary texts on the syllabus: the level of content knowledge demonstrated (superficial [18-21], appropriate [22-26], precise and complete [27-29], complete and thorough [30]), the ability to make a critical sense and formulate judgments (sufficient [18-24]], good [25-28], excellent [29-30]), the mastery of expression (deficient exposition [18-21], simple [22-25], clear and correct [26-28], secure and correct [29-30]).

books

A complete edition of Ovid’s Metamorphoses with Latin text (suggested: Ovidio, Le metamorfosi, intr. di G. Rosati, trad. di G. Faranda Villa, note di R. Corti, Milano, Rizzoli BUR, 1994, with many reprints, ISBN: 9788817129763); L. Galasso, Ovidio: Guida alle Metamorfosi, Roma, Carocci Editore, 2023, ISBN: 9788829020683; L. Galasso, La letteratura latina in età ellenistica, Roma, Carocci Editore, 2021, ISBN: 9788829009381; G. Rosati, Mito e potere nell'epica di Ovidio, «MD» 46 (2001), pp. 39-61.

classRoomMode

Attendance in this course is optional, but highly recommended.

bibliography

More bibliography and didactic materials will be given during the course (for attending students).
Non attending students have to contact the professor for a programme.

Learning objectives

The course aims to provide students with all the methodological tools necessary for a more conscious and in-depth understanding of the Italian literary language and for the linguistic and stylistic (grammatical, lexical, rhetorical) analysis of literary texts.

Teacher's Profile

courseProgram

The course aims to provide students with some advanced notions of the language of italian literary texts. After an overview of the subject, from its Origin to modern times, through some of the most important moments in the history of italian language (first part), the focus will be on the history of italian language for music from XVII to XX century (second part), with an analysis of a selection of most important texts: for each text, a historical and cultural contextualisation will be proposed, together with a detailed linguistic and stylistic analysis, with special attention to phonomorphological, syntactic, lexical and rhetorical elements, so as to locate every single documents in its linguistic and cultural context.

examMode

The final assessment consists of an oral examination of the program of study, with a comment on some texts.

books

Attending Students
First section
1. F. Bruni, L'italiano letterario nella storia, Bologna, Il Mulino, 2007.
2. Dispense e materiali (disponibili su Moodle)
Second section
1. I. Bonomi – E. Buroni, L’italiano dell’opera lirica, Bologna, Il Mulino, 2017.
2. Dispense e materiali (disponibili su Moodle)

Non attending students
1. L. Serianni, Prima lezione di storia della lingua italiana, Roma-Bari, Laterza, 2015.
2. S. Telve, L’italiano: frasi e testo, Roma, Carocci, 2013.
3. F. Bruni, L'italiano letterario nella storia, Bologna, Il Mulino, 2007.
4. I. Bonomi – E. Buroni, L’italiano dell’opera lirica, Bologna, Il Mulino, 2017.

mode

48h, face to face lectures

classRoomMode

Class attendance is not mandatory but is strongly recommended.

bibliography

No reference bibliography

Teacher's Profile

courseProgram

The course aims to provide students with some advanced notions of the language of italian literary texts. After an overview of the subject, from its Origin to modern times, through some of the most important moments in the history of italian language (first part), the focus will be on the history of italian language for music from XVII to XX century (second part), with an analysis of a selection of most important texts: for each text, a historical and cultural contextualisation will be proposed, together with a detailed linguistic and stylistic analysis, with special attention to phonomorphological, syntactic, lexical and rhetorical elements, so as to locate every single documents in its linguistic and cultural context.

examMode

The final assessment consists of an oral examination of the program of study, with a comment on some texts.

books

Attending Students
First section
1. F. Bruni, L'italiano letterario nella storia, Bologna, Il Mulino, 2007.
2. Dispense e materiali (disponibili su Moodle)
Second section
1. I. Bonomi – E. Buroni, L’italiano dell’opera lirica, Bologna, Il Mulino, 2017.
2. Dispense e materiali (disponibili su Moodle)

Non attending students
1. L. Serianni, Prima lezione di storia della lingua italiana, Roma-Bari, Laterza, 2015.
2. S. Telve, L’italiano: frasi e testo, Roma, Carocci, 2013.
3. F. Bruni, L'italiano letterario nella storia, Bologna, Il Mulino, 2007.
4. I. Bonomi – E. Buroni, L’italiano dell’opera lirica, Bologna, Il Mulino, 2017.

mode

48h, face to face lectures

classRoomMode

Class attendance is not mandatory but is strongly recommended.

bibliography

No reference bibliography

Learning objectives

- methodological skills useful for critical reading of the texts, in Greek for the students who intend to obtain in the SS-L-FIL-LET / 02 the 24 credits necessary to access the teaching class A 13, in Italian translation with elements of Greek lexicon for students following other courses
- knowledge of the main critical instruments
- good capacity of analysis and independent research.

Teacher's Profile

courseProgram

Monographic course

The myth, the journey, the return. Readings from the Odyssey.
After a few introductory lectures intended to illustrate Greek literary production in its general outlines, the course will focus, through the reading and commentary of the most significant passages, on some of the main characters of the Odyssey, in particular on the female characters, hitherto partly neglected, analysing their traits in relation to the objects that characterise them and determine their functions, during Odysseus' journey or at the crucial moments of his return.

General Part

Greek literature from Homer to the Hellenistic age. A list of genres and authors will be uploaded on the Moodle platform.

examMode

The oral exam will be aimed at verifying the knowledge acquired through the study of the Greek literature textbook, the knowledge of the problems discussed in the monographic course, and the ability to understand and contextualise the texts translated in the lessons. Any seminar contribution offered during the course of the lectures will also be assessed

books

For the monographic part
- the texts uploaded on Moodle during the lessons are an integral part of the programme
- a translation of your choice of the Iliad with the Greek text beside it, e.g. by G.A. Privitera, Mondadori, or R. Calzecchi Onesti, Einaudi.

For the general part
- a textbook of Greek literature of your choice among those presented and discussed during the introductory lectures.

For non-attending students
- a textbook of Greek literature
- at least two texts of your choice, one in poetry, one in prose, within the Greek literary tradition
- a critical essay relating to the texts chosen for the examination.
Handbook, texts to be translated, critical essay are to be agreed upon by interview during reception hours at least one month before the exam.

mode

Lessons will be opened to the dialogue with students. Optional seminars will be arranged between teacher and students on selected topics.

classRoomMode

not compulsory, but highly recommended.

bibliography

Further bibliography will be indicated in the course of the lectures.

Learning objectives


The course aims to provide an accurate knowledge of the illuminated manuscript, from its origins (2nd century) to the digital object (21st century).
The medieval manuscript will be analyzed in its technical-material, formal, iconographic and iconological components through the specific language of the subject. The relationships between artists, patrons and production centers will be traced, whenever possible.
The charm of these peculiar art objects will be highlighted, with particular attention to the relationship between text and image.
The cataloguing issues (methods and tools) and perspectives related to the digitization of illuminated manuscripts and their presence on the web will then be addressed.

1. Knowledge and understanding: students will have to master the subject and recognize both the artworks commented during the lessons and those studied in the reference texts.
2. Applying knowledge and understanding: classroom discussion, observation exercises guided by the teacher, research activities carried out in possible study groups, educational visits and seminars will contribute to the development of an active and personal understand of the subject.
3. Making judgments: students will have to acquire a certain capacity for critical judgment with respect to the reference texts, but also with respect to what the teacher proposes during her lessons, in relation to the debate on the studies.
4. Communication skills: students will have to acquire the specific language of the subject and know how to best use it to describe and contextualize both a particular illuminated manuscript and an artistic phenomenon.
5. Learning skills: students will have to contextualize an illuminated manuscript in time and space, in relation to the cultural, social, political, ideological and material transformations that have determined/influenced a certain artistic phenomenon.

Teacher's Profile

courseProgram

The lessons will focus on the analysis of one or more illuminated manuscripts and on the discussion around a certain artistic phenomenon; they will also be an opportunity to practice observing an artwork.
In class we will discuss:
1. themes, problems, methods of the subject;
2. the division into periods of the medieval millennium and its artistic geography in relation to the illuminated book;
3. the cultural, social, political, ideological, material transformations that determine/influence the artistic phenomena connected to manuscript production;
4. the relationships between artists, patrons, production centres;
5. some of the methods of cataloguing illuminated manuscripts;
6. the IT tools available today for the study of the illuminated book;
7. the relationship between the illuminated book and the use of innovative technologies for its digitization and its use on the web.

The course is organized in three modules:
1. Basic module (26 hours). History of illumination from the late antique book to the invention of printing (II-XV centuries): for a general overview of the subject, oriented towards basic knowledge.
2. II Module (10 hours). Cataloguing to know: methods and tools for illuminated manuscripts.
3. III Module (12 hours). IT tools, digitization and new technologies for the study of the illuminated manuscript.

examMode

The oral interview will focus on one or more acknowledgments of artworks shown and commented on in class or even of works present in the reference texts.
It will then be necessary to contextualize the illuminated manuscript, defining its temporal and spatial coordinates, in relation to the cultural, social, political, ideological and material transformations that have determined that given object.
Students will have the opportunity to start the interview from a topic proposed by them.

The evaluation will be positive if students have demonstrated that they have acquired competence of the subject, also from the point of view of the specific language, recognizing and exhaustively analyzing both the artwork commented during the lessons themselves and those studied independently in the reference texts; if an autonomous capacity for critical judgment will be detected with respect to the issues addressed during the interview, combined with the ability to contextualize an illuminated manuscript in time and space, in relation to the cultural, social, political, ideological and material transformations that have determined/influenced a certain artistic phenomenon.

books

Students who cannot attend are invited to contact the teacher to agree a program.

- J.J.G. ALEXANDER, I miniatori medievali e il loro metodo di lavoro, prefazione di G. Mariani Canova, traduzione di L. Mariani, Franco Cosimo Panini Editore, Modena 2003, pp. 13-54.

- M.G. CIARDI DUPRÉ DAL POGGETTO, s.v. Miniatura, in Enciclopedia dell'Arte Medievale, Treccani, Roma 1997
https://www.treccani.it/enciclopedia/miniatura_%28Enciclopedia-dell%27-Arte-Medievale%29/

- H.L. KESSLER, L’esperienza medievale dell’arte. Gli oggetti e i sensi, traduzione a cura di G. Confortin e F. Lollini, Roma 2023, pp. 123-136.

- S. MADDALO, s.v. Iniziale, in Enciclopedia dell'Arte Medievale, Treccani, Roma 1996
https://www.treccani.it/enciclopedia/iniziale_%28Enciclopedia-dell%27-Arte-Medievale%29/

- L. MIGLIO, s.v. Illustrazione, in Enciclopedia dell'Arte Medievale, Roma 1996
https://www.treccani.it/enciclopedia/illustrazione_%28Enciclopedia-dell%27-Arte-Medievale%29/

- G. OROFINO, "Leggere" le miniature medievali, in Arti e Storia nel Medioevo. III. Del vedere: pubblici, forme e funzioni, Einaudi, Torino 2004, pp. 341-367.

- O. PÄCHT, La miniatura medievale. Una introduzione, Bollati Boringhieri, Torino 1987, pp. 9-95, chapters: Introduzione, La decorazione pittorica nella struttura organica del libro, L’iniziale (the 2013 reprint is also valid).

A volume among these:

- J. LE GOFF, Il Medioevo. Alle origini dell’identità europea, Laterza, Roma-Bari 1998 (rist. 2022).

- M. MONTANARI, Il mito delle origini. Breve storia degli spaghetti al pomodoro, Laterza, Roma-Bari 2019 (rist. 2023).

- A. VANOLI, Non mi ricordo le date! La linea del tempo e il senso della storia, Roma 2023 (Treccani libri, Tessere, 2).

II module

- P. MANONI, Thematic Pathways on the Web: IIIF Annotations of Manuscripts from the Vatican Collections: il “Progetto Mellon” della Biblioteca Vaticana, Introduzione, in Rivista di storia della miniatura 24 (2020), pp. 211-212.

- P. MANONI – E. PONZI, Tra le maglie del Web: esposizioni virtuali e interoperabili dei manoscritti della Biblioteca Apostolica Vaticana, 1. L’applicazione delle annotazioni in IIIF nell’esperienza vaticana; 2. L’esperienza vaticana di Viaggiare con Dante, in Immaginare la Commedia, a cura di C. Perna, postfazione di G. Ferrante, Salerno Editrice, Roma 2022, pp. 201-213.

- E. PONZI, Thematic Pathways on the Web: IIIF Annotations of Manuscripts from the Vatican Collections: il “Progetto Mellon” della Biblioteca Vaticana. La storia della miniatura incontra lo Spotlight, in Rivista di storia della miniatura 24 (2020), pp. 212-216.

- The Process for the Digitization of Manuscripts in the Vatican Library, ed. by A.M. PIAZZONI, Biblioteca Apostolica Vaticana, Città del Vaticano 2024 (Studi e testi, 565), pp. 1-15, 17-38, 212-222.

- Thematic Pathways on the Web. IIIF Annotations of Manuscripts from the Vatican Collections https://spotlight.vatlib.it/

classRoomMode

Attendance is optional, but strongly recommended.

bibliography

Recommended readings

- F. MANZARI, Bibbie miniate del XIII secolo. Codici per la corte, per l’università, per gli ordini mendicanti, in La Bibbia di San Bonaventura (Atti delle XVII Giornate di Studio per la Storia della Tuscia, Orte, 11 dicembre 2010), a cura di S. MADDALO, S. SANSONE, A. ZUPPANTE, Centro di Studi per il Patrimonio di S. Pietro in Tuscia, Orte 2013 (Atti delle giornate di studio per la storia della Tuscia, 9), pp. 51-63.

From the volume Il libro miniato a Roma nel Duecento. Riflessioni e proposte, a cura di S. MADDALO, con la collaborazione di E. PONZI, I-II, Istituto storico italiano per il medio evo, Roma 2016 (Nuovi studi storici, 100):

- C. RAPONE, Roma e l’Europa attraverso i manoscritti miniati, pp. 225-250;

- S. MADDALO, I libri dei cardinali, pp. 503-519;

- E. PONZI, Ad usum fratrum. Manoscritti francescani e domenicani a Roma, un panorama, pp. 575-612.

Learning objectives

The course intends to provide students with knowledge on the relationship between literature and journalism in the twentieth century based on the use of the critical method, as a method of reading society.
Through a very careful and close reading of the proposed texts, the student will have to develop a philological and hermeneutic reading ability such as to contextualize the text in its historical and political dimension, to then evaluate its effects in terms of public reception.
The course fully develops the individual interpretative, linguistic and critical capacity, at the foundation of the dynamics of action and exercise of every humanistic discipline. Among the objectives, the practical development of the communicative aspects also assumes particular importance due to the knowledge and critical method acquired.

Teacher's Profile

courseProgram

Literature, media, politics: writers and the periodical press

What brings a writer closer to journalism? Is it just an economic question? What does the writer bring to the newspaper more (or less) than the journalist? How do you manage to reconcile the freedom of creation with the measure of the piece at a writing level? What difference in reading a place, a journey, an event can exist between a journalist and a man of letters? What kind of relationship does a man of letters have with power and politics? With the leaders of a newspaper? With the speed of communication? With the public not accustomed to the languages ​​of so-called "high" culture? And how have these relationships changed over the course of the century? And the writers' articles... are they literature? Or are they just a minor series production? Or can journalism even be considered a literary genre in itself?
Through the study of the journalistic collaborations of some of the major writers of the twentieth century and of the contemporary world, the course intends to provide a historical-critical study tool on the relationship between writer and journalism carried out directly in the field, i.e. on the articles, according to a plan that aims to highlight how cultural journalism has transformed over the course of the century from the famous "beautiful writing" to a place for reading and understanding the society in which we live.

examMode

Students will have to demonstrate in the oral interview their knowledge of the exam topics and their ability to analyze text and content of the addressed works.
Vote based on 30/30 honors

books

1) CARLO SERAFINI (ed.), Introduction to Word of the Writer. Literature and journalism in the twentieth century, Vol. I, Bulzoni, Rome 2010

2) CARLO SERAFINI (ed.), Word of a writer. Other studies on literature and journalism, Vol. IV, Bulzoni, Rome 2024. The essays relating to: Soffici, Levi, Sereni, Ortese, Ginzburg, D'Arrigo, Rodari, Bianciardi, Pasolini, Bonaviri, Magris, Cavazzoni, Lodoli, Affinati, Appendix (in full).

NON-ATTENDING students must also study the volume:

1) AA.VV., Pasolini's places, edited by S. Pifferi and C. Serafini, Bulzoni, Rome 2023.

classRoomMode

Attendance is not mandatory but strongly recommended

bibliography

Pier Paolo Pasolini, Scritti corsari, Garzanti, Milan 1975 (also later editions)
Luciano Bianciardi, La vita agra, Rizzoli, Milan 1962
AA.VV., Bianciardi journalist, a c. of Carlo Serafini, Bulzoni, Rome 2023
Fabio Pierangeli, Eraldo Affinati. The school of gift, Studium, Rome 2019
Ermanno Cavazzoni, The useless writers, Feltrinelli, Milan 2002
Giorgio Zanchini, Cultural journalism, Carocci, Rome 2013
Anna Maria Ortese, The dark lens. Writings of travel, a c. di Luca Clerici, Adelphi, Milan 2004

Learning objectives

The general objective of this course is developing communicative competences towards a level B2, describing English for specific/academic uses, analyzing texts in this area and translating them.
Following Dublin’s descriptors:
1) Knowledge and understanding of oral and written English lev. B12; basic knowledge of the main theories of Translation Studies and of the debate about the untranslatability of languages; contrastive analysis of English and Italian morpho-syntax; textual, morpho-syntactical and lexical features of ESP/EAP; the use of AI in translation.
2) Knowledge and understanding applied to textualities like: theoretical lectures hold in oral English; reference books about Translation Studies in English; English texts belonging to the journalistic and the technical-scientific domains to be translated into Italian; instructions for tasks, activities and exercises on the UniTusMoodle course; the evaluation comments from the teacher.
3) Making judgements: developing attitudes and abilities adequate to translating; choice among different translation strategies (e.g. domesticating vs. foreignizing); capacity to decide among the many semantically equivalent options according to the cultural context, the communicative situation and the textual register.
4) Communication skills: oral and written production in English lev. B2; relational abilities with the rest of the group and of working in pairs and teams.
5) Learning skills: transversal competences at a metacognitive and metalinguistic level; information research particularly through on-line resources; digital skills to sustain online learning; self-evaluation.

Teacher's Profile

courseProgram

TITLE: Translating: from journalism to scientific/academic English, from tourism to audiovisual English.
The course provides students with the main notions to analyse English textualities for specific communicative purposes. It introduces translation theories but mainly it is aimed at practicing translation of some genres and registers, like for example newspaper articles, scientific/academic essay, info-marketing texts and audio-visuals. The course includes materials and activities to be carried out on the UniTusMoodle platform and an introduction to the main lexicographic reference tools.
In detail the contents of the 48-50 hours course (+ same number of activities online):

1. inductive survey of students’ experiences of translation in the widest sense to get to a definition of translation proper; introduction to the main themes implied by translating and to the more adequate attitudes and abilities of a professional translator; etymology and popular metaphor around the terms translation/traduzione.
2. a survey of language theories and linguistic approaches to the topic of (un)translatability of languages with specific focus on a close reading of Jakobson’s contribution and further research on the notion of equivalence.
3. attempts at journalistic translation with analytic grids and a contrastive analysis of English and Italian morpho-syntax.
4. ESP/EAP;
5. short texts (public directives and dish names) in bilingual version.

examMode

The final examination includes:
1. assessment of all the activities on the moodle platform,
2. a translation test from a newspaper article during the year,
3. an oral survey of the main topics of the course
4. and a presentation/illustration of a personal project focussed on the analysis and translation of an ESP text agreed with the lecturer.
The indicators for the score (30) are:
1. analysis of the English source text;
2. capacity to discuss translation problems and defend translating choices;
3. theoretical notions;
4. organizational capacities and use of aids and resources.

books

Based on the choice of topic for the final exam, one of the following or similar (all titles are in the library):

Giuliana Garzone, Specialized Communication and Popularization in English, Carocci;
Federica Scarpa, Research and Professional Practice in Specialised Translation, Palgrave-Macmillan;
Annalisa Zanola, La lingua inglese per la comunicazione scientifica e professionale, Carocci;
Alessandra Spadafora, Intermedia, Sette Città;
Renzo Mocini, La comunicazione turistica, Sette Città;
Alba Graziano, Renzo Mocini, “Gastronomic Salience: The Story Behind the Dishes”, Fictions. Studi sulla narratività, XIV (2015);
Alba Graziano, “Marketing food through translation: an analysis of a hundred menus from Lazio”, ESP across Cultures, 14 (2017), pp. 99-114;
Alba Graziano, “Così va il tradurre”, in Aphra Behn, Sir Patient Fancy, Sette Città;
Alba Graziano, “Tra Colonel e Mr. Careless: l’inscenamento dei conflitti di potere nella commedia della Restaurazione”, in I mutevoli volti del potere. Essenza ed espressione del potere: linguaggi, luoghi e spazi, funzioni, simboli e rappresentazioni, a cura di Gian Maria Di Nocera, Viterbo, Sette Città, 2021, pp. 265-273.
Alba Graziano, “Keep off the lawn: trasgressors will be persecuted. Usi e abusi linguistici nella traduzione della segnaletica turistica”, in Il viaggio e l’Europa. Incontri e movimenti da, verso, entro lo spazio europeo, a cura di Alessandro Boccolini, Raffaele Caldarelli, Viterbo, Sette Città, 2018, pp. 147-159.

mode

The course is conceived according to a flipped learning approach and adopts a blended mode. It consists of in-person lectures, predominantly held in English and with a critical-thinking and inductive approach, so as to favour students' participation. The platform UniTusMoodle includes all the materials used in class (ppt presentations, pdf documents, questionnaires, discussion forums, quizzes and tasks, a serious game and video of experts, case studies on translation, etc.) + other assignments as homework, which can be used with a flipped mode. All these activities are preparatory to the final exam consisting of an individual student's project.

classRoomMode

Attendance is not compulsory but HIGHLY RECOMMENDED. However, it is replaced by work on the moodle platform for those who signal problems attending classes during the semester (Erasmus, working, or special needs students).

bibliography

A choice of one among the following:

Hans J. Vermeer, A skopos theory of translation, TEXTconTEXT Verlag;
Susan Bassnett, Translation Studies, Routledge;
Mary Snell-Hornby, Translation Studies. An Integrated Approach, John Benjamins;
Jeremy Munday, Introducing Translation Studies, Routledge.

Learning objectives

Knowing how to recognise the characteristics of a language for specific pourposes (le domaine du bio);
Knowing how to use text corpora for translation;
Becoming expert of the most modern tools for computer-assisted translation (CAT tools)
Knowing how to translate web texts presenting companies from and into French
Writing a glossary of terminology about the organic.

Teacher's Profile

courseProgram

The main characteristics of the language used in institutional university websites; corpus linguistics, history and domains of application; CAT tools; history of translation.

examMode

Written translation with notes. All translation tools are allowed (monolingual and bilingual dictionary, automatic translators, corpus and concordance programmes, translation memories, etc.).

books

Lerat, P., 1995, Les langues spécialisées, Paris: Presses Universitaires Françaises
Loock, R., 2016, La traductologie de corpus, Lille: Presses Universitaires du Septentrion.
Sinclair, J. McH., 1991, Corpus, Concordance, Collocation, Oxford : Oxford University Press.

Other materials will be provided during the course.

classRoomMode

Attendance is not compulsory but strongly recommended

bibliography

Lerat, P., 1995, Les langues spécialisées, Paris: Presses Universitaires Françaises
Loock, R., 2016, La traductologie de corpus, Lille: Presses Universitaires du Septentrion.
Sinclair, J. McH., 1991, Corpus, Concordance, Collocation, Oxford : Oxford University Press.

Teacher's Profile

courseProgram

The main characteristics of the language used in institutional university websites; corpus linguistics, history and domains of application; CAT tools; history of translation.

examMode

Written translation with notes. All translation tools are allowed (monolingual and bilingual dictionary, automatic translators, corpus and concordance programmes, translation memories, etc.).

books

Lerat, P., 1995, Les langues spécialisées, Paris: Presses Universitaires Françaises
Loock, R., 2016, La traductologie de corpus, Lille: Presses Universitaires du Septentrion.
Sinclair, J. McH., 1991, Corpus, Concordance, Collocation, Oxford : Oxford University Press.

Other materials will be provided during the course.

classRoomMode

Attendance is not compulsory but strongly recommended

bibliography

Lerat, P., 1995, Les langues spécialisées, Paris: Presses Universitaires Françaises
Loock, R., 2016, La traductologie de corpus, Lille: Presses Universitaires du Septentrion.
Sinclair, J. McH., 1991, Corpus, Concordance, Collocation, Oxford : Oxford University Press.

Learning objectives

Phonetics and Phonology is a deepening (during specialized studies) of General Linguistics (taught in L-10). The class is aimed at analyzing the vocal behavior of speakers. The vocal behavior of speakers is an integral part of their linguistic behavior. The ultimate goal is always to develop predictive (non-normative) rules necessary to build the grammar of a given language. But to make reliable predictions, you need to be able to measure the starting data. In order to obtain reliable and measurable data, just listening to linguistic sounds is absolutely inadequate for the purpose. Auditory perception must be accompanied by methodological tools and acoustic measurement techniques. It is therefore necessary to study the acoustics of linguistic sounds, as well as the anatomical physiology that produces them. Traditionally, these two approaches are called acoustic phonetics and articulatory phonetics, respectively: both will be taught.
In addition to Phonetics, Phonology will be taught. The phonological component (as well as the phonetic one) should already be well known and defined to the learners, who in the Bachelor’s degree have taken the exam of General Linguistics. During the Master's Degree, with the class of Phonetics and Phonology, the learner will deepen and learn further methodologies and analysis techniques specifically dedicated to Phonology. In particular, auto-segmental phonological models and the relationships between intonation and pragmatics will be discussed.
In compliance with the so-called "Dublin indicators" – as better detailed in the "Evaluation" field – the objectives will be aimed at achieving:
1) Knowledge and comprehension skills: ability to transcribe in I.P.A. a sample of speakers
2) Applied knowledge and understanding: ability to produce a minimum scientific phonology from a set of linguistic data produced by a sample of speakers
3) Making judgments: ability to compare and evaluate comparatively different phonological models that account in a different and competing way for the same set of linguistic data produced by a sample of speakers
4) Communication skills: ability to communicate the reasons for the comparative judgment referred to in point 3)
5) Learning skills: ability to orient oneself in the relevant scientific bibliography.

Teacher's Profile

courseProgram

The course will cover the following topics:
- Summary of acoustic phonetic analysis.
- Summary of phonological analysis: (phone, phoneme); phonological properties (tone, accent, coarticulation and assimilation/dissimilation).
- Phonological theories (structuralism, generativism, auto-segmentality).
- Finally, we will deal with the theme of the relationship between intonation and pragmatics.
With regard to the temporal distribution of the didactic commitment dedicated to the various topics, it seems to me that any hypothesis formulated in advance would be devoid of plausibility, as it is not likely to organize a didactic work in the abstract: the time slots will depend on the responses of the learners, answers that by definition depend on the audience of the learners, their characteristics and their intellectual profiles, that is, from elements that today are unknown to me – as to anyone – and consequently it is impossible to make reliable predictions about it. In general, I can only predict that this will go as in all previous years, that is to say that in my intentions I should devote a quarter of the hours to the summary of acoustic phonetics, a quarter to the summary of phonology, a quarter to phonological theories, a quarter to the relationships between intonation and pragmatics, but in reality the learners will cyclically ask me to go back, explain again points of the program, thus nullifying all predictions. And this depends on the fact that the learners, even attending students, do not study at home the program carried out in the classroom, but study only near the exam and realize only a posteriori (perhaps after weeks) that they have misunderstood what was done in the classroom. The problem would be solved if only students were required to take the final exam immediately after the course, with only one date per year, in addition to a second date destined for recovery, and not – as is the case today – to be able to take it on numerous exam dates spread over the entire academic year (and beyond): but the adoption of this solution does not depend on the undersigned (who also hopes for it), but from political choices and academic regulations that go in the opposite direction.

examMode

EXPECTED LEARNING OUTCOMES
1) Knowledge and comprehension skills: ability to extract linguistic data from a sample of speakers
2) Applied knowledge and understanding: ability to produce a minimum scientific grammar from a set of linguistic data produced by a sample of speakers
3) Making judgments: ability to compare and evaluate comparatively different grammars that account in a different and competing way for the same set of linguistic data produced by a sample of speakers
4) Communication skills: ability to communicate the reasons for the comparative judgment referred to in point 3)
5) Learning skills: ability to orient oneself in the relevant scientific bibliography.

DESCRIPTION OF ASSESSMENT METHODS
During the oral exam, the knowledge of the topics covered in the class and in the scheduled texts will be ascertained. The level of preparation of the learner will be ascertained on the basis of the following grid (in thirtieths):
- KNOWLEDGE (knowledge of the necessary information) 1-12/30 (12 = excellent; 1 = very bad);
- FOCUS (how the learner focuses on the problem discussed) 1-6/30 (6 = excellent; 1 = very bad);
- PROCESSING (how the learner processes the structure of the response) 1-6/30 (6 = excellent; 1 = very bad);
- EXPLANATION (the learner's ability to explain the linguistic phenomenon in question) 1-6/30 (6 = excellent; 1 = very bad).
This quantification of the evaluation is based on percentages that I consider purely metaphorical and on categories that I can neither define nor delimit mutually; this quantification of the evaluation is an invention not mine, but of the ministerial evaluators. Consequently, if there is a student who is able to give me an exact definition and consistent exemplification of the above categories, then that student will have 30 cum laude, without further verification. If, on the other hand, there is no such student, then if he shows that he has not even understood the basics of the discipline at the exam, he will be invited by me to repeat in the next round (and only because for some time it has not been customary to fail).

books

1) A. De Dominicis, Fonologia, Roma, CAROCCI, 2003.
2) F. Albano Leoni & P. Maturi, Manuale di Fonetica, Roma, CAROCCI, 2008.
3) A. De Dominicis, Intonazione, Roma, CAROCCI, 2010.
4) A. De Dominicis, Intonazione e pragmatica, in Franca Orletti, Anna Pompei, Edoardo Lombardi Vallauri (eds.), Grammatica e Pragmatica. Atti del XXXIV Convegno Annuale della Società Italiana di Glottologia. pp. 43-85, Roma, IL CALAMO, 2012.
In my opinion, there is no possibility of learning phonetics and phonology without frontal didactic guidance. In general, it does not seem to me that it is possible to learn acoustic analysis and formal methods without a teaching aid consisting of a teacher. Perhaps this is possible in the case of historical or literary disciplines, but neither Linguistics nor Phonetics/Phonology are examples of historical or literary disciplines. Consequently, it is not possible for me to indicate - in science and conscience - any supplementary reading for self-taught students.

mode

Lectures and discussion of theories and/or cases

classRoomMode

The lectures will be accompanied by the discussion of case studies carried out in class under the direct guidance of the teacher.

bibliography

1) A. De Dominicis, Fonologia, Roma, CAROCCI, 2003.
2) F. Albano Leoni & P. Maturi, Manuale di Fonetica, Roma, CAROCCI, 2008.
3) A. De Dominicis, Intonazione, Roma, CAROCCI, 2010.
4) A. De Dominicis, Intonazione e pragmatica, in Franca Orletti, Anna Pompei, Edoardo Lombardi Vallauri (eds.), Grammatica e Pragmatica. Atti del XXXIV Convegno Annuale della Società Italiana di Glottologia. pp. 43-85, Roma, IL CALAMO, 2012.
In my opinion, there is no possibility of learning phonetics and phonology without frontal didactic guidance. In general, it does not seem to me that it is possible to learn acoustic analysis and formal methods without a teaching aid consisting of a teacher. Perhaps this is possible in the case of historical or literary disciplines, but neither Linguistics nor Phonetics/Phonology are examples of historical or literary disciplines. Consequently, it is not possible for me to indicate - in science and conscience - any supplementary reading for self-taught students.

Learning objectives

Training objectives
The main purpose of the course is to provide students with basic knowledge of history of art exhibition's between XVII century and 1930 with a discussion on contemporary examples on digital museology and exhibitions. This art exhibition's history will be related to historical context of museums for a basic knowledge of italian cultural heritage history.
Expected learning outcomes. At the end of the course students will be able to:
1. Know briefly the development of the history of exhibitions and museums (Knowledge and understanding)
2. Know and distinguish the different types of exhibitions and displays over the centuries up to the current era (Applied knowledge and understanding)
3. Evaluate the different meanings assumed in Museology of international terminology compared to the conceptions formulated historically in Italy (Autonomy of judgement)
4. Present case studies independently chosen from those examined in the program (Communication skills)
5. Evaluate further national or international examples of exhibitions or museums (Ability to learn)

Teacher's Profile

courseProgram

The birth of the art exhibitions in XVII century; features of the first art exhibitions in Italy, France, Great Britain; Terminology problems related to museum history; historical events of museums from the eighteenth century to present; Impressionists’ and avantguard’s exhibitions; Case studies on digital Museology and virtual exhibitions.

examMode

Oral examination on books assigned with critical comparison between bibliographical sources.
Three basic questions will be asked on the main exam texts, requiring knowledge of the topics, their critical understanding and the adoption of an appropriate italian language.

books

1) F. Haskell, La nascita delle mostre, Skira, Milano 2002, pp. 23-111; 147-188.
2) S. Rinaldi, F. Ricci, Museologia e storia dell'arte nella Tuscia, ArcheoAres, Viterbo 2014 (pdf on Moodle).
3) S. Rinaldi, Arte Contemporanea. Le tecniche pittoriche dall’Impressionismo all’Astrattismo, Carocci, Roma 2024.
Same books for non-attending students.
www.amazon.it
www.ibs.it
https://www.libreriauniversitaria.it

mode

face-to face Lessons by power point and videos projection.

classRoomMode

Attendance at lessons is optional.

bibliography

M. Barbanera, Il museo impossibile, Roma 2013.
L. Cataldo-M. Paraventi, Il museo oggi. Modelli museologici e museografici nell’era della digital transformation, Milano 2023.
T. W. Gaehtgens-L. Marchesano, Display and Art History: the Duesseldorf Gallery and its Catalogue, Los Angeles 2011.
F. Haskell, The King's Picture: the formation and dispersal of the collections of Charles I and his courtiers, New Haven 2013.
M.V. Marini Clarelli, Il museo nel mondo contemporaneo. La teoria e la prassi, Roma 2011.
M. Marroni, Canino, museo a cielo aperto di Luciano Bonaparte, ed. Silvio Pellico 2014.
M.C. Mazzi, In viaggio con le Muse, Edifir, Firenze 2005.

Teacher's Profile

courseProgram

The birth of the art exhibitions in XVII century; features of the first art exhibitions in Italy, France, Great Britain; Terminology problems related to museum history; historical events of museums from the eighteenth century to present; Impressionists’ and avantguard’s exhibitions; Case studies on digital Museology and virtual exhibitions.

examMode

Oral examination on books assigned with critical comparison between bibliographical sources.
Three basic questions will be asked on the main exam texts, requiring knowledge of the topics, their critical understanding and the adoption of an appropriate italian language.

books

1) F. Haskell, La nascita delle mostre, Skira, Milano 2002, pp. 23-111; 147-188.
2) S. Rinaldi, F. Ricci, Museologia e storia dell'arte nella Tuscia, ArcheoAres, Viterbo 2014 (pdf on Moodle).
3) S. Rinaldi, Arte Contemporanea. Le tecniche pittoriche dall’Impressionismo all’Astrattismo, Carocci, Roma 2024.
Same books for non-attending students.
www.amazon.it
www.ibs.it
https://www.libreriauniversitaria.it

mode

face-to face Lessons by power point and videos projection.

classRoomMode

Attendance at lessons is optional.

bibliography

M. Barbanera, Il museo impossibile, Roma 2013.
L. Cataldo-M. Paraventi, Il museo oggi. Modelli museologici e museografici nell’era della digital transformation, Milano 2023.
T. W. Gaehtgens-L. Marchesano, Display and Art History: the Duesseldorf Gallery and its Catalogue, Los Angeles 2011.
F. Haskell, The King's Picture: the formation and dispersal of the collections of Charles I and his courtiers, New Haven 2013.
M.V. Marini Clarelli, Il museo nel mondo contemporaneo. La teoria e la prassi, Roma 2011.
M. Marroni, Canino, museo a cielo aperto di Luciano Bonaparte, ed. Silvio Pellico 2014.
M.C. Mazzi, In viaggio con le Muse, Edifir, Firenze 2005.

Learning objectives

- methodological skills useful for critical reading of the texts, in Greek for the students who intend to obtain in the SS-L-FIL-LET / 02 the 24 credits necessary to access the teaching class A 13, in Italian translation with elements of Greek lexicon for students following other courses
- knowledge of the main critical instruments
- good capacity of analysis and independent research.

Teacher's Profile

courseProgram

Monographic course

The myth, the journey, the return. Readings from the Odyssey.
After a few introductory lectures intended to illustrate Greek literary production in its general outlines, the course will focus, through the reading and commentary of the most significant passages, on some of the main characters of the Odyssey, in particular on the female characters, hitherto partly neglected, analysing their traits in relation to the objects that characterise them and determine their functions, during Odysseus' journey or at the crucial moments of his return.

General Part

Greek literature from Homer to the Hellenistic age. A list of genres and authors will be uploaded on the Moodle platform.

examMode

The oral exam will be aimed at verifying the knowledge acquired through the study of the Greek literature textbook, the knowledge of the problems discussed in the monographic course, and the ability to understand and contextualise the texts translated in the lessons. Any seminar contribution offered during the course of the lectures will also be assessed

books

For the monographic part
- the texts uploaded on Moodle during the lessons are an integral part of the programme
- a translation of your choice of the Iliad with the Greek text beside it, e.g. by G.A. Privitera, Mondadori, or R. Calzecchi Onesti, Einaudi.

For the general part
- a textbook of Greek literature of your choice among those presented and discussed during the introductory lectures.

For non-attending students
- a textbook of Greek literature
- at least two texts of your choice, one in poetry, one in prose, within the Greek literary tradition
- a critical essay relating to the texts chosen for the examination.
Handbook, texts to be translated, critical essay are to be agreed upon by interview during reception hours at least one month before the exam.

mode

Lessons will be opened to the dialogue with students. Optional seminars will be arranged between teacher and students on selected topics.

classRoomMode

not compulsory, but highly recommended.

bibliography

Further bibliography will be indicated in the course of the lectures.

Teacher's Profile

courseProgram

Monographic course

The myth, the journey, the return. Readings from the Odyssey.
After a few introductory lectures intended to illustrate Greek literary production in its general outlines, the course will focus, through the reading and commentary of the most significant passages, on some of the main characters of the Odyssey, in particular the female characters, hitherto partly neglected, analysing their traits in relation to the objects that characterise them and determine their functions, during Odysseus' journey or at the crucial moments of his return.

General Part

Greek literature from Homer to the Hellenistic age. A list of genres and authors will be uploaded on the Moodle platform.

examMode

The oral exam will be aimed at verifying the knowledge acquired through the study of the Greek literature textbook, the knowledge of the problems discussed in the monographic course, and the ability to understand and contextualise the texts translated in the lessons. Any seminar contribution offered during the course of the lectures will also be assessed.

books

For the monographic part
- the texts uploaded on Moodle during the lessons are an integral part of the programme
- a translation of your choice of the Iliad with the Greek text beside it, e.g. by G.A. Privitera, Mondadori, or R. Calzecchi Onesti, Einaudi.

For the general part
- a textbook of Greek literature of your choice among those presented and discussed during the introductory lectures.

For non-attending students
- a textbook of Greek literature
- at least two texts of your choice, one in poetry, one in prose, within the Greek literary tradition
- a critical essay relating to the texts chosen for the examination.
Handbook, texts to be translated, critical essay are to be agreed upon by interview during reception hours at least one month before the exam.

mode

Lessons will be opened to the dialogue with students. Optional seminars will be arranged between teacher and students on selected topics.

classRoomMode

Class attendance is not compulsory, but highly recommended.

bibliography

Further bibliography will be indicated in the course of the lectures.

Learning objectives

The purpose of the course is to delve into the approaches of comparatistics and use in literary and philological analysis the tools of criticism common to different cultural traditions in order to acquire the ability to read literary phenomena with a broader perspective than that of individual national literatures. By the end of the course, students should:
1. Have knowledge of the main characteristics of comparative literature and the critical-literary tools that govern the discipline; understand the peculiar aspects of humoristic literature in Europe.
2. Be able to analyze works from different literatures and cultures, understanding their production contexts.
3. Be able to form independent judgments on the topics covered in the course.
4. Be able to communicate what they have learned appropriately.
5. Be able to independently understand and interpret literary phenomena and similar texts not covered in the program.

Teacher's Profile

courseProgram

The aim of the course is twofolds: first, to introduce the perspective and specificities of Comparative Literature and to acquire knowledge of the theories and methodologies of literary criticism that have followed one another over time and that constitute a transversal heritage across different national cultures.
Once these tools have been acquired, attention will focus on the relationship between literature and visual culture.Through a historical analysis of the evolution of the gaze, with a particular emphasis on the pivotal moments from the 16th to the 18th centuries, the outcomes of this relationship in relation to literature will be elucidated. The investigation will culminate in a comprehensive examination of the intertwined histories of the novel and cinema, with select illustrative cases drawn from both Italian and foreign novels.

examMode

Oral examination; there will be the possibility of an in itinere evaluation by means of individual projects.

books

Bibliography:

- "Letterature comparate", a cura di F. de Cristofaro, Carocci 2020;
- "Teorie critiche del Novecento", a cura di E. Biagini, A. Brettoni, P. Orvieto;
- Parti da: S. Alpers, "Arte del descrivere. Scienza e pittura nel seicento olandese", Torino, Bollati Boringhieri;
- M. Cometa, "Letteratura e dispositivi della visione nell’era prefotografica", in "La finestra del testo. Letteratura e dispositivi della visione tra Settecento e Novecento", Meltemi, 2008, pp. 9-75
- M. Fusillo, "Adattamento" in "Cinema Letteratura, intermedialità", Carocci, 2023;
- the student will read in full at least two of the novels analyzed and compared with their respective film adaptations among:
- P.A.F. Choderlos de Laclos, "Le relazioni pericolose" ("Les liaisons dangereuses")
- Antonio Fogazzaro, "Piccolo mondo antico"
- Tomasi di Lampedusa, "Il Gattopardo"
- Leonardo Sciascia, "A ciascuno il suo"
- Milan Kundera, "L'insostenibile leggerezza dell'essere"



classRoomMode

Non-obligatory attendance.
Online attendance possibility.

bibliography

- "Letterature comparate", a cura di F. de Cristofaro, Carocci 2020;
- "Teorie critiche del Novecento", a cura di E. Biagini, A. Brettoni, P. Orvieto;
- S. Alpers, "Arte del descrivere. Scienza e pittura nel seicento olandese", Torino, Bollati Boringhieri;
- M. Cometa, "Letteratura e dispositivi della visione nell’era prefotografica", in "La finestra del testo. Letteratura e dispositivi della visione tra Settecento e Novecento", Meltemi, 2008, pp. 9-75
- M. Fusillo, "Adattamento" in "Cinema Letteratura, intermedialità", Carocci, 2023;
- P.A.F. Choderlos de Laclos, "Le relazioni pericolose" ("Les liaisons dangereuses")
- Antonio Fogazzaro, "Piccolo mondo antico"
- Tomasi di Lampedusa, "Il Gattopardo"
- Leonardo Sciascia, "A ciascuno il suo"
- Milan Kundera, "L'insostenibile leggerezza dell'essere"

Learning objectives

The objectives of the Contemporary History course for the academic year 2023/2024 aim to consolidate knowledge of the history of the Cold War and the ability to understand the evolution of international relations in the second half of the twentieth century, applying this knowledge to the analysis of the events of the world history of the 20th century. The improvement of study methodologies will have the aim of promoting students' autonomy of judgment and strengthening their communication skills.

Teacher's Profile

courseProgram

Each lesson lasts three hours; 16 lessons for a total of 48 hours.
Contents:
1. The contrast between Russia and the West in the nineteenth century
2. The October Revolution
3. The Second World War
4. The Tehran and Yalta Conferences
5. The division of Europe
6. The figure of Stalin
7. The Iron Curtain
8. The Marshall Plan
9. The Chinese revolution
10. The Korean War
11. Eisenhower
12. The Cuban revolution
13. The Vietnam War
14. Khrushchev
15. Kennedy
16. The Cuban revolution
17. The Cold War in the Third World
18. Ostpolitik
19. The Middle Eastern conflict
20. Henry Kissinger
21. Ronald Reagan
22. The crisis of the Soviet Union in the 1980s
23. The end of the Cold War
24. The fall of the Berlin Wall


examMode

Students who regularly attend lessons have the opportunity to prepare an 8-page paper (WORD format, Times New Roman 12 font, line spacing 1.5; without drawings, images and photographs) on the topics developed in the course, using preferentially the notes taken in class; the text of Harper can have a useful integrative function. The paper can be sent and discussed only once; in the event of a negative evaluation, the exam must be taken orally. The paper must be sent to the professor a maximum of one week before each exam date. The possibility of sending and discussing the paper is valid only for the summer (June and July) and autumn (September) sessions. After these sessions, the exam must be taken orally. Students will be evaluated with an oral test, in which the knowledge of the topics developed during the lessons will be verified, using both the paper and the book of Harper. Non-attending students will be evalueted with an oral exam, in which the knowledge of the topics included in the Harper’s book will be verified.
In both cases the methods of attribution of the vote will follow an evaluation grid expressed in thirtieths and will be the following:
1. adequate exposure of the arguments developed during the lessons (from 10 to 1, 10 = excellent ability, 1 = very bad ability, 6 = threshold for sufficiency)
2. analysis of historical phenomena (from 10 to 1, 10 = excellent knowledge, 1 = bad knowledge, 6 = threshold for sufficiency)
3. formulation of appropriate critical judgments (from 10 to 1, 10 = excellent capacity, 1 = very bad capacity, 6 = threshold for sufficiency)

books

John Harper, La Guerra Fredda, Il Mulino

mode

The course will be divided into frontal lessons, with the aim of acquiring knowledge of the history of the Cold War and the ability to understand the evolution of the history of the 20th century

classRoomMode

Class attendance is not mandatory, although it is highly recommended.

bibliography

John Harper, La Guerra Fredda, Il Mulino

Learning objectives

The purpose of the course is to master the history of Euro-American cultural development between the 15h and 20th centuries. Furthermore, during the course a seminar will be held for attending students on the re-elaboration and re-presentation of modern history, both during the modern centuries and in the following ones. At the end of the course, according to the learning objectives established in Dublin, students must be able to: 1) be aware of what has happened over the centuries and in the areas addressed and understand why (Knowledge and understanding); 2) having developed an independent reflection on the topics covered (Applied knowledge and understanding); 3) analyze and discuss texts and documents, of various kinds, understanding how historiography as well as literature has already used them (Autonomy of judgment); 4) present their own independent research in the classroom (Communication skills); 5) understand and fill any previous gaps (Ability to learn). In this process it will be essential to respect the work of all students, in groups or individuals, and to respect deadlines to better coordinate specific insights

Teacher's Profile

courseProgram

General Part: 1) General history of Central-Western Europe and the Americas from th 16th to the beginning of the 20th Century; 2) Analysis of historiographic, literary and artistic representations of the same; Discussion of the texts in the syllabus. Seminar: From settler to cowboy: the war against indigenous people in the Americas

examMode

The preparation of the student will be verified by oral test. Within this framework it will be evaluated on the basis of the following grid (in thirtieths): KNOWLEDGE AND UNDERTANDING 1-6/30 (6 = excellent; 1 = very bad); KNOWLEDGE AND UNDERSTANDING APPLIED 1-6/30 (6= excellent; 1= very bad); AUTONOMOUS JUDGMENT 1-6/30 (6=excellent; 1=very bad); COMMUNICATION SKILLS 1-6/30 (6=excellent; 1=very bad); ABILITY TO LEARN (6=excellent; 1=very bad). The result of the test will be given by the sum of the scores obtained.
Question's example: The European expansion in the 16th and 17th Centuries

books

FIRST ANNUITY:1) Emanuele Pagano, L’Italia e i suoi stati nell’età moderna, Morcelliana; 2) Matteo Al Kalak, Fuoco e fiamme. Storia e geografia dell’inferno, Einaudi; 3) Giovanni Ricci, Rinascimento conteso. Francia e Italia, un'amicizia ambigua, il Mulino; 4) Renata Ago, Roma barocca, Carocci

Per i non frequentanti: oltre ai libri del programma, bisogna portare

Seconda annualità (cioè chi sostiene l’esame una seconda volta): Lucia Felici, Senza frontiere. L’Europa di Erasmo (1538-1600), Carocci; Stefano Tabacchi, Lo Stato della Chiesa, il Mulino

NOT ATTENDING: the four books listed above plus: Franco Motta e Sabina Pavone, Lessico della storia moderna. Concetti, processi, spazi, Carocci

SECOND ANNUITY: Lucia Felici, Senza frontiere. L’Europa di Erasmo (1538-1600), Carocci; Stefano Tabacchi, Lo Stato della Chiesa, il Mulino


Seminar: From settler to cowboy: the war against indigenous people in the Americas. See materials on Moodle, and La nascita del mito western nell’Ottocento, https://www.farwest.it/?p=22103 (first release, see also the other 15)

mode

Frontal lessons (24h) + seminar (24h). The lessons are organized into teaching modules, to which the seminar is also integrated: Module I (12 hours): main developments in modern Euro-American history; II module (12 hours) main developments of the reflection on modern Euro-American history; 1st seminar phase (12 hours) the reflection on the colonization of the Americas; II seminar phase (12 hours) depictions of the westward drive. Students do not have to attend: to make the exam, they have only to prepare one more text among the ones suggested for the Seminar

classRoomMode

Attendance not mandatory

bibliography

SUGGESTED READINGS: Letture: Lucia Felici e Girolamo Imbruglia, La tolleranza in età moderna, Carocci; Antonio Violante, Giovanni Caboto. El gran armirante verso il sogno del Catai, Le Monnier Università; Alessandro Vanoli, L'invenzione dell'Occidente, Laterza; Marina Caffiero, Gli schiavi del papa, Morcelliana; Amedeo Feniello, Omicidio a Lombard Street, Laterza; Andrea Zannini, Altri Pigafetta, Viella; Adriano Prosperi, Missionari. Dalle Indie remote alle Indie interne, Laterza.

Learning objectives

1) Knowledge and understanding: knowledge of the historical data, methodologies and documents proposed; acquisition of a basic scientific vocabulary.
2) Applying knowledge and understanding: to be able to read and discuss a historical source by inserting it within its context; to be able to use the fundamental bibliographical to
3) Making judgements:to be able to identify causal links and interpret a historical phenomenon critically; to be aware of the complexity and "relativity" of historical phenomena.
4) Communication skills: to be able to present the acquired knowledge in a correct, orderly and consequential way.
5) Learning skills: to be able to use the knowledge and skills acquired and the specific language learned in view of a continuation of their learning path or the development of non-specialized professional activities.

Teacher's Profile

courseProgram

The course aims to provide students with the tools for a scientific approach to the study of Roman history, from its origins to the 'noiseless fall' of the West. The first part of the course will deal with issues of chronology, historical geography, historiography and epigraphy, alternating between lectures of a more event-oriented nature and others focusing on broad methodological issues. The second part of the course will instead have a monographic and seminar character: it will be dedicated to the study of the senate, an institution that was always present in Rome, from the monarchy to Late Antiquity, whose evolution proceeded in parallel with the many upheavals of the res publica Romana.

A) GENERAL PART
Periodization; the sources for Roman history; the Roman calendar; the birth of Rome; the age of kings; the birth of the Republic and the Roman constitution; republican institutions and the cursus honorum magistratuale; the evolution of the Republic and the civil wars; the Augustan principate; the first two centuries of imperial history; the crisis of the 3rd century; the great reformers: Aurelian, Diocletian, Constantine; the 4th century and Christian Rome; Romans and barbarians; the fall of the Western Roman Empire.

B) MONOGRAPHIC STUDY
The Senate of Rome, between change and continuity

The Senate of Rome, more than other institutions of the Res Publica, is the element of continuity that from monarchy to Late Antiquity characterised the history of Rome. From this particular assembly, composed only of magistrates and ex-magistrates and in which the Greek historian Polybius recognised a marked aristocratic element, passed all the topics of discussion that were important for the life of the Res Publica, both in the phases in which the senate's opinion actually directed the political action of the magistrates and the entire civic life of the civitas, and when it limited itself to cooperating with the emperors in the search for mediation, and when it was forced to remain a spectator of the decisions of others.
Studying the senate therefore means looking at a privileged observatory to follow the entire course of Rome's history.
The monographic part of this course will therefore be dedicated to outlining the characteristics of this assembly, its composition, the places in which it met, its calendar, its action and its limits. It will then examine an anthology of senatorial deliberations, handed down either epigraphically or in manuscript form, examining both the forms of the senatus consultum and its contents, and thus the historical-institutional-legal problems that they resolved.

Bibliography:
M. Beard, SPQR. Storia dell’antica Roma, Mondadori, Milano 2016 (ed. or. SPQR: A History of Ancient Rome, 2015, Profile Books, London 2015);
P. Brown, Il mondo tardoantico. Da Marco Aurelio a Maometto, Einaudi, Torino 2017.
P. Buongiorno, Claudio, il principe inatteso, 21 Editore, Palermo 2017.
L. Canfora, Giulio Cesare. Il dittatore democratico, Laterza, Roma-Bari 2006.
G. De Sanctis, La religione a Roma, Carocci, Roma 2012.
F. Dupont, La vita quotidiana nella Roma repubblicana, Laterza, Roma-Bari 2000.
L. Fezzi, Il dado è tratto. Cesare e la resa di Roma, Laterza 2017
A. Giardina, L’uomo romano, Laterza, Roma-Bari 2006.
A. Giardina, Roma antica, Laterza, Roma-Bari 2000.
A. Marcone, Augusto. Il fondatore dell’impero che cambiò la storia di Roma e del mondo, Salerno, Roma 2015.
S. Mazzarino, La fine del mondo antico, Bollati Boringhieri, Torino 2008.

F. Santangelo, Roma repubblicana. Una storia in quaranta vite, Carocci 2019.
R. Syme, La rivoluzione romana, Einaudi, Torino 2020.
P. Veyne, L’impero greco-romano. Le radici del mondo globale, Rizzoli, Milano 2007 (ed. or. L’empire gréco-romain, Seuil, Paris 2005).

STUDENTS WHO CAN NOT READ THE ITALIAN LANGUAGE ARE KINDLY REQUESTED TO AGREE UPON THE EXAMINATION'S BIBLIOGRAPHY WITH THE PROFESSOR.

examMode

The oral examination includes the verification of the student's knowledge of the agreed syllabus, as well as the verification of the necessary skills in the historical disciplines.

books

1) Giovanni Geraci e Arnaldo Marconi, Storia romana (con la collaborazione di A. Cristofori e C. Salvaterra), Mondadori, Milano 2016 (quarta edizione).
2) Gabirella Poma, Le istituzioni politiche del Mondo romano
3) A. Giardina, Roma antica, Laterza, Roma-Bari 2000.
4) Materiale didattico illustrato a lezione.

GLI STUDENTI CHE NON POTRANNO SEGUIRE LE LEZIONI E QUELLI ISCRITTI A SOSTENERE L'ESAME DI STORIA ROMANA COME CORSO SINGOLO, IN SOSTITUZIONE DEL MATERIALE DIDATTICO DI CUI AL PUNTO 4), SCEGLIERANNO UNO DEI SEGUENTI VOLUMI:

M. Beard, SPQR. Storia dell’antica Roma, Mondadori, Milano 2016 (ed. or. SPQR: A History of Ancient Rome, 2015, Profile Books, London 2015);
P. Brown, Il mondo tardoantico. Da Marco Aurelio a Maometto, Einaudi, Torino 2017.
P. Buongiorno, Claudio, il principe inatteso, 21 Editore, Palermo 2017.
L. Canfora, Giulio Cesare. Il dittatore democratico, Laterza, Roma-Bari 2006.
G. De Sanctis, La religione a Roma, Carocci, Roma 2012.
F. Dupont, La vita quotidiana nella Roma repubblicana, Laterza, Roma-Bari 2000.
L. Fezzi, Il dado è tratto. Cesare e la resa di Roma, Laterza 2017
A. Giardina, L’uomo romano, Laterza, Roma-Bari 2006.
A. Giardina, Roma antica, Laterza, Roma-Bari 2000.
A. Marcone, Augusto. Il fondatore dell’impero che cambiò la storia di Roma e del mondo, Salerno, Roma 2015.
S. Mazzarino, La fine del mondo antico, Bollati Boringhieri, Torino 2008.

F. Santangelo, Roma repubblicana. Una storia in quaranta vite, Carocci 2019.
R. Syme, La rivoluzione romana, Einaudi, Torino 2020.
P. Veyne, L’impero greco-romano. Le radici del mondo globale, Rizzoli, Milano 2007 (ed. or. L’empire gréco-romain, Seuil, Paris 2005).

STUDENTS WHO CAN NOT READ THE ITALIAN LANGUAGE ARE KINDLY REQUESTED TO AGREE UPON THE EXAMINATION'S BIBLIOGRAPHY WITH THE PROFESSOR.

mode

Teaching is scheduled in the classroom frontally. In the event of difficulties for attendees or lecturers, distance learning is planned.

classRoomMode

Attendance is recommended but not compulsory

Learning objectives

In the course the main lines that identify the contents of the modern age from the XV century to the first half of the XVII with preliminary attention to the historiographic categories, to the interpretative orientations, to the sources and the instruments proper of the discipline will be analyzed and discussed. The educational objective is to offer students solid foundations for acquiring a cognitive and critical familiarity with the "general history" of the modern age and in particular that linked to the events that have characterized the geopolitical area of ​​central Europe (Bohemia , Hungary, Rzeczpospolita (Poland and Grand Duchy of Lithuania), principalities of Wallachia and Moldavia and the Ottoman Empire.
The lessons will focus mainly on the following topics: Europe and its interrelation with non-European worlds; Crisis and identity of Italy and modern Europe; The ancient regime society: classes and classes; Economic models: the land, work, finance and the market in the modern age; Political systems and their dynamics: empire, monarchies and republics; Family and demography. A special and in-depth examination of the diplomatic relations between the Holy See and continental and center Europe will be made.
Students will be able to understand the historical-political evolution of the central-eastern states during the modern age.
1)applying knowledge and understanding; Through the classroom discussion, individual study and, with the possible research carried out by study groups, students will be able to develop research projects, also by resorting to the examination of unpublished sources to be submitted to the judgment of the teacher and of those attending seminar meetings.
2)making judgements; Students will be able to analyze and synthesize original texts and documents they will be able to make independent judgments
3)communication skills; Attending students will have to present the results of the recommended and agreed critical readings at the beginning of the lessons, suitably integrated also by web searches.
4)learning skills The verification of the acquired knowledge will serve to highlight and fill any previous gaps.

Teacher's Profile

courseProgram

Course Overview
The course aims to provide students with an in-depth understanding of the history Europe during the long early modern period (from the 16th to the 19th century), with a specific focus on the use of images as a tool of power and a vehicle for collective memory. Through an interdisciplinary approach that integrates history, geography, literature, and visual history, the course seeks to:

Analyze the relationship between art and power in the Central and Eastern European regions, with particular attention to the dynamics of political legitimization and the influence of totalitarian experiences.
Examine the relationship between image and text**, understanding how visual representations have been used in literature and various media to influence culture and collective memory.
Investigate the genesis and dynamics of iconic memory**, both at the individual and collective levels, exploring the intersection of history and society.

Course Structure

Module 1: Introduction to the History of Central and Eastern Europe (16th-19th Century)
- Geographical and political context of Central and Eastern Europe.
- Power dynamics and international relations.
- Major historical events: Reformation, religious wars, multinational empires, revolutions, and restorations.

Module 2: Art and Power in the Eastern Europe
- The representation of power in visual arts.
- The iconography of power: sovereigns, national symbols, and propaganda.
- The totalitarian experience and the use of art for social control.

Module 3: Image and Text - Visual and Literary Culture
- The dialogue between image and literature: illustrations, engravings, and paintings.
- Media and propaganda: print, posters, and the construction of collective identity.
- Case studies: analysis of literary and artistic works as a reflection of society.

examMode

The exam will take place in oral form.
The exam will be divided into three parts corresponding to a minimum of three main questions or questions that will be put to the student.
The first will be aimed at ascertaining the general framework skills of the theme or of one of the topics dealt with in the course or in the texts, and serves to evaluate the argumentative and synthesis skills.
The second question will be aimed at verifying the ability to deepen and critically analyze one of the aspects that emerged from the treatment of the first question.
The third question will be aimed at assessing the degree of completeness of the information and accuracy of the preparation.

books

A History of Modern Poland From the Foundation of the State in the First World War to the Present Day
Di Hans Roos, Hans Otto Meissner · 1966
Poland: A Modern History Paperback – October 30, 2012
by Anita Prazmowska
God's Playground: A History of Poland, Vol. 1: The Origins to 1795 Paperback – May 31, 2005
by Norman Davies

mode

frontal lessons (40 hours) and seminars (8 hours)
First module (10 hours)
Illustration of the main themes of modern history in the countries of Central and Eastern Europe, in particular through the presentation of economic, social and family structures, changes in state forms, the sixteenth-century religious divide and the subsequent processes of religious control and social discipline, the end of the ancient regime between reforms and revolutions.
Second module (10 hours)
Poland is among the European states the one that has lived, from the modern age to the present, the most troubled existence. Crushed between two giants, the Russian and the German, canceled twice by the political paper and sometimes risen from their ashes and those of a continent upset by world conflicts that designated it the scene of the most serious human catastrophes of recent history, reconstituted by new frontiers, has recovered stability at the price of its political autonomy. Only the last twenty years, appealing to the determination and courage of all its social and intellectual forces, has regained full independence with the dissolution of the geopolitical system to whose crisis has made a decisive contribution. The course aims to retrace the most important events in the history of Poland to compare with those of continental Europe. Moments of union but also of division, of meetings but also of contrasts. Events that make Poland a laboratory? of unique ideas and institutional forms in the modern and contemporary Europe.
Third module (14 hours):
Analysis of the uncertain cultural and social identities in Central and Eastern Europe and their relationship with the Ottoman power in the modern age
Module IV (14 hours)
The Ottoman Christian conflict in the heart of Europe from the mid-1500s to the peace of Carlowits 1699.

classRoomMode

frontal lessons (40 hours) and seminars (8 hours)
First module (10 hours)
Illustration of the main themes of modern history in the countries of Central and Eastern Europe, in particular through the presentation of economic, social and family structures, changes in state forms, the sixteenth-century religious divide and the subsequent processes of religious control and social discipline, the end of the ancient regime between reforms and revolutions.
Second module (10 hours)
Poland is among the European states the one that has lived, from the modern age to the present, the most troubled existence. Crushed between two giants, the Russian and the German, canceled twice by the political paper and sometimes risen from their ashes and those of a continent upset by world conflicts that designated it the scene of the most serious human catastrophes of recent history, reconstituted by new frontiers, has recovered stability at the price of its political autonomy. Only the last twenty years, appealing to the determination and courage of all its social and intellectual forces, has regained full independence with the dissolution of the geopolitical system to whose crisis has made a decisive contribution. The course aims to retrace the most important events in the history of Poland to compare with those of continental Europe. Moments of union but also of division, of meetings but also of contrasts. Events that make Poland a laboratory? of unique ideas and institutional forms in the modern and contemporary Europe.
Third module (14 hours):
Analysis of the uncertain cultural and social identities in Central and Eastern Europe and their relationship with the Ottoman power in the modern age
Module IV (14 hours)
The Ottoman Christian conflict in the heart of Europe from the mid-1500s to the peace of Carlowits 1699.

bibliography

A History of Modern Poland From the Foundation of the State in the First World War to the Present Day
Di Hans Roos, Hans Otto Meissner · 1966
Poland: A Modern History Paperback – October 30, 2012
by Anita Prazmowska
God's Playground: A History of Poland, Vol. 1: The Origins to 1795 Paperback – May 31, 2005
by Norman Davies

Learning objectives

The Geography course aims to provide analyses and insights into the geographical realities of the various branches of the discipline, methodological and technological innovations and the positive effects on teaching, also through the acquisition of soft skills, simulations and gamification.
The future geography teacher must be able to critically and operationally navigate the sources and tools of a constantly evolving discipline.
The course intends to develop critical skills that will allow them to work individually, or in groups on autonomous projects also through, lateral thinking, or creative thinking, questioning stereotypes and commonplaces that accompany the study of geography.
Group work and cooperative learning is the basis of the entire knowledge process, so that the student will be able to work on formative and didactic processes.
Expected learning objectives at the end of the course, the student should be able to:
1. To know and understand the main elements characterising geography and, in particular, the didactics of geography and the geography of tourism.
2. Know how to analyse and understand the theoretical elements acquired, in actions and policies on the territory, with concrete examples, business plans, swot analysis, study and application of case studies.
3. The student should be able to make personal judgements concerning the geography of tourism and the didactics of geography.
4. The student should be able to adequately communicate the knowledge and skills acquired in the course of study using the specific vocabulary.
5. The student must be able to independently understand and interpret phenomena concerning the geography of tourism and the didactics of geography, including those do not present in the course.

Teacher's Profile

courseProgram

The 48-hours program is divided into a mixed mode, also in the presence of experts in the field. The lessons consist of a theoretical basis, a group exercise and classroom discussion of the results and processes.

Teaching uses simulations, distance learning, elaborated, personal and group research. The teaching takes into account all the special needs of the students.

The lessons aim to train future teachers with a wide range of skills in the fields of disciplinary and interdisciplinary teaching, as well as those related to the important social and educational dimension of the subject.

In addition to acquiring specific knowledge and skills, the student will acquire analytical, critical skills and improve his ability to work in a team.

It is expected that the learner will learn an innovative teaching of Geography, which accompanies lectures, workshops, direct surveys on the ground, using reliable and updated sources, using information technologies in disciplinary teaching and forms of participatory teaching.

examMode

The learning is verified also in the way, for this the presence is recommended, even if not obligatory.

The ongoing evaluation will take place with an individual and group final project. The exam will be oral, with examples of preparation of a didactic unit of geography.

books

1. G. De Vecchis, D. Pasquinelli D'Allegra, C. Pesaresi. Didattica della Geografia. Edizione 2020, UTET Università.

2. Teacher’s slides.

classRoomMode

Not mandatory, but recommended.

Learning objectives

The aim of this course is to show, both from a theoretical and pragmatic point of view, the "re-mediation" made by the computational tool of the idea of the book. Examples of digital editions will be analyzed, starting from the electronic book to electronic scholarly editions, with a strong emphasis both on the document-centric aspect, represented by the text encoding and in particular by the language of the Text Encoding Initiative (TEI), and on the datacentric one, represented by relational databases and the Semantic Web. Then tools for the analysis of the literary text and the representation of primary sources will be presented and analyzed. The change in documentary forms is linked to a corresponding change in the forms and modalities of the storytelling, and therefore digital storytelling will also be addressed in the course.

Teacher's Profile

courseProgram

The Electronic Publishing course main aim is to illustrate, both from a theoretical and pragmatic point of view, the "remediation" mode through the computational tool of the "object" book. Thus, several examples of digital editions will be examined, starting from electronic books up to critical digital editions, with a strong emphasis on the document-centric aspect, represented by textual encoding and in particular the Text Encoding Initiative (TEI) standard. Subsequently, tools for analysing literary text and the representation of primary sources will be illustrated and analyzed. This change in documentary forms is also linked to a corresponding change in the forms and modalities of storytelling, and therefore the topic of digital and transmedia storytelling will also be addressed within the course, together with an introduction to the relevant related tools.

examMode

Students will be evaluated through an interview about the course textbooks. Attending students may also present a digital publishing project featuring a strong narrative and/or editorial component.

books

For those who do not have the Electronic Publishing course in their curriculum, which must be taken before this qualitification, the syllabus is as follows:

- Francesco Tissoni. Teoria e pratica dell'editoria multimediale.. Milan: Editrice Bibliografica, 2024.
- Fabio Ciotti. Il manuale TEI Lite. Introduzione alla codifica elettronica dei testi letterari. MIlan: Sylvestre Bonnard, 2005. (please contact the Professor)
- Henry Jenkins. Cultura convergente. Milan: Apogeo 2007.
- John Yorke. Viaggio nel bosco narrativo. Rome: Audino, 2017.
- Federico Meschini. Oltre il libro. Forme di testualità e Digital Humanities. Milan: Editrice Bibliografica, 2020.

For those who have the Electronic Publishing course in their curriculum the programme for this qualification will be discussed with the Professor.

classRoomMode

Attendance is not mandatory.

bibliography

- Fabio Ciotti (ed.). Digital humanities. Metodi, strumenti, saperi. Rome: Carocci, 2023.

Learning objectives

The subject of the course is Paleography, the discipline that studies the History of writing, and in particular of handwriting based on the Latin alphabet, in its different phases, from its origins to the diffusion of movable type printing.
Knowledge and understanding: The student will learn the fundamental principles and the proper method of Paleography, as well as the path traveled by the graphic system as a whole and through its branches, the techniques used to write in different eras, the process of producing the testimonies written and finally the products of this process themselves, in relation to their graphic aspect, whether they are books, inscriptions, documents or writings of an individual and private nature.
Applying knowledge and understanding: The student, thanks also to the exercises, at the end of the course will be able to identify the different epigraphic, book and documentary writings, dating and localizing them, to analyze single written testimonies, reading them critically and transcribing them correctly, recognizing alphabetic and accessory signs (interpunctives, orthographic and critical, numeral digits, etc.) and decipher the related compendia.
Making judgments: The student will acquire the tools to deal independently and critically with epigraphic, literary and documentary handwritten texts and to deepen their knowledge on the subjects of the discipline.
Communication skills: Students will be able to communicate clearly and correctly, even to non-specialists, the knowledge and skills acquired, the subject of Paleography, its methodology and its purposes.
Learning skills: Students will have acquired the tools and skills to continue the study of the discipline independently.

Teacher's Profile

courseProgram

The paleographic terminology. Media and writing tools (brush and scratch writing on plaster, wax tablets, papyrus, scroll and codex, parchment, paper). The paleographic transcription.
The first phase of writing: from its origins to Late Antiquity. The archaic Latin alphabet. The Epigraphic Capital. The uppercase cursive with scratch and quill. The Roman Book Capital. The origins of the Minuscule. The New Roman Cursive. The Uncial. The Semi-Uncial. The Chanceries scripts. Punctuation and abbreviations in the Roman Age. The “Nomina Sacra”.
The second phase of writing: origins and development of graphic particularism in the Early Middle Ages. The Insular scripts. The Merovingian minuscule. The Visigothic. Early medieval writings in Italy. The Papal Curial (Chancery) script. The Beneventan script. The abbreviation system in the Middle Age.
The third phase of writing: the return to the unity of writing in the High Middle Age. The Caroline minuscule. The “Romanesca” minuscule. The Diplomatic minuscule.
The fourth phase of writing: the Gothic era. The Transition minuscule. The “Littera textualis” and the “Litterae scholasticae”. The “Cancelleresca” minuscule. The Merchant script. The French Bastard.
The fifth phase of writing: the reaction to Gothic writing and the scripts of Humanism and Renaissance. Francesco Petrarca and the Semi-gothic. Coluccio Salutati and the “Pre-antiqua”. Poggio Bracciolini and the “Antiqua” or Humanistic minuscule. Niccolò Niccoli and the Humanistic cursive. The Semi-gothic cursive scripts (“Semigotiche delle carte”). The Humanistic Epigraphical Capital. Handwriting in Italy after the invention and diffusion of printing: “Antiqua tonda” and “Italica”.

examMode

To take the oral exam, it is necessary to have passed a pre-exam in time, focused on: paleographic terminology; the subjects, tools and techniques of the manuscript book; the abbreviations of the Roman Age and the Middle Ages; the “Nomina Sacra”; the writings of the Roman Age and the Early Middle Ages; the reading, transcription and commentary of some paleographic tables examined during the lessons and exercises.
The oral exam focuses on: the scriptures from the Carolingian Age to the Early Modern Age; the reading, transcription and commentary of some paleographic tables examined during the lessons and exercises.

books

- Armando Petrucci, “Breve storia della scrittura latina”, Roma, Bagatto Libri, 1992.
- Paolo Cherubini, “La scrittura latina: storia, forme, usi”, Roma, Carocci Editore, 2019.
- Lecture notes and palaeography tables distributed during lessons and exercises. Many tables are taken from: “Paleografia latina. Tavole”, edited by Paolo Cherubini, Alessandro Pratesi, Città del Vaticano, Scuola Vaticana di Paleografia, Diplomatica e Archivistica, 2004.

mode

The lessons, which will be held in person except for specific situations and particular emergencies, will all be broadcast live and recorded on the digital platform of the University.

classRoomMode

Attendance to lessons and exercises is highly recommended. In any case, lessons and exercises are all registered and are available on the digital platform of the University.
Students who cannot attend lessons and intend to take the exam are required to contact the teacher at the beginning of the course, by telephone or WhatsApp (3509442575) or by e-mail (fm.cardarelli@unitus.it), indicating their telephone number.

bibliography

- Armando Petrucci, “Breve storia della scrittura latina”, Roma, Bagatto Libri, 1992.
- Paolo Cherubini, “La scrittura latina: storia, forme, usi”, Roma, Carocci Editore, 2019.
- Paolo Cherubini, Alessandro Pratesi, “Paleografia latina. L’avventura grafica del mondo occidentale”, Città del Vaticano, Scuola Vaticana di Paleografia, Diplomatica e Archivistica, 2010.
- Giorgio Cencetti, “Lineamenti di Storia della scrittura latina”, Bologna, Pàtron Editore, 1997.
- “Paleografia latina. Tavole”, edited by Paolo Cherubini, Alessandro Pratesi, Città del Vaticano, Scuola Vaticana di Paleografia, Diplomatica e Archivistica, 2004.
- Marco Cursi, “Le forme del libro. Dalla tavoletta cerata all’e-book”, Bologna, Il Mulino, 2016.

Learning objectives

Formative Objectives:

The course aims to provide an essential knowledge of the main characteristics of the literature of the late republican age and the work of Catullus; a mastery of the theoretical and critical tools necessary for the analysis and interpretation of Latin literary texts; direct knowledge of Catullus’ poetic text through reading and commentary.

Expected learning outcomes: At the end of the teaching the student will have:

1) Knowledge of the main features of late republican literature’ history; knowledge of Catullus’ Liber
2) Ability to analyse Latin literary history of Late republican age and comprehend her diachronic development; ability to analyse and discuss appropriately Catullus’ poems
3) Ability to formulate autonomous judgements on the course’s themes
4) Ability to adequately communicate what learned
5) Ability to comprehend and interpret autonomously literary phenomena and similar texts not included in the programme.

Teacher's Profile

courseProgram

Title: Ovid’s Metamorphoses

Programme: the course is focused on Ovid’s Metamorphoses, poem which represent an original transfornation of epic form. The work will be analysed in the historical and cultural context of Augustan Age, paying peculiar attention to the tradition of epic genre in Rome and to Vergil’s Aeneid. Object of in-dept analysis will be ideological features, models, structure, language and style of the poem. The course aims to provide a critical knowledge of Ovid’s epic poem. The goal will be pursued through reading and literary-philological analysis of an anthology of the poem’s episodes.

examMode

The examination is oral and consists of two parts: in the first part, the student must demonstrate knowledge of the main features of Latin literary history; in the second part, the student must demonstrate the ability to translate, analyse and comment on the literary texts on the syllabus: the level of content knowledge demonstrated (superficial [18-21], appropriate [22-26], precise and complete [27-29], complete and thorough [30]), the ability to make a critical sense and formulate judgments (sufficient [18-24]], good [25-28], excellent [29-30]), the mastery of expression (deficient exposition [18-21], simple [22-25], clear and correct [26-28], secure and correct [29-30]).

books

A complete edition of Ovid’s Metamorphoses with Latin text (suggested: Ovidio, Le metamorfosi, intr. di G. Rosati, trad. di G. Faranda Villa, note di R. Corti, Milano, Rizzoli BUR, 1994, with many reprints, ISBN: 9788817129763); L. Galasso, Ovidio: Guida alle Metamorfosi, Roma, Carocci Editore, 2023, ISBN: 9788829020683; L. Galasso, La letteratura latina in età ellenistica, Roma, Carocci Editore, 2021, ISBN: 9788829009381; G. Rosati, Mito e potere nell'epica di Ovidio, «MD» 46 (2001), pp. 39-61.

classRoomMode

Attendance in this course is optional, but highly recommended.

bibliography

More bibliography and didactic materials will be given during the course (for attending students).
Non attending students have to contact the professor for a programme.

Teacher's Profile

courseProgram

Title: Ovid’s Metamorphoses

Programme: the course is focused on Ovid’s Metamorphoses, poem which represent an original transfornation of epic form. The work will be analysed in the historical and cultural context of Augustan Age, paying peculiar attention to the tradition of epic genre in Rome and to Vergil’s Aeneid. Object of in-dept analysis will be ideological features, models, structure, language and style of the poem. The course aims to provide a critical knowledge of Ovid’s epic poem. The goal will be pursued through reading and literary-philological analysis of an anthology of the poem’s episodes.

examMode

The examination is oral and consists of two parts: in the first part, the student must demonstrate knowledge of the main features of Latin literary history; in the second part, the student must demonstrate the ability to translate, analyse and comment on the literary texts on the syllabus: the level of content knowledge demonstrated (superficial [18-21], appropriate [22-26], precise and complete [27-29], complete and thorough [30]), the ability to make a critical sense and formulate judgments (sufficient [18-24]], good [25-28], excellent [29-30]), the mastery of expression (deficient exposition [18-21], simple [22-25], clear and correct [26-28], secure and correct [29-30]).

books

A complete edition of Ovid’s Metamorphoses with Latin text (suggested: Ovidio, Le metamorfosi, intr. di G. Rosati, trad. di G. Faranda Villa, note di R. Corti, Milano, Rizzoli BUR, 1994, with many reprints, ISBN: 9788817129763); L. Galasso, Ovidio: Guida alle Metamorfosi, Roma, Carocci Editore, 2023, ISBN: 9788829020683; L. Galasso, La letteratura latina in età ellenistica, Roma, Carocci Editore, 2021, ISBN: 9788829009381; G. Rosati, Mito e potere nell'epica di Ovidio, «MD» 46 (2001), pp. 39-61.

classRoomMode

Attendance in this course is optional, but highly recommended.

bibliography

More bibliography and didactic materials will be given during the course (for attending students).
Non attending students have to contact the professor for a programme.

Learning objectives

1.Knowledge and understanding: achieving knowledge and understanding of the social and communicative processes and consumption practices that are transforming the relationship between producers and consumers.
2. Applied knowledge and understanding: apply knowledge and understanding in the analysis of images, communication campaigns and advertising, communication processes and cultural and consumption practices developed during the course.
3. Making judgements: master's students must achieve critical judgment skills on consumption processes, on the advertising and brand system, on their meanings and on the dynamics that characterize the connections between consumption and culture in current societies.
4. Communication skills: develop oral and media communication skills, expression skills and competence in the use of specialized languages ​​of the field.
5. Ability to learn: achieve learning skills to develop skills in the field of interdisciplinary research that insists on the field of image, consumption, brand.

Students acquire these skills through discussion in the classroom, discussions with classmates during lessons and exercises, the argumentation of the answers to the teacher's questions during lessons, the presentation of group work and during the exam.

Teacher's Profile

courseProgram

The course aims to provide students with the main conceptual and methodological tools necessary for a correct understanding of the nature of the consumer and the central role of digital images in his daily life, relating image, brand and advertising to each other in the contemporary scenario.
In particular, the course intends to reconstruct the evolution of the relationship between forms of consumption, cultural practices and communication processes, starting from the origins of the culture of consumption to date, integrating the various sociological analyzes. Subsequently, the course will examine the ways in which companies try to develop an advertising strategy considering the main stages of the historical evolution of advertising and brand communication, focusing on the connections between image and consumption functional to analysis of the processes of change affecting contemporary society.
In this context, a monographic space will be given to the analysis of stardom and star strategy in the contemporary globalized and digital scenario.

examMode

Oral exam and evaluation of the work done by the students.
For attending students it is possible to propose a paper (written or multimedia) on a case study agreed with the teacher: in fact the oral exam can be possibly integrated by individual or group application activities that will be evaluated by the teacher. during the cycle of didactic activities.

The exam will focus on verifying the knowledge acquired with respect to: the interactions between the processes of evolution of forms of consumption, cultural practices and communication processes; the historical and theoretical evolution of consumer research and in particular of the sociology of consumption; the image, the brand, advertising, historical evolution and contemporary society.

books

1. N. Barile, Brand new world. Il consumo delle marche come forma di rappresentazione del mondo, Lupetti, Bologna 2009 (ISBN 978-88-8391-264-1), tutto il volume per un totale di 190 pagine.

2. R. Sennett, L’uomo artigiano, Feltrinelli, Bologna 2009 (ISBN 9788807104398), tutto il volume per un totale di 280 pagine.

3. A book of your choice:

IMAGE
G. Fiorentino, B. Terracciano, La mascherina è il messaggio, Franco Angeli, Milano 2022 (ISBN 9788835135579), tutto il volume.
G. Fiorentino, Il sogno dell'immagine. Per un'archeologia fotografica dello sguardo. Benjamin, Rauschenberg e Instagram, Meltemi, Milano 2019 (ISBN 8855190571), tutto il volume.
J. Fontcuberta, La furia delle immagini. Note sulla postfotografia, Einaudi, Torino 2018 (ISBN 978-88-06-23700-4 ),tutto il volume per un totale di 233 pagine.
A.Gunthert, L’immagine condivisa. La fotografia digitale, Contrasto, Roma 2016 (ISBN 978-88-6965-6910), tutto il volume per un totale di 174 pagine.
W.J.T. Mitchell, Scienza delle immagini. Iconologia, cultura visuale ed estetica dei media, Joahn & Levi, Cremona 2018 (ISBN 978-88-6010-199-0), tutto il volume per un totale di 229 pagine.
A. Pinotti, Il primo libro di teoria dell'immagine, Einaudi, Torino 2024 (ISBN 9788806254889), tutto il volume per un totale di 318 pagine.
A. Pinotti, Alla soglia dell'immagine. Da Narciso alla realtà virtuale, Einaudi, Torino 2022 (ISBN 9788806244422), tutto il volume per un totale di 210 pagine.

BRAND
M. Danesi, Brands. Il mondo delle marche, Carocci, Roma 2009 (ISBN 978-88-430-5040-6), tutto il volume per un totale di 187 pagine.
G. Marrone, Il discorso di marca. Modelli semiotici per il branding, Laterza, Roma-Bari 2008 (ISBN 978-88- 420-8462-4) da pag. 3 a pag. 151 e da pag. 255 a pag. 333, per un totale di 225 pagine.
V. Gabrielli, Brand communication, il Mulino, Bologna 2014 (ISBN 978-88-15-25242-5), tutto il volume per un totale di 239 pagine.

CONSUME
V. Codeluppi, Manuale di sociologia dei consumi, Carocci, Roma 2006 (ISBN 88-430-3552-5): da pag. 9 a pag.189, per un totale di 180 pagine.
M. Franchi, Il senso del consumo, Bruno Mondadori, 2007 (ISBN 88-615-9067-5), tutto il volume per un totale di 216 pagine.
L. Leonini, R. Sassatelli, Il consumo critico, Laterza, Roma-Bari 2008 (ISBN 978-88-420-8597-3) tutto il volume per un totale di 200 pagine.
I. Pezzini, P. Cervelli, Scene del consumo: dallo shopping al museo, Meltemi, Roma 2006 (ISBN 88-8353-485-9) da pagina 7 a pagina 202 e da pagina 381 a pagina 414, per un totale di 230 pagine.

ADVERTISING
M. Vecchia, Hapù. Manuale di tecnica della comunicazione pubblicitaria, Lupetti, Bologna 2003 (ISBN 978-88-8391-097-5): da pag. 9 a pag. 21; da pag.49 a pag.146; da pag.168 a pag.192; da pag. 235 a pag.305; per un totale di 210 pagine.
F. Fasce, Le anime del commercio. Pubblicità e consumi nel secolo americano, Carocci, Roma 2012 (ISBN: 9788843065776), tutto il volume per un totale di 214 pagine.
P. Colaiacomo, a cura di, Fatto in Italia. La cultura del made in Italy, Meltemi, Roma 2007 (ISBN 88-8353-495-6), tutto il volume per un totale di 160 pagine.
S. De Iulio, Studiare la pubblicità. Teorie, analisi e interpretazioni, Franco Angeli, Milano 2018 (ISBN 9788891770677), tutto il volume per un totale di 105 pagine.

SERIALITA’ CROSSMEDIALE
G. Boccia Artieri, G. Fiorentino, a cura di, Storia e teoria della serialità. Vol. III – Le forme della narrazione contemporanea tra arte, consumi e ambienti artificiali, Meltemi, Milano 2024 (9791256150267), tutto il volume.
S. Brancato, S. Cristante, E. Ilardi, a cura di, Storia e teoria della serialità. Vol. II – Il Novecento: dalle narrazioni di massa alla svolta digitale, Meltemi, Milano 2024 (9788855199551), tutto il volume.
G. Ragone, F. Tarzia, a cura di, Storia e teoria della serialità. Vol. I – Dal canto omerico al cinema degli anni Trenta, Meltemi 2023 (ISBN 9788855198172), tutto il volume.


4. A book of your choice:
J. Seguela, Hollywood lava più bianco, Lupetti, Bologna, 1986 (ISBN 9788886302876), tutto il volume per un totale di 230 pagine.
O. Ricci, Celebrità 2.0. Sociologia delle star nell’epoca dei new media, Mimesis, Milano 2013 (ISBN 9788857518329), tutto il volume per un totale di 103 pagine.
V. Codeluppi, Tutti divi. Vivere in vetrina, Laterza, Roma-Bari, 2009 (ISBN 978 88 58 113554) tutto il volume per un totale di 125 pagine.
V. Codeluppi, Il divismo. Cinema, televisione, web, Carocci, 2017 (ISBN:9788843089437), tutto il volume per un totale di 121 pagine.

mode

The course includes lectures that combine the cultural theoretical treatment with the presentation and discussion of concrete case studies. In addition, parts of the course will be enriched by workshops, interventions by external experts, visits to companies or institutions in the area.
- Frontal lessons.
- Workshops.
- Group work.
- Meetings with external specialists.
- Field visits.

classRoomMode

Attendance not compulsory, recommended

bibliography

IMMAGINE
G. Fiorentino, B. Terracciano, La mascherina è il messaggio, Franco Angeli, Milano 2022 (ISBN 9788835135579), tutto il volume.
G. Fiorentino, Il sogno dell'immagine. Per un'archeologia fotografica dello sguardo. Benjamin, Rauschenberg e Instagram, Meltemi, Milano 2019 (ISBN 8855190571), tutto il volume.
J. Fontcuberta, La furia delle immagini. Note sulla postfotografia, Einaudi, Torino 2018 (ISBN 978-88-06-23700-4 ),tutto il volume per un totale di 233 pagine.
A.Gunthert, L’immagine condivisa. La fotografia digitale, Contrasto, Roma 2016 (ISBN 978-88-6965-6910), tutto il volume per un totale di 174 pagine.
W.J.T. Mitchell, Scienza delle immagini. Iconologia, cultura visuale ed estetica dei media, Joahn & Levi, Cremona 2018 (ISBN 978-88-6010-199-0), tutto il volume per un totale di 229 pagine.
A. Pinotti, Il primo libro di teoria dell'immagine, Einaudi, Torino 2024 (ISBN 9788806254889), tutto il volume per un totale di 318 pagine.
A. Pinotti, Alla soglia dell'immagine. Da Narciso alla realtà virtuale, Einaudi, Torino 2022 (ISBN 9788806244422), tutto il volume per un totale di 210 pagine.

BRAND
M. Danesi, Brands. Il mondo delle marche, Carocci, Roma 2009 (ISBN 978-88-430-5040-6), tutto il volume per un totale di 187 pagine.
G. Marrone, Il discorso di marca. Modelli semiotici per il branding, Laterza, Roma-Bari 2008 (ISBN 978-88- 420-8462-4) da pag. 3 a pag. 151 e da pag. 255 a pag. 333, per un totale di 225 pagine.
V. Gabrielli, Brand communication, il Mulino, Bologna 2014 (ISBN 978-88-15-25242-5), tutto il volume per un totale di 239 pagine.

CONSUMI
V. Codeluppi, Manuale di sociologia dei consumi, Carocci, Roma 2006 (ISBN 88-430-3552-5): da pag. 9 a pag.189, per un totale di 180 pagine.
M. Franchi, Il senso del consumo, Bruno Mondadori, 2007 (ISBN 88-615-9067-5), tutto il volume per un totale di 216 pagine.
L. Leonini, R. Sassatelli, Il consumo critico, Laterza, Roma-Bari 2008 (ISBN 978-88-420-8597-3) tutto il volume per un totale di 200 pagine.
I. Pezzini, P. Cervelli, Scene del consumo: dallo shopping al museo, Meltemi, Roma 2006 (ISBN 88-8353-485-9) da pagina 7 a pagina 202 e da pagina 381 a pagina 414, per un totale di 230 pagine.

PUBBLICITA’
M. Vecchia, Hapù. Manuale di tecnica della comunicazione pubblicitaria, Lupetti, Bologna 2003 (ISBN 978-88-8391-097-5): da pag. 9 a pag. 21; da pag.49 a pag.146; da pag.168 a pag.192; da pag. 235 a pag.305; per un totale di 210 pagine.
F. Fasce, Le anime del commercio. Pubblicità e consumi nel secolo americano, Carocci, Roma 2012 (ISBN: 9788843065776), tutto il volume per un totale di 214 pagine.
P. Colaiacomo, a cura di, Fatto in Italia. La cultura del made in Italy, Meltemi, Roma 2007 (ISBN 88-8353-495-6), tutto il volume per un totale di 160 pagine.
S. De Iulio, Studiare la pubblicità. Teorie, analisi e interpretazioni, Franco Angeli, Milano 2018 (ISBN 9788891770677), tutto il volume per un totale di 105 pagine.

SERIALITA’ CROSSMEDIALE
G. Boccia Artieri, G. Fiorentino, a cura di, Storia e teoria della serialità. Vol. III – Le forme della narrazione contemporanea tra arte, consumi e ambienti artificiali, Meltemi, Milano 2024 (9791256150267), tutto il volume.
S. Brancato, S. Cristante, E. Ilardi, a cura di, Storia e teoria della serialità. Vol. II – Il Novecento: dalle narrazioni di massa alla svolta digitale, Meltemi, Milano 2024 (9788855199551), tutto il volume.
G. Ragone, F. Tarzia, a cura di, Storia e teoria della serialità. Vol. I – Dal canto omerico al cinema degli anni Trenta, Meltemi 2023 (ISBN 9788855198172), tutto il volume.


4. A scelta, uno dei volumi seguenti:
J. Seguela, Hollywood lava più bianco, Lupetti, Bologna, 1986 (ISBN 9788886302876), tutto il volume per un totale di 230 pagine.
O. Ricci, Celebrità 2.0. Sociologia delle star nell’epoca dei new media, Mimesis, Milano 2013 (ISBN 9788857518329), tutto il volume per un totale di 103 pagine.
V. Codeluppi, Tutti divi. Vivere in vetrina, Laterza, Roma-Bari, 2009 (ISBN 978 88 58 113554) tutto il volume per un totale di 125 pagine.
V. Codeluppi, Il divismo. Cinema, televisione, web, Carocci, 2017 (ISBN:9788843089437), tutto il volume per un totale di 121 pagine.

Teacher's Profile

courseProgram

The course aims to provide students with the main conceptual and methodological tools necessary for a correct understanding of the nature of the consumer and the central role of digital images in his daily life, relating image, brand and advertising to each other in the contemporary scenario.
In particular, the course intends to reconstruct the evolution of the relationship between forms of consumption, cultural practices and communication processes, starting from the origins of the culture of consumption to date, integrating the various sociological analyzes. Subsequently, the course will examine the ways in which companies try to develop an advertising strategy considering the main stages of the historical evolution of advertising and brand communication, focusing on the connections between image and consumption functional to analysis of the processes of change affecting contemporary society.
In this context, a monographic space will be given to the analysis of stardom and star strategy in the contemporary globalized and digital scenario.

examMode

Oral exam and evaluation of the work done by the students.
For attending students it is possible to propose a paper (written or multimedia) on a case study agreed with the teacher: in fact the oral exam can be possibly integrated by individual or group application activities that will be evaluated by the teacher. during the cycle of didactic activities.

The exam will focus on verifying the knowledge acquired with respect to: the interactions between the processes of evolution of forms of consumption, cultural practices and communication processes; the historical and theoretical evolution of consumer research and in particular of the sociology of consumption; the image, the brand, advertising, historical evolution and contemporary society.

books

1. N. Barile, Brand new world. Il consumo delle marche come forma di rappresentazione del mondo, Lupetti, Bologna 2009 (ISBN 978-88-8391-264-1), tutto il volume per un totale di 190 pagine.

2. R. Sennett, L’uomo artigiano, Feltrinelli, Bologna 2009 (ISBN 9788807104398), tutto il volume per un totale di 280 pagine.

3. A book of your choice:

IMAGE
G. Fiorentino, B. Terracciano, La mascherina è il messaggio, Franco Angeli, Milano 2022 (ISBN 9788835135579), tutto il volume.
G. Fiorentino, Il sogno dell'immagine. Per un'archeologia fotografica dello sguardo. Benjamin, Rauschenberg e Instagram, Meltemi, Milano 2019 (ISBN 8855190571), tutto il volume.
J. Fontcuberta, La furia delle immagini. Note sulla postfotografia, Einaudi, Torino 2018 (ISBN 978-88-06-23700-4 ),tutto il volume per un totale di 233 pagine.
A.Gunthert, L’immagine condivisa. La fotografia digitale, Contrasto, Roma 2016 (ISBN 978-88-6965-6910), tutto il volume per un totale di 174 pagine.
W.J.T. Mitchell, Scienza delle immagini. Iconologia, cultura visuale ed estetica dei media, Joahn & Levi, Cremona 2018 (ISBN 978-88-6010-199-0), tutto il volume per un totale di 229 pagine.
A. Pinotti, Il primo libro di teoria dell'immagine, Einaudi, Torino 2024 (ISBN 9788806254889), tutto il volume per un totale di 318 pagine.
A. Pinotti, Alla soglia dell'immagine. Da Narciso alla realtà virtuale, Einaudi, Torino 2022 (ISBN 9788806244422), tutto il volume per un totale di 210 pagine.

BRAND
M. Danesi, Brands. Il mondo delle marche, Carocci, Roma 2009 (ISBN 978-88-430-5040-6), tutto il volume per un totale di 187 pagine.
G. Marrone, Il discorso di marca. Modelli semiotici per il branding, Laterza, Roma-Bari 2008 (ISBN 978-88- 420-8462-4) da pag. 3 a pag. 151 e da pag. 255 a pag. 333, per un totale di 225 pagine.
V. Gabrielli, Brand communication, il Mulino, Bologna 2014 (ISBN 978-88-15-25242-5), tutto il volume per un totale di 239 pagine.

CONSUME
V. Codeluppi, Manuale di sociologia dei consumi, Carocci, Roma 2006 (ISBN 88-430-3552-5): da pag. 9 a pag.189, per un totale di 180 pagine.
M. Franchi, Il senso del consumo, Bruno Mondadori, 2007 (ISBN 88-615-9067-5), tutto il volume per un totale di 216 pagine.
L. Leonini, R. Sassatelli, Il consumo critico, Laterza, Roma-Bari 2008 (ISBN 978-88-420-8597-3) tutto il volume per un totale di 200 pagine.
I. Pezzini, P. Cervelli, Scene del consumo: dallo shopping al museo, Meltemi, Roma 2006 (ISBN 88-8353-485-9) da pagina 7 a pagina 202 e da pagina 381 a pagina 414, per un totale di 230 pagine.

ADVERTISING
M. Vecchia, Hapù. Manuale di tecnica della comunicazione pubblicitaria, Lupetti, Bologna 2003 (ISBN 978-88-8391-097-5): da pag. 9 a pag. 21; da pag.49 a pag.146; da pag.168 a pag.192; da pag. 235 a pag.305; per un totale di 210 pagine.
F. Fasce, Le anime del commercio. Pubblicità e consumi nel secolo americano, Carocci, Roma 2012 (ISBN: 9788843065776), tutto il volume per un totale di 214 pagine.
P. Colaiacomo, a cura di, Fatto in Italia. La cultura del made in Italy, Meltemi, Roma 2007 (ISBN 88-8353-495-6), tutto il volume per un totale di 160 pagine.
S. De Iulio, Studiare la pubblicità. Teorie, analisi e interpretazioni, Franco Angeli, Milano 2018 (ISBN 9788891770677), tutto il volume per un totale di 105 pagine.

SERIALITA’ CROSSMEDIALE
G. Boccia Artieri, G. Fiorentino, a cura di, Storia e teoria della serialità. Vol. III – Le forme della narrazione contemporanea tra arte, consumi e ambienti artificiali, Meltemi, Milano 2024 (9791256150267), tutto il volume.
S. Brancato, S. Cristante, E. Ilardi, a cura di, Storia e teoria della serialità. Vol. II – Il Novecento: dalle narrazioni di massa alla svolta digitale, Meltemi, Milano 2024 (9788855199551), tutto il volume.
G. Ragone, F. Tarzia, a cura di, Storia e teoria della serialità. Vol. I – Dal canto omerico al cinema degli anni Trenta, Meltemi 2023 (ISBN 9788855198172), tutto il volume.


4. A book of your choice:
J. Seguela, Hollywood lava più bianco, Lupetti, Bologna, 1986 (ISBN 9788886302876), tutto il volume per un totale di 230 pagine.
O. Ricci, Celebrità 2.0. Sociologia delle star nell’epoca dei new media, Mimesis, Milano 2013 (ISBN 9788857518329), tutto il volume per un totale di 103 pagine.
V. Codeluppi, Tutti divi. Vivere in vetrina, Laterza, Roma-Bari, 2009 (ISBN 978 88 58 113554) tutto il volume per un totale di 125 pagine.
V. Codeluppi, Il divismo. Cinema, televisione, web, Carocci, 2017 (ISBN:9788843089437), tutto il volume per un totale di 121 pagine.

mode

The course includes lectures that combine the cultural theoretical treatment with the presentation and discussion of concrete case studies. In addition, parts of the course will be enriched by workshops, interventions by external experts, visits to companies or institutions in the area.
- Frontal lessons.
- Workshops.
- Group work.
- Meetings with external specialists.
- Field visits.

classRoomMode

Attendance not compulsory, recommended

bibliography

IMMAGINE
G. Fiorentino, B. Terracciano, La mascherina è il messaggio, Franco Angeli, Milano 2022 (ISBN 9788835135579), tutto il volume.
G. Fiorentino, Il sogno dell'immagine. Per un'archeologia fotografica dello sguardo. Benjamin, Rauschenberg e Instagram, Meltemi, Milano 2019 (ISBN 8855190571), tutto il volume.
J. Fontcuberta, La furia delle immagini. Note sulla postfotografia, Einaudi, Torino 2018 (ISBN 978-88-06-23700-4 ),tutto il volume per un totale di 233 pagine.
A.Gunthert, L’immagine condivisa. La fotografia digitale, Contrasto, Roma 2016 (ISBN 978-88-6965-6910), tutto il volume per un totale di 174 pagine.
W.J.T. Mitchell, Scienza delle immagini. Iconologia, cultura visuale ed estetica dei media, Joahn & Levi, Cremona 2018 (ISBN 978-88-6010-199-0), tutto il volume per un totale di 229 pagine.
A. Pinotti, Il primo libro di teoria dell'immagine, Einaudi, Torino 2024 (ISBN 9788806254889), tutto il volume per un totale di 318 pagine.
A. Pinotti, Alla soglia dell'immagine. Da Narciso alla realtà virtuale, Einaudi, Torino 2022 (ISBN 9788806244422), tutto il volume per un totale di 210 pagine.

BRAND
M. Danesi, Brands. Il mondo delle marche, Carocci, Roma 2009 (ISBN 978-88-430-5040-6), tutto il volume per un totale di 187 pagine.
G. Marrone, Il discorso di marca. Modelli semiotici per il branding, Laterza, Roma-Bari 2008 (ISBN 978-88- 420-8462-4) da pag. 3 a pag. 151 e da pag. 255 a pag. 333, per un totale di 225 pagine.
V. Gabrielli, Brand communication, il Mulino, Bologna 2014 (ISBN 978-88-15-25242-5), tutto il volume per un totale di 239 pagine.

CONSUMI
V. Codeluppi, Manuale di sociologia dei consumi, Carocci, Roma 2006 (ISBN 88-430-3552-5): da pag. 9 a pag.189, per un totale di 180 pagine.
M. Franchi, Il senso del consumo, Bruno Mondadori, 2007 (ISBN 88-615-9067-5), tutto il volume per un totale di 216 pagine.
L. Leonini, R. Sassatelli, Il consumo critico, Laterza, Roma-Bari 2008 (ISBN 978-88-420-8597-3) tutto il volume per un totale di 200 pagine.
I. Pezzini, P. Cervelli, Scene del consumo: dallo shopping al museo, Meltemi, Roma 2006 (ISBN 88-8353-485-9) da pagina 7 a pagina 202 e da pagina 381 a pagina 414, per un totale di 230 pagine.

PUBBLICITA’
M. Vecchia, Hapù. Manuale di tecnica della comunicazione pubblicitaria, Lupetti, Bologna 2003 (ISBN 978-88-8391-097-5): da pag. 9 a pag. 21; da pag.49 a pag.146; da pag.168 a pag.192; da pag. 235 a pag.305; per un totale di 210 pagine.
F. Fasce, Le anime del commercio. Pubblicità e consumi nel secolo americano, Carocci, Roma 2012 (ISBN: 9788843065776), tutto il volume per un totale di 214 pagine.
P. Colaiacomo, a cura di, Fatto in Italia. La cultura del made in Italy, Meltemi, Roma 2007 (ISBN 88-8353-495-6), tutto il volume per un totale di 160 pagine.
S. De Iulio, Studiare la pubblicità. Teorie, analisi e interpretazioni, Franco Angeli, Milano 2018 (ISBN 9788891770677), tutto il volume per un totale di 105 pagine.

SERIALITA’ CROSSMEDIALE
G. Boccia Artieri, G. Fiorentino, a cura di, Storia e teoria della serialità. Vol. III – Le forme della narrazione contemporanea tra arte, consumi e ambienti artificiali, Meltemi, Milano 2024 (9791256150267), tutto il volume.
S. Brancato, S. Cristante, E. Ilardi, a cura di, Storia e teoria della serialità. Vol. II – Il Novecento: dalle narrazioni di massa alla svolta digitale, Meltemi, Milano 2024 (9788855199551), tutto il volume.
G. Ragone, F. Tarzia, a cura di, Storia e teoria della serialità. Vol. I – Dal canto omerico al cinema degli anni Trenta, Meltemi 2023 (ISBN 9788855198172), tutto il volume.


4. A scelta, uno dei volumi seguenti:
J. Seguela, Hollywood lava più bianco, Lupetti, Bologna, 1986 (ISBN 9788886302876), tutto il volume per un totale di 230 pagine.
O. Ricci, Celebrità 2.0. Sociologia delle star nell’epoca dei new media, Mimesis, Milano 2013 (ISBN 9788857518329), tutto il volume per un totale di 103 pagine.
V. Codeluppi, Tutti divi. Vivere in vetrina, Laterza, Roma-Bari, 2009 (ISBN 978 88 58 113554) tutto il volume per un totale di 125 pagine.
V. Codeluppi, Il divismo. Cinema, televisione, web, Carocci, 2017 (ISBN:9788843089437), tutto il volume per un totale di 121 pagine.

Learning objectives

The objectives of the Contemporary History course for the academic year 2023/2024 aim to consolidate knowledge of the history of the Cold War and the ability to understand the evolution of international relations in the second half of the twentieth century, applying this knowledge to the analysis of the events of the world history of the 20th century. The improvement of study methodologies will have the aim of promoting students' autonomy of judgment and strengthening their communication skills.

Teacher's Profile

courseProgram

Each lesson lasts three hours; 16 lessons for a total of 48 hours.
Contents:
1. The contrast between Russia and the West in the nineteenth century
2. The October Revolution
3. The Second World War
4. The Tehran and Yalta Conferences
5. The division of Europe
6. The figure of Stalin
7. The Iron Curtain
8. The Marshall Plan
9. The Chinese revolution
10. The Korean War
11. Eisenhower
12. The Cuban revolution
13. The Vietnam War
14. Khrushchev
15. Kennedy
16. The Cuban revolution
17. The Cold War in the Third World
18. Ostpolitik
19. The Middle Eastern conflict
20. Henry Kissinger
21. Ronald Reagan
22. The crisis of the Soviet Union in the 1980s
23. The end of the Cold War
24. The fall of the Berlin Wall


examMode

Students who regularly attend lessons have the opportunity to prepare an 8-page paper (WORD format, Times New Roman 12 font, line spacing 1.5; without drawings, images and photographs) on the topics developed in the course, using preferentially the notes taken in class; the text of Harper can have a useful integrative function. The paper can be sent and discussed only once; in the event of a negative evaluation, the exam must be taken orally. The paper must be sent to the professor a maximum of one week before each exam date. The possibility of sending and discussing the paper is valid only for the summer (June and July) and autumn (September) sessions. After these sessions, the exam must be taken orally. Students will be evaluated with an oral test, in which the knowledge of the topics developed during the lessons will be verified, using both the paper and the book of Harper. Non-attending students will be evalueted with an oral exam, in which the knowledge of the topics included in the Harper’s book will be verified.
In both cases the methods of attribution of the vote will follow an evaluation grid expressed in thirtieths and will be the following:
1. adequate exposure of the arguments developed during the lessons (from 10 to 1, 10 = excellent ability, 1 = very bad ability, 6 = threshold for sufficiency)
2. analysis of historical phenomena (from 10 to 1, 10 = excellent knowledge, 1 = bad knowledge, 6 = threshold for sufficiency)
3. formulation of appropriate critical judgments (from 10 to 1, 10 = excellent capacity, 1 = very bad capacity, 6 = threshold for sufficiency)

books

John Harper, La Guerra Fredda, Il Mulino

mode

The course will be divided into frontal lessons, with the aim of acquiring knowledge of the history of the Cold War and the ability to understand the evolution of the history of the 20th century

classRoomMode

Class attendance is not mandatory, although it is highly recommended.

bibliography

John Harper, La Guerra Fredda, Il Mulino

Learning objectives

1) Knowledge and understanding: knowledge of the historical data, methodologies and documents proposed; acquisition of a basic scientific vocabulary.
2) Applying knowledge and understanding: to be able to read and discuss a historical source by inserting it within its context; to be able to use the fundamental bibliographical to
3) Making judgements:to be able to identify causal links and interpret a historical phenomenon critically; to be aware of the complexity and "relativity" of historical phenomena.
4) Communication skills: to be able to present the acquired knowledge in a correct, orderly and consequential way.
5) Learning skills: to be able to use the knowledge and skills acquired and the specific language learned in view of a continuation of their learning path or the development of non-specialized professional activities.

Teacher's Profile

courseProgram

The course aims to provide students with the tools for a scientific approach to the study of Roman history, from its origins to the 'noiseless fall' of the West. The first part of the course will deal with issues of chronology, historical geography, historiography and epigraphy, alternating between lectures of a more event-oriented nature and others focusing on broad methodological issues. The second part of the course will instead have a monographic and seminar character: it will be dedicated to the study of the senate, an institution that was always present in Rome, from the monarchy to Late Antiquity, whose evolution proceeded in parallel with the many upheavals of the res publica Romana.

A) GENERAL PART
Periodization; the sources for Roman history; the Roman calendar; the birth of Rome; the age of kings; the birth of the Republic and the Roman constitution; republican institutions and the cursus honorum magistratuale; the evolution of the Republic and the civil wars; the Augustan principate; the first two centuries of imperial history; the crisis of the 3rd century; the great reformers: Aurelian, Diocletian, Constantine; the 4th century and Christian Rome; Romans and barbarians; the fall of the Western Roman Empire.

B) MONOGRAPHIC STUDY
The Senate of Rome, between change and continuity

The Senate of Rome, more than other institutions of the Res Publica, is the element of continuity that from monarchy to Late Antiquity characterised the history of Rome. From this particular assembly, composed only of magistrates and ex-magistrates and in which the Greek historian Polybius recognised a marked aristocratic element, passed all the topics of discussion that were important for the life of the Res Publica, both in the phases in which the senate's opinion actually directed the political action of the magistrates and the entire civic life of the civitas, and when it limited itself to cooperating with the emperors in the search for mediation, and when it was forced to remain a spectator of the decisions of others.
Studying the senate therefore means looking at a privileged observatory to follow the entire course of Rome's history.
The monographic part of this course will therefore be dedicated to outlining the characteristics of this assembly, its composition, the places in which it met, its calendar, its action and its limits. It will then examine an anthology of senatorial deliberations, handed down either epigraphically or in manuscript form, examining both the forms of the senatus consultum and its contents, and thus the historical-institutional-legal problems that they resolved.

Bibliography:
M. Beard, SPQR. Storia dell’antica Roma, Mondadori, Milano 2016 (ed. or. SPQR: A History of Ancient Rome, 2015, Profile Books, London 2015);
P. Brown, Il mondo tardoantico. Da Marco Aurelio a Maometto, Einaudi, Torino 2017.
P. Buongiorno, Claudio, il principe inatteso, 21 Editore, Palermo 2017.
L. Canfora, Giulio Cesare. Il dittatore democratico, Laterza, Roma-Bari 2006.
G. De Sanctis, La religione a Roma, Carocci, Roma 2012.
F. Dupont, La vita quotidiana nella Roma repubblicana, Laterza, Roma-Bari 2000.
L. Fezzi, Il dado è tratto. Cesare e la resa di Roma, Laterza 2017
A. Giardina, L’uomo romano, Laterza, Roma-Bari 2006.
A. Giardina, Roma antica, Laterza, Roma-Bari 2000.
A. Marcone, Augusto. Il fondatore dell’impero che cambiò la storia di Roma e del mondo, Salerno, Roma 2015.
S. Mazzarino, La fine del mondo antico, Bollati Boringhieri, Torino 2008.

F. Santangelo, Roma repubblicana. Una storia in quaranta vite, Carocci 2019.
R. Syme, La rivoluzione romana, Einaudi, Torino 2020.
P. Veyne, L’impero greco-romano. Le radici del mondo globale, Rizzoli, Milano 2007 (ed. or. L’empire gréco-romain, Seuil, Paris 2005).

STUDENTS WHO CAN NOT READ THE ITALIAN LANGUAGE ARE KINDLY REQUESTED TO AGREE UPON THE EXAMINATION'S BIBLIOGRAPHY WITH THE PROFESSOR.

examMode

The oral examination includes the verification of the student's knowledge of the agreed syllabus, as well as the verification of the necessary skills in the historical disciplines.

books

1) Giovanni Geraci e Arnaldo Marconi, Storia romana (con la collaborazione di A. Cristofori e C. Salvaterra), Mondadori, Milano 2016 (quarta edizione).
2) Gabirella Poma, Le istituzioni politiche del Mondo romano
3) A. Giardina, Roma antica, Laterza, Roma-Bari 2000.
4) Materiale didattico illustrato a lezione.

GLI STUDENTI CHE NON POTRANNO SEGUIRE LE LEZIONI E QUELLI ISCRITTI A SOSTENERE L'ESAME DI STORIA ROMANA COME CORSO SINGOLO, IN SOSTITUZIONE DEL MATERIALE DIDATTICO DI CUI AL PUNTO 4), SCEGLIERANNO UNO DEI SEGUENTI VOLUMI:

M. Beard, SPQR. Storia dell’antica Roma, Mondadori, Milano 2016 (ed. or. SPQR: A History of Ancient Rome, 2015, Profile Books, London 2015);
P. Brown, Il mondo tardoantico. Da Marco Aurelio a Maometto, Einaudi, Torino 2017.
P. Buongiorno, Claudio, il principe inatteso, 21 Editore, Palermo 2017.
L. Canfora, Giulio Cesare. Il dittatore democratico, Laterza, Roma-Bari 2006.
G. De Sanctis, La religione a Roma, Carocci, Roma 2012.
F. Dupont, La vita quotidiana nella Roma repubblicana, Laterza, Roma-Bari 2000.
L. Fezzi, Il dado è tratto. Cesare e la resa di Roma, Laterza 2017
A. Giardina, L’uomo romano, Laterza, Roma-Bari 2006.
A. Giardina, Roma antica, Laterza, Roma-Bari 2000.
A. Marcone, Augusto. Il fondatore dell’impero che cambiò la storia di Roma e del mondo, Salerno, Roma 2015.
S. Mazzarino, La fine del mondo antico, Bollati Boringhieri, Torino 2008.

F. Santangelo, Roma repubblicana. Una storia in quaranta vite, Carocci 2019.
R. Syme, La rivoluzione romana, Einaudi, Torino 2020.
P. Veyne, L’impero greco-romano. Le radici del mondo globale, Rizzoli, Milano 2007 (ed. or. L’empire gréco-romain, Seuil, Paris 2005).

STUDENTS WHO CAN NOT READ THE ITALIAN LANGUAGE ARE KINDLY REQUESTED TO AGREE UPON THE EXAMINATION'S BIBLIOGRAPHY WITH THE PROFESSOR.

mode

Teaching is scheduled in the classroom frontally. In the event of difficulties for attendees or lecturers, distance learning is planned.

classRoomMode

Attendance is recommended but not compulsory

Learning objectives

1. Knowledge and understanding
Students will acquire a general knowledge of topics related to the contemporary anthropological debate as well as the methodologies of the discipline, also in relation to their historical development.
2. Applying knowledge and understanding
By the end of the course students will be able to use advanced methodologies and theoretical concepts to operate and communicate competently within the scope of cultural heritage making processes.
3. Making judgments
The course encourages students to cast a critical look on the complex cultural phenomena of contemporaneity and to gain awareness of the relevant debates about cultural diversity.
4. Communication skills
Students are supposed to learn the vocabulary of cultural anthropology and make appropriate use of it in reporting - also through written papers - on the topics covered by the course.
5. Learning skills
Knowledge and skills acquired during the course will allow students to read anthropological texts and analyze ethnographic exhibits autonomously.

Learning objectives

The course aims to provide students with all the methodological tools necessary for a more conscious and in-depth understanding of the Italian literary language and for the linguistic and stylistic (grammatical, lexical, rhetorical) analysis of literary texts.

Teacher's Profile

courseProgram

The course aims to provide students with some advanced notions of the language of italian literary texts. After an overview of the subject, from its Origin to modern times, through some of the most important moments in the history of italian language (first part), the focus will be on the history of italian language for music from XVII to XX century (second part), with an analysis of a selection of most important texts: for each text, a historical and cultural contextualisation will be proposed, together with a detailed linguistic and stylistic analysis, with special attention to phonomorphological, syntactic, lexical and rhetorical elements, so as to locate every single documents in its linguistic and cultural context.

examMode

The final assessment consists of an oral examination of the program of study, with a comment on some texts.

books

Attending Students
First section
1. F. Bruni, L'italiano letterario nella storia, Bologna, Il Mulino, 2007.
2. Dispense e materiali (disponibili su Moodle)
Second section
1. I. Bonomi – E. Buroni, L’italiano dell’opera lirica, Bologna, Il Mulino, 2017.
2. Dispense e materiali (disponibili su Moodle)

Non attending students
1. L. Serianni, Prima lezione di storia della lingua italiana, Roma-Bari, Laterza, 2015.
2. S. Telve, L’italiano: frasi e testo, Roma, Carocci, 2013.
3. F. Bruni, L'italiano letterario nella storia, Bologna, Il Mulino, 2007.
4. I. Bonomi – E. Buroni, L’italiano dell’opera lirica, Bologna, Il Mulino, 2017.

mode

48h, face to face lectures

classRoomMode

Class attendance is not mandatory but is strongly recommended.

bibliography

No reference bibliography

Teacher's Profile

courseProgram

The course aims to provide students with some advanced notions of the language of italian literary texts. After an overview of the subject, from its Origin to modern times, through some of the most important moments in the history of italian language (first part), the focus will be on the history of italian language for music from XVII to XX century (second part), with an analysis of a selection of most important texts: for each text, a historical and cultural contextualisation will be proposed, together with a detailed linguistic and stylistic analysis, with special attention to phonomorphological, syntactic, lexical and rhetorical elements, so as to locate every single documents in its linguistic and cultural context.

examMode

The final assessment consists of an oral examination of the program of study, with a comment on some texts.

books

Attending Students
First section
1. F. Bruni, L'italiano letterario nella storia, Bologna, Il Mulino, 2007.
2. Dispense e materiali (disponibili su Moodle)
Second section
1. I. Bonomi – E. Buroni, L’italiano dell’opera lirica, Bologna, Il Mulino, 2017.
2. Dispense e materiali (disponibili su Moodle)

Non attending students
1. L. Serianni, Prima lezione di storia della lingua italiana, Roma-Bari, Laterza, 2015.
2. S. Telve, L’italiano: frasi e testo, Roma, Carocci, 2013.
3. F. Bruni, L'italiano letterario nella storia, Bologna, Il Mulino, 2007.
4. I. Bonomi – E. Buroni, L’italiano dell’opera lirica, Bologna, Il Mulino, 2017.

mode

48h, face to face lectures

classRoomMode

Class attendance is not mandatory but is strongly recommended.

bibliography

No reference bibliography

Learning objectives

The course intends to provide students with knowledge on the relationship between literature and journalism in the twentieth century based on the use of the critical method, as a method of reading society.
Through a very careful and close reading of the proposed texts, the student will have to develop a philological and hermeneutic reading ability such as to contextualize the text in its historical and political dimension, to then evaluate its effects in terms of public reception.
The course fully develops the individual interpretative, linguistic and critical capacity, at the foundation of the dynamics of action and exercise of every humanistic discipline. Among the objectives, the practical development of the communicative aspects also assumes particular importance due to the knowledge and critical method acquired.

Teacher's Profile

courseProgram

Literature, media, politics: writers and the periodical press

What brings a writer closer to journalism? Is it just an economic question? What does the writer bring to the newspaper more (or less) than the journalist? How do you manage to reconcile the freedom of creation with the measure of the piece at a writing level? What difference in reading a place, a journey, an event can exist between a journalist and a man of letters? What kind of relationship does a man of letters have with power and politics? With the leaders of a newspaper? With the speed of communication? With the public not accustomed to the languages ​​of so-called "high" culture? And how have these relationships changed over the course of the century? And the writers' articles... are they literature? Or are they just a minor series production? Or can journalism even be considered a literary genre in itself?
Through the study of the journalistic collaborations of some of the major writers of the twentieth century and of the contemporary world, the course intends to provide a historical-critical study tool on the relationship between writer and journalism carried out directly in the field, i.e. on the articles, according to a plan that aims to highlight how cultural journalism has transformed over the course of the century from the famous "beautiful writing" to a place for reading and understanding the society in which we live.

examMode

Students will have to demonstrate in the oral interview their knowledge of the exam topics and their ability to analyze text and content of the addressed works.
Vote based on 30/30 honors

books

1) CARLO SERAFINI (ed.), Introduction to Word of the Writer. Literature and journalism in the twentieth century, Vol. I, Bulzoni, Rome 2010

2) CARLO SERAFINI (ed.), Word of a writer. Other studies on literature and journalism, Vol. IV, Bulzoni, Rome 2024. The essays relating to: Soffici, Levi, Sereni, Ortese, Ginzburg, D'Arrigo, Rodari, Bianciardi, Pasolini, Bonaviri, Magris, Cavazzoni, Lodoli, Affinati, Appendix (in full).

NON-ATTENDING students must also study the volume:

1) AA.VV., Pasolini's places, edited by S. Pifferi and C. Serafini, Bulzoni, Rome 2023.

classRoomMode

Attendance is not mandatory but strongly recommended

bibliography

Pier Paolo Pasolini, Scritti corsari, Garzanti, Milan 1975 (also later editions)
Luciano Bianciardi, La vita agra, Rizzoli, Milan 1962
AA.VV., Bianciardi journalist, a c. of Carlo Serafini, Bulzoni, Rome 2023
Fabio Pierangeli, Eraldo Affinati. The school of gift, Studium, Rome 2019
Ermanno Cavazzoni, The useless writers, Feltrinelli, Milan 2002
Giorgio Zanchini, Cultural journalism, Carocci, Rome 2013
Anna Maria Ortese, The dark lens. Writings of travel, a c. di Luca Clerici, Adelphi, Milan 2004

Learning objectives

The course is dedicated to the fundamentals of text criticism, a discipline that deals with the edition of ancient and medieval texts in the form closest to the original. Knowledge: Students will learn the methods and procedures of textual criticism, will know the history of the tradition of Provençal lyric poetry and will acquire basic skills on the Occitanic language, on Romance metrics and on rhetoric and stylistics. Application of knowledge and development of critical thinking: At the end of the course they will be able to illustrate and use the procedures that lead to the preparation of a critical edition starting from manuscript sources, they will also have the skills to critically analyze any type of literary text. Communication of knowledge: The workshop activity aimed at publishing a multimedia critical edition on a dedicated portal and the collective oral discussion of the works produced, will allow them to directly practice written and oral communication techniques. Self-learning: They will also deal directly with bibliographic and historical, linguistic and literary research tools, from which they will have to independently draw the information and knowledge useful for the preparation of the critical edition.

Teacher's Profile

courseProgram

Part of the course will be devoted to the description of the characteristics of the medieval textual tradition, to the problems it poses to the critical publisher and to the different methods used for the edition of the texts. Furthermore, basic information will be given on the medieval Romance literary tradition and in particular on the lyric tradition and the historical grammar of the Provençal language, in order to introduce students to the poetic text that will be the subject of the critical edition prepared within the course with their cooperation.

examMode

For the ATTENDING students there will be a written paper and an interview (for the vote the results of each test are considered). In the written essay the competences matured in the field of the discipline are evaluated, also from the point of view of the practical application (object of the exercises), and the ability to express complex concepts through a written discourse; in the interview the elaborate is discussed making reference to the scientific methods and tools used. For NON-ATTENDING students, there is normally only an oral exam, in which the competences acquired within the discipline by reading the recommended bibliography and the ability to express complex concepts through an oral discourse are evaluated.

books

1. Materials, handouts and texts provided by the teacher at the beginning of the course.

Reference bibliography:
1.Aurelio Roncaglia, Principi e applicazioni di critica testuale, Roma, Bulzoni, 1975.
2.Paul Maas, Critica de testo, Firenze, 1952.

NON-ATTENDING STUDENTS WILL HAVE TO ADD TO THE PREVIOUS READINGS AND IN REPLACEMENT OF THE DISPENSES AND TEXTS PROVIDED TO THE LESSON:
3. Alfredo Stussi, La critica del testo, Bologna, Il Mulino, 1985.
4. Roberto Antonelli, Interpretazione e critica del testo, in Letteratura italiana, dir. da Alberto Asor Rosa, vol.IV: L'interpretazione, Torino, Einaudi, 1985, pp. 141-243.

** Students who find it difficult to find the following texts can contact the teacher directly.
IT IS SUGGESTED TO ALL NON-ATTENDING STUDENTS TO SCHEDULE AN APPOINTMENT WITH THE TEACHER BEFORE THE EXAM

mode

The course will include a theoretical part, intended for the acquisition of the fundamental tools necessary for the preparation of a critical edition, and a practical part in which the students will be able to put these acquisitions to the test directly following the various preparation phases of an edition of a poetic composition.

classRoomMode

The lectures will be accompanied by laboratory activities carried out in class under the direct guidance of the teacher.

bibliography

Suggestions for additional readings:
- Alfredo Stussi, La critica del testo, Bologna, Il Mulino, 1985.
- Giorgio Pasquali, Storia della tradizione e critica del testo, Firenze, Le Monnier, 1934.
- Gianfranco Contini, Breviario di ecdotica, Torino, Einaudi, 1990.

Learning objectives

Phonetics and Phonology is a deepening (during specialized studies) of General Linguistics (taught in L-10). The class is aimed at analyzing the vocal behavior of speakers. The vocal behavior of speakers is an integral part of their linguistic behavior. The ultimate goal is always to develop predictive (non-normative) rules necessary to build the grammar of a given language. But to make reliable predictions, you need to be able to measure the starting data. In order to obtain reliable and measurable data, just listening to linguistic sounds is absolutely inadequate for the purpose. Auditory perception must be accompanied by methodological tools and acoustic measurement techniques. It is therefore necessary to study the acoustics of linguistic sounds, as well as the anatomical physiology that produces them. Traditionally, these two approaches are called acoustic phonetics and articulatory phonetics, respectively: both will be taught.
In addition to Phonetics, Phonology will be taught. The phonological component (as well as the phonetic one) should already be well known and defined to the learners, who in the Bachelor’s degree have taken the exam of General Linguistics. During the Master's Degree, with the class of Phonetics and Phonology, the learner will deepen and learn further methodologies and analysis techniques specifically dedicated to Phonology. In particular, auto-segmental phonological models and the relationships between intonation and pragmatics will be discussed.
In compliance with the so-called "Dublin indicators" – as better detailed in the "Evaluation" field – the objectives will be aimed at achieving:
1) Knowledge and comprehension skills: ability to transcribe in I.P.A. a sample of speakers
2) Applied knowledge and understanding: ability to produce a minimum scientific phonology from a set of linguistic data produced by a sample of speakers
3) Making judgments: ability to compare and evaluate comparatively different phonological models that account in a different and competing way for the same set of linguistic data produced by a sample of speakers
4) Communication skills: ability to communicate the reasons for the comparative judgment referred to in point 3)
5) Learning skills: ability to orient oneself in the relevant scientific bibliography.

Teacher's Profile

courseProgram

The course will cover the following topics:
- Summary of acoustic phonetic analysis.
- Summary of phonological analysis: (phone, phoneme); phonological properties (tone, accent, coarticulation and assimilation/dissimilation).
- Phonological theories (structuralism, generativism, auto-segmentality).
- Finally, we will deal with the theme of the relationship between intonation and pragmatics.
With regard to the temporal distribution of the didactic commitment dedicated to the various topics, it seems to me that any hypothesis formulated in advance would be devoid of plausibility, as it is not likely to organize a didactic work in the abstract: the time slots will depend on the responses of the learners, answers that by definition depend on the audience of the learners, their characteristics and their intellectual profiles, that is, from elements that today are unknown to me – as to anyone – and consequently it is impossible to make reliable predictions about it. In general, I can only predict that this will go as in all previous years, that is to say that in my intentions I should devote a quarter of the hours to the summary of acoustic phonetics, a quarter to the summary of phonology, a quarter to phonological theories, a quarter to the relationships between intonation and pragmatics, but in reality the learners will cyclically ask me to go back, explain again points of the program, thus nullifying all predictions. And this depends on the fact that the learners, even attending students, do not study at home the program carried out in the classroom, but study only near the exam and realize only a posteriori (perhaps after weeks) that they have misunderstood what was done in the classroom. The problem would be solved if only students were required to take the final exam immediately after the course, with only one date per year, in addition to a second date destined for recovery, and not – as is the case today – to be able to take it on numerous exam dates spread over the entire academic year (and beyond): but the adoption of this solution does not depend on the undersigned (who also hopes for it), but from political choices and academic regulations that go in the opposite direction.

examMode

EXPECTED LEARNING OUTCOMES
1) Knowledge and comprehension skills: ability to extract linguistic data from a sample of speakers
2) Applied knowledge and understanding: ability to produce a minimum scientific grammar from a set of linguistic data produced by a sample of speakers
3) Making judgments: ability to compare and evaluate comparatively different grammars that account in a different and competing way for the same set of linguistic data produced by a sample of speakers
4) Communication skills: ability to communicate the reasons for the comparative judgment referred to in point 3)
5) Learning skills: ability to orient oneself in the relevant scientific bibliography.

DESCRIPTION OF ASSESSMENT METHODS
During the oral exam, the knowledge of the topics covered in the class and in the scheduled texts will be ascertained. The level of preparation of the learner will be ascertained on the basis of the following grid (in thirtieths):
- KNOWLEDGE (knowledge of the necessary information) 1-12/30 (12 = excellent; 1 = very bad);
- FOCUS (how the learner focuses on the problem discussed) 1-6/30 (6 = excellent; 1 = very bad);
- PROCESSING (how the learner processes the structure of the response) 1-6/30 (6 = excellent; 1 = very bad);
- EXPLANATION (the learner's ability to explain the linguistic phenomenon in question) 1-6/30 (6 = excellent; 1 = very bad).
This quantification of the evaluation is based on percentages that I consider purely metaphorical and on categories that I can neither define nor delimit mutually; this quantification of the evaluation is an invention not mine, but of the ministerial evaluators. Consequently, if there is a student who is able to give me an exact definition and consistent exemplification of the above categories, then that student will have 30 cum laude, without further verification. If, on the other hand, there is no such student, then if he shows that he has not even understood the basics of the discipline at the exam, he will be invited by me to repeat in the next round (and only because for some time it has not been customary to fail).

books

1) A. De Dominicis, Fonologia, Roma, CAROCCI, 2003.
2) F. Albano Leoni & P. Maturi, Manuale di Fonetica, Roma, CAROCCI, 2008.
3) A. De Dominicis, Intonazione, Roma, CAROCCI, 2010.
4) A. De Dominicis, Intonazione e pragmatica, in Franca Orletti, Anna Pompei, Edoardo Lombardi Vallauri (eds.), Grammatica e Pragmatica. Atti del XXXIV Convegno Annuale della Società Italiana di Glottologia. pp. 43-85, Roma, IL CALAMO, 2012.
In my opinion, there is no possibility of learning phonetics and phonology without frontal didactic guidance. In general, it does not seem to me that it is possible to learn acoustic analysis and formal methods without a teaching aid consisting of a teacher. Perhaps this is possible in the case of historical or literary disciplines, but neither Linguistics nor Phonetics/Phonology are examples of historical or literary disciplines. Consequently, it is not possible for me to indicate - in science and conscience - any supplementary reading for self-taught students.

mode

Lectures and discussion of theories and/or cases

classRoomMode

The lectures will be accompanied by the discussion of case studies carried out in class under the direct guidance of the teacher.

bibliography

1) A. De Dominicis, Fonologia, Roma, CAROCCI, 2003.
2) F. Albano Leoni & P. Maturi, Manuale di Fonetica, Roma, CAROCCI, 2008.
3) A. De Dominicis, Intonazione, Roma, CAROCCI, 2010.
4) A. De Dominicis, Intonazione e pragmatica, in Franca Orletti, Anna Pompei, Edoardo Lombardi Vallauri (eds.), Grammatica e Pragmatica. Atti del XXXIV Convegno Annuale della Società Italiana di Glottologia. pp. 43-85, Roma, IL CALAMO, 2012.
In my opinion, there is no possibility of learning phonetics and phonology without frontal didactic guidance. In general, it does not seem to me that it is possible to learn acoustic analysis and formal methods without a teaching aid consisting of a teacher. Perhaps this is possible in the case of historical or literary disciplines, but neither Linguistics nor Phonetics/Phonology are examples of historical or literary disciplines. Consequently, it is not possible for me to indicate - in science and conscience - any supplementary reading for self-taught students.

Learning objectives

The aim of this course is to show, both from a theoretical and pragmatic point of view, the "re-mediation" made by the computational tool of the idea of the book. Examples of digital editions will be analyzed, starting from the electronic book to electronic scholarly editions, with a strong emphasis both on the document-centric aspect, represented by the text encoding and in particular by the language of the Text Encoding Initiative (TEI), and on the datacentric one, represented by relational databases and the Semantic Web. Then tools for the analysis of the literary text and the representation of primary sources will be presented and analyzed. The change in documentary forms is linked to a corresponding change in the forms and modalities of the storytelling, and therefore digital storytelling will also be addressed in the course.

Teacher's Profile

courseProgram

The Electronic Publishing course main aim is to illustrate, both from a theoretical and pragmatic point of view, the "remediation" mode through the computational tool of the "object" book. Thus, several examples of digital editions will be examined, starting from electronic books up to critical digital editions, with a strong emphasis on the document-centric aspect, represented by textual encoding and in particular the Text Encoding Initiative (TEI) standard. Subsequently, tools for analysing literary text and the representation of primary sources will be illustrated and analyzed. This change in documentary forms is also linked to a corresponding change in the forms and modalities of storytelling, and therefore the topic of digital and transmedia storytelling will also be addressed within the course, together with an introduction to the relevant related tools.

examMode

Students will be evaluated through an interview about the course textbooks. Attending students may also present a digital publishing project featuring a strong narrative and/or editorial component.

books

For those who do not have the Electronic Publishing course in their curriculum, which must be taken before this qualitification, the syllabus is as follows:

- Francesco Tissoni. Teoria e pratica dell'editoria multimediale.. Milan: Editrice Bibliografica, 2024.
- Fabio Ciotti. Il manuale TEI Lite. Introduzione alla codifica elettronica dei testi letterari. MIlan: Sylvestre Bonnard, 2005. (please contact the Professor)
- Henry Jenkins. Cultura convergente. Milan: Apogeo 2007.
- John Yorke. Viaggio nel bosco narrativo. Rome: Audino, 2017.
- Federico Meschini. Oltre il libro. Forme di testualità e Digital Humanities. Milan: Editrice Bibliografica, 2020.

For those who have the Electronic Publishing course in their curriculum the programme for this qualification will be discussed with the Professor.

classRoomMode

Attendance is not mandatory.

bibliography

- Fabio Ciotti (ed.). Digital humanities. Metodi, strumenti, saperi. Rome: Carocci, 2023.

Learning objectives

Formative Objectives:

The course aims to provide an essential knowledge of the main characteristics of the literature of the late republican age and the work of Catullus; a mastery of the theoretical and critical tools necessary for the analysis and interpretation of Latin literary texts; direct knowledge of Catullus’ poetic text through reading and commentary.

Expected learning outcomes: At the end of the teaching the student will have:

1) Knowledge of the main features of late republican literature’ history; knowledge of Catullus’ Liber
2) Ability to analyse Latin literary history of Late republican age and comprehend her diachronic development; ability to analyse and discuss appropriately Catullus’ poems
3) Ability to formulate autonomous judgements on the course’s themes
4) Ability to adequately communicate what learned
5) Ability to comprehend and interpret autonomously literary phenomena and similar texts not included in the programme.

Teacher's Profile

courseProgram

Title: Ovid’s Metamorphoses

Programme: the course is focused on Ovid’s Metamorphoses, poem which represent an original transfornation of epic form. The work will be analysed in the historical and cultural context of Augustan Age, paying peculiar attention to the tradition of epic genre in Rome and to Vergil’s Aeneid. Object of in-dept analysis will be ideological features, models, structure, language and style of the poem. The course aims to provide a critical knowledge of Ovid’s epic poem. The goal will be pursued through reading and literary-philological analysis of an anthology of the poem’s episodes.

examMode

The examination is oral and consists of two parts: in the first part, the student must demonstrate knowledge of the main features of Latin literary history; in the second part, the student must demonstrate the ability to translate, analyse and comment on the literary texts on the syllabus: the level of content knowledge demonstrated (superficial [18-21], appropriate [22-26], precise and complete [27-29], complete and thorough [30]), the ability to make a critical sense and formulate judgments (sufficient [18-24]], good [25-28], excellent [29-30]), the mastery of expression (deficient exposition [18-21], simple [22-25], clear and correct [26-28], secure and correct [29-30]).

books

A complete edition of Ovid’s Metamorphoses with Latin text (suggested: Ovidio, Le metamorfosi, intr. di G. Rosati, trad. di G. Faranda Villa, note di R. Corti, Milano, Rizzoli BUR, 1994, with many reprints, ISBN: 9788817129763); L. Galasso, Ovidio: Guida alle Metamorfosi, Roma, Carocci Editore, 2023, ISBN: 9788829020683; L. Galasso, La letteratura latina in età ellenistica, Roma, Carocci Editore, 2021, ISBN: 9788829009381; G. Rosati, Mito e potere nell'epica di Ovidio, «MD» 46 (2001), pp. 39-61.

classRoomMode

Attendance in this course is optional, but highly recommended.

bibliography

More bibliography and didactic materials will be given during the course (for attending students).
Non attending students have to contact the professor for a programme.

Teacher's Profile

courseProgram

Title: Ovid’s Metamorphoses

Programme: the course is focused on Ovid’s Metamorphoses, poem which represent an original transfornation of epic form. The work will be analysed in the historical and cultural context of Augustan Age, paying peculiar attention to the tradition of epic genre in Rome and to Vergil’s Aeneid. Object of in-dept analysis will be ideological features, models, structure, language and style of the poem. The course aims to provide a critical knowledge of Ovid’s epic poem. The goal will be pursued through reading and literary-philological analysis of an anthology of the poem’s episodes.

examMode

The examination is oral and consists of two parts: in the first part, the student must demonstrate knowledge of the main features of Latin literary history; in the second part, the student must demonstrate the ability to translate, analyse and comment on the literary texts on the syllabus: the level of content knowledge demonstrated (superficial [18-21], appropriate [22-26], precise and complete [27-29], complete and thorough [30]), the ability to make a critical sense and formulate judgments (sufficient [18-24]], good [25-28], excellent [29-30]), the mastery of expression (deficient exposition [18-21], simple [22-25], clear and correct [26-28], secure and correct [29-30]).

books

A complete edition of Ovid’s Metamorphoses with Latin text (suggested: Ovidio, Le metamorfosi, intr. di G. Rosati, trad. di G. Faranda Villa, note di R. Corti, Milano, Rizzoli BUR, 1994, with many reprints, ISBN: 9788817129763); L. Galasso, Ovidio: Guida alle Metamorfosi, Roma, Carocci Editore, 2023, ISBN: 9788829020683; L. Galasso, La letteratura latina in età ellenistica, Roma, Carocci Editore, 2021, ISBN: 9788829009381; G. Rosati, Mito e potere nell'epica di Ovidio, «MD» 46 (2001), pp. 39-61.

classRoomMode

Attendance in this course is optional, but highly recommended.

bibliography

More bibliography and didactic materials will be given during the course (for attending students).
Non attending students have to contact the professor for a programme.

Learning objectives

In the course the main lines that identify the contents of the modern age from the XV century to the first half of the XVII with preliminary attention to the historiographic categories, to the interpretative orientations, to the sources and the instruments proper of the discipline will be analyzed and discussed. The educational objective is to offer students solid foundations for acquiring a cognitive and critical familiarity with the "general history" of the modern age and in particular that linked to the events that have characterized the geopolitical area of ​​central Europe (Bohemia , Hungary, Rzeczpospolita (Poland and Grand Duchy of Lithuania), principalities of Wallachia and Moldavia and the Ottoman Empire.
The lessons will focus mainly on the following topics: Europe and its interrelation with non-European worlds; Crisis and identity of Italy and modern Europe; The ancient regime society: classes and classes; Economic models: the land, work, finance and the market in the modern age; Political systems and their dynamics: empire, monarchies and republics; Family and demography. A special and in-depth examination of the diplomatic relations between the Holy See and continental and center Europe will be made.
Students will be able to understand the historical-political evolution of the central-eastern states during the modern age.
1)applying knowledge and understanding; Through the classroom discussion, individual study and, with the possible research carried out by study groups, students will be able to develop research projects, also by resorting to the examination of unpublished sources to be submitted to the judgment of the teacher and of those attending seminar meetings.
2)making judgements; Students will be able to analyze and synthesize original texts and documents they will be able to make independent judgments
3)communication skills; Attending students will have to present the results of the recommended and agreed critical readings at the beginning of the lessons, suitably integrated also by web searches.
4)learning skills The verification of the acquired knowledge will serve to highlight and fill any previous gaps.

Teacher's Profile

courseProgram

Course Overview
The course aims to provide students with an in-depth understanding of the history Europe during the long early modern period (from the 16th to the 19th century), with a specific focus on the use of images as a tool of power and a vehicle for collective memory. Through an interdisciplinary approach that integrates history, geography, literature, and visual history, the course seeks to:

Analyze the relationship between art and power in the Central and Eastern European regions, with particular attention to the dynamics of political legitimization and the influence of totalitarian experiences.
Examine the relationship between image and text**, understanding how visual representations have been used in literature and various media to influence culture and collective memory.
Investigate the genesis and dynamics of iconic memory**, both at the individual and collective levels, exploring the intersection of history and society.

Course Structure

Module 1: Introduction to the History of Central and Eastern Europe (16th-19th Century)
- Geographical and political context of Central and Eastern Europe.
- Power dynamics and international relations.
- Major historical events: Reformation, religious wars, multinational empires, revolutions, and restorations.

Module 2: Art and Power in the Eastern Europe
- The representation of power in visual arts.
- The iconography of power: sovereigns, national symbols, and propaganda.
- The totalitarian experience and the use of art for social control.

Module 3: Image and Text - Visual and Literary Culture
- The dialogue between image and literature: illustrations, engravings, and paintings.
- Media and propaganda: print, posters, and the construction of collective identity.
- Case studies: analysis of literary and artistic works as a reflection of society.

examMode

The exam will take place in oral form.
The exam will be divided into three parts corresponding to a minimum of three main questions or questions that will be put to the student.
The first will be aimed at ascertaining the general framework skills of the theme or of one of the topics dealt with in the course or in the texts, and serves to evaluate the argumentative and synthesis skills.
The second question will be aimed at verifying the ability to deepen and critically analyze one of the aspects that emerged from the treatment of the first question.
The third question will be aimed at assessing the degree of completeness of the information and accuracy of the preparation.

books

A History of Modern Poland From the Foundation of the State in the First World War to the Present Day
Di Hans Roos, Hans Otto Meissner · 1966
Poland: A Modern History Paperback – October 30, 2012
by Anita Prazmowska
God's Playground: A History of Poland, Vol. 1: The Origins to 1795 Paperback – May 31, 2005
by Norman Davies

mode

frontal lessons (40 hours) and seminars (8 hours)
First module (10 hours)
Illustration of the main themes of modern history in the countries of Central and Eastern Europe, in particular through the presentation of economic, social and family structures, changes in state forms, the sixteenth-century religious divide and the subsequent processes of religious control and social discipline, the end of the ancient regime between reforms and revolutions.
Second module (10 hours)
Poland is among the European states the one that has lived, from the modern age to the present, the most troubled existence. Crushed between two giants, the Russian and the German, canceled twice by the political paper and sometimes risen from their ashes and those of a continent upset by world conflicts that designated it the scene of the most serious human catastrophes of recent history, reconstituted by new frontiers, has recovered stability at the price of its political autonomy. Only the last twenty years, appealing to the determination and courage of all its social and intellectual forces, has regained full independence with the dissolution of the geopolitical system to whose crisis has made a decisive contribution. The course aims to retrace the most important events in the history of Poland to compare with those of continental Europe. Moments of union but also of division, of meetings but also of contrasts. Events that make Poland a laboratory? of unique ideas and institutional forms in the modern and contemporary Europe.
Third module (14 hours):
Analysis of the uncertain cultural and social identities in Central and Eastern Europe and their relationship with the Ottoman power in the modern age
Module IV (14 hours)
The Ottoman Christian conflict in the heart of Europe from the mid-1500s to the peace of Carlowits 1699.

classRoomMode

frontal lessons (40 hours) and seminars (8 hours)
First module (10 hours)
Illustration of the main themes of modern history in the countries of Central and Eastern Europe, in particular through the presentation of economic, social and family structures, changes in state forms, the sixteenth-century religious divide and the subsequent processes of religious control and social discipline, the end of the ancient regime between reforms and revolutions.
Second module (10 hours)
Poland is among the European states the one that has lived, from the modern age to the present, the most troubled existence. Crushed between two giants, the Russian and the German, canceled twice by the political paper and sometimes risen from their ashes and those of a continent upset by world conflicts that designated it the scene of the most serious human catastrophes of recent history, reconstituted by new frontiers, has recovered stability at the price of its political autonomy. Only the last twenty years, appealing to the determination and courage of all its social and intellectual forces, has regained full independence with the dissolution of the geopolitical system to whose crisis has made a decisive contribution. The course aims to retrace the most important events in the history of Poland to compare with those of continental Europe. Moments of union but also of division, of meetings but also of contrasts. Events that make Poland a laboratory? of unique ideas and institutional forms in the modern and contemporary Europe.
Third module (14 hours):
Analysis of the uncertain cultural and social identities in Central and Eastern Europe and their relationship with the Ottoman power in the modern age
Module IV (14 hours)
The Ottoman Christian conflict in the heart of Europe from the mid-1500s to the peace of Carlowits 1699.

bibliography

A History of Modern Poland From the Foundation of the State in the First World War to the Present Day
Di Hans Roos, Hans Otto Meissner · 1966
Poland: A Modern History Paperback – October 30, 2012
by Anita Prazmowska
God's Playground: A History of Poland, Vol. 1: The Origins to 1795 Paperback – May 31, 2005
by Norman Davies

Learning objectives

The subject of the course is Paleography, the discipline that studies the History of writing, and in particular of handwriting based on the Latin alphabet, in its different phases, from its origins to the diffusion of movable type printing.
Knowledge and understanding: The student will learn the fundamental principles and the proper method of Paleography, as well as the path traveled by the graphic system as a whole and through its branches, the techniques used to write in different eras, the process of producing the testimonies written and finally the products of this process themselves, in relation to their graphic aspect, whether they are books, inscriptions, documents or writings of an individual and private nature.
Applying knowledge and understanding: The student, thanks also to the exercises, at the end of the course will be able to identify the different epigraphic, book and documentary writings, dating and localizing them, to analyze single written testimonies, reading them critically and transcribing them correctly, recognizing alphabetic and accessory signs (interpunctives, orthographic and critical, numeral digits, etc.) and decipher the related compendia.
Making judgments: The student will acquire the tools to deal independently and critically with epigraphic, literary and documentary handwritten texts and to deepen their knowledge on the subjects of the discipline.
Communication skills: Students will be able to communicate clearly and correctly, even to non-specialists, the knowledge and skills acquired, the subject of Paleography, its methodology and its purposes.
Learning skills: Students will have acquired the tools and skills to continue the study of the discipline independently.

Teacher's Profile

courseProgram

The paleographic terminology. Media and writing tools (brush and scratch writing on plaster, wax tablets, papyrus, scroll and codex, parchment, paper). The paleographic transcription.
The first phase of writing: from its origins to Late Antiquity. The archaic Latin alphabet. The Epigraphic Capital. The uppercase cursive with scratch and quill. The Roman Book Capital. The origins of the Minuscule. The New Roman Cursive. The Uncial. The Semi-Uncial. The Chanceries scripts. Punctuation and abbreviations in the Roman Age. The “Nomina Sacra”.
The second phase of writing: origins and development of graphic particularism in the Early Middle Ages. The Insular scripts. The Merovingian minuscule. The Visigothic. Early medieval writings in Italy. The Papal Curial (Chancery) script. The Beneventan script. The abbreviation system in the Middle Age.
The third phase of writing: the return to the unity of writing in the High Middle Age. The Caroline minuscule. The “Romanesca” minuscule. The Diplomatic minuscule.
The fourth phase of writing: the Gothic era. The Transition minuscule. The “Littera textualis” and the “Litterae scholasticae”. The “Cancelleresca” minuscule. The Merchant script. The French Bastard.
The fifth phase of writing: the reaction to Gothic writing and the scripts of Humanism and Renaissance. Francesco Petrarca and the Semi-gothic. Coluccio Salutati and the “Pre-antiqua”. Poggio Bracciolini and the “Antiqua” or Humanistic minuscule. Niccolò Niccoli and the Humanistic cursive. The Semi-gothic cursive scripts (“Semigotiche delle carte”). The Humanistic Epigraphical Capital. Handwriting in Italy after the invention and diffusion of printing: “Antiqua tonda” and “Italica”.

examMode

To take the oral exam, it is necessary to have passed a pre-exam in time, focused on: paleographic terminology; the subjects, tools and techniques of the manuscript book; the abbreviations of the Roman Age and the Middle Ages; the “Nomina Sacra”; the writings of the Roman Age and the Early Middle Ages; the reading, transcription and commentary of some paleographic tables examined during the lessons and exercises.
The oral exam focuses on: the scriptures from the Carolingian Age to the Early Modern Age; the reading, transcription and commentary of some paleographic tables examined during the lessons and exercises.

books

- Armando Petrucci, “Breve storia della scrittura latina”, Roma, Bagatto Libri, 1992.
- Paolo Cherubini, “La scrittura latina: storia, forme, usi”, Roma, Carocci Editore, 2019.
- Lecture notes and palaeography tables distributed during lessons and exercises. Many tables are taken from: “Paleografia latina. Tavole”, edited by Paolo Cherubini, Alessandro Pratesi, Città del Vaticano, Scuola Vaticana di Paleografia, Diplomatica e Archivistica, 2004.

mode

The lessons, which will be held in person except for specific situations and particular emergencies, will all be broadcast live and recorded on the digital platform of the University.

classRoomMode

Attendance to lessons and exercises is highly recommended. In any case, lessons and exercises are all registered and are available on the digital platform of the University.
Students who cannot attend lessons and intend to take the exam are required to contact the teacher at the beginning of the course, by telephone or WhatsApp (3509442575) or by e-mail (fm.cardarelli@unitus.it), indicating their telephone number.

bibliography

- Armando Petrucci, “Breve storia della scrittura latina”, Roma, Bagatto Libri, 1992.
- Paolo Cherubini, “La scrittura latina: storia, forme, usi”, Roma, Carocci Editore, 2019.
- Paolo Cherubini, Alessandro Pratesi, “Paleografia latina. L’avventura grafica del mondo occidentale”, Città del Vaticano, Scuola Vaticana di Paleografia, Diplomatica e Archivistica, 2010.
- Giorgio Cencetti, “Lineamenti di Storia della scrittura latina”, Bologna, Pàtron Editore, 1997.
- “Paleografia latina. Tavole”, edited by Paolo Cherubini, Alessandro Pratesi, Città del Vaticano, Scuola Vaticana di Paleografia, Diplomatica e Archivistica, 2004.
- Marco Cursi, “Le forme del libro. Dalla tavoletta cerata all’e-book”, Bologna, Il Mulino, 2016.

Learning objectives

The Geography course aims to provide analyses and insights into the geographical realities of the various branches of the discipline, methodological and technological innovations and the positive effects on teaching, also through the acquisition of soft skills, simulations and gamification.
The future geography teacher must be able to critically and operationally navigate the sources and tools of a constantly evolving discipline.
The course intends to develop critical skills that will allow them to work individually, or in groups on autonomous projects also through, lateral thinking, or creative thinking, questioning stereotypes and commonplaces that accompany the study of geography.
Group work and cooperative learning is the basis of the entire knowledge process, so that the student will be able to work on formative and didactic processes.
Expected learning objectives at the end of the course, the student should be able to:
1. To know and understand the main elements characterising geography and, in particular, the didactics of geography and the geography of tourism.
2. Know how to analyse and understand the theoretical elements acquired, in actions and policies on the territory, with concrete examples, business plans, swot analysis, study and application of case studies.
3. The student should be able to make personal judgements concerning the geography of tourism and the didactics of geography.
4. The student should be able to adequately communicate the knowledge and skills acquired in the course of study using the specific vocabulary.
5. The student must be able to independently understand and interpret phenomena concerning the geography of tourism and the didactics of geography, including those do not present in the course.

Teacher's Profile

courseProgram

The 48-hours program is divided into a mixed mode, also in the presence of experts in the field. The lessons consist of a theoretical basis, a group exercise and classroom discussion of the results and processes.

Teaching uses simulations, distance learning, elaborated, personal and group research. The teaching takes into account all the special needs of the students.

The lessons aim to train future teachers with a wide range of skills in the fields of disciplinary and interdisciplinary teaching, as well as those related to the important social and educational dimension of the subject.

In addition to acquiring specific knowledge and skills, the student will acquire analytical, critical skills and improve his ability to work in a team.

It is expected that the learner will learn an innovative teaching of Geography, which accompanies lectures, workshops, direct surveys on the ground, using reliable and updated sources, using information technologies in disciplinary teaching and forms of participatory teaching.

examMode

The learning is verified also in the way, for this the presence is recommended, even if not obligatory.

The ongoing evaluation will take place with an individual and group final project. The exam will be oral, with examples of preparation of a didactic unit of geography.

books

1. G. De Vecchis, D. Pasquinelli D'Allegra, C. Pesaresi. Didattica della Geografia. Edizione 2020, UTET Università.

2. Teacher’s slides.

classRoomMode

Not mandatory, but recommended.

Learning objectives

Over time, travel literature, in particular travel to the East, has been a source of valuable documentation of otherwise little-known realities, but has also contributed to the construction, in the so-called Western culture, of stereotyped visions far from actual reality. This has been repeatedly highlighted, in particular since the publication of Edward Said's Orientalism (1978) and subsequently in numerous other works resulting from the intense debate that Said's work has brought to light. The course, which focuses primarily on travel documentation in Iran and adjacent areas in the nineteenth century, aims to provide students with the basic tools to (1) recognize whether and to what extent the travel records of European travelers in Western and Central Asia, and specifically in Iran, have been used to create a concept of negative otherness; (2) to know the social and cultural reality of the Iranian world in the Qajar era (XIX - early XX century), through the analysis of the experiences of some typologically very different Italian travelers and the documentation that has come down to us of their experiences; (3) understand the interdisciplinary value of information conveyed by travellers; (4) to evaluate the socio-cultural environment of origin and the ideological formation of travellers, which have strongly influenced their experiences and analyses transmitted directly or indirectly in travel reports. More in detail, after a brief review of the type of Italian travelers in Iran over the centuries, the travelers who will be treated, compared, and whose image of the culture and people of those places will be evaluated, are: (1) Gaetano Osculati, traveler and scholar of natural sciences and Felice De Vecchi, painter passionate about natural sciences and archeology, traveling together in Iran in 1841 (G. Osculati, Note d'un viaggio nella Persia e nelle Indie Orientali; F. De Vecchi, Giornale di carovana); (2) Joseph Anaclerius, military resident in Persia from 1862 to 1865 (Anaclerius, Persia descritta); (3) Eteocle Lorini, Italian economist and politician, resident in Persia 1897-1899 to write a monograph on behalf of the Italian Ministry of the Treasury (E. Lorini, La Persia economica contemporanea).

Expected learning outcomes at the end of the course: 1) (Knowledge and understanding) basic knowledge of the historical and cultural reality of some phases of the history of Iran - in particular, Qajar era (XIX – initial part of XX) and Pahlavi era (XX century); 2) (Applied knowledge and understanding) critical ability to read travel reports, identifying stereotypes generated by the cultural and ideological formation of travelers and conveyed over time; the students will also be able to use the acquired knowledge to better understand, analyze and describe the contemporary political processes of the geopolitical area examined; 3) (Making judgments) flexibility of judgment and ability to compare and choose based on a vision of Iran and the Middle East area more critical than that of Eurocentric orientation, commonly widespread, also thanks to travel literature; 4) (Communication skills) acquisition of communication techniques appropriate to the description of the problems treated thanks to the involvement of students in the laboratory activities carried out during the course and to the forms of verification in itinere; 5) (Learning skills) ability to critically read the travel literature concerning Iran and other Middle Eastern countries of different historical periods and to adequately use basic bibliographic and historical research tools; these skills are acquired thanks to joint laboratory activities and those of individual in-depth study.

Teacher's Profile

courseProgram

• Problems characterizing the study of travel literature and in particular of travel in Western and Central Asia. The concept of 'orientalism', starting from E. Said, and development of the discussion on the subject.
• General information on the Iranian and Islamic world, in particular Shiite (introduction aimed at placing the proposed themes in a critical historical framework)
• The Qajar dynasty in Persia (late eighteenth – early twentieth century) and the conditions of Persia at the beginning of modernization.
• Il viaggio di Osculati e De Vecchi in Persia (1841): reading and commentary of passages from Note d'un viaggio nella Persia and Giornale di carovana.
• The permanence of Giuseppe Anaclerio in Persia (1862-1865): reading and commentary of passages from La Persia descritta;
• The economic studies of Eteocle Lorini and his stay in Iran in 1897-1899: reading and commentary of passages from La Persia economica contemporanea.

examMode

The oral test will be aimed at ascertaining the knowledge acquired on the the topics of the course and the subjects discussed during the seminarial activities. Special attention will also be paid on the critical ability to deal with the main topics as well as to the mastery of Italian and clarity of presentation. All these factors contribute to the determination of the final judgement. There will be a discussion of a written paper; the subject of the paper has to be agreed in advance.

books

Selected passages from:

G. Anaclerio, La Persia descritta. Relazione di un viaggio, Napoli 1863 https://archive.org/details/bub_gb_LnqKbpXSZrwC

F. De Vecchi, Giornale di carovana. Brano di un Viaggio nell’Armenia, Persia, Arabia ed Indostan, fatto negli anni 1841-42, 2 voll., Milano 2016 (in part. volume secondo)

E. Lorini, La Persia economica contemporanea e la sua questione monetaria, Roma 1900 https://archive.org/details/persiaeconomicac00lori

G. Osculati, Note d'un viaggio nella Persia e nelle Indie Orientali, negli anni 1841, 1842, Milano 1844 https://archive.org/details/bub_gb_xiK_QPsi5bkC/page/n1/mode/2up


Additional teaching material will be distributed during the course. Non-attending students are asked to contact the teacher.

mode

Frontal classes and seminar activities (at least eight hours of seminar activities).

classRoomMode

Attendance at the course is optional, although strongly recommended. In addition to facilitating the development of a critical vision on the topics studied during the course, it will give students the opportunity to verify in itinere the acquisition of the skills necessary to obtain the exam.
Non-attending students are requested to contact the teacher for in-depth materials.

bibliography

E. Said, Orientalismo (traduzione italiana), Torino, Bollati Boringhieri, 1991 (e successive ristampe).

Learning objectives

Training objectives
The main purpose of the course is to provide students with basic knowledge of history of art exhibition's between XVII century and 1930 with a discussion on contemporary examples on digital museology and exhibitions. This art exhibition's history will be related to historical context of museums for a basic knowledge of italian cultural heritage history.
Expected learning outcomes. At the end of the course students will be able to:
1. Know briefly the development of the history of exhibitions and museums (Knowledge and understanding)
2. Know and distinguish the different types of exhibitions and displays over the centuries up to the current era (Applied knowledge and understanding)
3. Evaluate the different meanings assumed in Museology of international terminology compared to the conceptions formulated historically in Italy (Autonomy of judgement)
4. Present case studies independently chosen from those examined in the program (Communication skills)
5. Evaluate further national or international examples of exhibitions or museums (Ability to learn)

Teacher's Profile

courseProgram

The birth of the art exhibitions in XVII century; features of the first art exhibitions in Italy, France, Great Britain; Terminology problems related to museum history; historical events of museums from the eighteenth century to present; Impressionists’ and avantguard’s exhibitions; Case studies on digital Museology and virtual exhibitions.

examMode

Oral examination on books assigned with critical comparison between bibliographical sources.
Three basic questions will be asked on the main exam texts, requiring knowledge of the topics, their critical understanding and the adoption of an appropriate italian language.

books

1) F. Haskell, La nascita delle mostre, Skira, Milano 2002, pp. 23-111; 147-188.
2) S. Rinaldi, F. Ricci, Museologia e storia dell'arte nella Tuscia, ArcheoAres, Viterbo 2014 (pdf on Moodle).
3) S. Rinaldi, Arte Contemporanea. Le tecniche pittoriche dall’Impressionismo all’Astrattismo, Carocci, Roma 2024.
Same books for non-attending students.
www.amazon.it
www.ibs.it
https://www.libreriauniversitaria.it

mode

face-to face Lessons by power point and videos projection.

classRoomMode

Attendance at lessons is optional.

bibliography

M. Barbanera, Il museo impossibile, Roma 2013.
L. Cataldo-M. Paraventi, Il museo oggi. Modelli museologici e museografici nell’era della digital transformation, Milano 2023.
T. W. Gaehtgens-L. Marchesano, Display and Art History: the Duesseldorf Gallery and its Catalogue, Los Angeles 2011.
F. Haskell, The King's Picture: the formation and dispersal of the collections of Charles I and his courtiers, New Haven 2013.
M.V. Marini Clarelli, Il museo nel mondo contemporaneo. La teoria e la prassi, Roma 2011.
M. Marroni, Canino, museo a cielo aperto di Luciano Bonaparte, ed. Silvio Pellico 2014.
M.C. Mazzi, In viaggio con le Muse, Edifir, Firenze 2005.

Teacher's Profile

courseProgram

The birth of the art exhibitions in XVII century; features of the first art exhibitions in Italy, France, Great Britain; Terminology problems related to museum history; historical events of museums from the eighteenth century to present; Impressionists’ and avantguard’s exhibitions; Case studies on digital Museology and virtual exhibitions.

examMode

Oral examination on books assigned with critical comparison between bibliographical sources.
Three basic questions will be asked on the main exam texts, requiring knowledge of the topics, their critical understanding and the adoption of an appropriate italian language.

books

1) F. Haskell, La nascita delle mostre, Skira, Milano 2002, pp. 23-111; 147-188.
2) S. Rinaldi, F. Ricci, Museologia e storia dell'arte nella Tuscia, ArcheoAres, Viterbo 2014 (pdf on Moodle).
3) S. Rinaldi, Arte Contemporanea. Le tecniche pittoriche dall’Impressionismo all’Astrattismo, Carocci, Roma 2024.
Same books for non-attending students.
www.amazon.it
www.ibs.it
https://www.libreriauniversitaria.it

mode

face-to face Lessons by power point and videos projection.

classRoomMode

Attendance at lessons is optional.

bibliography

M. Barbanera, Il museo impossibile, Roma 2013.
L. Cataldo-M. Paraventi, Il museo oggi. Modelli museologici e museografici nell’era della digital transformation, Milano 2023.
T. W. Gaehtgens-L. Marchesano, Display and Art History: the Duesseldorf Gallery and its Catalogue, Los Angeles 2011.
F. Haskell, The King's Picture: the formation and dispersal of the collections of Charles I and his courtiers, New Haven 2013.
M.V. Marini Clarelli, Il museo nel mondo contemporaneo. La teoria e la prassi, Roma 2011.
M. Marroni, Canino, museo a cielo aperto di Luciano Bonaparte, ed. Silvio Pellico 2014.
M.C. Mazzi, In viaggio con le Muse, Edifir, Firenze 2005.

Learning objectives

The course aims to strengthen the possession of a conscious and critical knowledge of the topic treated and developed in class. If there is availability, seminars will be organized, during which specific topics will be illustrated by the students.

Teacher's Profile

courseProgram

After providing an introduction to dramatic production from the 5th century up to Rome and explaining the complex theatrical activity in Athens, the teacher will read Aeschylus's Persians (in Italian) to highlight both scenic and poetic issues in this tragedy and its author.

examMode

Oral examination.
Questions will be asked on the topics covered in the lecture and in this way the understanding of the topics will be investigated.

books

Eschilo. I Persiani, a cura di M. Centanni, Feltrinelli, o Eschilo. I Persiani, a cura di F. Ferrari, BUR
Storia del teatro greco, a cura di M. Di Marco, Roma, Carocci 2020
G. Paduano, IL TEATRO ANTICO. GUIDA ALLE OPERE, ROMA-BARI LATERZA 2018, pp. 51-86
V. Di Benedetto, Euripide. Teatro e società, Torino, Einaudi, pp. 223-319
Lettura in italiano della Lisistrata di Aristofane (ed.a scelta tra BUR, Garzanti, Carocci) e lettura in italiano del Miles gloriosus (Il soldato fanfarone) di Plauto.

classRoomMode

Attendance not mandatory. Non-attending students can request a meeting with the teacher to establish an integrative program.

bibliography

Eschilo. I Persiani, a cura di M. Centanni, Feltrinelli, o Eschilo. I Persiani, a cura di F. Ferrari, BUR
Storia del teatro greco, a cura di M. Di Marco, Roma, Carocci 2020
G. Paduano, IL TEATRO ANTICO. GUIDA ALLE OPERE, ROMA-BARI LATERZA 2018, pp. 51-86
V. Di Benedetto, Euripide. Teatro e società, Torino, Einaudi, pp. 223-319

Learning objectives

Enhancement and strengthening of musicological skills, with particular reference to the history of Western music, as well as Popular music and World music, through the use of analytical and critical methodologies. Strengthening skills in ethnomusicology, and music in cinema, in techniques and media for the production and diffusion of sounds.

Expected learning outcomes:

1) Know the main characteristics of the history of music and understand its diachronic development; learn the debates that have characterized musicology (since 1881 onwards)
2) Know how to analyze the history of music; know how to comment on the debates of the discipline with musicological terms
3) Know how to formulate independent judgments on the course topics
4) Knowing how to communicate what has been learned appropriately
5) Know how to interpret musical phenomena not included in the program

Teacher's Profile

courseProgram

The course provides an introduction to music history in Europe from the age of Dante to the 20th century, and follows a multidisciplinary narrative taking both critical, aesthetic and social and cultural history issues into account. The learning process starts from a series of music listening sessions and musical experiences to especially focus on basic subject matters, concepts and vocabulary in the discourses on long-term music history, with reference to repertoires, genres and styles, ideas and methods of production and circulation, musicians, audiences and other 'agents', also through individual insights.

examMode

There will be an interview, in which the competences acquired within the discipline by reading the recommended bibliography and the ability to express complex concepts through an oral discourse are evaluated.

books

Selected chapters from Musiche nella storia dall’età di Dante alla Grande Guerra, ed. by Andrea Chegai et al., Carocci, Roma 2017. Additional bibliography will be announced during the first lessons. Suggestions will be provided during the lessons with reference to listening examples and teaching aids.

classRoomMode

Not mandatory. The lectures will be accompanied by laboratory activities carried out in class under the direct guidance of the teacher.

bibliography

Storia della musica, 12 voll., EDT, Torino 2022. Enciclopedia della musica, 5 voll., diretta da Jean-Jacques Nattiez, Einaudi, Bologna 2001-2005. Enciclopedia della musica, Garzanti, Milano 2022.

CHOICE GROUPSYEAR/SEMESTERCFUSSDLANGUAGE
MODULE II -8 - -
15210 - RUSSIAN LITERATURE

RAFFAELE CALDARELLI

First Year / First Semester 8L-LIN/21ita
14593 - FRENCH LITERATURE

ROBERTO ROMAGNINO

First Year / First Semester 8L-LIN/03ita
120289 - EDUCATIONAL LINGUISTIC

SIMONE CASINI

First Year / First Semester 8L-LIN/02ita
14605 - ENGLISH LITERATURE

VALERIO VIVIANI

First Year / Second Semester 8L-LIN/10ita
MODULE II -8 - -
14581 - ROMANCE PHILOLOGY AND LINGUISTICS

GIOVANNA SANTINI

First Year / First Semester 8L-FIL-LET/09ita
119673 -

DINO DE SANCTIS

First Year / First Semester 8L-FIL-LET/05ita
14579 - LATIN LANGUAGE AND LITERATURE

ALESSANDRO FUSI

First Year / Second Semester 8L-FIL-LET/04ita
MODULE II -8 - -
14587 - ITALIAN LINGUISTICS

STEFANO TELVE

First Year / First Semester 8L-FIL-LET/12ita
14703 - GREEK LITERATURE

MADDALENA VALLOZZA

First Year / First Semester 8L-FIL-LET/02ita
15211 - MEDIEVAL ART HISTORY

EVA PONZI

First Year / Second Semester 8L-ART/01ita
14525 - CONTEMPORARY ITALIAN LITERATURE

CARLO SERAFINI

First Year / Second Semester 8L-FIL-LET/11ita
NEW GROUP -6 - -
13310 - FORMATION TRAINING AND ORIENTINGFirst Year / First Semester 6ita
13311 - FURTHER JOB SKILLSFirst Year / First Semester 6ita
NEW GROUP -8 - -
15602 - ENGLISH LANGUAGE FOR COMMUNICATION

ALBA GRAZIANO

First Year / Second Semester 8L-LIN/12ita
119674 -

SONIA DI VITO

First Year / Second Semester 8L-LIN/04ita
MODULE II -8 - -
14567 - PHONETICS AND PHONOLOGY

AMEDEO DE DOMINICIS

Second Year / First Semester 8L-LIN/01ita
118462 -

SIMONA RINALDI

Second Year / First Semester 8L-ART/04ita
14650 - GREEK LITERATURE

MADDALENA VALLOZZA

Second Year / First Semester 8L-FIL-LET/02ita
12974 - LITERARY CRITICISM AND COMPARATIVE LITERATURE

DANIELA MANGIONE

Second Year / Second Semester 8L-FIL-LET/14ita
MODULE II -8 - -
14556 - CONTEMPORARY HISTORY

MARCO SALVATORE PAOLINO

Second Year / First Semester 8M-STO/04ita
14554 - MODERN HISTORY

MATTEO SANFILIPPO

Second Year / First Semester 8M-STO/02ita
14720 - ROMAN HISTORY

ALESSIA TERRINONI

Second Year / Second Semester 8L-ANT/03ita
MODULE II -8 - -
12997 - HISTORY OF CENTRAL EUROPE

FRANCESCA DE CAPRIO

Second Year / First Semester 8M-STO/02ita
15217 - GEOGRAPHY

TONY URBANI

Second Year / First Semester 8M-GGR/01ita
MODULE II -8 - -
18166 - DIGITAL PUBLISHING

FEDERICO MESCHINI

Second Year / First Semester 8M-STO/08ita
18153 - HISTORY IF WRITING

FRANCESCO MARIA CARDARELLI

Second Year / First Semester 8M-STO/09ita
14561 - LATIN LANGUAGE AND LITERATURE

ALESSANDRO FUSI

Second Year / Second Semester 8L-FIL-LET/04ita
MODULE II -8 - -
17534 - SOCIOLOGIA DEI CONSUMI E PUBBLICITA'

GIOVANNI FIORENTINO

First Year / First Semester 8SPS/08ita
14556 - CONTEMPORARY HISTORY

MARCO SALVATORE PAOLINO

First Year / First Semester 8M-STO/04ita
14720 - ROMAN HISTORY

ALESSIA TERRINONI

First Year / Second Semester 8L-ANT/03ita
15243 - CULTURAL ANTHROPOLOGY

FRANCESCO DE MELIS

First Year / Second Semester 8M-DEA/01ita
NEW GROUP -8 - -
14587 - ITALIAN LINGUISTICS

STEFANO TELVE

First Year / First Semester 8L-FIL-LET/12ita
14525 - CONTEMPORARY ITALIAN LITERATURE

CARLO SERAFINI

First Year / Second Semester 8L-FIL-LET/11ita
NEW GROUP -8 - -
14581 - ROMANCE PHILOLOGY AND LINGUISTICS

GIOVANNA SANTINI

Second Year / First Semester 8L-FIL-LET/09ita
14567 - PHONETICS AND PHONOLOGY

AMEDEO DE DOMINICIS

Second Year / First Semester 8L-LIN/01ita
18166 - DIGITAL PUBLISHING

FEDERICO MESCHINI

Second Year / First Semester 8M-STO/08ita
14579 - LATIN LANGUAGE AND LITERATURE

ALESSANDRO FUSI

Second Year / Second Semester 8L-FIL-LET/04ita
NEW GROUP -8 - -
12997 - HISTORY OF CENTRAL EUROPE

FRANCESCA DE CAPRIO

Second Year / First Semester 8M-STO/02ita
18153 - HISTORY IF WRITING

FRANCESCO MARIA CARDARELLI

Second Year / First Semester 8M-STO/09ita
15217 - GEOGRAPHY

TONY URBANI

Second Year / First Semester 8M-GGR/01ita
119677 -

ELINA FILIPPONE

Second Year / Second Semester 8L-OR/14ita
MODULE II -8 - -
118462 -

SIMONA RINALDI

Second Year / First Semester 8L-ART/04ita
119673 -

DINO DE SANCTIS

Second Year / First Semester 8L-FIL-LET/05ita
118108 - HISTORY OF MUSIC

GIORGIO MONARI

Second Year / Second Semester 8L-ART/07ita